The SD8 incorporates the Stealth Digital Processing, based on the single Super FPGA and combined with Analogue Devices Tiger SHARCS, creates the Tiger SHARC FX engine. This provides audio quality, precision and processing power with an extensive range of built-in, reverbs, dynamics, output matrix and more.
The SD8's control surface has
Recently the venue underwent a complete refurbishment, and DM Audio, which has a long association with the entire Globe complex (including the Annex and Hovet) was awarded the contract to upgrade the audio infrastructure.
DM Audio's Lars Wern has been using QSC Audio's RAVE DSP signal transport platform almost since its inception - most notably at the Y2000 Eurovision Song Contest at the Globe, and the company subsequently carried out a major installation within the 85m high venue.
At the Hovet Icehockey Arena, DM Audio's Jan Petersson designed the sound system in stereo -
Eclipse's DSP engine enables you to mix up to 104 inputs simultaneously into 48 mix busses with the capacity to manage up to 320 inputs on the console using up to five remote audio racks. The control surface is furnished with 48 faders and 48 fully configurable rotary knobs (spread over four layers). The concept is called SmartPanel and effectively gives you 96 "faders", taking InnovaSON's original SmartFAD concept to the next level.
According to InnovaSON's product manager and designer o
In addition to the recent sale of EV's XLD and XLE modules to APR Audio, Shuttlesound is pleased to welcome five rental companies into the EV family: Clear Sound, based in Stratford-upon-Avon; CWS, based in Peterborough; Ethix, based in London; Leisure Tech, based in Wigan; OneBigStar, based in Nottingham.
CWS, Clear Sound and Ethix have all invested in EV's XLC system which has been revitalised by the recent DVX upgrade, which brings EV's new 12-inch low-frequency/mid-bass woofers into the XLC127 cabinets, improving high-SPL stability and full-bandwidth intelligibility.
Colin Smith, proprietor of CWS, explains that: "we were renting in line-array systems up to ten times
Available in 16, 24, 32, 40 and 48 mono mic/line input channels, ProDesk-4 includes four stereo line only input channels, each selectable from two different input sources and controlled from 100mm faders with stereo EQ and access to all aux buses. All mono input channels also include internally illuminated Mute and PFL switches, six segment channel metering, 48 Volt Phantom Power switch with LED, mic/line, Pad and Polarity Reverse switches.
The ProDesk-4 input channels are similar to those used on ProRack mixers, while the cosmetics are identical to Spectra consoles. The side panels, armrest, and bridge assembly are modeled on Spectra. ProDesk's internal electronics and components are derived directly from th
Developed specifically for small- and mid-sized performance venues, houses of worship, touring, and fixed installations, or as a drop-in upgrade for existing analogue systems, the D-Show Profile Mix Rack System combines a D-Show Profile console with the new Mix Rack, a compact 11-space rack enclosure that incorporates all audio I/O (stage and local) and DSP into a single chassis.
The resulting system combination offers a compact, portable, and cost-effective way to take advantage of the power and flexibility of Venue, including native control of an extensive library of TDM plug-ins and tight integration with Pro Tools software for live multitrack recording and playbac
Ateis' MD Neil Voce commented: "I am personally really delighted to welcome HD Pro Audio on board as a main distributor of Ateis products. Both companies are new ventures in the UK and this means fresh thinking and the positive attitude we need to succeed. The two companies, particularly with Andy, offer complementary skill sets and backgrounds and these will combine well to ensure customers get a first class service."
HD Pro Audio's Andy Huffer added: "What we like to do here is combine great products with great support, and Ateis have a fantastic range of products that are suitable for a wide range of
Tour News - With a canon of classic songs, unbowed enthusiasm and his musical faculties still sharp, Stevie Wonder has opened his first European tour for a decade. The US star took fans at Birmingham's National Indoor Arena on a two-hour journey through almost 50 years of songs that helped shape soul and pop. A sold-out crowd of 13,500 saw him play with a 10-strong band and four backing singers, including his daughter Aisha. Wonder, 58, now visits Manchester and London before other European cities.Festival News - Amy Winehouse has played her last scheduled show of the year
Presented during the PLASA Awards for Innovation on the second night of PLASA08, and named in honour of the late designer, developer and commentator Tony Gottelier, this award aims to recognise innovative developers who have made a significant contribution to the advancement of the equipment and tools that enable entertainment technology practitioners to continually push the boundaries of event production, presentation and installation.
Voted for by the industry, the Award was presented to John Stadius by Tony's wife Susie.
Stadius is a distinguished audio designer: in 1978, he joined Soundtracs PLC, designing disco consoles, mixers, power amplifiers and speakers. As technical director between 1980-1994, he continued to design a wide range of ana
Secret Garden has been touring China, Korea and Norway since April with two Soundcraft Vi6 consoles and AKG microphones. The last concert of the tour was a special outdoor show incorporating a 27-piece symphony orchestra in the band's hometown of Kristiansand, Norway. With the orchestra and nine musicians/singers on stage, the need for more than 64 channels was obvious.
"When we planned this gig earlier this summer we aimed to use a third Vi6 for the orchestra, but the timing for a stable beta version of the new V3 software was perfect to make it possible to just add, a DSP card in the FOH local rack and a second stagebox to run the required 95 channels from one co
System-wide events can now also be triggered from device-specific error conditions, such as recalling a preset for a zone based on the conditions of individual amplifiers. A user-definable selection of controls can be automatically readdressed to different devices/parameters on a Custom Control Panel in a few simple steps, and advanced zonal control is now possible. A Fast Meter control has been added for improved meter response and device synchronization has been simplified and improved.
"With System Architect
"PLASA is a great opportunity for us to showcase the D7 along with all of its advantages and upgrades. Since the release at InfoComm, the D7 has been featured by famous recording artists and utilised in popular," states Alfred Reinprecht, vice president of marketing for AKG.
"The D7 microphone is one of the greatest microphones in the industry for vocals, and we are very pleased with the amount of positive attention that it is receiving. We are dedicated to providing an
John Midgley, Polar Audio's managing director, says, "We look forward to educating UK markets about Aviom's solutions and to creating additional business opportunities for Aviom's full line of products. Because Aviom systems are modular and scalable, they are ideal for a broad range of applications, including those requiring high-fidelity digital snake and audio networking solutions."
With its expanding applications from monitor mixing and digital snakes to networking and audio conferencing solutions, Aviom expects to increase its market share in the UK as it is introduced to Polar Audio's broad customer base, which ranges in market segments from broadcast to conferencing, to live sound and recording, to audio visual installations.
"Because of its vast experience in design and custom
The systems for the Hacker, Weinzelt, Armbrustschtzen and Lauenbrau tents are provided by Max Ihm and Andreas Wallisch of LUTV of Forstinning.
At the Lauenbrau tent 12 JBL Professional Vertec VT4887 compact line array elements and eight JBL P744 1x18" subwoofers will be powered by eight Crown I-Tech IT4000 Series amplifiers with mixing by a 48-channel Soundcraft Series 4 console and processing by BSS Soundweb 9088 networked signal processor. Four JBL SRX712M monitor wedges will be joined onstage with a battery of AKG microphones.
At the neighboring Armbrustschtzen tent, a similar loudspeaker lineup of 12 JBL Professional VT4887 compact line array elements, eight JBL P744 s
New features in v1.3 include engineers' fader strips for wedge and in-ears, which allow separate fader control and dedicated outputs to the operator's listen wedge and IEM personal system. Optional processing and aux monitor mixes can be assigned to wedge or IEM strips, automatically appearing in the desired monitor when auditioned.
Another key feature is the addition of Real Time Analyzer (RTA) to enable the engineer to quickly identify feedback, tune room acoustics, and tailor the onstage monitor wedges. Accessed via the PAFL system, the frequency content of any input or mix, and the spectrum of the main mix, can be viewed on screen and on meters
The scholarship programme was announced in 2007 by Meyer Sound Laboratories, Inc., in conjunction with Meyer Sound España, S.A. and ESAMA, to recognize the academic excellence of five first-year students.
This year's awards were presented to David Carrasco Santos, Manuel Lazaro-Carrasco Sierra, Jose Carlos Martinez Salas, Antonio Ramos Garcia, and Alonso Velasco Tavora during the graduation ceremonies held at the Hotel Silken Al-Andalus. They each received a grant of 1,000 euros toward tuition for the following semester.
"The award is a great motivation," said award-winning student David Carrasco Santos. "We're grateful to Meyer Sound not only for the money, but for the recognition."
Meyer Sound's ever-expa
Adamson and Hire Company Atomic Professional Audio based in Rutland, Vermont, sponsored the 2008 concert sound system. Adamson concurrently hosted a clinic on sound system design and technology aimed for church facilities of all sizes and styles of worship.
The clinic which was held immediately following Matthew West's sound check on the FreedomFest main stage, featured Benoit Cabot (Adamson tour support) and Adam MacGillivray (Adamson sales & support) covering fundamentals of system design, demonstration of Shooter, Adamson's predictive sound design software, along with various Adamson speaker products.
Sound design for
Crisp, who has left by mutual consent, joined the major German electronic suppliers from Numark Alesis Europe late last year and made an immediate impact.
Commented Marco Willroth, managing director of Monacor International: "We would like to thank Damon for his input and commitment, and wish him every success in his future endeavours."
Taking over as managing director, Monacor UK, is Scott Davis, a veteran of the company for the past 13 years. "This is a great opportunity for me to step up from purely an operational and sales role," said Davis.
(Jim Evans)
Simon Cox, PRG Greenford's deputy warehouse manager, has long been the crew chief and organiser for the company's extensive PLASA stands. However, after three years on a waiting list for a kidney transplant, Simon was given "the call" just seven days before PLASA and rushed into hospital. The rest of the PRG team rallied to the fore and were delighted and amazed to see Simon well enough to visit the show to see how they were getting on.
Everyone at PRG is delighted to see Simon doing so well and look forward to having him back to work after the great work by the transplant team at Hammersmith Hospital.
Pictured from left to right are Chris Henry (freelance), Phil Sharp (grubby lampy), Simon Cox (complete with new
"We¹ve known Ian (Jones, HHB managing director) for many years and have admired what HHB has achieved with its location recording products," says Syntec managing director Bob Sloss. "When the FlashMic came along we just had to get involved, and we¹re equally excited about the UDP-89 and CDR-882 DualBurn."
HHB's Ian Jones says: "It makes a lot of sense to consolidate our distribution in Australia and New Zealand and Syntec was the obvious choice. In terms of product range, philosophy and even co
Howard Marks was compere for the event, which involved two days of music across five stages - three for live music and two DJ tents - and the annual surf awards.
SPS Systems managed the PA requirements for the event, with support from fellow hire companies APR Audio, Evosound and Fearless Audio. Two iDR10 stage racks with iLive-144 control surfaces were selected for the FOH and monitors on the main stage, with an iDR10 and iLive-112 surface on the second Local Heroes stage managing both functions. Also managing FOH and monitors, there was an iDR10 with the compact iLive-80 surface for the Rabbit Hole tent, which requir
Unveiled at the show are the AT2035 large-diaphragm condenser, AT2050 multi-pattern large-diaphragm condenser, AT4021 cardioid and AT4022 omni-directional condensers - the new broadcast and production models are the AT8022 X/Y stereo microphone and BP4025 X/Y stereo field recording microphone.
Sound designer of the Games Dennis Baxter is giving daily seminars on the Audio-Technica stand throughout IBC.
Richard Garrido, Audio-Technica Europe's president said, "We are very pleased that Dennis Baxter is able to join us at IBC this year. To have someone of Dennis's expertise being able share his knowledge with visitors
Peter Janis, president of Radial, commented, "Over the past few years, SDUK has been tremendously successful with our Radial professional products. They have done a terrific job at elevating the awareness of our direct boxes and audio distro systems throughout the UK. Recently, SDUK also took on our Primacoustic brand with vigour. It only makes sense for us to consolidate the last piece of the puzzle and bring our Tonebone pedal range into the fold.
"The timing could not be better either. We've just released the Radial PZ-Pre acoustic instrument preamp to our international customers and it has immediately leaped to become our best selling Tonebone pedal. We also anticipate to deliver the new Bones pedals within the next 60 days whi
The new power mixer features two microphone inputs with 48 V phantom voltage, plus two phone jacks, while the left one is a stereo input for easy connection to appliances such as MP3 players.
The GPX2500 power mixer delivers four times 100W r.m.s. into a four ohm load. Two of the amplifiers are used for the stereo output and one each for the two monaural zones.
A very special feature for the entertainment industry is the built-in multi band limiter made by THAT Corp, that allows reduction of all output levels up to 30 dB.
(Jim Evans)
