Martin Professional and the light of Zorro
- Details
"I began with the simple plan that the show should look unlike any musical that I had seen before. My background is mainly focused on classical theatre and dance and ballet. As soon as I read the script and the novel that the script was based on, it was clear to me that the show was going to need a tungsten look."
"We had a limited space on the rig so I knew a generic rig wouldn't do. Everything had to move to get the most out of the space we had. That included the tungsten source and I knew the only moving tungsten unit for this was the MAC TW1."
"The show needed to have a strong Californian sunlight as this was a very important element, and yo