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14 March 2016

"For the new version of the show the producers wanted a spectacular, immense arena feel," notes lighting director William McLachlan. "Scenically the space is so large, it covers a huge footprint. So we needed a substantial rig just to cover the area let alone create a signature look."

In crafting the signature look, McLachlan and lighting designer Oscar Dominguez wanted to "use video as a way to move, breathe colour and bring intensity across the rig. We wanted to use the rig to e

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14 March 2016

The Showsec Academy formalises training and provides an accredited qualification for staff at managerial level, something that has never before been addressed by the industry, says the company. The year-long programme offers staff the chance to develop the knowledge, skills and experience required to become an effective operational manager within the crowd management industry.

The programme is divided into three key elements: operational management, leadership, and administration and support services. It includes vocational and industry qualifications, operational experience, as well as mentoring and self development elements. The vocational aspect will ensure associates encounter every t

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14 March 2016

Fame, originally a film directed by Alan Parker and released in 1980, was turned in to a long-running TV series, then a stage show, which has performed in theatres all over the world and in a multitude of languages.

DiGiCo plays a major role in the show's audio success for Barcelona-based rental company Tour Serveis, which provides all the sound equipment, maintenance and logistics for the Spanish tour.

The Cádiz production took place at the Great Falla Theatre, which was built in 1884 by Adolfo Morales de los Rios on the site of the original Great Theatre, a wooden building that was constructed in 1871 but destroyed by a fire in A

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14 March 2016

The Sound and Light Company's production manager, Andrew Pickersgill, explained his decision: "I've not got anything like [the Fine Art luminaires] at the moment in terms of reliability. Normally by now moving heads would be in bits or have little faults with them after six months of constant hire use - but the Fine Art lights are superb, not a thing wrong with them - they're brilliant.

"The quality of the lights is fantastic and they're reliable - really reliable - and they're bright. They just tick all the right boxes basically."

The Fine Art luminaires have replaced The Sound and Light Company's out of date moving head hire stock and ha

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14 March 2016

City Theatrical's London office is headed by Martin Chisnall, well known for his work in the UK theatre industry as a production electrician for West End shows, national and international tours. Most recently his work has included Macbeth in London's West End, and, around the world, the International Tour of Mamma Mia!.

Chisnall commented: "After 20 years working in the lighting industry as a customer I'm looking forward to the challenge of getting to know the business from 'the other side of the fence'. I've had a long association with City Theatrical, and have alread

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14 March 2016

On the Procon LED site, users will find "comprehensive information about a range of different LED products including reference images showing examples of their use". There is also a service area which includes information for download.

The highlight of the new website is the LED Studio. This area provides a virtual environment in which the effectiveness of a range of different LED technologies can be experimented with. Users can choose a selection of camera angles, backgrounds, camera resolution and display detail, then view each scenario as a still image or movie.

Managing director and founder of Procon, Morten Carlsson says: "Procon has consistently been engaged with LED technology for many years and has built both a substantial equipment po

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14 March 2016

The VersaTubes create four 22.25m high vertical lighting columns in the lift cores of the building's central atrium.

This 'live art' was conceived by London-based architectural lighting practice Pritchard Themis as part of their lighting concept for the new AIB building which was designed by RKD Architects and constructed by Sisk to accommodate 4000 non-branch AIB staff.

The equipment supplied included 84 standard definition 1m VersaTubes, four standard definition half- metre VersaTubes and four custom-built .75m standard definition tubes. The .75 tubes are the last (top-most) in each of the runs, and were necessary for an exact fit into the

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14 March 2016

Founded in 1987 by owner Kevin Glover, Sound Stylists provides two main services: dry hire of equipment and production which includes rock concerts and other live events, broadcast, theatre, studio recordings, sport and corporate events. The D5, which has already been used on many local and international concerts.

"We were left short on digital desks in September and I had been toying with getting a D5," says Glover. "We wanted something that was able to offer more than 48 channels and that came as a complete package so we didn't have to run around making up input and multi racks. DiGiCo could provide all of that and more and was able to ship in the available time frame."

One of the first jobs the D5 was used for was a function for one of the

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14 March 2016

"We bought these because we needed a small, fast, profile unit with a good stand-alone protocol that's robustly built and easy to maintain for the hire market," explains Blinding Light's Paddy Stacey.

The SmartMAC is designed for hotel, museum and exhibition work with its low power requirements and silent operation due to having no cooling fan. "The 150 Watt bulb is seriously bright and the gobo selection is extremely good for dance floor and mood lighting," continues Stacey, adding that the indexable gobo wheel is handy for applications like the projection of corporate logos and branding.

Blinding Light's first batch of SmartMACs are white, so they can be utilised for shows and events where aesthe

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14 March 2016

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14 March 2016

"Following on from the very successful conference held at The Sage, Gateshead in November of last year, the Reproduced Sound Conference returns to a hotel base this year, emphasizing the comfortable networking for which it is known. Brighton has all the ingredients for a successful conference and is easy to get to," says a spokesman.

"Reproduced Sound is a great opportunity for people with an interest in electro-acoustics and pro audio to come together, share ideas, push forward new concepts and technologies and meet with fellow industry professionals and talk about subjects close to our hearts. We propose to continue the trad

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14 March 2016

Maria Alexandra Pereira Bastos, commercial director at Luzeiro says: "We wanted a modern, uncomplicated and economical lighting system, and we immediately thought of ETC. We are so happy with the Congo jr desk, it has surpassed all expectations. Moreover, the support we have had from the ETC team has been exceptional."

The theatre opened in 1921 and for decades was the cultural centre of São Miguel, staging film screenings, musical acts, theatrical shows and operatic performances. The theatre even transformed into the Circo Equestre for the Po

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14 March 2016

Dave Wooster has been Leona's front of house engineer since the very beginning of her career. He was there at every step of the American adventure. "From the outset of this project the brief has always been to use the best and to accept no compromise," he says. "So we had no option other than to use the Sennheiser 5200 with the Neumann KK105 head and the G2 in-ear system. We had been using a KM

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14 March 2016

Normandale and Johnson have created a varied set of visual content which runs throughout the set, produced from a variety of sources including the Catalyst library, websites and selected and re-cut James Blunt videos, some of which have never been shown before.

"Using Catalyst allows daily onsite editing and scaling, and also the development of images for colour palette and the various media surfaces," says Normandale.

The tour was conceived for American arenas and has been scaled accordingly for the European section. The design had a regal theme using Blu

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14 March 2016

"This was a new production of the show which joins productions currently appearing on Broadway, in Chicago and Las Vegas, and is now off to Melbourne and on tour around the US," says Binkley. "For the London show, I was pleased to be working with Loz and Alan at PRG Europe once again.

"In addition to some 400 Source Fours, we used L&E and Altman MR11 strip lights under the show deck to illuminate the set pieces and Altman PAR 40 strips specifically to give a period feel to the 1950s scenes. We also used Philips ColorBlast and ColorBlaze LED luminaires for wash lighting, and over 75 ColorBlast 6 luminair

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14 March 2016

Not surprisingly, the technical installations including the hotel-wide audio system, had to meet the exacting specifications demanded by such a prestigious venue. Crest Audio distributors, Telesine Sound & Lighting Systems A.S., who were involved with the project from the beginning, specified and installed a Crest

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14 March 2016

The open house days will provide the chance for visitors to receive a hands-on demonstration of the console, or spend more time familiarising themselves with it, as a step towards becoming one of the growing number of Vista people, says the company.

Taking place in relaxed environment, representatives from both the local Vista dealer as well as Jands product manager, Neil Vann, will be on hand to answer questions and provide demonstrations, including the latest addition to the range - the I3.

(Jim Evans)

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14 March 2016

Berlin-based sound company TSE AG was responsible for the technical side of the event, deploying equipment from Electro-Voice.. For TSE's managing director, Marcel Fery, the choice was based primarily upon the high intelligibility and extreme reliability of EV systems. The team lead by project manager Adrian Carlin installed eight EV XLD line array elements to the right and left of the stage in the main hall of the hotel, with four more in the centre of the stage. The whole ensemble was driven by EV

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14 March 2016

KMR sales manager Keith Malin said, "We are regularly approached to provide music technology equipment for schools and colleges. These institutions often require a dedicated service to advise and organize the installation and training on the equipment so we have decided to ensure that we are prepared to deal with all enquiries in a totally professional manner."

KMR has taken on Gavin Beckwith, who has previously held various positions within the audio industry, as well as being a part time music technology teacher and running his own studio to head up the new department.

(Jim Evans)

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14 March 2016

The Spring 2008 collection was modeled in early February in New York City. Lighting designer for the fashion show was Scott Chmielewski of Digital Media Designs who worked closely to implement the designs and concepts of the show's producer and production designer Matt Stoelt of Stoelt Productions.

"Rock & Republic is one of the most progressive fashion labels out there," Chmielewski states. "They are continually trying to push the technological envelope and aren't afraid to use the latest cutting edge equipment. Rock & Republic e

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14 March 2016

The day after Triple Showtechniek received the XL8 it was deployed on its first gig for Dutch band the Three J's, with FOH engineer with Marc Pardon at the helm. "We are responsible for some of the major Dutch artists like the Three J's, Jan Smit and Nick and Simon, says Triple Showtechniek owner, Rene Tielen. "These artists are highly critical of their own performance and expect the highest levels from us, so that's why we only invest in industry leaders like Midas."

Chief technical officer Marco Hovius adds: "I am responsible for these shows running smoothly and the Midas XL

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14 March 2016

Hardiman and his company, THC Design, began their long association with UB40 at the band's 21st Anniversary show in their hometown of Birmingham, and have since gone on to design the show elements for the band's last four successive international tours.

The central point of Hardiman's design was a series of moving trusses providing the rig lighting positions, which he also wanted to make a scenic feature of, so decided this could be an interesting application for a video truss border.

Hardiman chose the Chroma-Q Color Web 125 LED display system after being impressed by its modular and lightweight design, and the band approved after seeing the results of his rendered fly throughs showing the panels

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14 March 2016

"We have been very impressed by NSCA's resources. We didn't have anyone with project management skills," said Dan Boylan, president of Southern Business Communications. "We were very impressed with Nadim. We contracted through NSCA to have him come down (and do training) and we tailored it to our business."

"Our project management classes are always popular," says senior director of professional development Norah Hammond. "You come away with skills you can put to immediate use, saving you precious company time and money."

(Jim Evans)

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14 March 2016

Other sectors have had to comply with the regulations for the last two years, but this sector was given a two-year transitional period, which expired on 6 April. Employers will have a new responsibility to protect their employees' hearing and should consider conducting a noise risk assessment, taking steps to reduce noise where necessary and ensure the legal limits on noise exposure are not exceeded.

Employees must be informed of the changes and provided with hearing protection and checks where necessary. Employers may also