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Rigging / Staging

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PLASA has gone live with its first web-based discussion forum - a technical discussion on the use of Chain Hoists, particularly the connectors used for their control circuits. Access to the forum is via the 'Forums' link in the Standards section of the PLASA Website, where users can register online. This first application of the forum is being overseen by PLASA's Technical Standards Officer Tim Cox, and further forums, both for the use of Standards groups and for the industry in general, will be introduced to the site over the coming months.

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The Monte Carlo Ballet is set to take on a new choreographic adventure, La Belle. Created to the music of Tchaikovsky, La Belle has an exceptional artistic team, put together by Scena Productions. Scena has become a regular client of AVW Controls, most recently on a project for Aston Martin in Tokyo where AVW was commissioned to work on two areas of the show. In rehearsal throughout November and December before hitting the stage for a tour beginning 27 December 2001, La Belle requires six motorized rotating doors, three on each side of the stage plus a radio-controlled stage truck.

AVW has created similar designs before, including a radio-controlled birthday cake and washing machine for a Ray Cooney farce at the Whitehall Theatre some years ago, plus the boat in Phantom of the Opera. AVW Controls has also taken over the maintenance of scenery control for

Doughty - Banner - from 6 June 2025

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OPTI, the lighting effects and trussing supplier, has appointed Idunn Rodziewicz to its domestic sales team as regional sales manager. Rodziewicz brings with her 17 years of experience in the retail and exhibition market with Marler Haley. OPTI chairman Neil Rice told PLASA Media: "We're very pleased to have her on board. She has a great track record with clients here in the UK and internationally, as well as the experience to identify what they need and how to provide it."

Rodziewicz will initially concentrate on the OPTI Trilite side of the business, cementing links with clients across the retail and exhibition markets. She commented: "I'm really looking forward to it. OPTI is a leader in its field, and has great products as well as a fantastic range of support services. I think a lot of our clients, new and existing, are going to be pleasantly surprised at what OPTI c

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Stage Technologies has announced its decision to become Gold sponsor for the forthcoming international conference on Theatre Engineering and Architecture 2002 taking take place in London next June. The theatre event of 2002 will examine technology and architecture for the performing arts. Presented in a hotel venue in London's Theatreland, the conference will bring together theatre technicians, architects, consultants, scenographers, lighting designers, stage and building services engineers, acousticians, fire prevention specialists as well as building owners, cost consultants, new clients and project managers.

The conference will be followed by the ABTT Theatre Show. Stage Technologies' commercial director Nikki Scott said: "We are delighted to sponsor this landmark international event. It is an important opportunity to discuss with industry colleagues and theatre professionals t

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Harry Potter & The Philosopher’s Stone has already received great critical and popular acclaim and is expected to become the biggest grossing film ever for Time Warner. Vertigo Rigging, Spirit Design and Fourth Phase were amongst those who helped supply the magic for the recent World Première at London’s famous Odeon Cinema, Leicester Square.

Vertigo, working for production company West Design, show producer Lucy Smail and production manager Andy Cheesman, transformed the front of the building into Hogwarts School of Wizardry & Witchcraft for the evening of 4 November.

With a seven-day get in, the event required over 22 tonnes of equipment, 12 tonnes of which was hung off the side of the building - representing a huge logistical and practical challenge for Vertigo. Work began on 29 October, when project manager Paddy Burnside and his team of riggers supervised a 60 tonne

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Trussing, aluminium and ground support specialists James Thomas Engineering has designed an integrated Trussing module - on its safe use and handling - for PCM's renowned Lodestar two-day Motor School. An extended version of the trussing module is also run at PCM's five-day-Rigging School. James Thomas's Trussing course was devised by project manager Paul Young, who says: "There's more than meets the eye with trussing and its associated safety issues, and also the wider ones generally across in the rigging industry. Anyone interested in furthering their knowledge of motors and rigging also needs to know all about trussing. People are often surprised at the complexity of the subject!"

Like the Motor School, the Trussing module is presented in a hands-on, practical manner. For the two-day Motor School - run free of charge by PCM - the Trussing section takes up half a day. At th

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The Entech 2002 Conference program features workshops and seminars in areas of lighting, design, rigging, audio, projection and even the business needs of a DJ. Sessions includeIntroducing the Line Array; The Future of Systems Integration and ProAV Technology; Venue Design Forum; Digital Live Sound Mixing; Lighting Designer Forum; Rigging Workshop; Stacks and Racks; Motor Training School; Location Sound Recording; Trends in Facilities; The Art of Designing with Moving Lights; We Are Surrounded (Surround Sound); and The Changing Face of Post Production.

Entech 2002, Australasia’s leading entertainment technology trade show, will be held in Sydney’s Darling Harbour from 4-6 February 2002. For further details on the conference programme and exhibits, visit the web address below:

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Visual act, winner of both Awards for Product Excellence in Stage Engineering at PLASA 2001, will present their stage wagons at showcases in Oslo on 23 January, 2002 and in Amsterdam on 8 February, 2002. Anyone interested in attending either of these showcases should submit their interest to Jim Fainberg at jim@visualact.net before 17 January for Oslo and 30 January for Amsterdam.

For more details, including product information, technical specifications and pictures of the company’s award-winning products, visit the Visual act website at the address below.

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PCM, the company responsible for establishing the Columbus McKinnon Lodestar electric chain hoist at the forefront of the UK and European professional entertainment and touring industry, has formed a new division to handle the installation of set piece equipment on special projects. Heading up the division is Tony Griffiths, formerly with Harkness Hall, who joined the company in October.

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PCM supplied leading rigging rental company Outback Rigging Ltd with special FX Star high-speed Lodestar motors to lift the central rear LED screen at the recent Smash Hits Poll Winners extravaganza at the London Arena. The screen - over 5 tonnes of Screenco 15 mm pixel pitch modules measuring 11.4 metres wide by 7.2 metres high - was a vital part of the stunning set designed by Bill Lazlett.

It showed video playback and live camera action, but also allowed for quick between-band changes by raising and lowering very rapidly. The hire to Outback is the first of PCM's new Motion Control division, which has been set up to serve all the rigging rental companies, and carries a stock of non-standard equipment, available for specialist requirements.

PCM's John Jones explains that the decision to launch the division was to "Explore other areas of the market, and also to help our clients

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All eyes were on Frankfurt this December where the 'For The Troops MTV-USO Show' was held, giving German-based American military personnel the opportunity to let their hair down in an evening of music and entertainment. Held in an aircraft hanger, the high profile event included acts such as J-Lo and Kid Rock.

Blackout Triple E was commissioned by Field Services to supply a three-dimensional American flag, two drapes painted with the MTV-USO logo and a white filled cloth Kabuki drop for this event, with project manager Tom Lambert working in conjunction with designer Mark Fisher to create the striking 3D flag. As the centrepiece for the event, the three-dimensional version of the Stars and Stripes was hung from a grid measuring 9.3m x 3.4m. An 8.4m white gauze drape created the background to the flag and was fronted by seven individual red cloth stripes, each of which was rigged on cur

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CIE-Audio has been appointed exclusive UK distributor for the newly launched ‘Euromet’ range of professional stands, trussing and audio/lighting hardware. The new product range is CIE-Audio’s latest move in its plans to develop a new ‘leisure-based’ music range which will complement CIE-Group’s existing portfolio of integrated product solutions (currently comprising installed sound, data & telecommunications and CCTV & security).

Chris Edwards, CIE-Group marketing manager told us: "These new products will give our existing customers a complete hardware range, from audio and lighting stands, brackets and fittings, to staging and event technology such as trussing and portable staging. Euromet will also form a vital part of our new ‘leisure’ product range, which will see CIE-Audio moving further into the AV, events and lighting markets

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Hall Stage has announced the launch of the brand new DynaGlide winch range. The range includes a new concept in 'semi-manual' winches, the DGM system, which provides working loads up to 1000kg, can be driven manually or with an electric hand-drill via a secondary gearbox input, saving time and a lot of effort! The DGH curtain winches now come with a variable speed control system as standard. Full data sheets are available for all products in the range now and will also be available in .pdf format on the Harkness Hall website soon.

(Lee Baldock)

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Tomcat UK has announced that they are now stocking an increased range of Columbus McKinnon Prostar electric theatrical chain hoists. The popular lower capacity hoist range, which already included 136kg and 272kg s.w.l. models are now complemented by 226kg and 452kg s.w.l. units. The new models have the same features as the original versions and also boast the extra capacity without an increase in external size. A variety of different speeds and voltage options are available, including extra fast 10m/min versions. The products are available directly from Tomcat UK or from any of the company’s UK and European distributors.

(Lee Baldock)

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Devon-based rock trio Muse appeared at a wide variety of UK and European venues at the tail end of 2001; Mike Mann saw them in the cavernous London Docklands Arena.

Lighting designer Oli Metcalf has seen his system squeezed into small clubs and stretched to fill a full arena stage - and has managed to keep the CAV-supplied rig intact along the way. Metcalf is using CAV for the first time, a decision, prompted by their stock of up-to-date High End product. "I’m using 16 Studio Color washlights and the same number of Studio Spot CMYs," he revealed. There are also 14 AF1000 strobes in his design and a quartet of modified Cyberlight Turbos - their rear cable entries have been removed to allow them to stand vertically under four fabric cones which form an important part of the set. "CAV seemed to have all the new High End kit I needed, and they had no problem with me wa

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The Royal Festival Hall production team gave blood, sweat and tears to stage the 2001 festive ballet season, featuring the renowned Moscow Stanislavky Ballet.

The team, led by head of production Nigel March, and in collaboration with the venue’s riggers Vertigo Rigging, transformed the concert hall into a proscenium arch theatre, with all the expected rigging and flying facilities, ready to stage The Snow Maiden and Swan Lake.

This was the most ambitious set and lighting design ever staged at the South Bank, as well as one of the tightest timeframes. The initial task of the Vertigo team, headed by Paddy Burnside, was to install an 18 x 12 metre mother grid in the roof of the Hall. Below this was hung a trussing sub-grid to hold all the lighting and scenery bars and tab tracks. Because the changeover between shows was so tight, scenery and cloths for both had to be rigged at the

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At the end of last year, Maltbury Ltd moved to new offices in Brighton. Since 1995, the staging specialist has supplied its popular range of demountable staging systems to a wide array of organizations and venues including theatres, schools, arenas, film and TV studios and concert halls. With products ranging from the lightweight Aerodeck, versatile Metrodeck and Ambideck to Steeldeck 7.5, currently the strongest demountable staging system on the market, Maltbury also offers a bespoke service and an impressive range of accessories to complement its staging systems.

To coincide with the move to new premises, managing director Philip Sparkes has re-launched the company’s website, which is now easier to navigate and more user friendly. The improved site also gives better access to a wide range of the most up-to-date Maltbury press releases and, complementing the website, the new lo

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South London-based Blackout Triple E, specialists in the design and manufacture of drapes, starcloths, tracking and production rigging equipment, has recently appointed Warren Connolly as hire and sales manager. He joins the busy rental department with 15 years’ sales and marketing experience, and will be promoting the company’s extensive product portfolio and range of production services to new and existing clients.

Warren will be liaising with producers, production companies and event organisers from the early planning stages of a project. He will be presenting creative and practical solutions for the most challenging special events, theatre productions, exhibitions, installations and conferences. Working closely with the company’s in house design, project management and technical support teams, he will help transform the most complex needs and ideas into reality. W

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Ashwin Shah, chairman of the Myriad Group, has announced that, as part of the recent re-structuring of the Group, Richard Crowe has been appointed managing director of its Creative Staging subsidiary. Crowe, who was previously the sales and marketing director of the company, has been with Creative Staging for the past seven years, working in senior positions in the AV presentation industry since 1978. As well as fulfilling a full-time role at Creative Staging, Crowe will also play an active part in the future development of the whole Myriad Group. The Group recently restructured its nine business areas under the four main names of Myriad, Creative Staging, MAP and Visual Systems, offering a range of services for AV and IT communication and presentation.

(Ruth Rossington)

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There’s no doubt that S Club 7’s second UK tour will be highly successful, thanks to the expertise of Summit Steel, who were called in by CV Production’s Chris Vaughan, the tour’s production manager.

"As with all things, the key to success lies in good forward planning and design. The rigging design involved a great deal of CAD drawing," said Summit Steel’s Chris Walker. "Having been awarded the contract on 1 November, by the time the tour went into rehearsal on Jan 10, we were already working with draft 8 of the rigging plot. Our extensive touring experience allowed us to co-ordinate all the rigging information from the tour’s various designers and suppliers," continued Walker. "We then liaised extensively with all the venues and their house rigging contractors to ensure that load-ins would run smoothly."

To rig the s

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The Met Arts Centre in Manchester, one of a rich selection of theatres and music halls in the city, has had a new staging system fitted in its main theatre. As a variety of musical events take place in the main theatre, ranging from large-scale orchestral concerts and the famous Blues Festival to children's days, the staging had to be as multi-purpose as the hall itself, not to mention suitable for outside use also.

Maltbury supplied 25 Ambideck staging units with legs to variable heights, measuring 32 x 24ft. With variable leg height, the staging can be easily raised and lowered to suit a variety of needs and with ramp access to the rear of the stage, people with disabilities will be able to enjoy the theatre's facilities.

(Ruth Rossington)

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As Star Hire (Event Services) Limited celebrates its 25th Anniversary, the staging and engineering support company is expanding to accommodate a full events diary for 2002.

Recent projects, which included supplying stages for numerous New Year’s Eve celebrations across the country, several media company shows and major international events, have led the company to expand its business. "We have experienced an ever-increasing demand for our specialized engineering and staging expertise from music promoters, media companies and event management companies," said technical director, Roger Barrett. "I am delighted that as events in general have become more professional with regards to safety and quality, the depth of skills and knowledge throughout the team at Star Hire is standing us in good stead."

As the summer approaches, Star Hire’s itinerary already in

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New features of the latest version of the rental management software package include a whole set of new clear icons, built-in support for backup and restore of data and reports, saving of the last used sort-order and sorted column in all List-tabs and Finder-windows, a new facility for multiple contacts per company, default country and telephone settings and much more.

For a full run-down of all the latest features from RMS22, visit the company website at the address below.

(Lee Baldock)

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Blackout Triple E recently supplied two striking theatrical backdrops for the St. James’s Place Group’s one day annual company meeting held at The Royal Albert Hall. Attended by nearly 2,500 employees, the event successfully fused the annual meeting with St. James’s Place’ tenth anniversary celebrations.

Blackout Triple E’s creative team worked closely with the show producers Creating Sunshine, to realize the creative effect of the complex stage design. A stunning 16 x 6 metre fine grey gauze drape was custom designed, manufactured and hand painted at Blackout’s South London facility, to work as a semi-opaque screen in the foreground. This also provided a canvas onto which a light show, designed by Quentin Jarman, was projected from both sides. In addition Blackout supplied 30 metres of starcloth as the backdrop to achieve a galaxy-like effect.

(R

  1. Brewster Joins SPS
  2. Tomcat Hosts Annual Hoist & Rigging Workshop
  3. Rebecca Lace Provides International Link for Le Mark
  4. Vertigo Expands and Moves
  5. Stagetec at the Laban Centre
  6. AVW in Brighton & Paris
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