The ABTT has confirmed that its ABTT Theatre Show 2002 will be held at the Royal Horticultural Halls on 19 and 20 June 2002. Further details of booking arrangements will be announced shortly. Any enquiries should be directed to the ABTT Office on 020 7403 3778.

AVW Controls have recently completed a couple of major projects. In less than five days, staff at the company designed, built and installed an entirely new motion control system and provided full training to the production crew for Howard Katz, which opened on 1st June at The Cottesloe, Royal National Theatre. The theatre needed to control two circular revolves, one inside the other, similar to a doughnut. As the existing house system was not able to perform the number of complex functions and movements that the production required, AVW was contracted to provide eleventh hour assistance using the company's Impressario control system. With a depleted budget, AVW agreed to effectively hire the system to the theatre. In a separate project, the company also designed and built the hydraulic power pack control system to raise and lower the stage during the ever-popular production of Joe Penhal

The Cloud One Group Ltd, located in Birmingham, have appointed Bill Jones as business development manager. Well known within the industry, and most recently with Lightfactor Sales, his background in sales, aligned with his vast knowledge of sound and lighting equipment, will strengthen the group’s long established position within the areas of equipment hire and event production. Installations, flight-case manufacturing and the sale of pro audio products are other areas covered by Cloud One, Stratford Acoustics - the rental arm - and Midland Custom Cases.

Late May saw the 45th anniversary of the inception of the Duke of Edinburgh Award scheme commemorated at the Royal Albert Hall, an event which also formed the only official public recognition of Prince Philip's 80th birthday, televised as ‘80 Years a Royal Celebration’. Following a long-standing working relationship, Visage Television commissioned Blackout Triple E to supply a 40m x12m rental starcloth, as well as rigging from which to suspend a 1.6 ton LVP110 LED screen supplied by Creative Technology. Dominic Peissel, MD of Blackout France handled the production management of the event.

In true Vegas-style, Tomcat unveiled its new Las Vegas office in mid May. The grand opening of the new office in the Western region of the United States lasted the entire afternoon with over 40 representatives from surrounding companies and various media visiting the new facility. The new site will carry over 200 sections of standard truss products in stock at all times, as well as over 50 Columbus McKinnon Lodestar motors and various rigging accessories. The new office comes hot on the heels of the opening of Storm at the Mandalay Bay Resort & Casino where the Tomcat family of companies manufactured essential parts of the special effects. The new office is located in an industrial section of Las Vegas at 4020 Ali Baba Lane, Bldg D Suite A about two miles off the Southwest end of Las Vegas Boulevard. The office consists of two staff members, Sharon Ozzolek, sales assistant, and Brian Wis

Edwin Shirley Staging, the international concert staging company, has won the contract to provide staging for Tom Jones, Sting, The Beach Boys and other high profile, international pop stars as part of a UK tour this summer. The concerts will be held at Warwick Castle and Cardiff Castle towards the end of July. ESS is set to build an 18m by 18m stage in the grounds of Warwick Castle for three concerts which will feature performances from The Beach Boys and Status Quo (20 July), Van Morrison (21 July) and Tom Jones (22 July). All three concerts are already sold out and will attract audiences of more than 30,000. The staging will then be dismantled and re-assembled in time for a series of concerts the following week-end inside the grounds of Cardiff Castle, where Sting and Tom Jones will be performing in front of an audience of 10,000. The BBC will be broadcasting Tom Jones’s perform

Established in 1996, AVW Controls has a growing reputation for leading the way for affordable stage machinery automation, and this year is exhibiting at PLASA for the first time.

PLASA 2001 will see the launch of the company’s latest chain hoist controller. The six-way chain hoist controller is designed for Verlinde and CM Lodestar type hoists and can be used either in the usual way or controlled with AVW’s Impressario computer control system. AVW will also be promoting its Impressario motion control system, designed and built by AVW. In response to industry needs, Impressario offers sophisticated computerised automation for rigging and scenery, at a significantly lower price than anything else in its league. Developed primarily to control flying systems, Impressario suits any motor and is ideal for scenery changes and synchronising flying bars.

The console can be plugged

London-based ESS used its staging technology to help the BBC provide live, online coverage of Royal Ascot for the first time to audiences around the world, including a unique view of the famous finish. The company provided two 30m high TV towers which were positioned along the final straight of the racecourse. Each tower had to be able to take the equivalent of a 5 tonne force, the weight by the camera as it speeds along the 700m, to provide the bird’s eye view of the finish.

After the success of the multimedia waterscreen shows during the world expos in both Osaka (1990) and Tottori (1996), Yves Pépin and his team at ECA2 have been asked to produce the multi-media watershow for the Yamaguchi Expo in Japan, which runs from the 14th of July through to the 30th of September 2001. For the last two years, ECA2 and its technicians have been working alongside the Japanese Expo team to ensure the success of this night-time spectacular. The show will feature images projected onto four monumental spheres, as well as onto a giant water screen; pyrotechnic and fire effects will complete the impressive show.

For the 10th year, drape, track and rigging specialist Blackout Triple E will be exhibiting at PLASA.

This year the company will be launching a modular curtain track control system with DMX protocol. The 19-inch rack-based system will control the entire range of Blackout Triple E systems and will feature DMX interface as standard to enable track systems to be integrated into a lighting and movement package. Also on display on the Blackout Triple E stand will be a variety of track, drapes, starcloths and automation equipment, as well as acoustic blind systems.

Blackout Triple E was formed when two market leaders merged in 2000 to provide the entertainment, architectural, presentation and event industries with a range of solutions for drape, track and engineering requirements. Offering a combination of specialized drape creation with an expertise in tracks, Blackout Triple E's experie

Rental Management System (RMS), has become even faster and easier to use, and the new version of the software will be shown at the PLASA Show. With over 2000 users world-wide, RMS is a market leader in the supply of software for professional rental companies. The software is available in nine languages, including English, German, French and Spanish. New 'cut and paste' shortcuts allow users to easily move items from one job to another, or to convert a job into a (new) packaged item. The multi-sites option also has new features: from within a job, the user may see both the local stock-situation, as well as the situation at the available sites added together. With another mouse-click, all jobs (from the local or from a selection of sites) that hold an item in a given period, can be viewed. The crew-planner is a new module that allows for entering comprehensive labour details. Personnel may

The Broadcasting, Entertainment, Cinematograph and Theatre Union (BECTU) has defeated the UK Government at the European Court of Justice over the UK’s implementation of the Working Time Directive. The UK’s Working Time Regulations 1998, which implements the Directive, entitles workers to a minimum of 20 days paid leave each year. But employees are not entitled to the leave until they have completed a qualifying period of 13 continuous weeks with the same employer. This means that many freelance and contract workers who work for less than 13 weeks have been denied a right to take paid leave.

BECTU launched a legal challenge to the UK legislation and on 26 June 2001 the European Court of Justice (ECJ) accepted the opinion of the Advocate General of the ECJ, which stated that national governments may not exclude groups of workers from the rights that the directive gives them.

As part of the Goodwood Festival of Speed, Edwin Shirley Staging, the international staging and structure specialist, has built a bespoke 30m high needle-shaped tower, from which a £1 million Mercedes Benz Gullwing car will be balanced to help celebrate the luxury car company’s Centenary. The car will be placed on its nose and will be on display to visitors during the three-day motor show.

The ESS structure has been specially designed by Gerry Judah, the renowned designer behind such projects as the model of Auschwitz in the Holocaust Galleries at the Imperial War Museum and Linkbridge 2000 in the Woolwich Dockyard Estate, as well as last year’s central display at Goodwood. Patrick Woodroffe, known worldwide as a leader in lighting design and whose recent projects include Lord of the Dance II and the Rolling Stones tours, is lighting the structure. The festival, which open

TeleStage Associates held an official opening of their new office and workshops in Bury St Edmunds on the 13 June. The new premises comprise 350sq.m of office space and 520sq.m of fabrication and warehousing space.

The expansion allows for future growth and provides room for the development of a fully-equipped electrical and electronic workshop which will facilitate the wiring of equipment racks for MCC’s audio-visual equipment racks and custom panels. The workshop will be used for the prototyping and testing of control systems used in stage rigging, AV and show control. A dedicated QA area will ensure that equipment meets all necessary standards before dispatch.

To mark the opening, the company demonstrated a number of items of stage equipment, including two scissor lifts (one using Serapid link chains and the other a single spiral drive from GALA), two of the new super-silent

PCM, UK and European distributors for Columbus McKinnon Lodestar hoists, will show a selection of the many types of Lodestar motors available, including standard rigging range, VGB 70/BGV C1 type and the FX range - now available for theatrical use. The company will also highlight its renowned and highly successful hands-on Motor School and Rigging School training courses.

A new version of the compact CM Prostar motor is also being launched at the show, with increased capacities and speeds. This new higher speed version will climb at six metres a minute and 10m/min (increased from the industry standard four metres a minute). A new 500 lb SWL @ 4m per minute version is also to be launched - an increase of 200 lbs over the pervious 300 lb SWL.

PCM - Stand F18

Tomcat’s first annual Las Vegas Hoist and Truss Workshop swept through the Western Region in mid June with Arizona, California and Nevada being represented. The sold-out event consisted of a full day of motor instruction taught by Don Dimitroff of Columbus McKinnon and a half-day of truss design, use and theory led by Keith Bohn from Tomcat USA. The Vegas Motor School comes hot on the heels of the grand opening of Tomcat’s new office in Las Vegas. The Las Vegas location serves as a distribution centre for the Western Region of the United States and stocks over 200 sections of standard truss products, 50 Columbus McKinnon lodestar motors and various rigging accessories. The next Tomcat Las Vegas Motor School will be held on September 17-18, 2001, whilst the annual Tomcat Hoist and Rigging Workshop will be hosted by Tomcat USA in Midland, Texas, January 30 - February 3, 2002.

James Thomas Engineering, Inc has announced the construction of a new purpose-built facility for the Knoxville, Tennessee manufacturing company. Phase One of the 60,000sq.ft complex on a 6.28 acre site is underway, specifically designed to house the US manufacturing, administrative, sales, design and production offices. James Thomas’s Mike Garl explained that the move follows a steady increase in business in recent years, and is intended to consolidate, rationalize and further increase the efficiency of their business to their diverse client base.

James Thomas Engineering is a leading manufacturer of structural aluminum trussing, support systems and lighting fixtures for the entertainment industry, and distributes via a world-wide dealer network from its production facilities in Knoxville, Tennessee and Worcester in the UK. The Knoxville operation was founded in 1984 - initially

Golden Princess, the newest member of the P&O Cruises fleet, left Southampton on May 16th to spend th summer cruising the Mediterranean, before heading off to the Caribbean for the winter. The ship features three separate show lounges, each of which incorporates Blackout Triple E engineering and equipment. Because traditional fittings are often unsuitable, contractor HMS Italia enlisted Blackout Triple E to develop systems for the particular environment of the cruise ship, including its Austrian curtain mechanisms and Unirail and Unitrack systems for installation in the principal and cabaret theatres. Though the tracks are mainly for curtains, the Vista Lounge uses Chaintrack to carry two 300kg rotating scenic panels, and the main lounge features Unibeam tracks to carry lighting ladders on each side of the stage. Blackout Triple E also provided the control for the safety curtain in the m

Out Board Electronics’ new Ibex programmable hoist controller has made an auspicious debut on two frontline tours with Vari-Lite Europe Ltd. Both the Roxy Music and Robbie Williams shows - currently out on tour - have had their lighting designed by Liz Berry, who has given the new hoist controller the thumbs up. The purchase of a single unit (and rental of a second) had been authorised by VLPS’ Matt Croft, who admitted that he had not heard of the Ibex until he started to prep both tours. "I looked at both jobs and each show had moving truss systems. In the past we would have used hoist commanders - but they involve a lot of hardware and personnel, so we were starting to look around. At the same time Out Board’s Lawrence Heron had contacted our rigging department independently to see if they were interested."

An advantage of the Ibex system, says Matt, is th

Show Presentation Services (SPS), the leading equipment rental and staging specialist, has announced that it increased its turnover from £8m to £13m over 2000, and achieved a 58% increase in pre-tax profits for the same period, as a direct result of its integrated event services strategy. The results reinforce SPS’s position as a leading independent AV rental and staging business. High business growth rates were achieved by the scenic construction and lighting rental departments in particular, of 241% and 148% respectively. SPS’s investment in a Barco D-Lite7 Modular LED screen was validated by the turnover generated with the successful launch of its LED rental business. A part-year contribution from the Earls Court and Olympia AV contract that commenced its five-year term also boosted SPS’s increase.

"This year has seen more challenging business conditions,&qu

The US-based Entertainment Services & Technology Association (ESTA) has announced that BSR E1.8, Entertainment Technology - Loudspeaker Enclosures Intended for Overhead Suspension - Classification, Manufacture and Structural Testing, is now available for public review, and will be until 25 September 2001. Loudspeakers suspended overhead should not pull apart and rain debris on people below, and this draft document is an attempt to offer guidance to a manufacturer to make sure such a mishap does not happen. The document describes the structural requirements for loudspeaker enclosures intended for overhead suspension, which include enclosure construction, component part security, enclosure suspension hardware, manufacturing control systems, structural testing, and product representation. The standard is intended to enhance the safety of speaker rigging at popular music concerts and

PLASA has worked in co-operation with some of London’s leading entertainment venues to offer an exclusive insight into the workings of some of the city’s most famous venues; this exclusive backstage tour immediately follows the close of the PLASA Show in London this September. Theatrical London delegates will visit the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Victoria Theatre to see the upgraded Starlight Express; Tussaud’s Group Studios for an exclusive technical tour, and the Donmar Warehouse for a ‘Divas at the Donmar’ performance. To top it off, you can step back in time at Shakespeare’s Globe Theatre . . .

Wednesday 12th September: The experience begins with A night at The Proms, The Royal Albert Hall, featuring Stravinsky: The Rite of Spring. Pre-show drinks will be served in the foyer. Performance starts at 7.30pm.

David Plail has joined MCL London as head of project management, bringing with him 28 years of industry experience. David comes to MCL from FrameSet Products, a company that he founded over 10 years ago, dedicated to the design, build and supply of diverse conference staging products. "Some people may think it a strange decision," said Plail, "to move away from FrameSet when it is such a successful company. But MCL is a young company with incredible backing from Avesco and it was an opportunity that I couldn’t miss. In the end it was an easy choice to make. It puts me right back into the industry mainstream and will draw heavily on what I have learnt over the years. I am looking forward to the challenge."

In his new role, Plail will be drawing together all existing elements of project management at MCL London and will fine-tune current practices to ensure the

This weekend, 250,000 spectators at the 35th British Grand Prix enjoyed a close-up view of racing heroes Michael Schumacher, Mika Hakkinen and David Coulthard, via two 4.8m by 8.1m jumbo TV screens from Screenco, supported by 16.5m high tower structures provided by ESS, the international staging and structure specialist. The 43 tonne screens were located at key spectator spots on the circuit, namely Copse Corner and Chapel Curve and relayed live TV coverage. So far this year, ESS has provided support structures for Wimbledon, the Grand National, the Kentucky Derby and Royal Ascot, as well as the one-day international cricket tests at Lords and Edgbaston, as part of the UK tour by Pakistan. In addition, ESS has also supplied screen supports at Twickenham for various national rugby fixtures. This brings the total number of locations where ESS has provided camera and screen supports to eigh

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