Lighting

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14 March 2016

Winter Jam, which tours the US South and Midwest through the end of March, features Christian rock, rap, and contemporary music, along with other performances and speakers. 44 Designs worked directly with Family Force 5, providing design and rental gear for their Winter Jam set.

Lighting designer Jeff Lavallee of 44 Designs mounted 12 Cuepix Panels and 12 Snipers in custom set carts on each side of the drum riser to add visual excitement and punch to the band's eclectic mix of music. The custom set carts are stationary during the performance but are on casters should the band decide to change or adjust their position one nig

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14 March 2016

The Next NXT-1 is powered by high-performance 4-in-1 (red, green, blue, white) Osram LEDs, configured in 5 rows of 5, which produce a monstrous 15,500 lux at 5 meters. This ultra-bright output allows its sharp pixel-mapped images to cut through haze and washes on stage and -- combined with its extremely narrow beam angle -- deliver maximum punch at long throws, when used as an LED wash, making it suitable for concert/touring applications.

The Next NXT-1 was engineered to make the programming process fast and easy for users of all technical skill levels. The panel is equipped with a "virtual-gob

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14 March 2016

HSL has worked on the last few X Factor Live tours and seen the production values increase year-on-year as the live tour concept has proved every bit as popular as the TV show and a great showcase and learning curve for the new talents to start reaching out and building their own fan-bases.

This year, Fleur and Ben were joined by Andrea Faustini, Jay J

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14 March 2016

The first series of concerts illuminated by A.leda B-EYE started in November and ended before last Christmas; while the second series of concerts will commence again in June, with a summer break, and then continue throughout November and December 2015.

The production of shows, of one or more concerts in different continents does not always reflect the organisation of a tour that requires a combination of well-defined organisational, managerial and strategic activities with regard to the supply of the materials and resources required: the same materi

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14 March 2016

The new management team is made up of familiar faces from within ADJ Europe and consists of Marc Librecht, European sales manager (Elation); Kris Dawber, European sales manager (ADJ); Jo Mulders, general manager; and Sebastian Mobers, purchase manager.

The new management team in Europe has been hand-picked by ADJ president Toby Velazquez. Speaking of the change, Velazquez said: "These are exciting times for ADJ in Europe. The last couple of years have seen rapid expansion, new warehousing and hundreds of new products. At the heart of any good company i

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14 March 2016

Kubanka first saw the BMFL in action during Robe's BMFL World Tour roadshows after its launch in September. "The technical parameters were so impressive," he says, "- the speed of the fixture, the ultra-smooth dimming and colour mixing, special features like the auto-focus, and the consequent wide range of applications . . . made them a 'must-have'."

Having now had the chance to put them into action on his own shows, Kubanka is extremely happy with his decision. "The BMFL Spot is

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14 March 2016

Wireless Solution has worked with Music & Lights for years, as OEM W-DMX systems are already installed in several products in the Music & Lights portfolio, including projectors by Prolights and ArchWork. "W-DMX has been recognized as a standard of high reliability and quality for professional performance and demanding environments," the manufacturer says.

Fabio Sorabella, CEO of Music & Lights, states: "It has been proven that Wireless Solution Transmission Systems are the best choice to sustain our lighting solutions. The use of a W-DMX is a guarantee both for us and for our customers and partners worldwide. We strongly believe in this technology and we consider it to be much more than just an alternative to transmission cables since it al

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14 March 2016

Located in the heart of Scottsdale's Entertainment District, Livewire is Arizona's newest premier concert and performance space, playing host to a spectrum of national touring acts (Jeff Bridges, The English Beat, Boyz II Men) and up-and-coming local bands all supported by state-of-the-art sound, lighting and production.

Designed from the ground up for live music, the 14,000sq.ft venue occupies the same location that iconic Scottsdale nightclub Axis/Radius did for 16 years. Les Corieri, owner of Evening Entertainment Group, shut down the club last summer to make way for the 1,100-guest live entertainment destination.

Adrian de Pamphilis, owne

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14 March 2016

In an exclusive first for the museum industry, the National Maritime Museum is collaborating with Punchdrunk Enrichment to take six to 12-year olds and their families on the adventure of a lifetime. Against Captain's Orders combines the National Maritime Museum's wealth of maritime history and artefacts with Punchdrunk Enrichment's innovative practice and commitment to creating captivating, educational experiences.

The immersive theatrical experience will be further enhanced with Le Maitre's four MVS haze units along with a G300 and Freezefog Pro atmospheric low smoke system. The haze units are positioned in four rooms throughout the show, with one haze unit and the low sm

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14 March 2016

The scope of work involves the design, supply and installation of the A55 Pen Y Clip Tunnel LED lighting scheme and infrastructure upgrades. This includes the electrical and mechanical services, covering the installation of the 900m linear support grid and containment, fitting the LED linear base and boost lighting system along with finally testing and commissioning.

Steven Nanda, managing director of industrial services at SPIE UK comments, "We are thrilled that we have been chosen to manage the upgrade of the Pen Y Clip tunnel. This is a major contract for the Industrial Services North West division; the Welsh

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14 March 2016

Held in December at the Hyatt Regency Huntington Beach Resort and Spa in Huntington Beach, California, L3 Productions handled the entire creative production for the event including CAD, decor, lighting design, stage design, audio, video, DJ stage build and live broadcast.

The room's lack of space did not allow for rear or front projection, which also would have required moving equipment, so L3 placed three EMAG4 screens over the stage for optimal viewing anywhere in the room. According to L3 Productions CEO Laine Rinker, although the client was worried that

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14 March 2016

GDS was invited to supply a comprehensive, low-energy, LED house-lighting system to cater for virtually every functional and architectural demand. This was to include everything from panel lighting at the front of the circle, to row-end markers, emergency lighting, emergency exit signs, cleaners and house lights. In the initial stages of the project GDS worked closely with all

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14 March 2016

Carnival City was the main in-house technical supplier for the main PA, rigging, staging and lighting equipment. MGG Productions provided the back line, monitor and main sound desk.

Lighting designer Magz Schoeman from Carnival focused on creating a fully washed stage and literally painted with lights.

"The Robin 600LEDWash and Robin 300 LEDWash really made it easy to create a pretty picture and enriched the mood," said Magz.

Six super-fast Robe Pointes created sharp beams and the show al

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14 March 2016

The lighting was designed by Eyal Tavori - the artist's long term LD - and operated by lighting director Tsafi Dagan, who has also worked with Poliker for several years. The artist is constantly busy engaging in live performances and reaching out to the many fans and followers of his amazing 30 year entertainment industry career.

A 50m semi-circular truss was flown above and around the stage - opening at the front, with lighting rigged on this and on the auditorium's house bars.

Originally Robe's ColorSpot 2500E ATs were spec'd on his ongoing tour, however as soon as BMFL Spots became available - part of a

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14 March 2016

Elevation's in-house lighting designer, Andy Bentley, specified the Jands Vista L5 for the concert show.

He commented, "The Vista (v2) software allowed us to do things in just minutes that would've taken hours on other desks. The effects engine was awesome to work with. The ability to stack multiple parameters in the same effect helped us create some really unique and energetic moments. The interface also made working with the almost 600 pixels of the B-EYEs painless."

(Jim Evans)

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14 March 2016

The technicians can travel through the Gulf Area and provide assistance at the customer's request for Clay Paky products both under and out of warranty.

The office is coordinated by Egor Popovski, Clay Paky resident manager in Dubai, who has been working with the Italian company since 2000.

Alberico D'Amato, Clay Paky head of sales, said, "We hope this service will help make our technical assistance even more rapid and competent. We have a lot of customers in the Gulf region and we w

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14 March 2016

Thai people and tourists flocked to Bangkok to admire the beautiful light show this year, focused on seven parts along Chao Phraya River entitled The Spectacular Light Show: The Royal Kingdom with different lighting displays. The Rama VIII Bridge was named The Capital of Light.

For the bridge, which was the grandest of the seven displays, this beautiful landmark was awash with light. The Rama VIII Bridge is a cable-stayed bridge crossing the Chao Phraya Rive

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14 March 2016

Stopl, who also owns the Sono Music Studio in Prague, is a big music aficionado and wanted to bring a fresh new venue onto the gig circuit. He decided the easiest way to do this was to build his own ...

Once the decision was made, he wanted it to offer only the very best production values - so Robe moving lights and L-Acoustics audio were specified for the main stage.

The eye-catching modernist building was designed by forward-thinking architect Frantisek Smedek and resembles a PA speaker cone from the outside - a large white globe pinched betw

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14 March 2016

The band, including original member Graham Gouldman, have achieved considerable commercial and creative success and acclaim in a career stretching back to the 1970s and have just completed the first leg of an ongoing tour. Ian provided the video concept and design working closely with current lighting director Tigger (Russell Matthews).

They needed a versatile set up and flexible equipment that could multi-task to compliment the wide range of styles - from art house rock to pure pop - embraced by the band throughout the set.

Gouldman was particularly keen to get another original band member - Kevin Godley - to perform on one song via

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14 March 2016

The stage visuality was a carefully crafted collaboration by show designer Rob Sinclair and lighting designer Ali Pike, both of whom have worked for the band since 2013. The four Cyclones were supplied to the tour by special effects specialist BPM-SFX.

The four Cyclones were positioned two per side on the downstage edges of the stage. Rob explains that the band wanted to make some big statements in the arenas, and with a limited number of shows, they needed to "Be clever" with how they utilised the lighting fixtures.

Looking for a different and innovative 're

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14 March 2016

Hosted by Suggs and Stephen Kelly the gala dinner evening included an auction which was presented by Charles Hanson plus incendiary performances from Rudimental and Madness together with a house band comprising top session musicians.

Entec took care of all aspects of the lighting, sound and staging design and realisation, which was project managed on site for them by Matt Arthur working closely with Noreen O'Riordan and Mark 'Magic' Ellis Cope in Entec's west London base.

Jenny Johnson and Viva McPherson of The Gig Company comment, "It is wonderful working with Entec - as well as

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14 March 2016

Tying this multi-dimensional festival together is a series of free-flowing musical performances by groups like Disco Biscuits, moe, Papadosio and Main Squeeze, all of whom jammed beneath an impressive pixel mapped linear display of Nexus Aw 7x7 panels from Chauvet Professional. The warm white LED panels, which were provided by The Design Oasis of Davie, Florida, were mounted on a beam that ran across the entire width of the stage.

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14 March 2016

The company says: "It's clean, straightforward, intuitive user Interface offers tools like Patch Wizard and Auto Palettes to consolidate all the prep work, leaving LDs, programmers and operators free to work faster and more harmoniously."

FLX offers 2,048 freely assignable control channels with no fixture patch limitations and is supported by four rotary encoders, 24 dedicated playback faders (with 10 pages) and four UDK's (User Definable Keys).

FLX uses Fe-RAM (Ferroelectric Random Access Memory) to store every button press in real-time and ensure that every second of the work is saved without any battery backup.

Additional USB wings - each with 24 more playback faders - can be added via USBs positioned all around the desk - for complete convenience and full flex

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14 March 2016

Alongside the main display, a second touch screen provides an additional workspace window, also labelling the adjacent macro buttons and rotary pots. These fully assignable playback encoder pots allow intuitive control of channels and effects. The six LCD screens display electronic legends for 30 faders, for speedy access to all your playbacks, fixtures and palettes.

A new optical output means the Arena is equipped for fibre connections, with no signal loss over long dis