Lighting

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14 March 2016

Alicia joins the White Light Events team from April 2015. In her new role, she will focus on expanding the company's relationships with corporate clients and strengthening links with key events venues. She brings to the role more than a decade of experience in the events industry working with a broad range of clients including Coca-Cola, EE, Virgin Media Business, Friends of the Earth, Siemens and Condé Nast.

Having worked with White Light over the ye

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14 March 2016

The fixture boasts a number of attributes, embracing all the features you would expect from a moving head spot but with a particularly impressive white light.

It has also been engineered to produce an even beam spread - and also a powerful one, as the output generated from the 320W white LED module equates to more than 700W from a conventional discharge lamp.

Other design criteria that the XRLED 700 Spot meets include light weight (just 24kg), compact and quiet operation. Low power consumption and low heat dissipation are further advantages, as you would expect from an LED source.

Specifiers will also notice that this fixture is fully featured, with a colour wheel incorporating six colours (plus white); fixed and rotating

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14 March 2016

Specifying 29 of the powerful LED units from Zig Zag Lighting, Oliver rigged 18 on spines of truss in the air. Eleven of the strobes also made up his floor package upstage, where they lined the bottom of the vast video screen.

"I really like the SL NITRO 510C, it's my LED strobe of choice," says Oliver. "My design for this show was very video-heavy, however the units held their own against the 58' wide 20' deep video wall, as well as the other lighting in the rig."

Oliver's design was based on the band's previous touring campaign for the Cavalier Youth album. However he magnified it for the arena run, commissioning the slick video content from Pablo Beckett of Bry

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14 March 2016

Featuring this amount of talent meant that the set and production had to be on point. Designed by Michael Gill and built by Gearhouse SDS, the set was a balance of light and metal finishes. The lighting was conceptualised and programmed by Mauritz Jacobs of Dream Sets. Jacobs thoroughly enjoyed the task. His basic objective was to light for a live show that had f

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14 March 2016

A full programme of events was preceded by a magnificent opening ceremony. Theatrical Media Services Inc. (TMS) provided a full service package consisting of lighting, truss structures, staging and LED video floor. Selected for this ceremony were 37 Q-7 flood/blind/strobes and 16 P-5 wash lights, each chosen for their applicability in the lighting design.

Lighting designer and operator from TMS, Aaron Stinebrink, explains, "The idea for the opening ceremony was to make a ve

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14 March 2016

A four day festival held in conjunction with the Waste Management Open, Birds Nest is one of the most eagerly anticipated 19th hole events on the PGA tour. This year's edition didn't disappoint, bringing in acts like Kid Rock, Capital Cities, Darius Rucker and Afrojack who performed in a 50,000sq.ft tent shipped in from Germany that resembled a hot new Vegas club thanks in part to a dynamic lighting design from Creative Backstage using gear provided by Valley Production Services.

Creative Backstage set off the event's DJ stage with a cross- hatched "birds nest" design made with pixel mapped EPIX 2.0 series fixt

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14 March 2016

Eran rose to the occasion, adding a generous helping of his visual magic to the occasion assisted by around 160 Robe moving lights - including 28 x BMFL Spots, 36 x MMX Spots, 24 x LEDWash 1200s, 54 x Pointes, 16 x MMX WashBeams and 16 x LEDBeam100s.

The gala opening show, directed by Amit Fisher, needed to deliver a breath-taking immersive experience for thousands of VIPs, celebrities and invited guests, and an event to establish Pavilion 2 - 'Hall of the Universe' - at the Tel Aviv Expo as a multi-purpose venue.

Cochavi & Klein worked with a hugely talented creative team i

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14 March 2016

Lightco Nederland B.V. has been ETC's distributor for many years and has done great work promoting ETC. However, ETC's continued growth and product family expansions make it a challenge for distributors to promote the complete ETC product portfolio. "It's a very big job to promote all ETC products across different segments of the market. This responsibility is a lot to ask of our distributors, but is a necessary job to do," says Tim Stokholm, ETC's regional sales manager for Northern Europe.

Lightco will continue its relationship with ETC as a dealer. Lig

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14 March 2016

Hearing Health - People should listen to music for no more than one hour a day to protect their hearing, the World Health Organization suggests. It says 1.1 billion teenagers and young adults are at risk of permanently damaging their hearing by listening to "too much, too loudly". It said audio players, concerts and bars were posing a "serious threat". WHO figures show 43m people aged 12-35 hav

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14 March 2016

As a result of the renovation which also included an upgrading of new intelligent light armatures, the theatre's technicians, Flint Sjoerd Wierda and Ad Slotboom, realised that the theatre needed to extend and change its technical infrastructure in order to deal with the demands of the new system. Working together with Rolight, the exclusive ELC Lighting distributor for The Netherlands, they designed an ELC network into the re-fit

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14 March 2016

Entec's system engineer James 'Kedge' Kerridge worked alongside John Grant's own engineers Gabriel Nicotra (FOH) and Matt Pengelly (Monitors) and Matt Grounds who mixed the 29 piece orchestra. Also onstage was a regular electronic band comprising drums, guitar, bass and keyboards / synthesisers.

Gabriel has a long-standing working relationship with Entec and so returned to the west London based company again for more excellent service.

He specified a d&b V-Series system with flown V-SUBS and Q-Series as fills. The standard sy

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14 March 2016

The Developers Conference provides a European forum for manufacturers, designers, consultants and prospective users; and aims to ensure that the adoption of these new standards achieves desired levels of interoperability and reliability.

Conference sessions will cover the understanding, implementation and use of the published E1.20 and E1.37 RDM standards. Other projects in the current PLASA Technical Standards Program such as 'E1.33: RDMnet' and the various E1.37-X extensions will also feature.

The 'Plugfest' is a hands-on opportunity for product developers to try out their hardware and code implemen

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14 March 2016

Made with aluminium alloy and advanced LED technology, the versatile nature of the Saber allows it to fit into any design. The Saber is made with a 10.4mm video strip with two rows of SMD 3in1 LEDs attached. It is available in three sizes, 1000mm, 500mm and 250mm in length. The total fixture is lightweight and less than 1" (2.5cm) wide with a depth of just under 3" (7.6cm) without clamps.

The 1000mm section weighs only 2.65lb (1.2kg), with a three-sided mounting track that allows for various mounting options. Saber was designed to mount seamlessly end-to-end but can also be stacked and maintain its 10mm pixel pitch. The optional

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14 March 2016

The Piccolo consists of three venues: the Sala Grassi, the 19th-century Teatro Fossati, which reopened in 1986 under the name Teatro Studio Melato, and the Teatro Strehler.

The Teatro Studio Melato started life as an experimental theatre, a training ground for the young students from the Piccolo Theatre School, and home to the international master classes which are held there annually. Its circular design is greatly appreciated by directors from all over the world for the special relationship it allows actors to establish with their audience. The theatre was recently equipped with Clay Paky Alpha

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14 March 2016

Darren Parker, MD of DPL Lighting has just taken delivery of a substantial number of Magicblade-R fixtures. Why Magicblades in particular? "Like all investments in new stock, there was an element of strategy to stay ahead of the competition, but I was pointed towards the Magicblades by one of our designers, Adam Power, who

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14 March 2016

Patrick van Rossum, Partner of Varova, the owner of the Nordeon-Group, sees a win-win situation in the acquisition for both companies: "With its broad product and lighting solution portfolio, its extensive technological know-how and deep understanding of architectural markets, Griven will substantially strengthen the market position of

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14 March 2016

This is part related to the company's planned medium-term expansion strategy and also in response to the success of the new BMFL range of moving lights - the first of which was launched in September 2014, plus the continued demand for other popular moving light fixtures like the Pointe and the LEDWash series.

Robe has recently completed the acquisition of nearly 8000sq.m of land including four large buildings immediately next door to its current main factory premises in Valasské Mezirici. Robe, which first moved to this facility in 2002, has gradually been buying up other commercial premises along th

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14 March 2016

The DALI (Digital Addressable Lighting Interface) standard provides a popular means of controlling ballasts that do not require fast special effects. It operates over low cost and simple wiring, but is limited to 64 devices per circuit. Until now, DALI has lacked a standardized and open method of integration into larger networks.

Art-Osc solves these problems by providing a non-proprietary method to transfer the DALI language over a network; putting this into numbers translates into control over a billion DALI ballasts. Historically, the situation bears close analogy with the invention of Art-Net, an ethernet protocol designed to overcome the channel restriction of DMX512 while still utilizing its structure.

In

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14 March 2016

The popular tour takes all the glitz, glamour, excitement, celebrities and sizzling hot moves from the BBC's hit series on the road.

It is always a challenge to light. Each of the dancing couples needs a series of different and dramatic looks for their dances, while the whole space also has to have that air of dancehall intimacy. Flexibility is key when it comes to choosing fixtures.

This year there were also more full production numbers in the show. Richard worked closely with production manager Andy Gibbs who originated the set design which included the multiple dancefloors, Austrian drapes, chandeliers and 14 prominently pla

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14 March 2016

HopCat, which opened its first venue in 2008, serves some of America's best craft beers and regular live music. At HopCat Detroit, which opened on 13 December in an historic 100-year-old building, a second floor music and entertainment space, the Huma Room, features a variety of music from DJ's to classical concerts, as well as other events.

In order to accommodate the wide variety of acts that may perform there in any given week, venue owners wanted a lighting system to be as versatile as possible. Fantasee advanced the all-purpose benefits

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14 March 2016

"Every day, designers choose Vectorworks because it's a tool that allows great design to materialize from inspiration, exploration and discovery," says Nemetschek Vectorworks' chief marketing officer Stewart Rom. "The Design Summit will provide a gathering point for our community of users to generate new energy

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14 March 2016

Commenting on this latest award, CEO Rob Robinson said, "It's always extremely gratifying to receive recognition from our peers in the industry, but this award is particularly special, for three important reasons. First, the category of Integration Tool was a very broad one, encompassing all sorts of product types from other innovative software to some very novel and interesting hardware produ

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14 March 2016

"We first saw the Mythos at PLASA last year: they were indisputably the stand out light at the show," comments Gemma Oldfield, RML's marketing coordinator. "Clay Paky always take the time to think of something new and make sure that they get it right - which is really refreshing when there is so much fierce competition between manufacturers and so many products coming onto market each year."

The purchase was made through Clay Paky's exclusive distributors and customer support in the UK, Ambersphere Solutions. "Ambersphere's friend

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14 March 2016

To complement the swing theme of the tour, Ric Lipson's set design was super theatrical with a huge 50ft high and 90ft wide working Austrian and four separate acts - jungle, nightclub, hotel and ship. LD Mark Cunniffe therefore needed a wash light versatile enough to create a multitude of different looks and so specified 88 Sharpy Wash 330s from Neg Earth.

"The set also had a large video wall, 80ft by 40ft, so I needed something really punchy that would cut through and give me the depth I needed, which the Sharpy Wash 330s were perfect for," explains Cunniffe.

The Sharpy Wash 330s were rigged in pairs in chandelier arra