Michael Northen, Life President of the Association of Lighting Designers (ALD) has been awarded the MBE in the Queen’s New Years Honours list, for services to Theatre. Michael was the first professional Lighting Designer and has been in the industry for many years, designing for over 300 productions at venues including the Royal Opera House, the Royal Ballet, Glyndebourne Opera House and RSC Stratford.

High End Systems has announced that Bob Schacherl, one of the founding partners of High End, has resigned from his role as president of the company in order to spend time with his family and pursue personal interests. Schacherl, who was instrumental in establishing the initial worldwide sales distribution network during the early years of the company, commented: "It’s been a privilege working with so many great people here at High End and throughout the lighting community." Schacherl will continue as a shareholder in High End Systems. Sean Hoey, sales manager for North America will assume responsibility for Latin America, supported by Tony Magana. John Wiseman, vice-president of special projects will continue management of European Sales and will assume responsibility for the Asian, Middle Eastern and African territories supported by JR Chai and LeighAnne Aiken.

Strand Lighting's SLD series dimmers have won the Eddy award for Lighting Product of the Year, as presented by Entertainment Design Magazine. Phil O¹Donnell accepted the award on behalf of Strand Lighting at a ceremony held in New York City in December."We are delighted and pleased to accept this Industry recognition for our new SLD dimmer range," said Peter Rogers, global sales and marketing director for Strand Lighting.

Wybron Inc has introduced the next generation of its popular Autopilot. Autopilot II is a 3-D tracking system that turns moving lights into automated followspots that track performers in real time. Autopilot II is now ‘plug and play’ simple and anyone can set-up and run. Set-up is virtually automated and viewable in three dimensions on a laptop. Web-based enhancements give users the power to use, adjust, monitor and even diagnose system performance from the laptop. Autopilot II has expanded memory capacity that allows users to control up to 75 moving lights.

PLASA Publishing has learned of the death from cancer of Playlight founder, Mike McMullan, who died peacefully at home on Tuesday 3rd January, surrounded by his family. A statement from the directors and staff of the Playlight Group said: "Mike was one of life's great characters, and will be greatly missed by all who knew him."

The funeral will take place next Wednesday 10 January at 1.00pm at the Altrincham Crematorium, Whitehouse Lane, Dunham Massey, Altrincham, Cheshire. The family has requested that instead of flowers being sent, donations be made to the following charities: St Ann's Hospice, St Ann's Road North, Heald Green, Cheshire; the Cystic Fibrosis Trust, 11 London Road, Bromley, Kent; or the Lymphoma Association, PO Box 386 Aylesbury.

Commissioned by ARTTS International (Advanced Residential Theatre & Television Skillcentre located at Bubwith, south of York), Lighting Technology has recently completed the installation of lighting and track equipment into a new studio build at the organisation's television training centre. A grid composed of five 10m plain scaffold tubes and six 10m internally-wired bars is fixed at a height of four metres and wired to a patch rack unit. An 18-way Pulsar dimmer rack with control outlets has been installed, along with an 18-way Pulsar twin-preset lighting desk. Lighting equipment supplied included five Strand Studio 1kW lanterns and two pantographs. The perimeter track is a Foyal 300 system," explained Lighting Technology’s Terry Reeves. "A subsequent order followed and this involved the installation of a new Harkness Hall T60 track system in the main theatre. We were th

Their publicity talks about ‘a multi-disciplinary approach to create a visceral experience’ to teaching fire safety. But it’s the big red fire truck inside the window that gets people in to the new Fire Zone exhibit at the Rockefeller Center in New York!

It’s a good start to getting across a message which is important, but too easy to make it over-preachy or just plain dull. That was the problem the New York Fire Department had. The new approach came about after Tishman Speyer Properties, who manage the property of the Rockefeller Center, offered the Fire Department space in the building for a token rent. The Fire Department accepted, and turned to BKS/K Architects to create the Fire Zone.

Once the fire-truck has lured people in, it acts as the first stage of the themed show: an alarm, a fire-fighter and a video-projection showing a fire truck’s journey

The recent Illuminated Video Workshop, fronted by Screenco and designed to show the versatility of LED screen configurations, paid immediate dividends when the senior producer of BBC Television’s Sports Personality of the Year decided to transport the concept to BBC Television Centre.

On December 10, a TV audience of around 10 million - as well as an invited studio audience of 560 sports personalities - assembled in TC1 studio in Wood Lane to see 60 of Screenco’s 15mm modules, with help from Vertigo and Stage One, perform some gymnastics of their own. Assembled in a block, the matrix formed the entire scenic video backdrop for the production - but the show’s senior producer Paul Davies saw possibilities way beyond that.

He decided that the matrix could also be configured as a walk-on entrance for the personalities. "We wanted to integrate an over-the-top screen

Christmas week was Cereco International’s busiest week since the launch in September of its web-based lighting and audio equipment auction. Cereco’s John Lethbridge reports that in the period between 27 December and New Year’s Eve, over £7,000 worth of product was snapped up by several individual first-time buyers. There was a last-minute battle between five bidders for 42 ETC Source 4 Pars that started at £50.00 each and closed at £65.00 each. John Lethbridge puts this success down to the fact that people had plenty of time to be on-line over the holiday period. Also, most of the bidders are now subscribing to Cereco's free weekly e-mail newsletter that keeps them informed of the latest deals and action on the website. The site specialises in new and ex-demo equipment supplied by leading manufacturers and distributors, rather than ex-rental equipment, although some

Stage Electrics has provided a large percentage of the lighting and special effects for major pantomimes around the UK. The company supplied the lighting, including Martin Professional’s MAC 2000s and a large number of generics, for 15 of the Quodos (formerly known as E&B) shows, as well as for four of Jim Davidson’s Effective Productions. The pantomimes are all over the country from Plymouth to Edinburgh and include Dick Whittington at the Hammersmith Apollo. Stage Electrics’ lighting has also been used on many other productions throughout the festive season including the classic Christmas production, The Snowman in London and Holland; the Classical Spectacular at the Royal Albert Hall, the Olympia International Show Jumping Championships and numerous West End shows.

Guests at the Annual Lighting Designer’s Christmas Luncheon, held at the Royal National Theatre in December, were able to meet three more future leading lights in the profession, as White Light once again presented its Lighting Design Bursaries during the event. Now in its third year, the competition was opened up this year to allow entries from anyone studying lighting design in the UK, rather than just from students at Rose Bruford College as in previous years. As before, students had to produce a proposal detailing how they would light a scene from a play, a piece of music, an item of architecture or a live event - all within a theoretical budget! - as well as a live ‘pitch’ for that proposal. Despite the newly-expanded field of entries, the overall winner of the competition was once again a student at Rose Bruford: Kristina Hjelm, with a production entitled The Peep

Pulsar has launched its 2001 light Jockey Contest. The competition is open to all, from experienced Light Jockeys and operators, to lighting enthusiasts with no previous experience. Free training at all levels will be provided covering a variety of topics, from basic programming to creative lightshow design. Preliminary heats, especially designed for new-comers, will take place at Pulsar’s headquarters in Cambridge, whilst the prestigious Ministry of Sound will play host to the main heats. Deadline for entry is February 28. If you are interested in taking part or would like to find out more contact Sabrina at Pulsar Light of Cambridge on +44 (0)1223 366798.

Show Presentation Services (SPS), the audio-visual equipment rental and technical staging specialist, has announced the launch of its new e-commerce website, along with a brand new on-line ‘Budget Estimator’. Robin Coles, SPS managing director, says: "A UK event manager for a multi-national brand with a requirement to take a product road-show to six European cities, should provide the Budget Estimator with details such as audience size, type of event/presentation and location, and they will be provided with immediate on-line staging information specific to their requirements with accompanying pricing."

Color Kinetics Incorporated (CKI) has been awarded a second US patent covering the company’s Chromacore technology, which uses microprocessor-controlled multi-coloured LEDs to generate a variety of color-changing lighting effects. The patent (6,150,774) broadens the scope of the company’s initial patent for Chromacore (6,016,038, issued in January 2000) and extends the range of applications covered in Color Kinetics’ intellectual property portfolio. Color Kinetics say this now positions them to bring the colour and effect-generating capabilities of its award-winning professional lighting products to the general consumer market.

CKI says this latest patent further expands its intellectual portfolio to include specific networkable methods of intelligent LED control, as well as applications that utilize networkable control of a single LED. Such applications include the a

On Saturday 6th January, a van belonging to one of Theatre Vision’s hire customers, containing a large amount of hire equipment belonging to Theatre Vision and Stage Electrics was stolen in the centre of Cardiff. The stolen equipment included Martin Pro 400 Robocolors, MAC 500s and MX1 scans, a Jem ZR22 Smoke Machine, a number of starcloths, an Avolites Pearl 2000 and other associated kit, including cables. Most of the kit was flightcased and labelled either Theatre Vision or Stage Electrics. If you are any offered any of the equipment, or have been approached to put a value on it, please contact Tim Routledge on (029) 20 70 12 12.

Stagetec (UK) Ltd has just been appointed an approved by contractor by the NICEIC which maintains a Roll of Approved Contractors that meet the Council’s Rules Relating to Enrolment and national technical safety standards including BS 7671 (IEE Wiring Regulations). This is designed to protect consumers against the hazards of unsafe and unsound electrical installations.

Following our feature last month on the new Tussaud’s in New York, we switch coasts to look at Tussaud’s Vegas’ debut at the $1.4billion Venetian Hotel.

The Venetian, with its indoor Grand Canal (complete with gondolas, singing gondoliers and stylish waterside cafés), is the perfect host for the Tussauds Group’s celebration of all things celebrity.

Madame Tussaud’s is to be found within the St Mark’s Library building which, of course, is a full-scale replica of the famous Venice landmark. Tussauds has created a $20million experience that showcases glamorous personalities, many of whom have ties with Vegas, in sumptuous surroundings. The design elements of the exhibits have been thoughtfully executed with talent and kit pulled in from around the globe to make this Tussaud’s a dazzling experience, even by Vegas standards. Show producer Phil Pi

The RSC’s acclaimed musical production of The Secret Garden opens shortly in London - after a hugely successful season at Stratford-upon-Avon. Lighting designer Chris Parry (better known for his work on Broadway) and sound designers Andrew Bruce and Terry Jardine have helped to bring the timeless tale to life for a 21st century audience.

Parry says: "The design of the show is much more monochromatic, dark and dramatic, and much less colourful and decorative than the original Broadway version, which I think is great for the piece. Despite this, it has a huge range of lighting quality, from a soft, dim candle-lit bedroom scene through to a big, bright and energetic dance number with gardeners and house-maids!"

Parry’s design, furnished partly from the RSC’s stock of conventional luminaires, but with a large hire inventory supplied by White Light, included ei

Further to our report on the 2000 Hanover Expo in the last issue, we return as promised to the Smoke Factory’s extensive role in the Planet of Visions . . .

The vast Planet of Visions exhibit - the largest at the Expo - suffered a setback shortly after the Expo opened, when the original smoke effects contractor was removed from the project. In a major dilemma, someone at this point remembered that Hanover was home to a smoke effects specialist - The Smoke Factory.

The Smoke Factory’s Florian von Hofen told us: "This was probably the most complex smoke effects project ever undertaken - not the biggest, but the most complex. It is a vast exhibit, visited by 30,000 people each day. The budgets would not allow for permanent technical personnel, so everything had to be automated."

By the time The Smoke Factory was called in, the set had been built, and there was no

Lighting Technology has won the contract for the supply of new stage lanterns to the Orchard Theatre in Dartford, Kent. Major elements of the order include 24 ETC Source Four 15/30s, 22 Robert Juliat 15/40 profiles and 36 Strand Cantata Fresnels. Ordered by the Orchard's business manager Bob Clutterham, all the units will be supplied with plugs, numbered and have a logoed safety bond as part of the full service provided by Lighting Technology. The equipment will be delivered in mid-February.

On New Year’s Eve, the largest indoor special effects show ever staged in the UK was fired at the Millennium Dome, Greenwich. It took seven technicians seven full nights to wire and rig the pyrotechnics, manufactured by Le Maitre at their Peterborough factory, across the 400m span of the Dome. A total of eight firing stations were used to ignite the effects, some of which have never been seen before by the British public. The effects included airburst effects under the walkways which encircle the roof, while glitter, confetti and streamers dropped from the ceiling for the finale, engulfing the entire central arena of the Dome. The show was the culmination of Le Maitre’s involvement with the Dome, which started with the high-profile opening ceremony in front of Her Majesty the Queen, and continued with three pyro shows per day throughout 2000.

Steve Howard has relocated from the Martin Manufacturing plant in Louth, Lincolnshire to its UK headquarters in Maidstone. He made the move in mid-December and becomes the senior engineer responsible for Jem smoke machines. He will be responsible for the service of Jem smoke machines and providing training and technical support for Jem products.

After six years handling technical sales and support on the company’s exclusively-distributed products, Mike Falconer is leaving AC Lighting Ltd and heading off to its US operation at AC Lighting Inc in Los Angeles.

The ESTA website has been having some difficulties since Monday, January 8th. Wybron, which hosts the ESTA website and all its e-mail aliases, was forced off-line when its service provider went bankrupt and terminated all service without notice. Wybron has been able to create a temporary dial-up connection for the ESTA server, which should allow email through, although access to the website will be very slow. ESTA wishes to apologise for any inconvenience caused. Until the problem is resolved, all ESTA web services will have limited accessibility. Therefore, please use the following alternate email addresses to contact the ESTA staff, in order to ease strain on the temporary connection:

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