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Keith Morris, under the auspices of CSS Productions, managed the event, reassembling the team he used so successfully for the British Gas, Maritime Museum New Millennium’s Eve event (strange how little we hear of the Millennial events that succeeded). Being November and rather nippy around the towers, this dinner and music show was staged on the pitch, but under cover. Serious Structures provided its Space Building, a giant derivative of the classic Orbit roof, being a curved ‘tunnel’ 92 metres long, 40m wide, with a max height at centre of 15m. The main feature of the Space Building is the totally transp
Unlikely, but true; it seems that Elton’s enthusiasm for the musical form re-awakened the composer’s own excitement. To this mix, add the unlikeliest of subject material, a boy’s football team in Ireland in the heights of the trouble. The result is The Beautiful Game, hailed by some critics as Lloyd Webber’s best musical, and drawing comparisons with West Side Story from others.
A creative team was then assembled from the world of opera: director Robert Carsen, designer Michael Levine and lighting designer Jean Kalman. For those familiar with his work - summed up, if over-simplified, by describing it as a 4K HMI fresnel in each corner of the stage, plus some low Par cans from the circle front as
So went the narrative for Thorpe Park’s end-of-season spectacular, a stunning, action-packed amalgam of lighting, sound, lasers and fireworks.
Lighting designer Dave Gibbon (pictured) designed a massive 216 Par can matrix for the project (36 x 6-lamp bars). This was rigged on the island on a tower above his operating ‘bunker’ which also contained six 48-way Avolites ART dimming systems, Dave himself, his trusty Avolites Pearl console and his right-hand rigger-in-chief Chris Henry (Carrot) and Avolites’ John Snelling.
Avolites wrote custom software for the Pearl to allow Gibbon to programme letters, numbers and text for the matrix on a PC - using a mouse and a grid
To help her, Zambello turned to regular collaborators, notably set designer Michael Yeargan and lighting designer Rick Fisher, who won the 1998 lighting Olivier for his work on Zambello’s Lady in the Dark at the National Theatre.To stage the show, which covers a huge range of locations and times, Yeargan designed a spectacular floor capable of rising, falling, twisting and tilting to provide lan
The Explorer, the second in the Voyager class which debuted with Voyager of the Seas in 1999, could actually be considered a destination in itself, boasting a wealth of facilities, activities and entertainment. Perhaps one of its most arresting features is a 60ft by 40ft ice skating rink (the only one at sea) which can be converted to a 900-seat concert venue or TV Studio.
At the heart of the vessel is the Royal Promenade - longer than a football field and wider than three lanes of traffic anchored by two atria that are marvels of marble, trees, greenery and sculptures. Diversions along the way include the Crown & Kettle - a traditional English Pub, a 24-hour cafe, a sports bar and more sho