Lighting

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14 December 2016

Concurrently, and supporting GLP's philosophy of promoting longer product life cycles, the company has undergone a complete market swap-out of current units, allowing all existing owners and users to benefit from this technology upgrade immediately, and without cost.

The brighter 30 Watt RGBW LED source is from the same family used across all GLP's X4 range. This ensures full colour matching across fixtures and enables the X4 atom to really cut through, despite its compact size.

However, the X4 atom houses a lot more besides a bright source, starti

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14 December 2016

"I'm convinced this new Phero model, with its technical features and sleek form factor is going to make a big dent in the small to medium size touring market," says ENTTEC Americas general manager, Jeremy Kumin. "We're focusing our energy on telling designers who are hip, rising stars about this light because it just feels like a must-have for the indie bands that are starting to break into big festivals or are headlining in small to medium sized clubs,"

At a mere 18 watts, the Phero 33 is an energy efficient unit designed for direct lighting applications. Comprised of 33 independent RGB pixels, the Phero 33 features extended color blending and uniform color. While some LED units struggle with the warm colour palette, the Phero 33 giv

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14 December 2016

Longtime Vista user, Rob Sinclair's show design for Peter Gabriel was part of the Rock Paper Scissors summer co-headline concert tour in North America with Sting. It featured both artists on stage for the whole performance, alternating between and sharing singing duties on each other's songs.

Rob designed and programmed the lighting for songs written by Peter Gabriel - with the occasional song being performed by Sting. He commented, "The Vista showed strength as a team player. Working closely with Danny Nolan, Sting's LD, we alternated songs and consoles. What could have been a control nightmare was

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14 December 2016

Tour manager and lighting designer Chris Wrightsman evoked the double 'X' symbol within the look of the show creating a truss design of two interlocked X's. VL 2500s and MAC 2000s spread throughout the rig, providing maximum coverage and tight shots, and coupled with ACL floor bars placed upstage of the riser line, four cell mole lights in front of the riser line and four restored old time fresnels for side glow, the result was a production that was unique and memorable.

"We wanted to create a great "big arena" concert experience in smaller venues, specific to OAR, and emphasize on the band's history," Wrightsman explained.

Bandit als

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14 December 2016

PR Live's Dave Gillett led the team, designed the projection system and applied his experience in the specialist area of projection mapping which caught guests' attention as they exited a big marquee that was erected in the garden for the event.

PR Live also commissioned the custom video content for the four-minute looped show, created by artist Jack Beccegato, which was mapped to the 30m wide by 8.5m high side for the house.

The projection surface involved a number of bay windows, decorative brickwork and a raised surfaces at different depths, all of which had to be taken into consider

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14 December 2016

Square Enix, a Japanese video game company best known for developing role-playing video games such as Final Fantasy was one of the major exhibitors. For the audiovisual design of the booth, Square Enix contracted NEXXT France, a young French company that provides audiovisual services through innovative solutions. In the middle of the 550m² booth, NEXXT France put a 30m² LED wall and two LCD side screens above the main stage which was intended for host conferences and signing sessions.

Marc Gloria, CEO of NEXXT France, explains the concept of the booth, "The LED screen was the main element of the booth. No one could miss it. Our client wanted visitors to test games and watch live demos on a large display."

To feed the screens, Marc Gloria chose the Eikos², a

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14 December 2016

Brooks needn't have worried. From the moment he began his set with Ain't Goin' Down ('Til the Sun Comes Up), he captivated the New York crowd with the raw power, enthusiasm and heartfelt country passion of his performance. Keeping pace with Brooks as he led the sell-out crowd through singalongs and romped around a massive circular runway, was a high octane lightshow created by Robert Peterson of Real World Lighting with a stage rig supplied by Bandit Lites that included Rogue RH1 Hybrids from Chauvet Pr

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14 December 2016

Bethan Garland, senior museum events manager at the V & A Museum, comments, "This is one of this year's biggest exhibitions so we wanted to make sure it received the launch it deserved. This meant capturing the spirit of the exhibition whilst remaining sensitive to the building."

Richard Stirzaker, WL's creative producer, comments, "We were approached

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14 December 2016

The Chicago band have spent the past decade working their way up the festivals' bill, and their strikingly visual performances on the consecutive nights, created by production designer Robb Jibson, garnered rave reviews in the media.

Robb, who also helms Chicago-based So Midwest Inc which provided the Vista control package, has been touring extensively with the band, and the Leeds and Reading shows were the culmination of the 18-month American Beauty/American Psycho album cycle. The custom setup, which has accompanied him throughout, consists of a Vista S3 control surface run on OSX via two Mac Minis with stacking dongles, providing an active/backup system with the footprint of just one desk and a total of 16 cores of i7 processin

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14 December 2016

However, Bunner proved otherwise by creating an intimate and immersive club-like feeling at venues from The Forum in Los Angeles to Madison Square Garden with a rig that relied heavily on the Rogue R2 Wash and STRIKE 4 multi formatted fixture from Chauvet Professional.

Bunner of Showtime Sound worked his magic on the just-concluded Louis C.K. summer tour. The comedian-actor-director, who has won six Emmys and a Peabody Award in addition to his pair of Grammys, wanted a lightshow that engendered the feeling of a comedy club or small theater, despite his tour's outsized venues. Aerial washing from the Rogue R2s was instrumental in creating this environm

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14 December 2016

Due to an increasing demand for projection mapping and large-scale content, Hawthorn has added four d3 4x4pro media servers to its already extensive hire inventory, representing an investment of £200,000.

The d3 4

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14 December 2016

As recipients of ETC's annual LDI Student Sponsorship, the students will enjoy an all-expenses-paid trip to the LDI tradeshow, a full conference pass to experience the newest technology and benefit from LDI seminars and trainings, and the chance to network with professionals throughout the industry at special events.

ETC will match the Student Sponsorship recipients with industry luminaries who serve as mentors - giving advice, inspiration and support to the students as they embark on their careers. The 2016 ETC LDI students are:

Ben Clark - Currently a graduate student studying technical design and production at the Yale School

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14 December 2016

The imaginative stage set has been lit by Light-H-Art designer Bas de Vries and his assistant, programmer Joost Wijgers.

Having collaborated on a number of similar TV talent shows for Talpa in the past, including The Voice, Dance Dance Dance and It Takes Two, the two men this time turned to 12 of GLP's GT-1 hybrid Spot / Beam to dominate the set, which has been built at the giant Studio 24 on the Media Park in Hilversum.

"We got to test a GT-1 when we were recording Dance Dance Dance and thought it would be a great fit for The Next Boy / Girl Band," admits Joost.

The show itself is recorded in front of a live audience. The main elements of the scenography are

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14 December 2016

This passion for defying comfortable expectations is shared by the band's lighting designer Freddy Thompson of JDI Productions. Working on the group's current tour in support of their album Incarnate, Thompson tore up his old playbook and rewrote the rules to come up with a lightshow that matches his client's evermore ferocious sound with an explosive mix of fresh new looks. Key to helping him accomplish this feat is a collection of eight Rogue R1 FX-B fixtures from Chauvet Professional that he added to th

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14 December 2016

The two-day event involved expert speakers, live demonstrations and the opportunity to create relationships in one of the world's most renowned science venues. With a strong reputation in providing production support on a range of conferences, WL was called upon to provide the complete technical solutions for this event.

Space for Inspiration was hosted by the European Space Agency who approached WL to help bring their event to life. WL's conference account manager Shrenik Singhavi comments, "Upon meeting the ESA, it became clear that they wanted to host an extremely ambitious event. Alongside the lighting and AV support, there would also be interactive Q and A's, live audience respons

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14 December 2016

Published by Penguin Random House Children's, The Christmasaurus is Tom' s first novel aimed at 7-11 year olds, inspired by his love of all things Christmas and dinosaurs. Set on Christmas Eve, the story is about the magical adventures of a boy named William Trundle and a most unusual dinosaur called the Christmasaurus.

Magical Christmas scenes from the novel were reconstructed by Bespoke Events, from architectural lighting themed to match the book jacket in winter wonderland colours blues, white and purples to snow flake projections on

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14 December 2016

Owing to its truly multi-purpose entertainment programme and many different configurations depending on the event, the show lighting rigs are constantly changing.

Saving time and hassle, head of lighting Joel Karlberg has installed a LumenRadio wireless DMX system which enables data signals between the lights and the control desk to be re-routed quickly and easily.

Joel co-ordinates all the lighting technical elements and has found the wireless DMX system to be a flexible and practical solution for addressing a

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14 December 2016

The presentation ceremony will take place at the Young Vic Theatre, where Manim's latest production, A Man of Good Hope is playing. The show is based on the classic novel by Jonny Steinberg and depicts the true story of one refugee's epic quest across Africa, brought to life with music from the world-renowned Isango Ensemble.

ALD vice president, Rick Fisher, states, "It is an honour for the ALD to present Mannie with the ALD International Fellowship award."

The Association extends a very warm invitation to the UK's LDs and lighting industry practitioners in anticipation of many being able to join with Manim to celebrate his career and the art and craft of Lighting. The audience is invited

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14 December 2016

Lighting and production designer is Chris Lisle who is using Elation Professional ACL 360 Bar LED battens to colour the singer-songwriter's show, which is playing dates in the US through October.

The versatility of the ACL 360 Bar has been on show on several festivals, events and tours this past summer, including the likes of the Rascal Flatts tour, the Nocturnal Wonderland and Hard Summer festivals and more.

On Rector's The Biggest Tour I Have Done So Far outing, Lisle, who is working with the artist for the first time, has the colour-changing battens working from a row along the upstage edge behind the ba

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14 December 2016

Working for creative director Tony Assness of The Spark, Tom had to please multiple people with a budget and acts that changed daily.

"You never really know where you are until one to two weeks out," he admitted. "I have to give huge thanks to the Chameleon Touring Systems team for riding that with me. Chameleon's Luke Cuthbertson is one of the calmest account managers I have ever worked with! I think I sent seven versions of the plot and the seventh was only a week before the event."

Keith Urban was hesitant about playing in the round so although

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14 December 2016

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14 December 2016

With its recent decision to open a retail location of its own in New York City, general manager of Stores Whitney Walker was asked to oversee the creation of a listening experience in which customers could discover Sonos just as they would in the comfort of a friend's home. Needing a finishing accent for the downstairs lounge, Walker called upon Rethink Innovations to help create a warm and engaging 30ft fireplace display, and they did so using FLEXLite 6.9mm LED video technology from Nashville-based PixelFLEX.

"Our objective for the Sonos flagship retail location was to build the best place for someone to discover and fall in love with whole home au

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14 December 2016

Lighting designer Chris Lisle collaborated with Rector to establish what the overall look of the production would be, with emphasis on using 2K fresnels on grip stands in addition to how Martin MAC Vipers would be utilized during the show.

"Ben actually sat with us during rehearsals and gave us some notes on a couple of cues he wanted to see," added Lisle. "He was very good to work with and had a lot of great input and ideas himself."

Utilizing Venue One, Bandit's in-house rehearsal and design studio, Lisle was able to set up the entire rig, allowing

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14 December 2016

The full technical production - lighting, sound, video, staging and rigging - was supplied by leading SA rental company, MGG, project managed for them by Denzil Smith. Lighting was designed by Joshua Cutts of Visual Frontier who specified several types of Robe moving lights including BMFL Blades and WashBeams.

The show featur