Lighting

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14 December 2016

"There is a demand to buy more gear because the word has gone out quickly and I'm doing a lot of work," he said. "Sometimes it feels unreal, if I can put it like that. I feel blessed because as you know it's a tough industry, the competition is high and I thank God that I still have the business."

Because it's a small company, Kgomotso is there for every event, from set-up to strike, the first one in and the last one out. "My family give me support", he says, and he will always be grateful for his mom, a nurse,

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14 December 2016

Lighting design was by one of Germany's preeminent designers, Gunther Hecker from CUE Design, who incorporated Elation Professional Platinum FLX hybrid moving heads supplied by German production company satis&fy.

Known for wearing a panda mask when he performs, Cro's music is a catchy fusion of rap and pop, called 'raop', which, based on his audiences, attracts fans of all ages. His popularity is at an all-time high and for the MTV Unplugged Open Air tour he was supported on stage by a 20-member strong orchestra positioned across three tiers and fronting horizontally-tiered LED screens.

Gunther Hecker handled the entire visual design for the tour - lighting, set and video - his fi

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14 December 2016

The ball gives the Arbitration community the chance to come together, network, and support Save the Children. Following its work on other charity fundraisers, White Light was called upon to provide the production support for the evening.

The biennial International Arbitration Charity Ball took place on Thursday 8 September at Guildhall, London. Having previously worked on the event, WL was asked to offer its services once again. Gemma Howell, special events senior manager for Save the Children, comments, "We approached WL as we required a reliable company who would be able to t

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14 December 2016

Hog 4 OS v3.5.0 fully supports Compound Fixtures (single fixtures with multiple parts), providing easy scheduling and patching without the need to manually and, renumber, and patch individual parts.

Hog 4 OS v3.5.0 communicates directly with several video matrix switcher products over Ethernet. This allows smaller productions to control video equipment directly from a lighting console without the need for additional control systems or operators. Hog 4 OS supports the Barco MatrixPro-II SD/HD/3G-SDI series, the Blackmagic Smart VideoHub series, the Lightware MX series, and the AJA KUMO 16x16 series switchers.

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14 December 2016

GoboPlus.com is a one-stop online shop that specialises in the supply of custom and standard metal gobos, glass gobos and all projection images. Goboplus.com's online shop now features colour filter which is available from stock, by the sheet or roll, for shipping the same day.

Its sister company, CutColourPlus, provides bespoke cutting and complete scroll-making services, and supplies lighting filters in sheets and rolls from leading manufacturers that include Lee, Rosco and GAM.<

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14 December 2016

The Bristol based lighting and visuals rental company's association with the festival dates back 12 years, and it was the ninth year for project manager Stu England who led a large crew. Fineline also seized the occasion and the fantastic atmosphere of Shambala to celebrate a super-busy 2016 summer festival season.

Fineline supplied lighting for the main stage - a Wango's tensile structure featuring a large central pole and a free-standing arch at the front; the four-pole big top Kamikaze stage utilised for fun sports in the daytime and as the

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14 December 2016

Emily Dobbs brings together director Adam Penford, lighting designer James Whiteside, set designer Richard Kent and Found111's regular composer and sound designer Edward Lewis; who between them set the framework within which the cast will perform for seventy tense and periodically explosive minutes. Niamh Cusack and Sean Campion play the older of two couples alongside Matthew Lewis and Ruta Gedmintas.

James Whiteside explained his approach to lighting Unfaithful. "The first thing I did was read the play. I've lit an Owen McCafferty play before, so I knew his style of writing and what to expect. McCafferty uses a very naturalist

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14 December 2016

Along with all of the glittering debuts by big name designers, New York Fashion Week is a time of high-profile charity events. Among the most popular with celebrities and the press alike is the Hearts Fashion Gala, which raises money for the AIDS Healthcare Foundation. Produced by Eric Rosette of Rosette Management, the three-day event showcased the work of 20 celebrated designers like Hale Bob, Sanja Bobar and Gregorio Sanchez on a runway that LD Dougie Lazer illuminated with Ovation and Rogue fixtures from Chauvet Professional.

"The setting that this event took place in is very evocative and unique," said

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14 December 2016

Showlight is one of the few international events organised specifically for lighting professionals by lighting professionals across the theatre, television, film, performance, architectural and event worlds. A mix of conference, tradeshow and sociability, Showlight is an opportunity to mix with others in the lighting industry in an informal and informative atmosphere.

"PLASA was the right forum to have a stand for Showlight," says lighting designer and Showlight technical support, Rudi Benz. "It is a show that puts a lot of effort into networking and education which is right in line with Showlight's own philosophy.

"We had a lot of interest from visitors as prospective exhibitors, speakers and deleg

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14 December 2016

The company, headed by Rasmus Sorensen, has just invested in Robe BMFL Blades, DL4S Profiles and DL4F Wash luminaires which have joined the 80 Pointes already in their rental inventory, as the general demand for Robe fixtures in Scandinavia is growing.

Litecom was founded by Rasmus, his brother Morten and his father Erik in 2000 and now has 35 full time employees, a pool of regular freelance talent, a large inventory of equipment with state-of-the-art drawing and visualisation facilities, an expansive warehouse, a policy of continuous investment in current technologies and an operation brimming with

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14 December 2016

Encouraged by requests from theatre lighting designers, Robert Juliat and ETC decided to collaborate to fully integrate Dalis cyclight into the Eos desks. From now on, lighting designers can harness the full power of the Eos family desks and easily select and calibrate any colour they wish - by whatever method they prefer. They can synchronise their Dalis cyclight to a precise colour, or match any manufacturer's gel palette, and rapidly fine tune and modify the colour spectrum at will.

"We have made colour selection, match

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14 December 2016

Once again, PLASA's high quality free to attend seminar programme was a key element of the show and featured extremely well attended presentations by Durham Marenghi on lighting the Olympic ceremonies in Rio as well as a Production Masterclass from Ola Melzig and Fredrik Jönsson on Eurovision 2016.

This year's content-rich show also featured the seventh edition of the Rigging Conference, hands-on console training opportunities, the Innovation Gallery, and an exp

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14 December 2016

The Pharos VLC (Video Lighting Controller) is a simple, cost effective, all-in-one solution for controlling LED lighting fixtures installed as a large array; such as a building fa

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14 December 2016

In addition to its IP65 rating, the new indoor/outdoor fixture, which will be showcased at the Ovation LDI booth (1515), is endowed with all of the performance features of the popular Ovation E-260WW. This includes a 50,000-hour LED source life as well as an intense output (6,910 lux at 5m with a 26? lens). The latter feature makes it, along with its sister fixture, the brightest LED ellipsoidal on the market.

"The response to the Ovation E-260WW has been overwhelming since we introduced it earlier this year

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14 December 2016

Visitors to their booth saw the new GT-1 hybrid, which has been causing such a stir on the international circuit in 2016.

GLP marked the PLASA Show's 39th edition with the first presentation that the German manufacturer has fronted under its new UK operation.

Led by head of operations (UK & Ireland), Noel 'Roly Smith, with full support from senior international representatives, GLP could not have been more effusive about the response to their new LED fixtures, expertly integrated into a centrepiece lightshow by KOI award-winning LD Tom Campbell.

Campbell, who was accoladed last year by the Knights of Illumination for his touring work with Anna Calvi, again d

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14 December 2016

Headliners for the 16-19 June event featured a wide variety of artists such as Mumford and Sons, Blink 182, Florence and The Machine, Death Cab for Cutie and Kings of Leon.

The ethereal atmosphere for Firefly comes from the woodland surroundings, which boasted a hammock hangout area, draughts from Dog Fish Head Brewery, a silent disco amongst the foliage and four stages of top tunes.

Bandit provided lighting for the Main, Lawn, Backyard and Porch stages, where lighting looks had to pop during the daytime shows and compliment artists who util

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14 December 2016

As LED video has continued to evolve its technology, designer Frank Blasko has been creating exciting applications that range from dynamic LED video backgrounds to LED video lighting. Now needing a solution that can work within all the parameters of his lighting and video designs, Blasko and MediaLight Inc. have made an investment in FLEXLite NXG 3.9mm and 8.9mm LED video technology becoming the newest PixelFLEX production partner.

"I've been working in the motion picture industry for over two decades and we are now seeing multiple opportunities emerging for the application of LED video lighting, so we wanted to be at the forefront of that

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14 December 2016

Fenton and his Charlottesville-based design company Filament Productions are still responsible for the production design and this year he and co-lighting designer Aaron Stinebrink specified Robe BMFL Spots and PATT 2013 fixtures.

Aaron also works for Theatrical Media Services (TMS) based in Omaha, Nebraska, the tour's lighting vendor and he's been involved with Fenton and DMB in various lighting capacities since 2003, the last four years as joint LD and lead programmer.

The design process between the two men is always "a lot of

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14 December 2016

Concurrently, and supporting GLP's philosophy of promoting longer product life cycles, the company has undergone a complete market swap-out of current units, allowing all existing owners and users to benefit from this technology upgrade immediately, and without cost.

The brighter 30 Watt RGBW LED source is from the same family used across all GLP's X4 range. This ensures full colour matching across fixtures and enables the X4 atom to really cut through, despite its compact size.

However, the X4 atom houses a lot more besides a bright source, starti

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14 December 2016

"I'm convinced this new Phero model, with its technical features and sleek form factor is going to make a big dent in the small to medium size touring market," says ENTTEC Americas general manager, Jeremy Kumin. "We're focusing our energy on telling designers who are hip, rising stars about this light because it just feels like a must-have for the indie bands that are starting to break into big festivals or are headlining in small to medium sized clubs,"

At a mere 18 watts, the Phero 33 is an energy efficient unit designed for direct lighting applications. Comprised of 33 independent RGB pixels, the Phero 33 features extended color blending and uniform color. While some LED units struggle with the warm colour palette, the Phero 33 giv

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14 December 2016

Longtime Vista user, Rob Sinclair's show design for Peter Gabriel was part of the Rock Paper Scissors summer co-headline concert tour in North America with Sting. It featured both artists on stage for the whole performance, alternating between and sharing singing duties on each other's songs.

Rob designed and programmed the lighting for songs written by Peter Gabriel - with the occasional song being performed by Sting. He commented, "The Vista showed strength as a team player. Working closely with Danny Nolan, Sting's LD, we alternated songs and consoles. What could have been a control nightmare was

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14 December 2016

Tour manager and lighting designer Chris Wrightsman evoked the double 'X' symbol within the look of the show creating a truss design of two interlocked X's. VL 2500s and MAC 2000s spread throughout the rig, providing maximum coverage and tight shots, and coupled with ACL floor bars placed upstage of the riser line, four cell mole lights in front of the riser line and four restored old time fresnels for side glow, the result was a production that was unique and memorable.

"We wanted to create a great "big arena" concert experience in smaller venues, specific to OAR, and emphasize on the band's history," Wrightsman explained.

Bandit als

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14 December 2016

PR Live's Dave Gillett led the team, designed the projection system and applied his experience in the specialist area of projection mapping which caught guests' attention as they exited a big marquee that was erected in the garden for the event.

PR Live also commissioned the custom video content for the four-minute looped show, created by artist Jack Beccegato, which was mapped to the 30m wide by 8.5m high side for the house.

The projection surface involved a number of bay windows, decorative brickwork and a raised surfaces at different depths, all of which had to be taken into consider

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14 December 2016

Square Enix, a Japanese video game company best known for developing role-playing video games such as Final Fantasy was one of the major exhibitors. For the audiovisual design of the booth, Square Enix contracted NEXXT France, a young French company that provides audiovisual services through innovative solutions. In the middle of the 550m² booth, NEXXT France put a 30m² LED wall and two LCD side screens above the main stage which was intended for host conferences and signing sessions.

Marc Gloria, CEO of NEXXT France, explains the concept of the booth, "The LED screen was the main element of the booth. No one could miss it. Our client wanted visitors to test games and watch live demos on a large display."

To feed the screens, Marc Gloria chose the Eikos², a