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14 December 2016

Martin used 12 x BMFL Blades, eight BMFL Spots and 12 x Pointes for the lighting element of his piece, which mixed the mediums of lighting and monumental projection to illuminate a section of the wall approximately 100m long.

The idea was to build a 10-minute animated show that painted the wall with light ... examining the connection between the ancient stone wall and the cutting-edge technology of the lighting fixtures that are bringing it to life in multiple layers. Using this "magnificent historical heirloom as a canvas

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14 December 2016

Filmed at Fountain Studios and based on a live Edinburgh show, this new series hosted by Dara O'Briain sees team captains Steve McNeil and Sam Pamphilon compete in five rounds of hilarious gaming contests to be crowned the 8 Bit Champion. In each episode they'll each be joined by as celebrity guest with names such as Bob Mortimer, Russell Howard, Rachel Riley and Gina Yashere taking part throughout the run. They'll be competing in video games both retro and current and it'll be up to the live audience and resident gaming expert Ellie Gibson to decide who will come up trumps in the battle for gaming glory.

For this vibrant set, Roger has employed VL1000TS, VL3000 Spots and Robin 600 LED Wash. A

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14 December 2016

The announcement of the TV shortlist follows Theatre and Concert Touring and Events which were disclosed earlier this month. The 2016 TV judging panel is made up of Stuart Gain (chairperson) and STLD committee members John O'Brien, Andrew Dixon and Alan Luxford. The shortlist is as follows:

THE PHILIPS VARI-LITE AWARD FOR DRAMA - Sue Gibson for Death in Paradise, Martin Kempton for Upstart Crow and John Sorapure for Hunderby

THE LIGHT INITIATIVE AWARD FOR EVENTS - Nigel Catmur for Tom Jones and Rob Brydon: One Big Night, Bernie Davis for BBC Proms Season 2015/2016 and Roger Williams and Zac Nicholson for The Sound of Music Live

THE PRG XL VIDEO AWARD FOR LIGHT ENTERTAINMENT - Philip Brines for B

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14 December 2016

Over 500 loudspeakers, 20 digital mixing desks and 100 radio microphones were used to provide stunning sound on a range of high profile shows. The Warehouse provided a range of diverse audio solutions for the spectacular opening & closing shows at the EIF as well as a diverse range of shows across the Festival's calendar from 5-29 August 2016.

As a lead partner supplier to the EIF, the company provided the audio solutions for Alan Cumming's residency at The Hub, Sigur Ros at the Edinburgh Playhouse, Ba

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14 December 2016

"FloppyFlex is working out great," says Rob Sinclair. "I particularly like the brightness, smoothness and vibrancy of the colours, as well as its versatility. We have about 100m of the RGB FloppyFlex for the stage and backdrop, all driven by ProPlex RGB Drives. Built into individual stage sections and backdrop, it's easy to set up and break down and the system is very reliable. I intend to use FloppyFlex again and am recommending it to other designers."

Brilliant Stages of the UK supplied the lighting gear for the tour, which also

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14 December 2016

These were specified by Chris Moylan of Berlin based Optikalusion, who was the lighting designer and programmer for all the entertainment spaces, amounting to the theatre, AbtanzBar nightclub, the Studio and pool deck stage. This follows up his very successful Robe installation on Mein Schiff 3 in 2014 and Mein Schiff 4 in 2015.

For this latest vessel built in Meyer Turku Shipyard in Finland, explained Chris, the entertainment areas have been expanded. Klanghaus which was previously a very basic 'music chamber' has evolved into a full Studio performance space staging numero

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14 December 2016

The simple, interactive, entertaining and educational experiments contained within The Exploratorium prove a concept, demonstrate a principle and wow visitors with a bit of science. There will be axe heads and horns, Virtual Reality and prisms, experiments on perception and even a 'Brain Transfer Machine'.

One highlight of The Exploratorium is The Sideshow, a bit of virtual and magical fun, hosted by Ryan Metcalfe from PreeVue, producers of photo-realistic 3D models for theatre productions and live events using the latest CAD and VR technology. "This is a fantastic opportunity for us to be able to demonstrate this brand new technology in a way that allows vi

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14 December 2016

Arjen Bezemer, sales engineer for Tau Audio Solutions, said, "We are very pleased to be distributing Community. The brand has an excellent reputation for quality and reliability and its wide range of outdoor, distributed and engineered systems greatly enhances the solutions we can provide to our customers. We see great potential for the products in The Netherlands and look forward to working with the team at Community."

Community's EMEA sales manager Jamie Ward added, "Tau is a really strong fit for Community as they focus purely on supply

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14 December 2016

The new facility will also see substantial investment in innovation and production, as well as a museum and show room for the brand's 90-year heritage. Tannoy will celebrate its 90th anniversary this year and has been based in Scotland since the 1970's.

Uli Behringer, head of Music, commented, "We are excited about the future of Tannoy and we believe we have developed a sound strategic direction to protect its rich history and heritage. Tannoy was facing great economic pressures and we believe that our pl

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14 December 2016

Entitled "Wireless Mastered - RF & Digital 2016" the seminar also features a digital wireless question and answer session. By tackling common digital myths, Shure will establish fact from fiction in what has become one of the pro audio industry's most misunderstood topics.

Tuomo Tolonen, Shure Pro Audio Group Manager comments: "RF spectrum for use by wireless microphone operators has changed a lot over recent years. From the digital TV switchover to the rise of mobile phone ownership - demand for clean spectrum is greater than ever. Digital wireless systems have a lot to offer in

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14 December 2016

The U.S. multinational corporation is a market-leader in data storage systems, and a global leader in enabling businesses and service providers to transform their operations; delivering information technology as a service (ITaaS), cloud computing, and management and storage of big data.

Commenting for AIMS, Chairman Michael Cronk stated, "There is considerable significance in a global IT corporation like EMC aligning itself with the open standards approach to the transition to IP workflows in television and video production. Storage plays an important role in production and playout workflows that are undergoing the transition to all-IP file-

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14 December 2016

Lighting designer Craig Richter shared the band was looking to change up their look this year, with more set pieces and lighting fixtures, a challenge he was certainly up to accomplishing. "Nothing on the main set piece is symmetrical, so it makes it harder to make your generic positions," he said. "I really had to switch my way of thinking come programming time."

GLP X4s are placed on top of the set pieces to provide the main source of lighting and eye cat

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14 December 2016

Dan and Boomtown's production manager Robin Collins asked Dave Whiteoak of Video Illusions to be visual production manager and video designer and to co-ordinate the visual production elements including lighting and video content creation. Dave commissioned lighting designer Sam Tozer from Vision Factory - a regular LD on Video Illusions projects - to add some original lighting magic to Sector 6.

Video Illusions, who work closely with leading UK lig

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14 December 2016

The match, which was organized by Entel and Huaweii, deserved an equally great closing show, and Clay Paky lights were used under the supervision of local producer Real Audio Sistemas.

At around 7 pm the cup was raised to celebrate the new record, and the show started, which lit up the sky over La Florida. Twenty-four Sharpy Wash 330s were more than enough to colour the entire stage. Despite this, the power of six Alpha Spot HPE 1500s was also added, each with their own visual effects that harmonized with the colours of singer Américo's show. The lighting was handled by Chilean li

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14 December 2016

But in initiating the new Sunfall Festival at Brockwell Park, promoters NVS called on the tried and trusted triumvirate of sound engineering specialists RG Jones Sound Engineering, their premium Martin Audio MLA Multi-cellular Loudspeaker PA system and experienced production company, Whole Nine Yards.

It is a team that for the past five years has serviced the two other events in the NVS Promotions portfolio - the back-to-back Dimensions Festival and Outlook Festival in Pula, Croatia. And once again, the result was an outright success.

According to RG Jones' crew chief and project manager, Steve Carr, the underlying idea at Brockwell Park was to run the festival until 9pm (the "Sun" element) and then decant the crowds into surroun

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14 December 2016

Neil has been working for the artist for about two years. Knight tours the U.S. extensively, having previously had a five-year residency in Las Vegas and usually visits the UK and Europe each summer. This year, a high profile appearance at London's Royal Albert Hall was one of the highlights on the itinerary for the seven times Grammy and multi award winning artist.

The PAR can rig used by Knight in the U.S. provided a starting point for Neil's design this year. Taking into account the 13 people who needed to be lit, Neil decided that PAR cans were once again a good base option for the rig as well as adding a touch of

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14 December 2016

Based in Merseyside, Electrovision has a long-standing relationship with Midas' parent company Music and now adds to an already impressive line-up of products from Turbosound, TC Electronic, TC Helicon, Behringer and Bugera.

"Midas' expertise in making affordable, rock-solid and reliable consoles is unrivalled, so having the M Series is very important to us and will allow our customers to enjoy the ultimate mixing console experience," commented Kevin Roche of Electrovision.

"Midas' success is in its award-winning PRO Series preamplifiers, advanced digital technology and industry-leading ADC and DAC converte

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14 December 2016

Lighting designer Jay Waddell based the design around an LED neon outlined heart shape, which had originally been a piece of artwork the band had used for branding. LED neon was also placed into stair treads that run the length of the risers for the band, with three steps high and eight sections across of neon in the stairs for 24 controllable steps.

"I love the looks of all the neon; there are really cool FX to run through the heart and stairs," said Waddell of the design. "I also love the backlit looks from the Nitro Strobes; I have two lines of nine units: one at the top of the cart and one at the bottom. The bottom line hits the band ri

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14 December 2016

The video design, created by United Visual Artists (UVA) - needed a full horizontal section in the middle of a 14.4m wide by 6m high flown Roe MC7 LED screen - to protrude from the rest of the surface by half a metre.

This was to make specific text statements, facts and figures being displayed really stand out.

Massive Attack are known for their political conviction, raw, visceral lyrics, provocative subject matter and dedication to producing cerebral and thought-provoking shows exposing official lies, twists and economies of the truth ... wrapping it up in an entertaining and emotive live experience.

Their specific text-orientated video content has become a unique aesthetic signature for their performances, and making the lines of t

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14 December 2016

"The stage is a square walled tunnel, a series of four portals of LED that enclose the full stage, each smaller than the next as you move upstage, and with a large landscape LED screen across the back," was how video director Jack Banks described it.

"Looking at what Misty has come up with you can't just put flat pictures behind the band. This is something entirely different to work with, it was great to get away from the classic 'big slab of telly' look. The portal screens introduce an amazing perspective to the video element and it was a chance to really think about how I could make content travel in and out of the set."

The portals, rear screen, d3 s

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14 December 2016

David Calero Vioque was in charge of managing the event lighting and accompanying the festive atmosphere the party-goers enjoyed. He used 12 Clay Paky Mythos units as spotlights and beam lights in his design. The Mythos is the first 470W light with this option in a single device: it produces a well-defined light beam with a 4°-50° zoom. Its optical unit allows you to switch from spotlight to beam light mode with a beam angle of only 0.5°.

All the equipment was supplied by rental company Sonobalance, which provided the Clay Paky Mythos units and the MA Lighting GrandMA2 Ultra-light desk, distributed in Spain by Stonex.

(Jim Evans)

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14 December 2016

White Light was approached to provide the lighting for this hugely-anticipated production and this included premium products from GLP.

Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child is a new play by Jack Thorne and follows Harry Potter, now a Ministry of Magic employee, and his younger son Albus Severus Potter. The lighting designer for the show is Tony Award and Olivier Award-winner Neil Austin.

He comments, "My main aim for the show was to create something magical. With Ha

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14 December 2016

The 2016 Co-op AGM was a particularly special occasion as it saw the launch of their brand identity including a revamp for its traditional logo as they go 'Back to being Co-op'. The event bought together 700 members from across the organisation's various business areas, and was held in Manchester's vast Central Station conference centre (MCR Central).

AtoV has a long-standing relationship with the Co-op, and Jim Hadfield, one of the company's engineers, has been working on the Co-op's AGMs for 18 years. As he relates, fo

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14 December 2016

FOH engineer Colin Ellis mixed for Midnight Oil in the nineties, returning to mix for them at a couple of large charity events. With the band expected to reform and tour in 2017, this tour could be described as a bit of a warm up.

"I believe that Peter Garrett wanted me to do the tour," commented Colin. "We had production rehearsals in Sydney including a small show for friends and family. For the tour, we decided to use in house PA's which worked alright. However, none of the systems were amazing and it was the first time in many years that I used non line array systems!"

At Canberra Theatre, Peter's home