As Dennis Craven of Wichita-based Vivid Pro Systems explains, the solution came in the form of Community Professional's new Entasys high-performance line array column systems. "We've worked with line columns in the past, and Community's new Entasys immediately came to mind for this application," says Craven. "The system needed to be versatile enough to handle spoken word, movie night, light praise a
The stadium now accommodates 15,000 people. Subsequently, the Football Association of Iceland requested an offer for a complete PA sound system for the stadium's west side with the option of later expansion for the remaining areas. To complete this upgrade, the association hired local pro audio and lighting firm EB Kerfi ehf, and immediately plans were under way for the design of a full sound system for the entire stadium, which was to include loudspeakers from EAW.
EB Kerfi chose weather-protected versions of EAW's MK5300 Series small-format installation system loudspeakers with rotatable horns. The design of the system's speaker setup was a
"Renkus-Heinz is in an excellent position to ride out the current economic challenges," Heinz said. "We still have a growing business, and as we're not burdened by debt, or by satisfying the stock market, we can focus on our business and those of our dealers and partners."
He added, "In product development terms, in the past three years we've created market leading technologies that, as well as generating strong sales to date, have further huge potential. ICONYX R is the most advanced solution available today for
This was project managed for XL by Des Fallon, with live direction by Jon Shrimpton. Fallon comments, "From my first meeting with management and production, Elbow have been a pleasure to work with. The show was immense, a very special evening."
Shrimpton worked in close collaboration with Mark Thomas from Soup Collective who designed and produced all the playback visuals, and Hugh Davies Webb, who was brought in by XL to run the Catalyst media server that was at the hub of the live video show control.
"The visual cues were all very precise and we had no physical rehearsals, so the this was a major challenge" recalls Shrimpton. The three of them had several meetings to establish, ru
The licensed conversion technology was developed by the OSRAM subsidiary Opto Semiconductors. It enables the production of white or coloured LEDs using blue emitting InGaN (Indium Gallium Nitride) based chips and suitable fluorescent converters. With the agreement signed, the existing license agreement (September 2003) is extended - especially the right for Everlight to use this OSRAM intellectual property in all areas of application without limitations, including automotive a
When choosing a lighting system for the new chapel that would deliver both quality and flexibility, the church and its longtime A/V designer/installer Springtree Media Group turned to Elation Professional.
Elation and Springtree had previously helped ClearView solve a challenging issue during a renovation to the church's original worship centre. ClearView had wanted to upgrade its lighting for video production, but was operating on very limited electrical capacity. Church officials didn't want to go to the expense of installing a new transformer, so Peter Vaque of Springtree came up with the solut
For the first time, on the Doll Domination Tour, the grandMA is controlling an all-Robe digital spot complement. "I wanted to go with newer technology," Warner says. "The whole rig is almost all Robe. It's a new digital moving spot technology combined with LED-based wash lights that delivers a very high-tech design. "Pods on trusses are packed with fixtures that make it look like there are more lights than we really use," he explains. "So I can
The Derbyshire Hall is a 400-seater venue in The Hayes Conference Centre, located just outside Derby. Owned and operated by The Christian Conference Trust, a registered charity, The Hayes is the Trust's flagship venue for providing quality, affordable conference facilities for Christian organisations.
Having provided AV solutions for two other venues belonging to the Christian Conference Trust, installation specialists Acoustic Arrangements were particularly pleased to win the contract for this Hall. "As this is their premier venue, it demanded the highest specification for the sound system, capable of handling performances by prominent worship bands as well as speech requirements," says A
The theatre consultant, Michael Nishball, of Theatre Projects Consulting said, "When direct lift, multipart-line in a high capacity hoist is required, there is no group with as much experience as the Vortek team at Daktronics. At this point, it's clear to me that this is going to be a very successful power flying and controls installation."
Scheduled for completion in October 2009, this 74,915sq.ft facility has 12 stories and seats approximately 600 people. The vertically stacked floors are unlike the tra
Congo Blue Design specialises in lighting design and consulting for both theatrical and architectural environments. They are headed by lighting designer Declan Randall, who has worked on projects all over the world especially in South Africa and Europe, and they are joined by Dave Whitehouse as senior lighting designer and Rosco's product manager.
WWF are attempting to reach a target of 1 billion "votes for Earth", which will be presented to world leaders at the Global Climate Change Conference in Copenhagen 2009.
In London, the famous Coca Cola sign in Piccadilly Circus will be switched off for only the third time since the Second World War. Other famous London
Axel Nagtegaal, MD of E-audio Benelux, explains, "IRIS-Net software, NetMax hardware, and the RCM DSPmodules have been on the market for years and are popular in the fixed install market, but with FIR-drive EV has ushered in a new era in system control for concert sound. Almost our entire line array client group switched to the new EV NetMax N8000-1500 platform with FIR-drive due to the sonic improvement the equipment achieves and the operational flexibility of IRIS-Net and NetMax. That said, we needed a professional and consistent training program in order to get the most out of this incredibly powerful control system.
"We are entering an era where software and IT und
Tour manager Jeff Gossett, production manager Benny Durham and lighting designer Jeff Lavallee have worked with Bandit for some time with Trace. Lavalle has captured the rock-n-roll sprit of Adkins with his up-tempo lighting presentation, using MAC 2000 wash and spot fixtures, along with High End Studio Beams, Maxedia Media Servers and a Jands Vista Console.
Brent Barrett at Bandit handles the daily needs of the Adkins tour. The tour has programmed twice at Bandit Lites rehearsal facility, Venue One, in Nashville, a full service facility that allows an entire show to be flown with band gear and s
"We encourage everyone to stop by and check it out," said Lisa Jebsen, marketing assistant for Tomcat USA. "We see this as another great opportunity to interact with industry professionals and show off our work. In the near future, we plan to offer special giveaways to our 'fans.'"
(Jim Evans)
The charity dinner, held annually to raise funds for children suffering from cancer and HIV, was attended by many distinguished local guests. The highlight of the evening was a performance by Singapore's premier large-scale jazz ensemble, the 16-piece Thomson Big Band. iLive-T managed audio requirements for the evening, which included the band and several speeches by presenters and guests.
The Production People's Sheldon Gooi was very pleased with his recent purchase and impressed by how easy the system is to set up with just one Cat 5 cable in pla
"We've always got on really well with both our point source Venue units and the fixed curvature VRX line array, which for its size and weight performs tremendously," says Downer. "But as a company, we were being asked to tender on bigger events, which clearly required a more appropriate solution."
He continues: "We considered several other options, but as most of our existing fleet is JBL, it made very practical sense to choose a product which we could easily integrate with our older stock. We're really comfortable with the product, It's very plea
The new website boasts an enhanced layout both from an aesthetic and from a practical point of view, in order to simplify navigation and search experience. The current logo uses a new font for the first time since the creation of the brand.
By means of drop-down menus, users can access all kinds of information about the company, navigate through the different product categories, and learn about the brand's latest developments, facilities, corporate events, seminars.
More importantly, the website now offers users a series of new services through a Support tab, giving them access to an industry glossary, obsolete products, technical datasheets, and spare parts.
(Jim Evans)
In addition to the main grandMA at the FOH lighting position, grandMA programmer/operator Patrick Rakus had a laptop running grandMA onPC software and a 12-channel DMX desk that was triggering one page on the grandMA, giving an additional twelve faders for TV and band key lighting.
Werner Kokott, CEO of Five K Lighting & Video Design, who supplied lighting equipment for the Session, said: "Most Lighting Designers - including Günter Jäckle, Billy Bigliardi, Geoff Hall and Marco Zepeda - were happy to use the grandMA for their
The recent purchase of a Panasonic AVS-400 multi-format live vision mixer, Christie S+20K Roadster projector, Barco DCS 200 dual channel seamless switcher and additional Grass Valley Turbo iDDR digital media recorder/players has reinforced the company's commitment to quality.
"High definition is becoming more and more of a client requirement and so we have to ensure that we can deliver it whenever requested," says PSP's David Woodcock.
"The AVS-400 and DCS-200 are both tremendously versatile. With great input and output flexibility for all formats, they provide the ultimate in vision mixing and switching capabilities and are also remarkably cost effective.
"We aim to deliver the ultimate in visual quality an
After the success of last year's Ableton Live tour, Ableton and Novation have teamed up again to showcase Live 8 at select venues. With a new schedule of demonstrations and workshops, the organisers say there will be something for everyone - from beginners taking their first steps to seasoned power-users wanting to check out the new features. This time the focus will be on Scotland and the North of England.
An Ableton specialist will be on hand to introduce the software to those who haven't yet seen Live in action. The workshops will also give existing Live users a chance to explore some of its more advanced features and participate in question and answer sessions.
There will also be various Ableton goodies to give away,
Those interested in supporting this venture and in exploiting the potential it represents should contact Laurie Giraudeau or Ben Brooks to discuss their detailed requirements or to explore the options and alternatives.
Litestructures exhibition will be based around well lit spaces for exhibitors created from Litestructures trussing and staging products, giving an attractive display for all participants. The maximum booth size will be 4m2 per exhibitor.
(Jim Evans)
Two grandMA full-size, one as a back-up, and six MA NSPs, (Network Signal Processor) including two spares, form the heart of the lighting control for a rig that comprises 80 Clay Paky Alpha Beam 300s, 64 Vari*Lite VL 3000 spots, eight VL3500 washes as well as Coemar, Syncrolite and Martin fixtures. In total, the lighting consumes 16 DMX universes.
Lighting designer Baz Halpin explains his design, "The show is a recap of the last 50 years of the career of one of the most stunning female artists in history. We tried to create a system that was versatile enough to cope with not only the stylistic changes
The Centre was originally opened in June 2004 to promote comprehensive culture and art within the community. It was equipped with a variety of facilities such as a 530-seat performance hall, exhibition room, cultural lecture room and library; and it is in the performance hall that the WideLine-10, with its 140° horizontal dispersion characteristic, has been specified.
With responsibility for staging a variety of cultural and community events - including classical and concert performance - the Centre had insisted on top quali
It was 1979 when the first Trace Elliot amplifiers became available and these quickly revolutionised the way the industry perceived bass amplification. Coincidentally it is also 20 years since this was repeated for acoustic players with the launch of Trace Acoustic in 1989.
With both ranges again generating much interest, these milestones are being celebrated with the imminent release of an entertaining and insightful video. This refers to the continuity of the origin of the brand's design and also reveals some of the reasons that make these brands different.
The five and a half minute video will be officially released on the first day of the 2009 Frankfurt Musikmesse, 1 Aprilt, and will be freely available in
