"We were approached as event producers and asked to come up with a number of different ideas," explains Mark Harrison. "Milton Keynes is set out on a grid system and the city wanted something unique that, when the centre of the city was closed off, would work with the road system, naturally leading people from place to place, with the building projections u
The new vans will save fuel, vehicle emissions, noise and engine wear. Such features are especially beneficial for branch vehicles which often spend large periods of time stuck in traffic with the engine running. The vans are due to roll out across the branches from January, with two vehicles allocated to each branch.
Gordon Wells, head of finance, comments: "This significant capital investment highlights not only our fleet growth, but ensures we are actively reducing our corporate carbon footprint."
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In order to maintain consistency of the sound, XTA's local distributor, Sennheiser Canada, supplied him with a package of processing options, comprising a C2 compressor, D2 dynamic EQ, E2 parametric EQ, G2 noise gate, GQ600 dual 30 band graphic EQ and DP324 SiDD digital dynamics processor.
"I was looking for a compact outboard package that would allow me to lend some measure of consistency to the sound," says Hornung. "The XTA package was small, compact and - most importantly - easy to use and interface with local PA systems.
"The D2 allows me to keep any PA or
A.C. Entertainment Technologies product development director, Glyn O'Donoghue, along with BRDC President Damon Hill OBE and Graham Hill's widow, Bette Hill, presented the esteemed Graham Hill Trophy to Lewis Hamilton. The trophy is awarded to the British Driver for the most meritorious performance in single-seater racing.
A.C. Entertainment Techno
As Exton's Ivar Ragnarsson explains, the festival's largest venue, Reykjavík Art Museum's Port Room, was the most challenging. "The room was originally a warehouse," Ragnarsson says. "It's about 10m wide and 45m long, and very reverberant." Ragnarsson adds that aside from the acoustical challenges, the room required a quick set
To modernise both its sanctuary and it range of worship services, First Baptist recently undertook a $1.5 million renovation. Unity Pro AV of Jackson, Missouri was contracted to design and install a new $105,000 sound system. The church opted to retain its 24ft video screen, projector with long throw lens and multi-camera setup. "We have been working with First Baptist on small upgrades and maintenance issues for several years," Unity Pro AV's Matt Schwartz says.
In four short months, Schwartz designed both a new loudspeaker system and acoustical treatment using EASE, he gently persuaded the church that wall treatments were the right way to go and installed the co
The mobile stage was designed as a multi-level stage to enable him to have optimum contact with his audience. Beside the visual aspect, the technical specifications also played an important role. Due to a tight touring schedule, production time to build the stage was limited. Prolyte advised to use the Easy frame C system, as support frame for the entire staging area, which assembles rapidly and without the need for extra tooling of forklifts.
(Jim Evans)
The show included performances by several high profile artists including headliner Loyiso Bala, supported by Loading Zone, Dr Victor and the Rasta Rebels, Denim and Dozi, all MC'd by comedian Wayne McKay. The event was project managed on site for Gearhouse by Zane Carim.
The main stage was a 22m wide by 14 deep Layher construction, with a Slick Dome roof giving 12m of headroom.
Upstage of this was a Lighthouse high-resolution LED screen. Most of the artists performed before dusk, but it was dark by the time the main ceremony swung into action. This plus three del
E/T/C London created a projection concept and suggested that they harness the flexibility and power of video for the first time on this event, on which E/T/C has worked for producers Jack Morton Worldwide for the last five years. With LG Electronics coming onboard as a new sponsor, they wanted to up the production values, making the show something extra special and more spectacular this year.
E/T/C's Ross Ashton says: "It was another milestone in giant video projection for E/T/C London, and probably the UK's largest New Year video installation to date as well as a great opportunity for us to move the company forward."
E/T/C's Richard Porter designed the technical instal
Having first heard the system at the 2008 ABTT Show, Nicholson had been keeping a keen eye on the product's early success in the installation market and felt there was great potential for VQ as a world class live system. Following some informal discussion of the possibilities, Tannoy welcomed Nicholson's extensive expertise to the table and he began consulting with their engineering team on adapting the existing VQ Series to suit the touring market.
Within a very short period of time Tannoy had responded to Nicholson's ideas, resulting in a new and radical departure for the co
ARX managing director Colin Park commented: " I have been discussing the possibilities of working with Sennberg in Sweden with them for some time, their sales team felt our range of signal processing products was a very complementary fit with the other lines they currently represent, especially our newer USB and analogue interface and dynamics products.
"Sweden has always been important for ARX, it's one of northern Europe's trend setting markets. We're looking forward to working with Stephan Segermark and his team at Sennberg to consolidate ARX's position in the Swedish market and to reinforce to their customers the state of the art performance that ARX products can offer them."
(Jim Evans)
Bintliff states, "It's always a pleasure to work with HSL - their kit, crew and service is second to none, and they also came up with a very good deal."
The trussing structure comprised of four 5m pre-rigged 'fingers', each fully loaded with 24 PARs, and each length also forming an integral architectural element of the design. The fingers fanned out from a central point at the back, and in between them were three triangular pods. Each pod was rigged with four Robe ColorSpot 575E AT moving lights, four JTE PixelLine LED battens and a string of ACLs.
The impact of the pods was maximised by being moved in an
The new facility includes three identically kitted out broadcast studios, using Soundcraft mixing consoles - these house the College's 'Synergy FM' radio station, operating with an RSL over a restricted ten-mile radius. Meanwhile, on the top floor, two high-end studios for recording and mixing and a flagship commercial studio still to be specified will join four heavily-used project studios (also equipped with Soundcraft). All support a wide range of industry standard software, available on both Mac and PC.
Dabrows
The 30,000sq.ft facility celebrated its grand opening with a slate of activities last month, the culmination of The Recording Academy's and the Grammy Awards' milestone 50th anniversary year.
"We are thrilled to be working with Audio-Technica," said Robert Santelli, executive director of The Grammy Museum. "The ATH-M30 Headphones will allow visitors to the museum to experience our exhibits in a richer and more exciting way."
(Jim Evans)
This is the fourth year Stage Electrics has worked on behalf of the Greater London Authority to mark the New Year. Stage Electrics supplied MAC 2000 Wash moving lights in each of the 32 pods of the London Eye, search lights on floating pontoons (eight each side) and a wireless DMX control system. Lighting designer for the event was Durham Marenghi, who has previously worked on the lighting of the London Eye at New Year.
As with previous years, the importance of installing lighting units into all 32 pods quickly and efficiently was paramount to the succe
The Morning Line's unique structure, outwardly resembling the blackened remains of a cathedral or historic monument, contains a combination of sensors, intelligent cameras, and digital controllers, along with some 41 Meyer Sound MM-4XP self-powered miniature loudspeakers to form a multichannel, interactive sound system. The
Sennheiser's Mark Saunders, Dave Hawker and Sam Davison were all at the O2, offering RF equipment and technical support to the audio team from Wigwam Hire and the show's production company, Production North.
Nearly all of the performers on the night used Sennheiser ew 300 IEM G2 monitors, with The Script, Will Young and Alphabeat using wired evolution vocal mics and the Pussycat Dolls, Sugababes, Anastacia, Lemar and The Saturdays all using Evolution SKM 935 radio mics.
Rihanna used her own decorated Sennheiser SKM 5200 handheld mic with MD 5235 capsule, while the Capital Radio presenters all employed SKM 5200s with Neumann KK 105 heads.
Geoff Muir from Wigwam Hire says, "After t
"SAE is the world leader in audio and creative media training, and we are very excited to have our MC Control and MC Mix chosen for their state-of-the-art institutes," stated Martin Kloiber, Euphonix CEO. "The power and flexibility of the Artist Series is the perfect match for SAE's innovative teaching approach, and provides students with cutting-edge media controllers that can be used with virtually any audio or video application."
"We are delighted to be installing Euphonix MC Control and MC Mix media controllers in so many of our campuses around the w
Kev Harris of HD Promotions comments, "Our main aim with every event at the Live Nation venue is to push the limits with all lighting equipment and production. Martin was a pleasure to have on board with the Gatecrasher event."
Richard Bishop, MD of Gravesend Sound & Light adds: "This has been one of the most spectacular light shows we have done for a while. It was fantastic to work with HD Promotions and Martin and we definitely look forward to more of the same in the future."
24 of the Martin products were used in the trussin
In The Money - Madonna's Sticky and Sweet show was the highest-earning tour of 2008, taking $281.6m (£193m) worldwide, according to music trade publication Pollstar. It also became the eighth highest-grossing tour of all time in North America, Pollstar said.
Celine Dion's
This two-day course is designed for entertainment technicians at a basic to intermediate level. The session will be held 16 and 17 March at the Duke Energy Convention Centre. Training will cover current control protocols including Remote Device Management over USITT DMX512-A and Architecture for Control Networks. This course qualifies for ETCP Certification Renewal Credits for ETCP Certified Entertainment Electricians.
The Control Protocols course will be taught by ETCP Certified Electrician and ETCP Recognized Trainer Milton Davis, of Doug Fleenor Design. Davis is a member of the Control
As its name suggests, The Byre Theatre started life as a semi-derelict cow-shed, cleaned out and set up by a local theatre group, whose audiences sat on cushions on the floor. With the support of donations and local authority funds, a permanent theatre opened in 1970. Its latest incarnation, built by architects Nicoll Russell Studios of Broughty Ferry, was completed in 2001.
Named after its founder, the main theatre in The Byre is the A.B.Paterson auditorium, with a seated capacity of 220. Stage Electrics has installed the M-400 front-of-house console at the rear of the auditorium, with two S-16
To date, this is the most of either type of Robe's new generation of digital moving lights to be used on a single show.
When Gearhouse South Africa won the contract to supply full technical production for Miss World and Dunn was asked to design lighting and visuals for the show, the opportunity also presented itself for him to incorporate some of the new Robe fixtures in his design.
He worked closely with set designer Dewet Meyer to develop a big visual picture that stamped a contemporary African flavour on the performance space. The resulting elegant 40m wide, multi layered spherical set was based on an African jewel and
On 1 November 2008, in collaboration with the Garden's landscape gardener, an illumination programme, Garden Play with Light commenced. Two concepts define this Japanese style of illumination: 'Static Vision' in which the Garden radiates a dreamy atmosphere, and 'Dynamic Vision', a series of colour changing programmes that shift with the season. Some programmes are synchronised to music and offered as an optional service to customers on special occasions like weddings or birthdays.
Lighting design is by Reiko Chikada of Reiko Chikada Lighting Design. Chikada and her team chose I
