Another Shure endorser, Julieta Venegas, also took to the stage with UR2/KSM9 wireless and her accordion to perform El Presente. Making la noche that much more complete, the Mexican singer/songwriter bagged two trophies as well, one for Best Alternative Music Album, and the other for Best Music Video - Expanded Version.
Coming to the event with the Grammys and Latin Billboards already under his belt, Eric Schilling of Norfolk Music
As the show was being broadcast on MTV, the system needed to be concealed as far as possible, so it couldn't be too large or obtrusive. Despite these constraints, it also needed to be powerful, provide good dispersion and be able to work with different types of rock and pop music.
Ten V-Dosc line source and three dV-Dosc compact line source cabinets were used per side for the main hangs, with eight SB218 subwoofers per side, 12 dV-Doscs per side as side-hangs, three dV-SUB compact subwoofer hangs per side, four SB218s per side as side sub-hangs, six V-DOSC per side for rear-hangs, a rear sub stack of four SB218s and 12 MTD108s around the stage
LD Mark Payne supplied two different plots for the tour - one for the outdoor shows in Durban's Absa Stadium and Cape Town's Newlands Cricket Ground and one for the indoor show at the Dome in Johannesburg, where the tour concluded in two sold out nights.
The Dome show consisted of three trusses, with a total of 24 Martin Professional MAC 2K Profiles and 24 MAC 2K wash fixtures spread between them, plus four Robe 700w fixtures on the floor for band illumination. The front truss also featured seven 4-lite Molefays for audience lighting.
Gearhouse supplied a total of 10 follow spots - eight front-of-house (new 2K Supertroupers) and two on the upstage truss. Three scenic trusses
The lighting design developed for the show by Tom Kinane and Svend Pedersen didn't contain a single moving light, and was styled to compliment Patrick Doherty's media-based stage set, and to offer a dramatic presentation departure from previous Chris Tarrant shows.
The Catalysts were supplied by Ross Williams and operated by Pedersen using a WholeHog 3 console, running 16 DMX universes and controlling up to 2060 individual fixtures around Studio 1 at the London Weekend Television HQ on London's South Bank.
Pedersen created approximately 200 custom video clips for the show, many of them involving turning the set into the id
A number of organisations have confirmed their support as Partner Associations now one year in advance and many universities will once again be represented at the international event. The organisers are especially delighted to announce that Lighting Urban Community International, LUCI will be using the time and space around PLDC to promote bringing public clients together with professional lighting designers with the goal of developing concrete contacts between the interested parties.
In the last few weeks more than 160 entries
A team of professionals from the scenic arts field designed this ambitious project under the direction of Fermín Pérez. The sound reinforcement needed to cover the requirements of quantity as well as those of quality. Global Dreams relied on D.A.S. Audio systems under the direction of Jesús Puerto, of Jesús Puerto Audioprofesional who was in charge of the sound design and operation, supported by Víctor Catalá, D.A.S. Audio Systems engineer, as technical advisor.
Puerto deployed six Aero line array clusters along the main pavilion's per
Rent-All in turn delivered the units via Chain, a Dutch lighting services company for television, film and entertainment events, to the set of So You Think You Can Dance reality show.
Produced by Kanakna Produkties and broadcast on RTL5 from Studio Baarn, a total of 19 MAC III Profiles are used to light the dance spectacle. Lighting Designer for the show is HenkJan van Beek of Light-H-Art who has placed the majority of the MAC III units in a truss above the set with two units located on the floor. Also used on the show are 23 Martin MAC 250 Washes and several conventional lighting units.
"It's a powerf
Over the past 85 years, the LA Coliseum has hosted the Olympics games twice, and is the only venue to stage both a World Series and two Super Bowls, as well as countless sports games, concerts and other events. Jon Lee, director of marketing of the LA Coliseum, reports that the Meyer Sound installation has made a dramatic improvement on the audience experience at the stadium.
"It's hard to overstate what a difference this new sound system makes," says Lee. "Spoken announcements are more intelligible; music is more powerful. The fans in the seats have a feeling of really being in touch with what's
Belgrade-based theatre specialists Svetlost Teatar was closely involved with stage, lighting and sound systems design and integration during the Concert Hall Project. Alexandr Vorosilo, concert hall general manager said; ""We are very proud to introduce to the public a very interesting multipurpose venue, ingenious seating arrangements and associated facilities."
(Jim Evans)
Following these developments and with the Chinese now being the World's leading country in terms of broadband connections, d&b audiotechnik has responded to this voracious appetite for knowledge by adding simplified Chinese to the languages on the menu of its website.
Ralf Sauter, d&b's webmaster, worked closely with marketing manager Megan Li from d&b's Guang Zhou office to create and translate the website into a Chinese version. This was no easy matter, as many of the t
The show has been put together by director George Lucas' company Lucasfilm and composer John Williams. It will premiere at the O2 Arena in London in April before a European tour. It will not be a traditional musical with actors playing characters from the films, but will feature live narrators. The six Star Wars films have been edited down to two hours for the show, and Williams has "painstakingly rewritten" the music he wrote for the movies, a statement said.
The Royal Philharmonic will use an 86-piece orchestra and an a
Across the rig, Rick specified over 100 moving lights - of which 50 are Revolutions. He explains, "I like to be able to light the performers with a good quality tungsten light - and the Revolution fits perfectly. With space in the rig always at a premium, it's good to have the versatility of moving lights, and so, wherever we had a good rigging position, I placed both a Re
At a meeting with the ABTT held on the 3 December, the HSE explained that research that they have carried out indicated there were potential occasions when such a practice could cause the Tallescope to topple and thereby seriously injure the technician in the cage or those on the stage. This research follows on from similar, but not exactly the same, research, carried out on behalf of the ABTT. Therefore, the HSE considered that they would not change their position or advice until such time that it could be shown that their research had produced an erroneous conclusion or the statistical risk of an accident could be reassessed.
Having seen the confidential report, the ABTT is content that
Per Sundin was again called in as lighting designer for the event, an honour bestowed upon him for 12 consecutive years. Ola Melzig was production manager, overseeing all aspects of lighting and video from build up through broadcast.
W-DMX was used in new ways this year. The Blue Hall, where the banquet takes place, is big space and the lighting is spread out in virtually every corner. "W-DMX is a life saver at this event," said Melzig, "In past years we've used it on moving lights that had
Complementing over 260 retailers, 50 places to eat and a 14-screen cinema (due to open in 2009), one of Westfield's major features is The Atrium, a 6,500m2 rectangular central area that will host a wide range of entertainment, including live performances and exhibitions.
A sound, lighting and video system that can be used and then stored away as needed, has been specified to combine quality and flexibility with reliability.
"They want this to be a multipurpose space that enjoys an audio quality that reflects Westfield's status as an ultra-modern facility," says Lee Dennison, project manager for Surrey-based Delta Sound, which was awarded the contract to de
Miss World 2008 utilised the resources, services and expertise of six Gearhouse Group companies - GHSA, LEDVision, SDS, In2Structures, GH Power and Havaseat - encompassing 10 technical production disciplines that provided design, rigging, structures, lighting, audio, video, specialist visuals, set building, power and seating in SCC's Pavilion venue. The event was broadcast live by SABC to 2 billon people in over 200 countries on 373 TV stations.
Tim Dunn's lighting design included the latest digital moving light fixtures from Robe Lighting in the form of 12 DigitalSpot 7000DTs and 36 REDWash 3-192s LED wash lights - the largest number of these newly launched units yet used
"I've always been a fan of Midas analogue consoles, so stepping up to Midas digital seemed a logical step, and I was keen to order a PRO6," he says. "Midas build quality and reliability also played a large part in my decision, and of course, the most important thing about any console is how it sounds. The PRO6 sounds like a Midas should: warm, but still accurate.
"I also really like the speed at which you can navigate around the control surface (GUIs), and get to all the features easily. And just like the
Phil Hornung comments: "I think these desks sound better than a lot of the digital products on the market. I find the desk extremely easy to operate, and I don't have to pay a lot of attention to it during the show itself, which lets me pay attention to the mix instead of worrying about what's on the screen. In fact, we often offer it to opening bands to use instead of using a second console. The e
The Manchester based event production company was looking to expand its hire stock and required a versatile powered speaker system. They needed a system that could be used as one large PA, yet could also be broken down for smaller events and adapted for any bespoke situation that could arise. 10 QSC HPR152i 500 watt loudspeakers were chosen together with four complementing HPR181i subwoofers to enable a wall of sound to be effortlessly created in venues for in excess of 1000 people.
A.C. Audio sales manager Peter Butler comments: "Due to the nature of Three Media Creative's international business, it was very important that we supplied a reliable and durable system that would perform in all different climates. I have bee
Lighting duties for the shows, the first three directed by the Donmar's artistic director Michael Grandage and the last by Kenneth Branagh, are being divided between two of the Donmar's most frequent lighting collaborators, Paule Constable lighting Ivanov and Neil Austin the remaining three shows.
The two hav
Design and installation of this sound reinforcement system has been carried out by Light Sound Systems Company in Omsk City. LSS's Alexander Muravitsky had to propose a solution to the challenging acoustics of the courtroom, which has a ceiling height of 9m, and large picture windows down one side of the room.
"It was not an easy installation, but, from our point of view, the Nexo Geo S8 arrays provided the ideal way to minimise problems with reverberation, while still giving us the perfect dispersion cu
In preparation for the certification, Apogee installed a premier solar panel system using 96 energy-generating panels at its Santa Monica headquarters. The modules generate up to 15,000 watts at peak and any surplus power generated on weekends and holidays is fed back to the greater Los Angeles power grid. The company also promotes the recycling of all paper, bottles, cans, and other materials used within the office and is compliant with RoHS and WEEE Directives for its electr
Bushell, who was also co-designer of the tour's stage set, specified the nine-lamp Svoboda as part of a three-truss rig that surmounted a stage framed with a combination cabaret/theatre set with 2D cartoon-style set pieces silhouetted against the band's 19th century-style wallpaper backdrop.
He explains: "The band's performance is very visual, an excellent live act. They're always researching magic tricks coming up with new visual gags and buying new costumes. So I wanted to reflect this energy and excitement with quite a powerful light show, but with a design that was versatile enough to be dark and moody where needed.
"The whole look has a dark twist to it thanks to the band'
The building, which owes its existence in large part to an anonymous donor, is connected to the existing arts centre by glass bridges, includes 110-seat recital hall, a dance/drama studio, a suite of teaching rooms that can house between one and six students and a music room that can accommodate a full orchestra.
Autograph designed an extensive audio infrastructure allowing analogue and digital audio signals to be routed to and from any room in the building, allowing many digital and analogue audio/medi
