The bands' performances, awards presentations and speeches were recorded onto digital multitracks. An overnight post-production at London Studios will see the show trimmed to its broadcast length, ready for broadcast on ITV this evening. Finally, Alington will create an 'international' version of the edited show, with the English commentary and voiceovers removed.He comments: &qu
"We are not a noisy disco pub which just needs high volume and lots of booming sound," says bar owner Lu Dong. " HK Audio loudspeakers, with its clean and dynamic response, truly fulfill our requirements. We made the de
The project is a joint effort between the JTA, the City of Jacksonville, the Florida Department of Transportation and the First Coast Metropolitan Planning Organization. Spanning 1,680
BSR E1.1, Entertainment Technology - Construction and Use of Wire Rope Ladders, is a revised version of ANSI E1.1-1999, Entertainment Technology - Construction and Use of Wire Rope Ladders. E1.1-1999 was offered for public review to reaffirm it last year, since it was at the five-year anniversary at which an American National Standard must be reaffirmed, revised, or withdrawn. No one offered any public review comments, but close examination of the document by Rigging Working Group members s
Phil Hurley, Stage Sound Services' MD, is an existing Autograph Sales customer and is thrilled to join the Meyer Sound fold; "I feel this is just the beginning of our commitment to the product range," he says, "enhancing the choice of products available to our growing client base."
Westminster Sonus, a leading conferencin
His contributions to the soundtrack of The Squid and the Whale, a new independent film by writer-director Noah Baumbach, which stars Jeff Daniels, Laura Linney, Jesse Eisenberg and Owen Kline, and was co-produced by Wes Anderson and Peter Newman, will debut at the 2005 Sundance Film Festival. "I used all Metric Halo's products for that project," notes Srebnick.
Although having invested very heavily in an industry standard DAW, Srebnick, an avid Mac user, realized that the power of the new G5 would allow him to run Logic - which he uses for scoring, audio a
It is also home to one of the country's most modern audio installations, featuring a fully digital networked system based around QSC's Rave/CM16a audio transport and monitoring components. The Rave system and QSControl.net system were chosen for their simple setup and expandability.
Comprising of a RAVE 188s-24 unit in the auditorium's control room routed to a second 188s-24 unit in the equipment room via a single Ethernet CAT-5 cable, two of QSC's CM16a Amplifier Network Monitors control 15 two-channel QSC CX-series
Specialists in stadia fit-outs, Romers wanted to create maximum vertical coverage - via a 40° x 70° horn pattern (rather than the customary 70° x 40°); thus a bespoke solution was favoured, with the loudspeakers mounted on their sides.
Martin Audio's Peter Child said: "We based the customization of the H3's on our AM3 Stadium enclosure and were able to offer the solution they required. The enclosures were sprayed with a high density polyurethane plastic coating both internally and externally, while the drivers were weather-proofed behind a heavy galvanized and
The Doppia from Outline is an ultra compact high/mid loudspeaker which stands only 19" high and 14" wide, yet boasts 2 x 12", 1 x10" and a compression driver with 3" diaphragm. Doppia's were utilized with Outlin's Victor Live sub basses which astonishingly perform down to 28Hz. All systems were powered by Outline's TP range of digital amplifiers
Show Distribution has more than 300 rigging lifts, 100 VarioLifts and 25 VarioTrolleys at its disposal at all times; this is material that Show Distribution has purchased and uses to support customers in the hire business who, in 2004, accompanied tours by Metallica, Red Hot Chili Peppers, Green Day, Shania Twain and Tim Graw with lifting gear and controllers from ChainMaster. Show Distribution also furnished chain hoist systems from ChainMaster for live shows and marketing events staged by Everlast Productions of Florida and
The screen was integrated into Mark Fisher's scenic design. It split apart vertically into two sides and both sides tracked off-stage utilizing a Kinesys movement system for millimeter perfect accuracy. It was the third year running that XL has been the supplier of video screens for the show to MJK Productions and production manager Mick Kluczynski. It was the second year running that automation specialists Kinesys were called in by show production riggers Outback, to co-ordinate the moving of the screens.
The project was managed for XL by Paul Wood and for Kinesys by Dave Weatherhead. Kinesys attached two variable speed winches to staging company StageCo's 46m wide gro
Don Dimitroff of Columbus McKinnon, as well as TOMCAT's own Dave Sowa, coached participants through the Lodestar electric chain hoist. Rocky Paulson of Stage Rigging, a Freeman Company and Morgan Neff of Mine Safety Appliances stressed safety in rigging techniques and fall protection equipment while Keith Bohn, Tomcat design manager, and Will Todd, Tomcat project manager, offered a course in truss theory and design. Not only did participants receive four days of power-packed, informative classes, but also four nights of fun filled entertainment, including the traditi
The venue is designed for a mixed programme encompassing music, theatre, concerts, family friendly performances, contemporary dance and live arts installations. New facilities include an expanded backstage, scenery production storage and rehearsal rooms and technical s
After 18 years providing technical and creative solutions for events of all shapes and sizes, Hawthorne's general manager Simon Wood, working with MD Martin Hawthorne, applied their experience to produce a stunning party. This included supplying everything from their own décor, lighting, screens, sound and power, having considered all of the health and safety issues.
Martin Hawthorn, founder commented: "It seemed an ideal opportunity to thank our customers and 60 full-time staff for
LM Productions' laser show designers have pre-programmed a laser beam show using three of the company's new full-colour DPSS whitelight lasers, three DPSS green lasers and a new DomeScan 360° laser projector. The six lasers will be positioned at 60° intervals around the per
David Pattison, Senior Analyst at Plimsoll, says: "These under pressure companies are running out of options. As the average industry profit margin is only 1.4%, and over half of companies
The 337m ($442m) building has already been the subject of controversy, the architect complaining about "architectural compromises" he had to make when McKinney Møller demanded that the building be changed to incorporate his ideas. Despite that, the public seems to have taken the building to their hearts, with all opera and dance performances for the coming season completely sold out.
At the heart of the venue is the main stage, with seating for an audience of nearly 1,500. Alongside this are five adjacent stages constructed in a modular design enabling
The film is now being turned into a stage musical by its original creators, director Stephen Daldry, choreographer Peter Darling and writer Lee Hall; the music for the show is being written by Elton John. To create the stage production, Daldry is working once again with the team behind his acclaimed, long-running stage production of An Inspector Calls, designer Ian MacNeil and lighting designer Rick Fisher.
To light the show, Fisher has specified a rig featuring eleven Va
Sound equipment obviously has a key role to play. To eliminate unnecessary risks and problems of incompatibility, the organizers of the Daechon Lux Festa 2004 opted for a complete solution composed of systems from EVI Audio. The central element in the entire sound reinforcement strategy was a Dynacord Cobra system (including 16 Cobra-4 PWHs, 24 Cobra TOPs and 21 Cobra-2 SUBs). A further 56 enclosures from the Dynaco
Daniel from Schall & Schein commented: "LED lights have high efficiency, their effects are produced through RGB colour mixing, they radiate homogeneous light and are absolutely lightweight. The whole design of the set was designed so the LEDs could be controlled in c
ExCeL-based Fox Bars and Restaurants, who use Green-I as its preferred systems integrator, decided (as one of the Show's major sponsors) to create its own bar - Fox@Waterside - down on the exhibition floor. While Green-I's sister company Canegreen Commercial was invited to provide a conventional PA system for the feature, Fox had something more creative in mind when a pub quiz was scheduled midway through the show.
"We were asked to design Quiz Buzzers for each of the six tables," reports Green-I's Ian Woodall. "Although pressing a button is straightforward they wanted a scenario whereby the first finger on the buzzer disabled everything else."
By using a BSS Soundweb London
Lumileds recently announced the upcoming expansion of its Luxeon high-power LED family with new emitters that the company claims set industry-wide performance standards for light output, temperatu
For the 2500-capacity theatre, Audio Uno supplied a GEO S tangent-array system which was configured in left and right arrays of eight GEO S830 cabinets each side. Two CD12 sub-bass bins were included on each side of the stage, and
For the ambitious stage lighting rig, LD Rod Clay required a dramatic backdrop to complement the band's very theatrical performance style and provide effects for the more 'epic' songs in the band's set list. Clay specified a Thomas Broadway Truss system originally racked with seven rows of 10 High End Studio Beam PCs to create a dramatic wall of light. Neg Earth Lights used custom clamps to join the truss structure, which was flown on three two-tonne C
