Stuart Thomson, EMEA regional manager for Community, assisted HSL with the presentations, which were attended by around 40 dealers and installers from across the UK. Lochhead was very pleased with the attendance commenting: &quo
The project was completed in time for the Lord mayor's Parade firework display which took place on 13 November, attracting thousands of visitors to the South Bank. Louise King of CSCB said: "The brief was to create a dramatic, contemporary installation that reflected the ethos of Oxo Tower Wharf with its restaurants, design shops and gallery spaces. The installation had to be visible from the riverside walkway, Waterloo Bridge and beyond. Simon's Bough 1 satisfied the brief completely and we are delighted with it."
Corder employed fluorescent fittings made and supplied by
The console and the eDMX was specified by the National's Chief LX Huw Llewellyn and is an integral part of the National's architectural installation, phase one of which is currently underway.
"Avolites eDMX is brilliant! It's given us the flexibility we needed to place lighting fixtures anywhere" says Llewellyn, adding that the National's vast complex yields a plethora of roofs, balconies, walkways and other vantage points on which to place lights. Using eDMX also means they can position the desk wherever they like.
Additionally, it save
Among the shows using equipment from White Light in London are a number productions by Qdos Entertainment, one of the leading national pantomime producers: these include Beauty and the Beast in Hayes, Dick Whittington in Richmond, Peter Pan in Southampton and Southend, Aladdin in Tunbridge Wells and Wimbledon, Snow White in Woking, Cinderella in Wolverhampton as well as the West End pantomime Snow White at the Victoria Palace Theatre. White Light's equipment will also be found lighting Mother
On his second tour with the African vocal group, lighting designer Tim Speechley, invited Pearce Hire to tender and subsequently supply the lighting for the UK tour. Having had to change the plan to use projection due to lack of images, Tim amended his initial ideas and created a painted cyclorama for the stage set and commissioned custom gobos of African images, such as a Zulu shield which were projected using Source 4 profiles. Standing behind (Pearce Hire's) Pearl 2004 console Tim commented: "Pearce Hire has done us proud with new top notch equipment and friendly efficient crew."
The P
Detail brought in technical event management company Next Step Forward Ltd to design and install a sophisticated multimedia system, which would transform the walk-through area into a functional yet stylish space.
Mark Thomas, technical director of Next Step Forward explained: "Detail had expressed their desire to create an area which
VectorWorks Spotlight is an entertainment and lighting design software, which merges sophisticated 2D drafting and powerful 3D modelling with advanced lighting design and production tools. The organizer says the event will provide an opportunity to see some outstanding projects created using VectorWorks Spotlight.
Mark Stephens, director of The Design Division (a specialist VectorWorks reseller and producer of the new VectorWorks Spotlight Training CD), will start the event with an overview of VectorWorks. He will then demonstrate the specific Spotlight features, and will also show the new VectorWorks training CD which now includes specific movies on Spotlight. Alex Wardle, a lighting designer and technical manager, will cover setting up
Immersed within the heavily arrowed stage theme at Wembley Arena, the focal point was the 44sqm of landscaped D7 wall, which could travel vertically from its flown position upstage centre. This was reinforced by a smaller tunnel screen, marking the stars' entrance at the top of the stairs, and a single 12 x 2 vertical column, situated upstage left.
The CT screens integrated well with Vince Foster's inspired lighting design, with all the graphic feeds relayed to the flanking screens from a Catalyst server, triggered from a G5 computer. The main central display featured live camera action (and nominee captions) - fed from a CTV scanner truck - while CT themselves took five close-u
The relationship between Blue Audio and London goes back some seven years and this was its largest fully networked installation to-date. Blue Audio's Nadar explained the brief: "High quality music is a main theme for this busy venue and the client wanted clarity, power and the flexibility to be able to switch any of the nine sources to any of the five rooms. There are several products I knew that would do the job but all had a host of unwanted functions and were unnecessarily expensive. I approached Dave Thomson of Avolution, a good friend who is always up on the l
So why go digital? Patridge explained: "We liked the idea for ease of set-up and the smaller footprint. We were very happy to work with a company that was so enthusiastic about developing a digital desk for the theatre market. Sonically, the D5T sounds excellent whilst still retaining the warmth of an analogue desk. It's also intuitive to work with and simple to programme."
Trace said: "I particularly like the touch-screen function, it mimics the control su
The Pavilion will take two months to build, with a team of 80 staff on site to oversee construction. The fully insulated and sound-proofed structure will be built with over 45,000m of scaffolding and will weigh over 250 tons. A special secondary mem
The Broadway is Barking and Dagenham's newly re-developed live performance arts venue, presenting a mixed programme of high quality, professional music, dance, drama, comedy, children's and family shows. Tim Foster Architects were commissioned to re-design the original Broadway as part of a regeneration programme of the town's city centre. The new 950 capacity venue opens its doors this Christmas with Dick Whittington and his Kool Kat - an updated version of the London classic.
The Broadway's lighting rig, which includes several products from A.C.'s exclusive product range, comprises of Chroma-Q sc
The system design was carried out by BSS' Swedish distributors, Septon Electronic AB, in collaboration with local contractor Scenteknik AB, who were responsible for the installation. Septon's solution was to specify two SW9088iis networked signal processing devices and an SW9026 audio switcher to cover a total of seven zones (two bars/dancefloors, two restaurants, two VIP rooms and an outdoor patio), with access to 12 sources via custom wall panels.
Contained
US soul and blues diva Jill Scott (not to be confused with Gill Scott Heron) used a JBL VerTec PA system supplied by Adlib Audio for her UK tour. Gigs included two nights at Brixton Academy, Bristol Birmingham, Barrowlands in Glasgow and a grand finale at Manchester. Adlib supplied 20 JBL VT4888s and their own DF418 subs; the system was driven by ADLIB's new Camco Vortex 6 amplifiers. FOH engineer Chaz Clifton used a Soundcraft Series 5 desk, with BSS FDS-366 OmniDrive Compacts for system control and BSS FDS 360s for EQ. This offered the flexibility to zone the system as required. Monitors featured one of ADLIB's new Yamaha PM5D consoles. The console's
The 33,000sq.m building occupies a key site in Cardiff Bay's 'Inner Harbour'. Daylight floods the building, as 15cm thick glass open the foyers to views both outward and inward, and at night the lights of the foyer will be seen from afar. The striking building inscription is a poem composed by leading Welsh poet and writer Gwyneth Lewis and reads, 'Creating truth like glass from inspiration's furnace, in these stones horizons sing.'
ETC has been involved with WMC almost from the beginning of the project, having delivered a truckload of equipment as far back as the summer of 2003
"For some time now, Intelix has been searching for a larger, more suitable facility to accommodate our rapidly increasing staff and inventory needs," stated Steve Cohan, Intelix CEO: "The pleasant view location allows us to meet both goals, as well as remain in the general area."
(Sarah Rushton-Read)
Graham worked in close consultation with Harman Pro UK's Andy Duffield on the project, and the pair pooled their knowledge of sound design for high profile nightspots to produce the best and most appropriate audio for the Zeta Bar. The positive sonic results have been immediately noticed and commented on by clients, visitors and staff, the company reports.
Th
Stocks of the unique Star Orbit stages are already in Milan, along with trained crews, transport and associated services such as front of stage barriers. The modular nature of the Star Orbit range enables the company to temporarily increase stock levels in Italy, from the UK, for large projects.
The Milan office will also be offering other Star Events Group products to the Southern and Eastern European markets. The first confirmed contracts for the new venture are to supply 15m Orbit stages for the pre Christmas and New Year's Eve concerts being organized by the City of Milan outsi
For his fifth Unilever commission, the American artist has deployed a wide range of spoken texts in a way that orchestrates and measures the space of the Hall. Contracted to provide the audio, Sound Directions was tasked with taking 21 diverse audio tracks and samples from previous works, and playing out via a series of 28 directional electrostatic speaker elements, running 100V line, and distributed the length of the Turbine Hall.
Marquee Audio, meanwhile, has supplied all the additional hardware and designed an elaborate cabling infrastructure in which the complex routing protocols have been carefully created in BSS Soundweb architecture.
Marquee
"The seminar program works to provide support to our UK dealer network and customers," says Roger Harpum, Meyer Sound's UK sales manager. "These sessions introduce audio professionals, at no charge, to fundamental aspects of modern sound systems, in the process making clear the benefits of Meyer Sound technologies."
The day-long introductory course, entitled System Design Principles, provides a broad overview of principles involved in the design and measurement of complex sound reinforcement systems. Par
Hawthorn Theatrical supplied the equipment required to work alongside Routledge's regular lighting team headed up by Andy Hopkins. "I chos
The focus of the enlarged group will be on developing the brands and the business, with the aim of becoming the largest lighting control
(Jane Cockburn)
Star Vertech crews have installed the large platforms in Newcastle, Dublin, Glasgow and Warwick, with another going into Leeds Millennium Square in January. Phil Addyman has managed the projects, commenting: "The Vertech staging system has proven popular for ice-rinks as it provides a very stable base and as it is designed to be installed quickly it saves time and money over other systems."
In addition to supporting the weigh
