The system was designed in conjunction with KV2's Andy Austin Brown. Due to the layout of the venue, and the wide variety of events planned for the system, the design was far from straightforward, but Austin Brown's knowledge of the KV2 products enabled an audio solution for all the pro
As one of the world's most highly recognized brands, Volkswagen insisted the Dogus Groupe, which manages dealers and service in Istanbul, have its headquarters showcase the newest cars in a state-of-the-art showroom featuring the most advanced technology. This technology was to extend to the executive offices in their main buil
The lighting scheme was designed by Rick Hussey, who works regularly with Essential on all types of projects. It was co-ordinated for Essential by Martin Lubach and site managed by Barry Tofield. Overall production manager was Roger Oakley working for event producers The Bank. Oakley dealt with 16 regulatory bodies including MI5 and MI6 to get the necessary clearance to stage the event!
A total of 28 MAC 2000 washes were used to light the three bridges, complete with assorted lenses to optim
The outlay in terms of equipment was considerable: the two systems had to cover all areas (and the entire staff) of the complex. For the 2,000-seater theatre alone this meant the two stage manager's desks (stage right and sta
Following recommendations from high profile clients at top West End nightspots, Islington-based Sound Division specified Harman Pro products to Baglioni. Sound Division is a strong advocate of the JBL brand, says MD David Graham: "Primarily because of the breadth and flexibility of their range, and its uniform quality and power." Turning to JBL's Control Contractor series to handle Brunello's requirements for background music, DJ evenings and
The opening ceremonies featured three simultaneous programs in its three spaces. The flagship Frederick P. Rose Hall hosted performances by the JALC Orchestra, featuring artistic director Wynton Marsalis directing a tribute to Duke Ellington and Count Basie. Performances by Arturo O'Farrill and special guests inaugurated the elegant Allen Room, which features Greek amphitheat
"I went over to the open house and was very impressed," Sasic explained. "The beam spread on the VL3000 fixtures is amazing. We swapped them out for some of the other lights I had spec'd on the rig, and I'm very glad we did."
Making the change was not an issue since Bandit Lites, the lighting equipment provider for the tour, had recently added a number of the Ser
All performers are selected from the Umoja School of Performing Arts in South Africa, which gives free scholarships to underprivileged children as a means to enter the entertainment industry.
'Umoja' translates as "the spirit of togetherness" and there was an abundance of positive energy in this vibrant showcase of South African music and dancing. A narrator punctuates a two-hour journey that takes the audience through a history of African music, from early tribal drummers, through the development the distinctive South African sounds. "Our music helped to keep us human," the narrator tells the audience, "for in Africa, rhythm is life itself."
Umoja first opened at London's Shaftesbury Theatre in Nove
For the last 24 years, concerts have taken place in the shadow of the great Duomo where audiences have seen great performances whilst either standing or sitting on the historical stones in the medieval square surrounded by breathtaking Romanesque and Gothic architechture. With a further 1500 seats in the gallery, the town's accommodation tends to be booked up for months in advance.
Owners of the first Aztec in Italy, Nicola Procopio were hired this yea
The concept is the result of a local schools competition to create an innovative lighting sequence to illuminate the building whilst focusing on the concepts of environmental harmony and sustainability. The use of environmentally-friendly LEDs was seen as a fitting solution.
Operating from a studio in West London, the team comprises Brett Salmon and Tony Clynick (both Themed Entertainment Association award winners), as chief executive officer and technical director respectively, Wayne Haxton as production director and Neil Dickinson as operations director. The team has already completed major projects in both China and Malaysia in the six months since its formation.
Salmon has over 23 years' experience in technical management and production of events and in the last few years has foc
The China-France Culture Year is an important event with regard to the exchange between the two nations, and is of great significance towards increasing the mutual understanding and aware
Clarity, with Zeebar owners EPC Ltd, decided on a combination of bespoke and off-the-shelf LED lighting, together with conventional luminaires and lightsources. The main technical lighting challenge was to make Zeebar's 40m exterior canopy appear look black during the day, and then come alive with colour and movement at night. The solution used a combination of Clarity's Ionic RGB colour changing strips and Microdex panelling with a black underlay. Clarity's Microdex appears as an evenly illuminated surface when lit from along one edge with the Ionic strips. Once th
Kenny has been a PRG client for the past 14 years. For this event, his lighting package included 48 High End Studio Colors, 50 High End Studio Beams, 40 Martin MAC 2000 Wash lights, 32 Martin MAC 2000 Profiles, two
McGraw picked up two of the year's top awards, Song of the Year and Single of the Year. McGraw and his band, long-time users of Sennheiser RF gear, adopted Evolution 500 Series wireless systems with e865 capsules and Sennheiser personal monitoring systems earlier this year.
The hybrid Sennheiser SKM5000 handheld RF transmitter with Neumann KK105-S capsule microphone has become a staple on televised music and entertainment events, and the three-hour 2004 CMA Awards broadcast was n
PRG account manager James Barnfather said: "With the latest version of Pixeon you can create more effects and colour mixes than before." In addition to The X Factor PRG also has Pixeon out on the set of The Good Food Show.
The latest mains-powered version of Pixeon - an LED tube, containing a dense array of RGB LEDs arranged in individua
Arena Seating worked closely with fellow suppliers StageCo and Kayam through the design process and rain-flooded installation, to interface its equipment to create a safe infrastructure for the televised event. The company had been given only two weeks to translate Italian seating regulations and design a layout to conform, before being given the go ahead to ship the 10 truck loads of equipment and nine crew to Rom
Gary Westcott was responsible for the lighting design. The show was pre-programmed and transferred to the grandMA full-size, although the team also had the chance to optimize the show locally for a further two days. The consoles were programmed by Demfis Fyssicopulos, with Andrew Findley responsible for programming the media server.
Two grandMAs were integrated in a multi user network
During all this upheaval the company has managed to service various tours including: Zero 7 for the second time this year, again lit by Utopium LD Stuart Farrell who operated an Avo Pearl and used Mac500 and Studio Beams mounted over a semi- circle truss. Uriah Heep recently performed in Guernsey with equipment and crew supplied by Utopium. The LD was Chris Bushell who was also LD for the recent Goldie Looking Chain tour. Mercury Music award winner, Dizzee Rascal has just finished his firs
"The most important innovation here," according to LDs Riccardo Barbaglio and Massimo Cavenaghi - is the new lighting system. Last year, the Italian edition of Top of the Pops stood out for the quality of its lighting effects, which received compliments from the BBC. This is one of the reasons why Einstein, the Italian TV production studios which
Front of House engineer Steve Pattison chose JBL's medium sized VerTec line array as the main PA system - utilizing various numbers of VT 4888 elements depending on the size of the venue. This ranged from an average of five a side in the smaller rooms to 12 a side for larger spaces like Brixton Academy.
Subs are ADLIB's double 18 folded horn DF3's, which have a formidable low-end reputation! The system is driven by Camco Vortex 6 amplifiers, in which ADLIB has also recently extensively invested. Pattison has worked with Amy since the 2003 'V' Festiva
The system, supplied by Concert Sound and John Hornby Skewes, typically consists of 12 CDR 208 T and S mid/high cabinets per side in most of the tour's venues, with four CDR 210 Sub subwoofers per side, and two of the newly-launched CDR 210 F flyable subwoofers at the top of each array for high venues with balconies. The CDR 210 Fs can also be used with HK's new Ground Stacking Frame, and for venues where the system can't be flown, a CDR 210 F is positioned at the bottom of the frame, which also serves the purpose of adding height to the ground-stacked array.
FOH engineer Chris Madden was introduced to the system by HK Audio's Moray McMillin, himself a veteran touring engineer who convin
(Sarah Rushton-Read)
All of the 20-plus live Shure microphone feeds were handled using the D1's internal dynamics, EQ and signal processing capabilities. The complex 10-channel output matrix feeding the Meyer Sound Labs supplied CQ based playback system was fed by the D1 through a TiMax processor.
Surround Live produced and created by Frederick Ampel of Technology Visions under the auspices of the Audio Enginee
