The city tram station in Grenoble, France, has been outfitted with two Martin Exterior 600 colour changing washlights in a unique example of the creative possibilities inherent in intelligent lighting. Mounted in the tram station’s ceiling, strobe and colour change effects are used to signal the arrival and departure of trams.

When a tram is not present at the station, the Exterior 600s project white light. But as a tram nears, a sensor sends a signal to a Martin ProScenium DMX512 lighting controller, signalling the Exteriors to strobe. As the tram enters the station, the light then turns blue. Upon arrival, the strobing stops and the light remains blue. When the tram is ready to depart and pulls out from the station, the light turns progressively whiter. The lighting designer for the installation was Pierre Negre.

(Lee Baldock)

UK PA company Big Sound was recently involved in the production of The Trench, a BBC documentary series following the 10th Battalion of the East Yorkshire regiment and the role they played in the First World War.

Filming began in October 2001 and involved 24 volunteers from Hull and East Yorkshire, all of whom were of similar ages to the original soldiers. The volunteers spent two weeks in an authentically constructed trench system in Northern France. Big Sound, based in Wales, was asked to provide speaker and 5.1 surround systems that would deliver the sound effects in the most realistic form. Another requirement Big Sound had to consider was the need for the systems to deliver high-end sound effects while remaining as far away from the actual set as possible so that they didn't interfere with camera sight. Big Sound opted for a mixture of powered speakers and mini stacks of powered c

Edwards is a newly opened bar in Cardiff - part of a major roll out from Six Continents. The audio installation was carried out by Orritt Electronics and owes much to the award-winning sound system installed at Loaf in Manchester.

Dave Orritt explains: "The spark of Edwards originally came from Loaf in Manchester. We were able to take the best of the Loaf design features and incorporate them into this venue. The difficult issue at Edwards was the venue’s acoustics. A hotel is situated above the venue so we had to pass NR 45 in order to get planning consent. What we have in Edwards is basically a box within a box within a box. To get the sound pressure levels with the quality of dispersion needed, we used multiple clusters of Mackie Monitors 5s and MSW8 subs, which were flown from the ceiling."

Edwards has a harsh industrial quality to it - with cable trays exposed aro

When Channel 5 asked its lighting director, Martin Foster, to design the lighting for Channel 5's new-look 5 News, ETC's Source Four profiles were high on his list for key lights. Originally designed for theatre lighting, the Source Four has become a regular feature of lighting rigs worldwide and is currently in use in most of London's West End Shows. Perhaps less well-known is that the Source Four is now becoming a common feature in many television studios in the UK.

Having worked for 5 News since the start, Foster has had Source Fours in his lighting rig all along, but this is the first time he has used them as key lights. Previously, they have been back lighting the set and used to project the Channel 5 logo. For the revamped rig, Foster specified a total of eight Source Fours - four of which are used as key lights on the news presenter and for the guest positions. The rest are back

A new sound installation at the famous Globe Arena in Stockholm, scene of the 2000 European Song Contest, will feature clusters of Martin Audio Wavefront 8 Compacts. The audio rental and contractor company DM Audio AB - Martin Audio’s Swedish distributor - has finalized the design to update and expand the installation which they undertook 12 years ago - when the arena was originally built.

"The reason for the expansion," explained DM Audio’s Lars Wern,"is that when the arena has hosted touring artists their sound engineers have often received complaints from the audience seated in the highest seats. Most tours do not bring enough equipment, or simply could not tilt the speakers upwards enough (the catwalk is situated 36 metres above the floor). To help the visiting sound engineers, it was decided to install a delay speaker system that could be added to the ma

ANC Sports Enterprises of Purchase, New York, has completed the installation of Lighthouse video banners at four major US sports stadiums, along with the latest version of its proprietary FasciaSoft 2001 control software. It takes the total of Lighthouse video banner installations by ANC Sports to over 4,300 linear feet.

The installations are also the first of their kind to employ 24-channel input video switchers, allowing wipe and fade transitions between displays, rather than simple cuts. Lighthouse LVP25 (25mm pixel pitch) LED video panels make up the video banners at each of the stadiums.

ANC installed 924 linear feet of Lighthouse LED signage in Philips Arena in Atlanta, which is home to the NBA’s Hawks and the NHL’s Thrashers. The system became operational at the start of the 2001-2002 NHL season. 340 linear feet (two locations of 170-feet) of Lighthouse LED signage

Fourth Phase is accustomed to working in strange and interesting locations, but using an open-top double-decker bus as a drive-by projection platform is a first! Contracted by Simon Garrett, managing director of event organisation specialist Pandemonium, Fourth Phase London was asked to project the Audi logo onto the exterior walls of the Audi showrooms on Piccadilly to mark a press launch. The projection, seen by thousands, took place between 6-9pm on the evening of Friday, 22 February.

The search for the ideal projection platform was initially narrowed down to a particular room at The Ritz, which stands opposite the Audi showroom, but unfortunately it was unavailable. In a moment of inspiration, the Fourth Phase team noticed an almost suitably positioned Big Bus Company bus stop! Fourth Phase hired a bus for the evening, which was parked at the bus stop quite legally for the duration

Stars from the British and American film industries braved the atrocious London weather, crossing the rain-soaked red carpet into the Odeon, Leicester Square for this year’s Orange British Academy Film Awards (BAFTAs).

With the event now acting as a curtain raiser for the Oscars, and transferring to BBC television for the first time, the event’s profile was higher than ever this year. Helping to keep it sky high were Creative Technology, who flew 84 modules of the new Barco i10 high brightness LED display - its most prestigious outing to date. The screen was configured as a 12 x 7 display (in 16:9 aspect ratio), and attached to four CM Lodestar motors. "Having done the Orange British Academy Film Awards for the last two years we were again asked to provide image magnification based on our successful track record," said CT’s director of sales, Guy Mapley. &

The Institute of Sound and Communications Engineers’ first combined seminar/exhibition event exceeded all expectations when it took place on Wednesday 27 February at Birmingham's recently upgraded Alexandra Stadium.

The full day's seminar programme covered a wide variety of subjects including Video Conferencing, Audio Measurements, VA Standards and a 'behind the scenes' look at the acoustic problems of Paddington station. There was also a sneak preview and demonstration of the World's first disposal loudspeaker! But the undoubted highlight of the day was the inaugural Warren-Barnett Memorial Lecture in memory of two respected figures in the industry which was delivered by Peter Mapp.

Twelve specialist PA/VA manufacturers supported the event with stylish 'table top' displays, and all reported a high level of interest from the nearly 100 ISCE members and others who braved a squal

Stardraw.com has appointed Prevost SA as the exclusive premier partner for Belgium and Luxembourg. With over 50 years experience in the professional sound industry and exclusive distribution of 14 of the top lines in the pro audio and AV market, Prevost is well placed to make the maximum impact with Stardraw. According to Stardraw sales director David Morrison: "Prevost numbers among the top pro audio distributors in northern Europe, and is definitely the right choice for us as a premier partner. Indeed, Stardraw complements Prevost's existing portfolio very nicely as we already have relationships with most of the other manufacturers they represent, so I am looking forward to a mutually beneficial relationship."

(Ruth Rossington)

Built in 1805 as stables for the Prince of Wales, the Brighton Dome has since established itself, in conjunction with the Corn Exchange and the Pavilion Theatre, as one of the country’s leading music venues. But for the last three years it has been in the dark, during which time it has been entirely gutted, undergone a £22m refurbishment programme. The refurbishment has equipped the venue with an adjustable stage area, increased storage space, improved front of house facilities, additional seating and a state-of-the-art acoustic system, together with four different sets of lighting and sound.

Technical Planning International, the consultants responsible for the stage engineering during the refurbishment, commissioned Centre Stage Engineering and Delstar Engineering to handle the overstage and understage developments respectively. Motion control specialist AVW Controls was sub-co

LCA - Lights, Camera, Action Ltd are supplying Strand Lighting, MovieMaster ballasts, Mole Richardson lighting, Avenger grip equipment and Rosco filters to Salon Films in Thailand for the latest Jackie Chan movie, HighBinders. Currently filming in Thailand, the film will also be shot in Hong Kong and Prague and stars Jackie Chan, Lee Evans, Jonathon Rhys Davies, Christy Chung and Anthony Wong.

Nick Shapley, managing director of LCA commented: "It was a huge challenge to supply Salon Films with the vast amount of lights and lighting grip in such a short space of time. However, I am happy to say we fulfilled the client’s request despite the challenges of pulling in so many products from so many suppliers." The DOP for the film is Arthur Wong, chairperson of HKSC - the Hong Kong Society of Cinematographers.

(Ruth Rossington)

As part of a continued effort to increase the wide-scale availability of its automated lighting systems, Vari-Lite Inc has announced the establishment of a Dealer Network, which will carry a full line of Vari*Lite products for sale or rental. The names of the eight companies that comprise the initial Northeast Sales Network were made public yesterday.

"Each member of this dealership network has a solid reputation among lighting professionals and has established itself as a leader within the industry," said Bob Schacherl, Vari-Lite's vice-president of sales and marketing. "Vari-Lite will continue to explore opportunities to add to its Dealer Network where and when it makes sense financially and strategically."

The Northeast Dealer Network includes Barbizon - New York (sales), High Output - Boston, (sales and rental), Parlights - Frederick, MD (sales and rental), PR

Kellys nightclub complex at Port Rush is one of the province’s busiest venues. The complex includes the ultra modern LUSH with its even cooler Chill Out room and the now totally refurbished Wild, with its traditional stone and wood interiors.

WILD is split across two floors with separate sound systems: on the top floor the venue retains its existing RCF Event system, whilst on the ground floor a new EAW system has been spec’d. Local installation company, Light and Sound FX were involved in the original installation and won the contract to handle the system revamp. Darren Gardener of Light and Sound FX explains: "Our brief was to reconfigure the Event system upstairs and put a new sound system in on the ground floor. We decided to talk to Andy Austin Brown at Mackie, as he'd been involved in the original spec, and since we had no flying options, he recommended the EAW s

The new Artistic Licence discussion forum is now up and running. In addition to offering technical support for the company’s product range, the company is actively promoting an open discussion of the technical standards issues facing the industry. So if you have a view or need more information on ACN, DMX512-A, RDM or Art-Net, the Artistic Licence Forum is the place to visit.

(Ruth Rossington)

Leading pro entertainment industry lighting sales specialist TMB has appointed two new European distributors for its new PowerPAR fixture. In Germany, Seigen-based Trendco will be handling sales for the TMB PowerPAR, and in France and Belgium, Sonoss will be leading the way. Both deals were confirmed at the SIEL show in Paris.

In announcing the distributorships, TMB is underlining its confidence in a buoyant European market. In fact, with the popularity of the PowerPAR taking off, it was essential to expand the European network quickly. Both companies also distribute Wybron, whose Eclipse II dimming shutter was on display mounted on a PowerPAR at SIEL. The Eclipse II is a perfect device for the PowerPAR, turning it into a dimmable fixture and opening further applications for the unit. The PowerPAR continues to grow in popularity for a variety of applications. The fixtures have recently

Star Hire (Event Services) Ltd has been awarded the contract to provide all of the technical facilities for the evening celebrations throughout the Queen’s Jubilee Baton Relay. The Baton Relay is scheduled to visit 500 towns in 50 days with the last town on each day hosting an evening celebration; culminating in the final show being the opening ceremony of the Manchester 2002 Commonwealth Games.

Having been selected from 23 competing tenders, Star Hire has been contracted to provide their Mobile 11-09 StarStage along with video screen, sound, lights and power. They will also be responsible for the design, manufacture and fitting of all branded imagery on the stage and all the associated vehicles. "The logistics of setting up 50 events consecutively is challenging but not unfamiliar territory," said Star Hire’s technical director Roger Barrett. "The combinatio

For the third consecutive year, UK distributor HW International ensured that the Mean Fiddler-owned London Astoria was furnished with a plethora of Shure microphones for the NME Carling Awards. The shows ran for a week-and-a-half during February and included bands such as the Pet Shop Boys, Aphex Twin, Ash and Starsailor. One of the most anticipated gigs was The Charlatans who performed to an enthralled capacity crowd. The Charlatans were supported by Reading's Cooper Temple Clause, the bill was completed by ex-Ultrasound star Matt Jones' new band Minuteman and promising Northern rockers Moco.

Matt West, London Astoria's in-house sound engineer, commented: "Shure were able to supply us with a generic mic set-up which would suit most guitar-based bands. Their mics are robust and reliable and used the world over, so I was more than happy to have them to offer to the bands and their

Autograph Sound Recording, the sound design and rental specialist, is taking opera to the masses this season, with two electrifying events scheduled back to back. Bizet's tragic masterpiece Carmen, plays for 16 performances at the Royal Albert Hall, while Beethoven's opera of love and liberation, Fidelio will be screened live next month, on the all new BBC Four.

The annual Raymond Gubbay opera in the round opened at the Royal Albert Hall on 21st February, with a brand new production of Carmen. Autograph has supplied sound and communications for the past four Gubbay opera productions at the Royal Albert Hall. This year's opera is using a large Meyer Sound loudspeaker system, comprising of over 60 UM-1s for vocals and two arrays of MSL-4 and PSW-4, for the orchestra mix, while D&B E3 loudspeakers are located in and under the stage as front fill positions.

Early Mar

A series of fund-raising concerts in Los Angeles was staged Feb. 26 by the Recording Artists Coalition to raise awareness of artists' rights. High End Systems automated lighting was there highlighting the music and the famous faces. The concerts were held in four different venues, all on that Tuesday night. LSD/Fourth Phase of Newbury Park, Calif., provided the gear for the Forum show, under the guidance of Robert Roth from its Atlanta office."It was an all High End Systems rig and the show was executed flawlessly," says Roth. More than 120 HES products were specified by the event's overall LD Nick Sholem, including Studio Color(R) 575 and Studio Spot(R) 575 automated luminaires, run on two Wholehog(R) II consoles. Don Henley and The Eagles headlined the $175 ticket, with Sheryl Crow, Stevie Nicks, Tom Petty, John Fogerty, and Billy Joel (for which LD Steve Cohen added his inpu

London's new musical - The Full Monty - opening on 12th March 2002 at The Prince of Wales Theatre - features sound design by Mike Walker and includes two Cadac consoles in the audio cast. At the heart of the sound system, supplied by Blitz Sound, is an 83-input Cadac J-Type Live Production Console, situated FOH, complete with a full output section comprising 15 DC VCA masters and 32 outputs, including two programmable matrix outputs. A 39-input F-Type Live Production Console, located underneath the stage, is also featuring as the monitor/sub-mixer for the show's 12-piece rock band.

The Full Monty is essentially a wholly musical "book show", with Walker's sound design for the production focusing on complementing the strong rock'n'roll score. Over the past seven years, Walker has designed some 30 shows - touring particularly in Singapore and the Asia Pacific region. The Full Mo

The newest property in Las Vegas, the Palms Hotel and Casino, celebrated its grand opening 15 November 2001. The 265 million dollar property with 447 rooms in the 42-story hotel tower is also home to one of the hottest new nightclubs: Rain in the Desert. This multi-level nightclub/concert venue consists of an array of special effects and custom equipment made possible in part by Tomcat USA and Kelly Communications. From the private booths with water sofas and skyboxes with private balconies to the lagoon-shaped dancefloor, Rain has been a big hit with locals and tourists alike. Lavish special effects throughout the club include intelligent lighting and an amazing play of water, fog and pyrotechnics. A state-of-the-art lighting rig contains a computerized intelligent lighting system, as well as the means to create effects like fog, haze, 16ft fire plumes and 3ft fireballs. Above the dance

The largest hotel chain in Italy, the Jolly Hotels, tested Biamp’s Audia Digital Audio Platform and decided that they liked what they heard. In October 2001, an Audia system was installed in a five-room conference section within the Jolly Hotel Conference Center complex on the outskirts of Milan, Italy. This system was to serve as a beta test for Audia and was installed by Professional Show SRL and Prase Engineering, one of Biamp’s top export distributors worldwide. Biamp’s Engineering staff assisted in the installation as well.

The Jolly Hotel pilot consists of seven Biamp VRAM automatic mixers with five additional radio mics feeding the inputs of two CobraNet Audia units, each with 8 inputs and 8 outputs (8X8 CM). In each of the five conference rooms there is an output as well as five recording outputs and a monitor output. Audio control is through a PC via Ethern

Australian Concert Productions Pty Ltd based in Brisbane is now one of the largest audio rental companies in Australia with an impressive inventory including a recently purchased X-Line system from Electro-Voice. ACP is currently handling the Australian leg of Rod Stewart's world tour with his latest album, Human. The Melbourne date also proved to be something of an X-Line User symposium with four of the biggest names in the industry there to support the event.

Bob Doyle from the Klark Teknik Group was in attendance along with another recent X-Line purchaser, Bryan Grant from Britannia Row, plus ACP's managing director, Mick Pritivera and Rod Stewart's FOH engineer and X-Line user, Lars Brogaard. Bob Doyle cited the event as evidence of the worldwide network that X-Line has developed since its launch just 12 months ago. "In fact, one of the reasons Mick decided to invest in an X-L

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