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USA - More than 50,000 people from 60 countries joined together for the Adventist Youth Event at International Camporee (CYE) in Oshkosh, Wisconsin. Bandit Lites supplied the lighting for the six-day event which takes place every five years and featured live worship, productions and fellowship.
Working with SBHH Events team of Rachel Quan, Andy Gerber, John Monroe and Brent Walla along with CYE producer Betty Whitehead and director Heidi Litell, lighting designer Mark Carver started developing the lighting direction and staging scenic elements of the show nearly two years ago.
“Bandit was great partner for this event,” says Carver. “Over a year and a half of planning went into this, and from the beginning, Mike Golden helped with budgeting and timelines. Project

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USA - As the co-founder of Diablo Digital, which provides turnkey live recording systems and services for concert, touring, festival, installation and broadcast applications, Brad Madix has accumulated an impressive resume. He has worked alongside artists such as U2, Shania Twain, Shakira, Van Halen, Rush, Alanis Morissette, Jessica Simpson, Linkin Park, The Eagles, Fleetwood Mac and many more.
In his current role as live FOH engineer for Florence + the Machine, Madix relies on a range of DPA Microphones to help deliver pristine percussion to audiences. For instance, he depends on the company’s 4099 Instrument Microphone for the drum kit and the brand’s 2011C Compact Twin Diaphragm Cardioid Mic for overheads, which pick up the sound from the band’s various percussion instruments including cowbells, cymbals and a wood block. He also positions a pair of 2011C’s above t

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Germany - The 2019 edition of Parookaville featured an impressive number of CLF fixtures. The festival attracted 210,000 attendees and took place at Airport Weeze, with CLF fixtures used in the Time Lab, Wacky Shack, Brainwash and in all the sales outlets throughout the festival area. Rent-All GmbH supplied over 700 fixtures.
LD Janik Hensen (Dekor Event) took care of the lighting design, including the Time Lab, based on a stage design by Stefan Dicks and a lighting concept by Robert Sommer. In addition, his company took care of the site layout, production and material planning. In the Time Lab, Aorun were used as the main fixtures, accompanied by the LEDbar PRO as a continuation of the LED surfaces.
CLF Conan fixtures were used as washlight, because of their zoom function. All fixtures had to be lightweight, since the load capacity of the roof was limited. On top of
InfiLED - Banner - Sept 2025

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USA - SRB Consulting & Design recently installed a Martin Audio system consisting of WPC line arrays, SXH218 and SX118 subs and CDD12s as part of an upgrade at the Speaking Rock Entertainment Centre in El Paso, Texas.
Describing the venue, SRB owner Scott Brown explains: “Speaking Rock is located on a native American reservation and they have live entertainment seven nights a week with outdoor concerts once a month in their parking lots and a large park nearby. It’s the ‘go to’ area for entertainment because people know there’s always something going on there.”
Concerts at Speaking Rock include a wide variety of artists such as Chubby Checker, P.O.D., RATT, Molotov, Buckcherry, Sammy Hagar and more. In terms of the performance venue, Scott explains, “The main room has a kind of large club atmosphere with two storeys and wraparound balconies, a main st

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Germany - Lighting designer Thomas Gerdon has been working on Nature One for over 15 years and has designed the lighting for the festival’s main Open Air Floor every year since its introduction in 2011. The designer stays on the cusp of innovation and after incorporating IP65-rated Elation Proteus Hybrid luminaires in his notable 2018 pyramid truss and stage design, turned to more Proteus line fixtures for the 2019 festival.
“Last year, I discovered how easy and cool it was to have an IP65 fixture with the Proteus Hybrid,” the designer states. “This year, I was sure I wanted to use as many IP65 fixtures as possible. Ninety percent of this year’s fixtures were IP65 rated and all the moving lights were Elation Proteus series.” Populating Gerdon’s newly designed overhead audience and stage rig were Proteus Hybrid moving heads, new Proteus Rayzor 760 LED moving he

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Europe - Allen & Heath’s compact SQ digital mixer recently wrapped up a 22-date European tour with Brass Against, including working FOH and monitors for the band’s support slot with Lenny Kravitz at London’s O2 Arena.
The band called upon Production & Touring Ltd. (P&T) to support their shows on both sides of the Atlantic. “At P&T, we work with artists all over world, from first timers to larger seasoned acts, and our goal is to make it financially viable to tour without compromising on expertise or gear,” explains P&T’s director, Mike Taylor.
“Brass Against needed an affordable package that had to facilitate everything from a 500-capacity venue right up to the O2 Arena and festival stages. The final kicker was that the whole lot, including the backline, had to fit into a bus bay.”
In designing a compact, cost-effective system

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USA - For glam rock band Warrant, the 30th anniversary of the release of their first album Dirty Rotten Filthy Stinking Rich meant pulling out all the stops and throwing a full-on party for themselves and their fans. Known for their hard-rocking performances, Warrant always puts on an intense live show, and a recent stop at the Psycho Silo Saloon for their Dirty Thirty Tour delivered the goods.
Located in the middle of rural Illinois and sporting a stage made out of old semi-trailers, this outdoor venue stands out from most performance sites. Wanting to create a lighting design as fierce as the band’s hard-driving, Jeff Hinton of 815 Productions DJ Service added intensity to the house lights with a punchy package comprised of 18 Chauvet DJ fixtures.
Hinton placed six Intimidator Hybrid 140SR fixtures on the back of the rig to light the band with a variety of

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Finland - Established in 1872 in Helsinki, the Finnish National Theatre is the oldest Finnish-speaking professional theatre in the country. Its current venue was built in 1902 and the combination of Alcons Audio Q series and L series pro-ribbon loudspeakers means the 900-capacity main stage enjoys quality sound and coverage, without impacting on its historic decor.
The horseshoe-shaped auditorium has three balconies, providing a challenge to projecting seamless, high quality sound to every seat. This was solved when sound and lighting specialists Electro Waves installed an Alcons QR series pro-ribbon system several years ago. This comprised L-C-R arrays of QR36 modular line-source array columns with QM36 modular line-source LMF array extensions. QB363 modular low-frequency array columns were added to the centre cluster, all powered and controlled by Alcons Sentinel3 and Sent
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Lighting designer Yaron Abulafia was asked by director and choreographer Richard Wherlock to light his new ballet work, The Comedy of Error(z), staged at Basel Opera House (Theater Basel) in Switzerland, which “explores the themes of confusion and misunderstanding directly connected to the realities of digital lives that are also present in Shakespearean comedy”.
The story also contrasted and contextualised the lives of rich and poor in countries that are financially stronger or weaker, throwing out some complex and intense messages for debate and expressing ironies of geo-fiscal imbalance via the captivating mediums of movement, music and light.
Yaron had the venue’s house lighting rig at his disposal which included 40 x Astera AX1 Pixel Tubes.
Ahead of the production, he started researching the available kit and thinking about how to incorporate the AX1s

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Australia - The popular Spin Off festival returned in 2019 with an of over 20,000 at the massive 84m x 64m mainstage tent, presenting organisers, Five-Four Entertainment, with major technical requirements where the need for screens was paramount.
To meet this demand, technical provider, Adelaide’s Novatech Creative Event Technology, employed two onstage ROE Visual Carbon 5 IMAG screens, an upstage screen, a delay screen behind FOH and two delay screens outside of the tent, controlled from two Brompton Technology SX40 processors with three Brompton Tessara XD distribution units vastly simplifying cabling requirements.
“With such a big footprint, we needed to ensure that not only everyone inside the tent could see a screen but also outside,” explains Phil Pieridis, senior video project manager from Novatech. “Using many screens generates a lot of signal distribu

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Hungary - Ujbuda Gyermeknap (Children’s Day) is an annual event held at Bikás park, a tranquil sea of green in the bustling Ujbuda district of Budapest. In addition to other attractions, there is also an array of musical acts performing on stage, which this year included Hungarian folk-rock singer Miklós Fenyő.
Lighting the main stage, András Praksch of Mobil Audio and Lighting Kft had to create looks for a long list of unfamiliar bands. Even the popular Fenyő came without his LD, which required busking on the part of Praksch. On top of that, since the festival took place during daylight hours, options to create captivating looks were limited.
Praksch met this challenge and helping him accomplish this was a collection of Chauvet Professional Maverick, STRIKE and COLORdash fixtures.
“I have been doing this festival for many years with the event producer

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Israel - Shlomo Artzi is one of Israel’s most successful singers, and his most recent shows hit the road with an ongoing lighting design by Gadi Spivak who has worked for the artist for over 20 years.
Gadi and his lighting associate Shlomit Lola Nehama chose to use 24 x Robe Spiider LED wash beams for a key element of his lighting rig.
This stage design was originated for the show around 2 years ago and has been modified and evolved as Shlomo has continued playing constantly – he is always in demand and will sell out any venue.
The most important aspect of the Spiiders for Gadi is the colour mixing. “I wanted a really bright light source with smooth movement and refined CMY colour mixing and all these features I find in the Spiider,” he stated.
The 24 fixtures were all hung on a semi-circular truss just downstage of a large 6mm pitch video screen,

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The Netherlands - MOG Technologies, supplier of end-to-end solutions for professional media, will present its latest developments at IBC 2019 (13-17 September, RAI Amsterdam).
The focus will be on the latest advances for the production management platform with MAM4PRO; a new professional media deck station; new enhancements to Vizzi online video platform, and various technical deployments throughout its solutions.
MAM4Pro is an enterprise solution designed for managing and executing all media operations - record, ingest, play, stream, encode, transcode and decode - in a native virtualised environment. MAM4PRO brings to the market a set of software services that focus on asset management, resources management, and media operations.
mDECK is billed as “the ultimate professional media deck appliance to record, ingest, transcode and play in any format of video con

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Europe - EXE Rise series’s most established hoist range - the Large Frame Hoist - is the subject of a new video released by EXE Technology distributor Area Four Industries.
Adam Beaumont (UK, EXE Technology brand manager) is back again on the company’s A4i.tv video channel to explain the product’s features, benefits, components and technical specifications.
Designed for touring and permanent installations, the Large Frame Hoist is available in one-tonne (single fall) and two-tonne (double fall) loading capacities.

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USA - The latest addition to ADJ’s range of professional lighting equipment, the Starship, is a modern take on a classic centrepiece effect. Designed for installation in nightclubs, as well as for use as part of mobile lightshows, this fixture features six motorised bars loaded with quad colour LEDs that generate “a myriad of intense moving and colour-changing mid-air beams”.
The Starship’s six motorized bars each offer independent tilt control with a range of 95° and are positioned in a star-shaped configuration extending out from a central hub. Each bar is fitted with four individually-controlled 15W 4-in-1 RGBW LEDs, which generate razor-sharp beams that cut through a haze-filled room. The combination of the six independent motors and 24 separate LEDs allows the Starship to create a wide variety of exciting effects that feature a mass of intense beams changing co

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UK - Exhibiting at the upcoming PLASA Show (15-17 September, London Olympia), Coda Audio will be showing the recently-launched two-way arrayable point source, N-APS.
N-APS is the smaller sibling of Coda Audio’s APS system. Where APS addressed the limitations of traditional point source systems by delivering unprecedented performance standards, to deliver a range of functions in small to medium-sized venues, N-APS places new patented technology into an even smaller box to offer incredible power to weight ratio and flexibility.
For smaller venues or corporate events where, for example, the geometry of a space might be considered to make coverage awkward, N-APS provides an unobtrusive yet powerful solution, says the company.
Complementing the tradeshow debut of N-APS, Coda Audio is also introducing the N-SUB, a 15” subwoofer that reaches as low as 30Hz. Like N-

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UK - A.C. Entertainment Technologies (AC-ET) has provided Scottish Opera with a new surtitling system, utilising APIX2 by Prolights LED video panels.
Founded in 1962, Scottish Opera is Scotland’s national opera company and largest performing arts organisation. With a diverse annual season of productions embracing opera’s unique blend of music, singing and theatre, it is committed to making the art form available to the widest possible audience.
As well as performing its productions in mainstage and other venues across the country, Scottish Opera’s home is the Theatre Royal Glasgow, which last year celebrated its 150th year. Recently the Theatre Royal’s surtitling system was in need of an upgrade after 11 years of service.
Alex Reedijk, general director of Scottish Opera approached AC-ET to discuss alternatives. Chris Beardwell, technical sales executive i

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Malaysia - Singesen Technical Production and Chan Lee Sound & Light selected a combination of Powersoft’s X8 and X4L amplifier platforms for American singer-songwriter Jason Mraz, who stopped off in Kuala Lumpur for the third Asian date of his Good Vibes world tour.
The main hangs at the arena were made up of 12 JBL VT-4889-1 per side, with eight JBL VT4888 flown per side as side-fill and six JBL VT4888 in the centre. The 20 JBL VT 4880 subwoofers were ground stacked at the side of the stage, while a series of Nexo PS15 wedge monitors were placed along the downstage edge. A total of six JBL VTX A8 were used as front-fill.
The main system was driven by 11 of Powersoft’s X8 amplifier platforms, while a pair of the company’s latest touring product, the X4L (look out for a product review in the September issue of LSi, out next week) - were also use

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Europe - German heavy rock superstars Rammstein have embarked on their European stadium tour, with lighting designers Roland Greil and Patrick Woodroffe of Woodroffe Bassett Design utilising over 100 VL6000 Beam fixtures from Vari-Lite.
Woodroffe and Greil joined a creative team that also included renowned production designer Florian Wieder. In creating the show, they drew on the visual impact and large-scale performance features of the Vari-Lite VL6000 Beam to achieve extra layers of visual impact.
“After a brief from the band,” says Greil, “we jumped right in and explored the Rammstein world before starting to brainstorm and create the first designs.”
Discussing the main requirements for the Rammstein lighting rig, Greil explains: “We were looking for bright but versatile fixtures, that would fit into the overall design as well as into the specific R

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New Zealand - When TV comedy show 7 Days Live, produced by MediaWorks NZ, visited the Queenstown Winter Festival, the festival’s production supplier TomTom Productions was on hand with its Hippotizer Karst media servers from Green Hippo. The Hippotizer enabled them to deal with the additional visual requirements of the television recording.
“The brief was fairly simple,” says Hamish Edh, director of TomTom and designer of the festival’s live stage video elements. “Background eye candy that looks great on camera, as well as for the live audience, and having the 7 Days logo on the screens for the wide shots.
“The design concept was based around mis-matching elements with different LED pixel pitches,” explains Edh. “To create contrast between the different pixel pitches, I use Martin Sceptron 20 battens in an array to complement the 6mm LED panels a

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Australia - Huddle Room Technology (HRT) has appointed Jands Australia as its new distribution partner for the Australian AV and ICT markets.
HRT is the maker of Huddle Hub One, a multi-session wireless presentation system that supports up to seven concurrent sessions on the same hardware. Jands is showcasing the Huddle Hub One and One Plus at Integrate Show in Melbourne this week (27-29 August, Melbourne Convention & Exhibition Centre).
“Having a partner like Jands with their extensive experience in the Australian market is a big win for HRT,” comments Stefano Spattini, CEO for HRT. “We are greatly looking forward to working with such a respected and professional distribution partner.”
“HRT's Huddle Hub is an impressive innovation that further complements our existing AV conferencing product portfolio,” adds Phil Muffet, national sales manager a
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