Video and AV

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14 March 2016

The concert tour consists of 120 shows in Australasia, Asia, Europe and North America, which broke records by selling more than 300,000 tickets in a single day, and includes a huge amount of video at each show. All of this is managed through a rack mounted AV control system supplied by Audiotech, providing full HD monitoring and recording, eight live camera inputs, stills playback and live HD web streaming.

Situated at the heart of the AV control system is Blackmagic's ATEM 2 M/E Production Switcher, operated using the ATEM 2 M/E Broadcast Panel, and a Blackmagic Des

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14 March 2016

Smart-e specialises in the design and manufacture of high quality switching and distribution equipment for a wide range of applications including corporate communication, interactive learning, digital signage, marine, entertainment and security/monitoring. Their solution-based approach means that Smart-e is constantly looking for ways to add value for their customers and make it easier to integrate Smart-e products into their designs. Standardizing on Stardraw's SD7 to provide free block schematic installation and maintenance diagrams complete with full wiring configurations and input/output connections is a key part of this process.

Smart-e produ

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14 March 2016

Supplied and installed by AV integrator Saville Audio Visual, the three-chip DLP PT-DZ21K projector has significantly upgraded the venue's projection facilities, with 20,000 lumens of brightness and a 10,000:1 contrast ratio. Partnered with a 24ft wide adjustable, multi-format projection screen, the solution provides a state-of-the-art presentation facility in central London.

One of the recent major events in the auditorium has been an exclusive London screening of the digitally restored DVD of Billy Liar introduced by Sir Michael Parkinson, a close friend of the writer, the late Keith Waterhouse. Presented by the British Library and Studiocanal, the scree

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14 March 2016

CT has invested in over 350 500mm x 500mm modules of the MC's new 7mm range manufactured by screen specialist displayLED, to provide high impact displays on the impressive production of P!nk's Truth About Love tour, designed by Baz Halpin and Chris Nyfield.

The set consists of 10 separate configurations of MC7 modules, built around the centrepiece of a 'dressed' heart-shaped 6m tall MC7 screen, flanked by four moving video 'picture frames' which fly spectacularly around the set throughout the show. In addition, four columns of MC7 rise from the stage behind the band while, further back, another screen forms a backdrop for P!nk's dramatic departure on a descending lift.

"T

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14 March 2016

Christie JumpStart now provides additional flexibility with six outputs (compared with four previously) and a 50 percent increase in resolution capability - now 15 megapixels. The content management system allows you to display multiple, high-bandwidth video files, graphics, Microsoft Windows applications, Blu-ray and

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14 March 2016

The colourful, award winning, glittering, fast paced, witty show which features a stream of disco numbers is the latest high profile West End musical to hit the road, and is being project managed for XL by Ed Cooper, who has worked on previous shows for the producers.

For this one, XL engaged in some heavy customization of the main scenic piece - the bus - which is built onto a large stage truck and forms the hub of Brian Thomson's touring set design.

The bus has four 'windows', which are made from 96 panels of XL's Pixled Flex-10 high-resolution flexible LED screen product.

The Flex-10 is used to make up straight panels on t

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14 March 2016

Additionally, the HDX-W20 FLEX will be standard equipped with the light-on-demand option, which gives rental companies the flexibility to tune their projector's light output to the specific needs of their customer's event. Barco will unveil the new HDX-W20 FLEX projector at InfoComm, from 12 to 14 June. The HDX-W20 FLEX will be commercially available as of mid-July.

"By adding this fourth member to our high-performance HDX series of large venue projectors, we satisfy customer requirements for more brightness out of a compact projector model," says Alexis Skatchkoff, product man

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14 March 2016

An inventive approach was needed due to the overall height restrictions imposed on exhibitors and the limited rigging permissible (5Kg per point!) for lighting and other flown elements. This was provided by dbn's unflappable Nigel Walker.

An environment was created offering two seminar rooms to accommodate up to 20 delegates and three meeting rooms for groups of up to six people. These spaces radiated off a central 'social' area where delegates could mingle and enjoy refreshments in a calm, chilled atmosphere.

Walker used 25mm conduit as the hung lighting bars, and specified Chroma-Q ColorForce 12s LED units fitted with Lee 216 diffusion as

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14 March 2016

This was the first time Nestle, which produces various prominent consumable products, hosted a single event for the entire company. It was aptly attended by a thousand employees who lodged at Champagne Sports Resort and nearby surrounds for the three day conference.

"It was a massively long project," said Christopher Bolton from Keystone Productions, who was appointed the position by client Dithatha Productions. Keyston

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14 March 2016

High Scream's Romain Pissenem already had a strong relationship with XL Video, and from there, both Romain and XL's Ian Woodall began to develop an idea for a projection mapped onto the hotel's 30m x 20m swimming pool, which would become the largest ever projection screen to date in Ibiza.

To achieve a bright and visible projection, the team needed to make the pool opaque without adding a solid cover over the top. Half a million white ping pong balls were put to use - floating on the surface of the water - and creating a suitable canvas for the projections.

XL Video's team, under Ian Woodall, supplied four of their new Barco HDF-W26 projectors to create the vibrant images on the

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14 March 2016

It's the first time that Gray - well known for his work in the fashion world and as LD for rockers Kasabian - has designed lighting for the 'surrealist' funny-man, a task on which he collaborated closely with Izzard's artistic director, Sarah Townsend.

The stylistic theme for the tour included flourishes of classic 1960s Avengers and Austin Powers, and another important aesthetic starting point was the large portrait format LED screen onstage.

This all needed careful and thoughtful lighting.

Gray wanted to introduce depth and architecture into the performance space and also make large arena spaces with one person onstage look and feel inter

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14 March 2016

The initiative of saving the small early 19th century Breda Castle, situated close to the eastern border of Hungary, by developing it into a new tourist attraction is the result of a collaboration between owners, the Megyeri family, and the initiator, Informax Ltd. Working with Bordos.ArtWorks and Invited Artists (run by Budapest-based 3D artist László Zsolt Bordos) and András Schmid (of Christie technical partner DNN|360) they have mapped the façade in a series of animated tableaux.

From 15 June onwards, an artistic video mapping show will be projected every day (and every hour) after dark, using the 3kW xenon light engine of a Christie Roadster HD18K (18000 ANSI lumens) projector, equipped with 1.8-2.6:1 HD zoom lens. And it is

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14 March 2016

Venuetech will be the exclusive distributor of LiveDots' full LED portfolio in Saudi Arabia and a non-exclusive reseller for the GCC (Kingdom of Bahrain, Kuwait, Sultanate of Oman, Qatar and the United Arab Emirates). LiveDots is confident that Venuetech will help to expand its business in the Middle East market.

Venuetech provides both system integrators and local channels with a wide range of products and services - from consultation, design, supply, training through to after-sales services. Its team of qualified system designers and in-house engineers is committed to ensuring total customer satisfaction through expert advice and support.

"Distribution partners can help us increase the number of customer touch points and improve our customer s

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14 March 2016

Flown off 25 x two-ton motors, the panoramic screen surface is split into five units and rigged across the rear of the stage, upstage of the drum riser which is itself clad in active tiles. As Tonks says a lot of thought has gone into making the logistics of rigging a screen of this size manageable in a touring environment: "Where we can the points are pre-rigged or in some cases we load in the whole screen system the night before the rest of the production.

"When broken down, the interlocking panels fit int

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14 March 2016

"Christie, as the global leader in the visualisation market, is the first and only projector manufacturer in the world to provide full 4K DLP resolution at 120Hz. This industry-leading image processing performance is co

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14 March 2016

Depeche Mode's 33 year career has seen them sell over 100m records worldwide . Also acclaimed for being constantly at the cutting edge of live performance visuals, video has played a defining role in their stage shows over the years through the influence of their inspirational artistic director, Anton Corbijn.

The look of the Delta Machine show - incorporating the video elements - was designed by Corbijn in close collaboration with lighting designer Paul Normandale.

In addition to the IMAG, Corbijn has produced eight mini-movies which are interspersed throughout the show.

XL's project manager Phil Mercer comments, "We are de

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14 March 2016

FVC has offices in UAE, Saudi Arabia, Egypt, Lebanon, Morocco, Kenya, Nigeria and a growing network of channel partners in 45 countries. This broad geographical reach and market leadership have played a major role in Barco's decision to join forces with FVC.

Another important factor in Barco's choice for FVC is the fact that ClickShare fits in with the latter's existing offering. With the addition of Barco's presentation solution, FVC can now present its clients with an all-in-one package for a state-of-the-art meeting room, including video conferencing, networking, information security and, now, wireless and smooth running presentation equ

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14 March 2016

Powered by high-quality Tri-Color 3528 SMD LEDs, the EZ6 will impress viewers with its uniform colour, high contrast and sharp, clear picture, making it a video superstar. It features 6mm pixel pitch, 1,800-nit brightness and 960 Hz refresh rate, producing high-definition graphics, text, logos or images -- limited only by your imagination! Wherever it's used, the EZ6 offers reliable performance and easy setup. The 22.7" x 22.7" (576mm x 576mm) squa

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14 March 2016

Mackie also features high accuracy level fades (greater than standard MIDI control change values) with three additional MIDI ports on the device for connecting additional controllers or other MIDI gear (which can be used with the MIDI2 component).

The Mackie controller software provides a hardware interface for programming timelines and the quick programming of cue-based timelines. Timed parameter fades can automatically be inserted when recording cues and can easily be customised to provide quick access to commonly used parameters for any eventuality.

Large networks of Hippotizer can be controlled using a sin

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14 March 2016

XL Video of Hamburg was founded in 1998 by René de Keyser and Denis Papin, with the latter at that time assuming the role of Managing Director. Under his leadership, XL Video grew

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14 March 2016

Chinese electronics giant, Huawei, recently introduced their flagship Ascend P6 smartphone to gathered media in London. Huawei's creative event agency, Uniplan of Hong Kong, designed an immersive 180 degree projection onto gauze followed by a reveal at the end of the presentation to give attendees access to the experiential area behind.

To realise this creative Uniplan engaged production company Imagine Believe to produce the launch event at the Roundhouse, in London's Camden.

To provide the video element of the launch, Imagine Believe's production director, Tom Attenborough, contacted Mark Rooney, project manager at technical supplier, XL Events to design and specify the video for the show.

For the main multi-sc

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14 March 2016

XL's project manager Phil Mercer is working closely with the tour's production manager Wob Roberts

The camera mix is being crafted by Stefaan 'Smasher' Desmedt and the stage set which includes a back wall video screen and a huge video mapped scenic piece of Williams' head, is designed by the late stage architect Mark Fisher. Artistic director and lighting designer is Willie Williams and the show's producer is Lee Lodge.

The impressive 12.6m high by 7.5m wide 3D head was modelled from a scan of Williams' face and is fully pixel mapped. It is central to the elegant theatrical visuality of the stage, and is fitted with the 46,000 Barco FLX 24 video pixels - the same one

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14 March 2016

James Varah, sales director, at the Brewery comments, "We are thrilled to be welcoming Blitz to become part of The Brewery family at a key point in our history. Our business has grown significantly in the last eighteen months, and we are now hosting more events than ever before. The breadth of Blitz offering was instrumental in our decision, and we feel will enhance our already comprehensive event service."

(Jim Evans)

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14 March 2016

Staged every year on the eve of the F1 Santander British Grand Prix, this year a party was held for the first time at the BRDC Farm, which is adjacent to the celebrated race track.

AC-ET's technical manager, James Bawn, decided to bring the façade of the space's Georgian building to life. For this he used dynamic, high-speed racing footage from the BRDC's own film archive. To achieve the overall look Bawn specified a Green Hippo GrassHopper controlling Barco HD20K Projectors and TV One signal transmission for the projection.

BRDC's Stuart Pringle was delighted: "It was fantastic to see the BRDC Farm transformed into a dynamic, visually vibrant space full of light and