France - With an IP-65 rating and a modular design for optimal flexibility and ease of installation, the DVwall HR is a robust LED display system for distant viewing in entertainment venues, stadiums, theme parks, billboards, as well as the rental and staging markets. Delivering 16 million colours with a pixel pitch of 31mm, it displays high-resolution graphics, animated gifs, Flash, PowerPoint, video and images to delight viewers and maximise the return on investment. It is compatible with Windows Media Player.

The system consists of 0.5m x 0.5m DV modules, each fitted with 2,304 LEDs ingeniously grouped in clusters to enhance brilliance. Each module comes with mounting hardware designed to allow multiple configurations, offering a wealth of creative flexibility. Pixel density is 256 per module or 1,024 pixels per sq.m. With endurance in mind, even the mounting system and conne

ShowMagic highlighted their new Version 11.0 PC show control software, complete with new-look graphics, surround sound and "live" mode, allowing operators to work on the fly as well as in a pro-programmed domain.

UK - Duncan Payne has been appointed client development manager for Charter Broadcast, reporting directly to managing director Michael Breen. Payne joins Charter from Mitcorp, where he spent over six years, and was responsible for selling top end broadcast equipment in to the rental and outside broadcast markets. Having joined Mitcorp as a sales executive, and progressing to become sales manager, Payne brings a wealth of industry knowledge and expertise, the company says.

At Charter, Payne will focus on developing its already successful dry hire business further by broadening the market it currently services. He will be overseeing Charter's disposals policy, ensuring that Charter reinforces its reputation as a quality supplier of quality equipment. He comments: "I am delighted to be joining Charter Broadcast at such an exciting time. I have worked with Charter many times ov

Media server specialists Green Hippo previewed its latest Hippotizer V3. Fusing the Green Hippo design team's video and lighting backgrounds, the company says it aims to make convergence a reality! The system offers multi-discipline operation. Key features include: timeline functionality, HippoNet advanced networking capability, media management and efficiency-focused features. Hippotizer can work autonomously, control other devices or be controlled externally.

Jukebox manufacturer Sound Leisure from Leeds featured their top-of-the range digital Browser machine, which is touch-screen controlled and does video and audio, yielding up to 500 audio and 2,000 video tracks. It can be profiled according to musical genre, and programmed up to 14 days in advance for events, timed messages, promotions, etc. The company still also manufactures old-style mechanical machines too, which are proving very popular for celebrity homes!

YCD showed their latest multimedia and audio, video and digital content integration capabilities in the form of a single PC that can output 26 different channels of digital content including six streams of HD video. Another exciting new product was their SMS Juke Box - the first of its kind in the world - for which they took four confirmed orders on the first day of the show. It works on the same multimedia platform as other products and enables customers to choose the music going on the juke box by texting in from their phones.

New products showcased by Medialon include the Manager V4, which allows users to program and synchronise an unlimited number of devices (audio, video, lighting, special effects etc). Recently used on the new Charlie and the Chocolate Factory ride at Alton Towers, it controls animatronics, extensive special effects, a CCTV system, projectors, DMX lighting, show power relays, video servers, MP3 replay units and more.

Shock Solutions is a new, Kent-based company providing audio-visual solutions to the retail, leisure, entertainment and education markets. The company can provide full production services, lighting, PA, staging, video pre and postproduction and much more. Shock Solutions are distributors for Capture real-time show design software for Windows, various digital signage solutions and I-Floor interactive flooring!

,b>Nedit from Germany showed 'Media Face' - a low resolution video surface that's ideal for building facades, billboards, giant advertising hoardings and other large-format applications. It can also be used indoors in sizes of 1,000sq.m and over. Transparency is often an issue, and this screen can be fitted over the glass facades and windows of a building without obliterating the lighting or the view for those still working inside.

Computer DJ were back with their wide range of products for DJs, clubs, pubs, hotels, etc. New at the show was the PCVJ video software which amalgamates video and audio files, and Q-Play - a multi-zoned software for hotel and pubs that sends feeds from a single PC system to up to four destinations or zones. The company also showed its popular 00DJ "all in one" DJ module, containing everything needed to 'plug and play' in one briefcase.

Edirol introduced its V-440HD video mixer, which the company says creates new standards in the market. It's an 8-input console that combines 4 inputs of standard definition video with 4 inputs that can be either high definition video (1080i or 720p) or RGB at any resolution from VGA (640x480) to SXGA (1280x1024) - and then output all of these at the resolution that the user chooses. With other features including keyers and picture-in-picture on SD and HD, plus the ability to split output over multiple units, the V-440HD is a single-box solution that "answers every event manager's needs at a price that nobody thought possible" the company says.

Projected Image Digital offer digital media software and hardware solutions, and also produce video content. They were showcasing several 'household' brands such as Catalyst with the new v4 version of the Media Server, and UK partner Element Labs' 'Versa' LED range, which includes: Versa TUBEs, Versa TILES and Versa PIXELs etc.

The show saw the launch of new training initiatives from PID, and introduced some new faces to the team. PID has been elevated to full Apple reseller status.

Version three of Coolux's media server Pandora's Box now gives double the layers (up to 24) from this already well-endowed system, with remoting and sync'ing implemented. Remote allows simple multi system set-ups: nominate one unit as master and the rest automatically subordinate. Sync'ing in under 10 milliseconds means the ability to sync' frame-to-frame. Also on show was the prototype version of a dedicated console tentatively named Media Vision, and expected to become available January '07.

UK/Europe - XL Video UK is supplying Pink's I'm Still Alive tour with video equipment including screens, Barco Mi-Pix modules, a specially modified Catalyst digital media server and full and PPU camera system - plus crew.

The provocatively visual, adrenalised, energy-pumping show is currently taking the UK and Europe by storm, with video an integral element of the production design created by Baz Halpin and Mark Fisher, which is also linked closely to the lighting.

The live performance is every inch a contemporary mixed media fusion of technology and human emotion, ending with Pink treating fans to a stunning high level aerial display of silk acrobatics.

Video is divided into a two components - playback and IMAG. The playback sources are all run from a customised Catalyst digital media server triggered by a WholeHog II console (operated by Craig Allnutt), and the 3-ca

UK - tsg have recently completed the installation of a promedia mms hard disk system for Eldridge Pope at their Que Pasa site in Corn Street, Bristol. Formerly one of the company's Toad sites this takes the number of Que Pasa sites utilising promedia mms to 16 nation-wide.

Multi-purpose in use, promedia mms runs Que Pasa's bespoke music and music video profile and controls all aspects of the sites entertainment offer be it scheduling on-screen graphics, programming lighting effects, controlling what is seen on each screen, and adjusting the audio presets throughout the trading week. And in addition to this, promedia mms ably assists the on-site DJ with its integral fully featured touch-screen DJ console.

As well as supplying the promedia mms system, tsg specified and installed a robust screen and lighting system and also tweaked and brought up to date the existing audio system

Belgium - XL Video Holdings and XL Video Belgium have moved into a massive new purpose-built HQ at the Plassendale Business Park near Ostend.

The specially designed 40,000 sq.ft building is been constructed on a 1.5 hectare plot of land acquired by the company 18 months ago, together with another adjacent 70,000 square feet, which is already reserved in anticipation of future expansion. Approximately 35,000 sq.ft the new space is devoted to warehousing, service and storage areas.

The remaining 5,000 sq.ft is an open-plan office, complete with a contemporary interior design created by Buro Belgium. Maximising natural light, the offices have also been acoustically treated and designed to limit noise interference between the different workspaces and areas.

"We want it to be as pleasant and stimulating a working environment as possible on all levels," explains XL Video

Australia - One of the most watched television programmes in Australia, the award-winning AFL Footy Show, delighted its audience recently with a flawless live broadcast of its 2006 Grand Final edition with the aid of LED video technology supplied by Lighthouse Technologies.

An estimated national audience of over 1.49 million viewers tuned-in to watch the show's 2006 AFL Grand Final broadcast which aired on Australia's Channel 9 (GTV-9) television network last month.To mark the occasion, the network created a spectacular studio set, located at the Rod Laver Arena in the heart of Melbourne's city centre.

As part of the set design, over 130 Lighthouse LED video panels were strategically deployed around the stage to create a number of R4, R10 and R16i/o high-definition video displays which were used to project vibrant images of the event. This included the showcasing of foo

The Netherlands - As the countdown to ISE 2007 continues to gather pace, the show organisers have today announced that Russound, a leading supplier of multiroom audio-video systems, multichannel amplifiers, and loudspeakers, is to sponsor a lounge dedicated for European distributors to network with their resellers.

Russound has teamed up with the show organisers at ISE to sponsor this unique offering. Situated in Hall 1 at the Amsterdam RAI, access to this lounge will be free of charge to all distributors and specially invited resellers. This new initiative offers distributors and resellers a chance to network in a quieter atmosphere and to allow intensive one to one discussions away from the bustle of the exhibition floor. Complimentary refreshments will be provided throughout the day.

Jon Le Blanc, director International Division for Russound says: "This is a pivotal st

UK - Flux Events staged and production managed the recent Secret Policeman's Ball at the Royal Albert Hall for Amnesty International, working in close collaboration with TV producers, Tiger Aspect.

The charity event featured Eddie Izzard, Russell Brand, Chevy Chase, Seth Green, Dylan Moran, The Mighty Boosh, Graham Norton, John Culshaw, Al Murray, Andrew Maxwell, plus live music from Natalie Imbruglia, The Magic Numbers and The Zutons.

"The design brief was to produce a simple and memorable set that effectively communicated the Amnesty message" says event producer John Farquhar- Smith. Two large LED screens flanked the organ; a satellite stage in the shape of amnesty's logo and large projection screen was added at gallery level for those sitting behind the satellite stage to see the faces of those performing on it.

The satellite stage at the centre of the au

UK - As the 'convergence' between lighting and video becomes ever more integrated, UK rental house XL Video, supplied 76 VersaTube LED lighting fixtures and a Catalyst digital media server system to the final leg of Maximo Park's A Certain Trigger Tour.

Lighting designer Stevie Marr specified the VersaTubes and the Catalyst, with the Tubes also forming the main architectural element of the performance space upstage of the band and stretching right out to the sides of the stage. The VersaTubes were attached to 18 vertical sections of A-type trussing - four per tube - clamped to the two onstage chords of the truss.

Marr produced all the video content used to drive the VersaTubes himself, as part of his masters degree in Graphic Design (specialising in Interactive Media) at the Arts Institute of Bournemouth.

The Maximo Park tour was project managed for XL by Jo Beirne, a

UK -Though it is still over ten months away, PLASA07 has got off to an amazing start with applications for space beating all previous records. To date, just six weeks after the 2006 event closed on a massive high, over 60% of the show space has been applied for and further applications for space are coming in daily.

On the back of the success of PLASA06, many companies have increased their stand size and several have literally doubled their space, setting PLASA07 on course to be the major event of next year.

Further new developments for PLASA07 will also bolster its appeal: the full management of the show has been taken on by PLASA - who recently launched an Events Division to support this move - making it one of the few shows actually owned and run by the industry.

Along with the change of management comes a change of look as the show is moving onto one level and expanding

Russia - The RUK university in Mytischi just outside Moscow has recently taken delivery of an InnovaSON Sy48 digital mixing console for its new multipurpose venue.

The console was supplied and installed by StudiTech, InnovaSON's Russian distributor which, as well as its distribution wing, also has a thriving contracting department that offers engineering and acoustic design, installation, servicing, training and consultancy services.

The university venue is designed to be a truly multipurpose space that will stage concerts, conferences, and AV presentations as well as acting as a TV bridge for video conferencing with other university facilities in Russia. The keyword was flexibility, and that was what dictated the choice of console, explained StudiTech's Nikita Stepanov. It also explained the slightly unusual configuration of the Sy48 where StudiTech opted to house all the I/O

UK/Holland - Large format projection specialists E//T//C UK is supplying 12 PIGI projectors and crew to production company Sightline for a series of major concerts by Dutch superstar Marco Borsato.

The projectors are creating an image covering a large rear cyc measuring 70 metres wide with a 12 metre drop for the multi-platinum selling artist, who is currently playing a sold-out 10-show run at Arnhem's Gelredome stadium. The enormous production has consumed 55 trucks worth of gear across all departments and will have been enjoyed by over 350,000 people by the end of the run.

E//T//C UK is once again working with scenic and visual designer Bart Clements, who has created the show's production design in collaboration with Stefaan Desmedt. This is based on a multi-layered architectural montage of complimentary and contrasting video and projected images.

E//T//C UK's Ross Ashton

France - At this year's Paris Motor Show, Lighthouse Technologies' R6 6mm LED screens added impact to the stands of Porsche, Nissan, Fiat and General Motors among others.

One of the most eye-catching stands what that of Porsche, which featured three R6 screens each in a 7 x 5 panel configuration. Two of the screens were used as portrait format backdrops, while the third was angled above the right hand upright screen and showed footage of the sky to create the illusion of the car, positioned directly in front, actually driving along a winding country lane.

"Car shows are always a spectacular affair," says Lighthouse managing director Mark Chan. "Each year the technology involved in the manufacture of vehicles becomes more sophisticated and the way in which companies market their products has become equally technologically advanced. LED screens are not only equal

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