Christie Inc and Christie Digital Systems Inc Join Forces
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In association with a prime team of concert service providers, including Vari-Lite Production Services, Avolites, Stage One Creative Services, Creative Technology, Aerial Camera Systems, SSE Hire, ShowSec and Vertigo Rigging, the experimental two-day interactive workshop graphically highlighted how the boundaries between the rapidly-converging disciplines of automated lighting and video displays are being pushed back. The workshop was the brainchild of Screenco’s Mike Walker, whose vision for the event was born out of a desire to bring the creative skills of video and lighting together. Production manager for the event was Adam Wildi at Hothouse, assisted by Mary Jefferson from Tig
The piece was presented by The Beck’s/ARTANGEL Commission. Oursler has worked in video and mixed media since leaving art school in the mid-seventies - when the cumbersome Sony Portapak reigned supreme.
Conceptually, the work - which was simultaneously running in Madison Square Park in NY - is devised from the human attraction to virtual and moving imagery. It explores how this fascination and the technology allow us to enter different psychological states. As a result, giant talking heads, hands and eyes rolled around the trees and buildings. Eerie and ghoulish voices ranted and hissed in the night, interacting wit
To help her, Zambello turned to regular collaborators, notably set designer Michael Yeargan and lighting designer Rick Fisher, who won the 1998 lighting Olivier for his work on Zambello’s Lady in the Dark at the National Theatre.To stage the show, which covers a huge range of locations and times, Yeargan designed a spectacular floor capable of rising, falling, twisting and tilting to provide lan
The Explorer, the second in the Voyager class which debuted with Voyager of the Seas in 1999, could actually be considered a destination in itself, boasting a wealth of facilities, activities and entertainment. Perhaps one of its most arresting features is a 60ft by 40ft ice skating rink (the only one at sea) which can be converted to a 900-seat concert venue or TV Studio.
At the heart of the vessel is the Royal Promenade - longer than a football field and wider than three lanes of traffic anchored by two atria that are marvels of marble, trees, greenery and sculptures. Diversions along the way include the Crown & Kettle - a traditional English Pub, a 24-hour cafe, a sports bar and more sho
Currently running until July 1 is a new exhibition covering ‘The Etruscans’. Occupying 36 exhibition rooms with 700-plus exhibits, the exhibition uses cutting-edge multimedia technology to ensure visitors high-impact immersion in the history of this mysterious race of people. The company responsible for these aspects of the exhibition was specialist Turin firm Medialogos/WDM, whose expertise in this area has been gained on other high profile events, including ‘The Future of the Longobards’, the Italian Design Process show in Seoul and the ‘Sinestesia&rsquo
It’s a good start to getting across a message which is important, but too easy to make it over-preachy or just plain dull. That was the problem the New York Fire Department had. The new approach came about after Tishman Speyer Properties, who manage the property of the Rockefeller Center, offered the Fire Department space in the building for a token rent. The Fire Department accepted, and turned to BKS/K Architects to create the Fire Zone.
Once the fire-truck has lured people in, it acts as the first stage of the themed show: an alarm, a fire-fighter and a video-projection showing a fire truck’s journey
On December 10, a TV audience of around 10 million - as well as an invited studio audience of 560 sports personalities - assembled in TC1 studio in Wood Lane to see 60 of Screenco’s 15mm modules, with help from Vertigo and Stage One, perform some gymnastics of their own. Assembled in a block, the matrix formed the entire scenic video backdrop for the production - but the show’s senior producer Paul Davies saw possibilities way beyond that.
He decided that the matrix could also be configured as a walk-on entrance for the personalities. "We wanted to integrate an over-the-top screen