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Walker’s first calls were to Edwin Shirley Staging, who agreed to provide their lozenge-shap
Now, Baroque has a definite 'continental' feel about it and what Phil certainly wanted to avoid was an over-active sound system that would in his words "Blow his customers away". What Richard proposed was an RCF Monitor system comprising six Monitor 5s and two MSW 8 bass units. This gave just the right amount of sound during the day time and was capabl
A further creative highlight of the CMX-3000 is the Hot Cue/Loop function, which memorizes up to eithe
"While the theatre was working on replacing its business systems, I set about drawing up a scheme for a dedicated sound computer, which would enable us to produce sound effects for shows," explained Nick. "I then spoke to Andy Huffer at Marquee Audio about designing a hard disk recording system based around the industry-standard Logic Audio software package."
Ampekko worked closely with project manager Neil Horswood of Neil R Horswood Services, after winning the tender to design a dual-purpose system to be integrated into Swansgate’s four spacious shopping malls.
Before finalising the system, the company’s design team performed a number of acoustic modelling tests on-site, including a full RASTI test, required because of the harsh nature of surfaces throughout the centre. They then decided on an integrated PA and voice alarm system, based around Bouyer’s digital GD 2299 - a specialist spot-messaging hard disk recorder and player that allows for up to 100 voice messages to be stored and accessed when n
The attraction was designed by Event Communications, whose main challenge was to overcome people’s discomfort with the reality of war. They tackled this by highlighting the role in the fight for democracy and freedom played by the armed forces, especially the Royal Artillery, which has been present at all major theatres of war involving the British Army over the last 300 years.
The centrepiece of Firepower is the ‘ground-shaking’ Field of Fire - a spectacular multimedia presentation that recreates what it feels like to be in the middle of a real battle. On entering, visitors are surrounded by various pieces of artillery. Suspended above these are four 5m wide front projection screens. Projecting onto each screen is a Barco 6300 LCD Vid
Designed by a workgroup of three Italian acoustic researchers (Mario Di Cola, Davide Doldi and Davide Saronni), the system consists of three-way full-range high directivity line array elements for long-throw applications. Laboratorio Musicale’s Vanis Dondi, explains: "Two direct radiation 18" woofers reproduce the full bandwidth down to 32Hz, virtually eliminating the need for additional sub-woofers in many applications but, if necessary, there are also optional sub-woofers with three long excursion 18" for extra VLF power."
Three Stage Accompany neodymium ribbon compact drivers are the system’s cylindrical HF so
The new Terminal, built at a cost of ITL 125 billion, is 170m long, 80-100m wide and 20m high, with a covered surface area of 55,000sq.m. It replaces the temporary building constructed in 1997, with the aim of comfortably accommodating more than 12 million passengers a year who use Fiumicino for domestic flights and who, according to recent estimates, are due to grow to 17 million by 2005.
RCF’s association with Rome’s airports stretches back around 25 years, to when the company first started supplying sound equipment to both of Rome’s airports - Fiumicino and Ciampino. One figure that the audio team from Reggio Emilia (home of RCF and now Mackie
Chameleon Audio managing director, Paul Houlden, decided to develop the system for several reasons. "Firstly, I feel remote control of audio equipment is the way forward and, secondly, there is an increasing demand from live sound companies for this type of technology. When substantial numbers of amplifiers and speakers are operated or flown in remote locations in large concert venues and stadia, should a fault occur, immediate detection of what piece of equipment has malfunctioned is virtually impossible without a sophisticated control system. Chameleon’s digital audio control system addre
Telephone Interpreting Service provided by Comunicado: interpreters specializing in over 100 languages. Cost is charged per minute, less than half price to PLASA members.
Legal Advice Service provided by Sherman Phillips: advice on intellectual property, contract, leasehold
The requirement for a high quality entertainment system in addition to the safety requirements resulted in the design and construction of two new customised speakers by Arbiter - the AF1 and AF2 JBL-loaded boxes - which were built for Arbiter by Ad Lib Audio in Liverpool. Romers’ MD John Caton told PLASA Media: "We chose JBL components because Arbiter guaranteed the delivery in what turned into a very tight schedule - in time for t
Full story in the October issue of L&SI.
Originated and owned by Dr. Wolfgang Ahnert of ADA (Acoustical Design Ahnert), Berlin, EASE has developed since its introduction in 1990 into a standard for sound system simulation software. EASE 4.0 has an improved look that features icons and better menus, making its use much simpler and more intuitive. Easy-to-use wizards help to create new projects and simplify mapping functions and ray tracing. A new ‘Objects Function’ allows users to select any items in the drawing, including vertices, faces, edges, seats, lights or speakers, group them together and then save them into a separate file as an object. The object can then be import
Doug Daniel has been with JBL Professional since 1992 in the position of director of European sales and is a seasoned industry veteran. Weeber has been with the JBL sales department since 1993, where he started as regional manager and was later promoted to senior director of US sales. Prior to JBL, Groenke was general manager and engineering manager of Axiohm Transaction solutions and has also been an engineer for Hewlett Packard.
Determined not to miss out, London’s leading superclub, Fabric, has also been utilizing Trackmasters, i-Tracks and 500 AL cartridges at the request of their DJs. Lamba marketing manager, Paul Bierton, told PLASA Media: "Dance venues are going Stanton crazy, and when people like Alan Green, Cream’s technical manager, request 21 605SK cartridges for use at Creamfields, it can be difficult to keep up with demand." Even individual DJs such as Paul Oakenfold specifically requested
Covin comes to QSC from Alesis Studio Electronics, where he held a number of positions ranging from manager of global sales administration to western regional sales manager. Whi