Rigging / Staging

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14 March 2016

"We wanted a concise document that gives good advice on the best type of access equipment to use in a theatre, given the constraints that some venues bring," said Andrew De Rosa, ABTT CEO.

"Working at heights is dangerous. All the way through the book we emphasise that formal training by qualified instructors is required and that equipment that looks easy to use can seriously injure you, and others, if used improperly."

The publication is in seven sections and after a general introduction, deals with Powered Access Equipment, Access Towers, Tallescopes, Ladders, Step Ladders

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14 March 2016

The show was broadcast to tens of millions of music and football fans worldwide on 10 June, the night before the first match.

The eclectic mix of African and international artists was executive-produced by Los Angeles-based Control Room whose technical director, Jim Baggott, and Gearhouse's project manager Bill Lawford oversaw all technical disciplines offered by the Gearhouse Group.

Gearhouse Audio supplied all audio equipment along with Britannia Row with whom Gearhouse has a long-standing relationship. These elements included racks-and-stacks for the main stage and B stage, with Britannia Row supplying front-of-house and monitor consoles, all the RF equipment - mics and IEMs - plus a crew of

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14 March 2016

"The PAL Road case labels are an essential part of our flight case management and distribution, being able to easily write on each case/label with the case contents, stage position, show dates and any other relevant information is a must," says PRG Lighting's Mark Gosling

" Plus the fact any information we write remains unaffected by water, bumps and scrapes is brilliant. We then clean the ink away with a special label wipe and they're ready to re-use for the next job. The Labels are i robust and last a considerable amount of time."

(Jim Evans)

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14 March 2016

This initiative is the brainchild of PSI's Sean Pagel, who also heads up the company's rigging team. It's something that PSI has wanted to do for some time - but the recent move to larger premises with a large dedicated training room has really facilitated this on a practical level.

Apart from the demand for it, one advantage for PSI explains Pagel is that many venues are council run, and have a commitment to keep their staff updated with the latest good working practices. "Therefore it's really important that they have a concept of what rigging is all about - it's one of the starting points for any show," he says.

Pagel qualifies that it's im

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14 March 2016

Eric Porter, experienced independent rigger, trainer, assessor and committee member for the PLASA National Rigging Certificate will be delivering these courses which will include truss types and uses, hanging from chain hoists and bars and slinging trusses and flying frames.

The Equipment Suspension Course is a one-day course tailored for people wishing to get a flavour for rigging who, for example, might be involved in hanging lighting, audio, video or scenic equipment from rigging which has been provided by others (including Theatre Flying Systems).

Entry onto the course is £150.00 (plus VAT) per person, and includes lunch and refreshments throughout the day, course materials and

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14 March 2016

Dan Herbert of Distributed Sound & Video says , "We are pleased to be one of the first companies to stock this range of new and exciting products within the industry."

"Distributed Sound & Video are a great company, we found them really easy to work with and are so happy they've chosen to stock the Dirty Rigger range. A clean, easy to navigate website is so important when selling online and DSV have just that," says Mark Gibbons, development director of Dirty Rigger. Introductory prices are available at store.dsavltd.co.uk.

(Jim Evans)

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14 March 2016

Manufacturing motors for the entertainment industry since 1993, ChainMaster introduced the first variable speed VarioLift motor in 1998. Their product line spans from 1/4 to 12 ton motors, 2-32 channel control boxes, their XYZ computer control for large jobs, and trolleys. ChainMaster was recently awarded the rigging contract for the Qatar Convention Center in Doha and is supplying that venue with nearly 1,800 VarioLifts and seven 256-channel control systems.

"We are very happy to partner with ChainMaster," said Tim Brennan, vice president of PRG Distribution. "When I saw the precision placement and the low noise level of the VarioLift at the Prolight+Sound show, I knew th

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14 March 2016

"We are very excited about this relationship and have already begun selling Eurotruss systems into permanent installations through our dealer network," stated Eric Mueller, director of sales for PRG Distribution NA. "It is evident to me that that our friends at Eurotruss have the same mindset for support and responsiveness as we do in any situation. They are very responsive to our needs for our customers and we look forward to working together with them for some time to come."

(Jim Evans)

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14 March 2016

"We had been looking for a floor to best suit our school for some time, as we offer such a wide variety of performances we need a floor that could do it all. Overall we found Le Mark's Consor portable dance & performance floor to be incredibly durable easy to roll out and very well priced. My personal thanks to Le Mark for the flexibility and patience in arranging the order and delivery, a great floor, and great service to match" says DanceWork's Sue Stead.

DanceWorks hosted two sell-out shows in June in aid of Help for Heroes.

(Jim Evans)

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14 March 2016

Named in honour of the late designer, developer and commentator Tony Gottelier, this award aims to recognise the product developers who have made a significant contribution to the development of the equipment and tools that enable our entertainment technology practitioners to continually push the boundaries of event production, presentation and installation.

Once the shortlist of nominees is decided, the Voting Phase will begin. This year, to help ensure that only legitimate industry professionals can cast a vote, voting for the n

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14 March 2016

Stageco project director Dirk de Decker and creative designer Es Devlin consulted with Muse production manager Chris Vaughan, and Malcolm Birkett, technical designer for the tour to create the unique stage designs to support the artistic concept of the show.

Stageco's Koen Peeters and Tom Frederickx were also essential to the team, creating CAD designs and complex calculations needed for the bespoke stage, which was comprised of 20% unique components alongside Stageco's trusted staging system. Dirk then worked out the tour logistics to create the stage in the most efficient way for transportation and building.

The 34

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14 March 2016

Eric Porter, experienced independent rigger, trainer, adviser and committee member for the PLASA National Rigging Certificate, led the two-day course. A structure was built in the studio area that allowed delegates to carry out working at height training, truss building, motor flying and rigging exercises, with a separate classroom area for theory work.

The course included an evening out allowing people attending the course to get together and enjoy a meal alongside staff from A.C. Rigging and Litestructures.

Jay Bridges, technical manager - produced, for the Derby LIVE group of venues, commented, "I was looking for a forma

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14 March 2016

TESS has worked with Glastonbury since 2002 and in the past eight years has promoted a health and safety culture within the UK festival. The most prominent change is that TESS has successfully engaged the Glastonbury suppliers in improving health and safety in their own specialist areas.

Tim Roberts from TESS comments, "By being realistic, positive and getting everyone on message, we have created an empathetic understanding that what we want to do is a necessary requirement and is beneficial to everyone on the event."

This year was the first time TESS was appointed head of fire safety at Glastonbury; this new area was headed up by Mike Herbert, who developed a new strategy, working closely with the Devon and Somerset Fire Brigade. TESS was invo

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14 March 2016

The system consists of six Kinesys Elevation 1+ variable speed motor controllers and Kinesys converted 1Tonne, 10m/min, 20m HOL Liftket chain hoists. The Elevation 1+ controllers, as well as the hoists, were all supplied in a customised white finish, and the system is controlled using Kinesys' Vector PC based motion control software.

The Kinesys motors and controllers are used in the dramatic finale of the show for which the custom white lighting trusses are flown in at variable speed for the final crescendo, featuring the whole cast onstage singing the anthemic ABBA numbers, Dancing Queen, Mamma Mia! and Waterloo.

The trusses have to fly in with precise timing and speed and then stop exactly o

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14 March 2016

Gulf Crewing Company was launched in November 2008 by Jo Marshall, Nigel Beaton and Shane Manning - all of whom have considerable experience working in various aspects of the live events industry.

The concept is to provide a European style crewing operation to supply skilled, qualified efficient crew and technicians for all types of events.

Beaton had been working in the Middle East as a freelancer and realised that there was a real need for a professionally run and organised crew service on these lines. He and Marshall - a show technical director/production manager and now heading Al Laith Events Services, formed GCC along with Manning, an experienced rigger, to fill that vacuum.

"The idea

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14 March 2016

Gearhouse SA ordered a total of 14 SES 19" 400A rack distros which were used during the rounds and also at the opening concert and the closing ceremony.

Andrew Sackstien from Gearhouse commented, " The racks we received from SES were exactly what we required and they had understood my requirements precisely. They arrived in good time and worked flat out for the duration of the WCF. They were built very well and I will certainly use SES in the future for my power requirements.

SES were "very pleased with the products and the comments, and as always, pleased to add another tick in the customer satisfaction box".

(Jim Evans)

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14 March 2016

The stadium set consists of a 62m long video header, a suspended ceiling grid, a diamond shaped stage flanked by projection screens, drum riser fascias and on- and off-stage rear fascias, a tracking B stage with inset revolving scissor lift and tech bunkers and screamers.

The dominant feature is the video header which appears as a forced perspective ranging from 13.25m high downstage to 4.5m high upstage. Brilliant Stages' CAD team, managed by Kevin Edwards, devised the logistics

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14 March 2016

Running alongside the established trade show, PLASA 2010, this unique event is the first of its kind for the international event and entertainment rigging community and will be an invaluable industry forum.

Delegate numbers have now reached over 100 and include representation from all over the world including Europe, USA, Canada and Australia. Delegate places are still available and there is still time to book to be part of this new international rigging initiative.

Industry icons speaking at the conference include Unusual Rigging's Alan Jacobi, Star Events Group's Roger Barrett, Prolyte's Marc Hendricks, CM ET's Cristiano Giavedoni and Sapsis Rigging's Bill S

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14 March 2016

The DISTO D5 was the measure that really caught the judges' eye. The unit features a measuring range of up to 200m with an accuracy of ± 1.0mm, a tilt sensor that measure angles up to 45°, Pythagoras functions and a robust, water resistant (IP54) design.

A key feature of the D5 is the ability to measure outdoors even in glaring sunlight thanks to the digital pointfinder, which utilises a high-resolution 2.4" colour TFT display with 4x zoom, says the company.

Adam Beaumont, sales manager of AC-ET's Rigging division, commented, &q

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14 March 2016

Five major Pavilions - USA, UAE, Canada, Singapore and the China Information & Communications Pavilion are all featuring Milos products.

The Information & Communications Pavilion - Extending City Dreams is built by China Mobile and China Telecom, and utilizes cold water from the Expo site to regulate the indoor temperature, helping to reduce energy consumption and emissions. Most of the construction materials are recyclable and environmentally-friendly, and after dark, the pavilion's surface changes color. A variety of Milos products are used in this space showing the versatility of the range. All the indoor structures in here are supported with Milos which is hanging many pro

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14 March 2016

At the time, CM sent a warning bulletin to all their distributors with all the related serial numbers of the hoists manufactured between 2005 and 2006 that required attention. Since this recall in which very small number of the hoists were affected, no incidents had been recorded in which there had been a failure of the brake pin.

However, a recent incident in United States in which a brake pin failed has shown that in this case the pin was not rep

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14 March 2016

The revisions include changes to the Device Description Language, the Session Data Transport protocol, the Device Management Protocol, and to various EPIs.The revisions are being done to correct errors and to add additional functionality to the standard. The review period runs through 23 August. The review is over when 24 August starts. Responses must be submitted before then to be considered.

ANSI E1.17-2006, Entertainment Technology - Architecture for Control Networks (ACN), is a suite of documents that specifies an architecture, including protocols and language, that may be configured and combined w

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14 March 2016

FTSI's four-day course gives students an overall view of the principles of entertainment automation systems and teaches the basics of how to configure and programme an automation system using FTSI's Navigator hardware and software.

The course is taught by Dana Bartholomew, a vice president of Fisher Technical Services, who has over 26 years of theatre automation experience. Bartholomew is one of the foremost experts on both Navigator software and practical installations. She is involved with the development of industry standards as a member of ESTA's Rigging Working Group. At Fisher Technical Services, she has been integral to the design, manufacturing, and inst

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14 March 2016

Ethernet is now the adopted networking standard for automation and the theatre environment is no exception. Applications include networked controls for hoists and other stage machinery.

Unlike alternative proprietary Ethernet protocol approaches which use modified versions of the Ethernet standard compatible with the requirements of different industries, Fast Track Switching is totally based on standard Ethernet, but adds a new switching method to ensure that industry-specific requirements on performance and determinism are fully met, says the company.

The key components in Fast Track Switching are Fast Ethernet switches in Harting's Ha-VIS FTS 3000 product family, which can de