Rigging / Staging

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14 March 2016

The event's second year saw it expand to a capacity of 35,000 over two days, set against the backdrop of one of Scotland's best known natural attractions - Loch Ness. The line-up included the Chemical Brothers, Groove Armada, The Manic Street Preachers and Daft Punk.

HSL's crew chief Howard Dean led a team of 22, and they once again worked closely with event producer Jim King of Loud Sound Events and production manager Lee Charteris. HSL also sub-contracted ML Executives to supply audio to these two principal arenas.

Mike Oates, HSL's overall project manager comments, "The first thing we did was get two world class lighting designers onboard to look after the two stages - Andy Liddle on the main stage and Dave Byars in the Clash Arena."

The m

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14 March 2016

Named in honour of the late Tony Gottelier, the industry innovator and commentator who passed away in 2006, the Gottelier Award is aimed at those members of our industry who have made a significant and sustained contribution to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging, or any other related field.

Once the deadline for nominations passes this Friday (13 July), a shortlist will be drawn up of the most widely nominated people, and their names will be put forward, along with a brief summary of their achievements, to the Gotte

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14 March 2016

Around 3000 attended the event, with estimated television audiences of 800 million in China and two billion worldwide. Promoter for the event was Live Nation in partnership with OPG.

A 15m Orbit Flexidome was chosen as the appropriate stage system, as the site has a shopping mall beneath and no other structure could provide the rigging capacity combined with low self weight and point loads. Working on the roof of the shopping mall also meant the use of any cranes, pickers or forklifts was not allowed, so the whole system had to be hand

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14 March 2016

"What people forget is in the 80s we didn't have today's electronic technology, no mobile phones, faxes, laptops, or computers in the production office," reflects Hutchinson. "We had a couple of phones in a Portakabin that we'd all be fighting over and if we wanted signage we had to bring in a sign writer.

"On the scale of what we have now the electronic era has really got a grip. We used to check the oil and water in the generators every morning before we started. Now, through telemetry, our generators talk back to a cen

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14 March 2016

James Gunnell, head of global logistics at FT Conferences and Events, says: "We are delighted to be working with SPS. The professionalism and passion displayed by the team has impressed us immensely and they have delivered an exceptional service so far. I am looking forward to developing our relationship with SPS throughout the course of the year."

Robin Coles, managing director of SPS, adds, "We are very proud and excited to be working with the FT. With a company of this stature it is imperative to captivate and impress the highly successful business professionals who attend FT Conferences.

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14 March 2016

Named in honour of the late Tony Gottelier, the industry innovator and commentator who passed away in 2006, the Gottelier Award is aimed at those members of our industry who have made significant and sustained contributions to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging, or any other related field.

Following a six-week period of gathering nominations from across the industry, the shortlist of leading nominees can now be revealed, ready for the voting process to begin.

The nominees are as follows (in alphabetical order):

• Tony Andrews is a highly regarded designer and manufacturer of high quality point source loudspeaker systems, w

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14 March 2016

"We had a very tight timescale," explains Martin Green from AEG, owner and operator of The O2. "We were staging this series of events as part of the very high profile opening of The 02 in what is essentially a new building. Not only that, but it was organised in a matter of weeks, so we needed a fast, quality response and a very reactive one as we came to know our new venue more."

"As a result of the merger of SEGL and SRC, the group now has

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14 March 2016

When not in use, the unit appears to be just another huge 34ft trailer, but at the push of a button, it unfolds Transformers-style to reveal a professional stage. The complete sound and lighting rig is set up in minutes. Mötley Crüe's Vince Neil observed: "The stage is an awesome portable stage with top notch sound and lights. I look forward to playing on it again."

All power for the stage comes from a built-in generator, and with a sound system designed for an audience of 10,000, power constraints were a prime consideration when the lighting system was planned. Designers found a solutio

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14 March 2016

Gearhouse Power is headed by Antony Sackstein, who initially worked for Gearhouse managing director Ofer Lapid as a freelance lighting technician at Lighting Unlimited in 1992, moving to a permanent position in the company in 1995.

The new company is able to offer clients a comprehensive range of power generators with a range of 300, 200 and 100 KVA generators on hand.

All generators have their own trailers so each may be used as a separate unit for individual events. All of the machines can be integrated and they are all cam-locked and power locked, which reduces the set-up time required on site, a great advanta

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14 March 2016

The stage for the show was designed and built by JSA - the recognised Russian leader in this field. "We are very happy with the interaction with JSA and we hope for successful continuation of this cooperation in the future," said a spokesman for the band.

Last year, the Russian company built a stage and provided production-functions at a Metallica concert in Estonia with 80.000 spectators.

"We have been involved in this business for more than 10 years now," says JSA president Alexander Strizhak. "We have built up a growing client list and service many of the major touring productions that come to Russia."

(Jim Evans)

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14 March 2016

Maltbury provided a Scenic Revolve comprising three 8ftx4ft panels mounted on a rotating frame. These panels are arranged so that three different 8ftx8ft faces can be shown to the audience - a total of almost 200sq.ft of flattage.

The boards can be painted, have things stuck to them or projected onto them. They can also be removed. Each panel can then be taken down and the frame folded up for easy storage or transport.

The scenic revolve is designed for drama, dance and musicals but can equally be used for conferences, exhibitions or any information display, says Maltbury.

• Plymouth Music Zone is a music education facility in Devonport. Once a de

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14 March 2016

The V-Lock connection consists of three parts, the integral locking feature, secure locking connector and sturdy release button. The integral locking feature mates with the secure locking connector forming an unbreakable bond and ensures that no unintentional disengagement occurs.

By using the Volex V-Lock you are able to switch from hard wiring to LED technology, says the company. Says a company spokesman: "Volex understands that every event is unique, therefore we have made our products diverse to match all of your power source needs. We are happy to consult our customers on which of our many products are best suited for their business."

See Volex at PLASA07 - stand A51.

(Jim E

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14 March 2016

Pandemonium Productions' MD, Simon Garrett collaborated with Brunel University's event manager, Liz Thomas, from the outset. Garrett appointed Malcolm Birkett as production manager. Together they managed their team of preferred suppliers to tackle the challenge of transforming the Athletics Centre into a ceremonial auditorium environment, which complied with current DDA regulations.

Working with appointed set designer, Ian Fogden of IFD Design, Pandemonium configured a set that was sympathetic to the simplicity of the hall.

Custom built by Centre Stage, the modular stage boasted a curved fr

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14 March 2016

In 2005, Maltbury exhibited at the PALME show in Dubai. DUCTAC project managers met MD Philip Sparkes and a flexible package of Metrodeck was agreed for seating tiers in the studio space.

This equipment enables a range of layouts to be built so that the space can respond to the needs of future shows. The theatre and arts complex opened in 2006 and now runs a busy schedule of drama, dance and musical performances.

Gulf neighbours Doha College in Qatar managed a whirlwind purchase in February this year. New head of Drama Paul McCracken ordered a Maltbury Playhouse Staging Kit and within a month it was in Doha supporting a pr

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14 March 2016

Stage Technologies was responsible for overseeing the entire rigging installation at the tabernacle, working with Jacobsen Construction, McLaren Engineering Group, Pook, Diemont & Ohl Inc, Tomcat Truss, Conductix and AMC Fabrication.

Fourteen BigTow390 winches were installed to control lighting trusses and speaker clusters. BigTow290 winches were also installed to automate seven large chandeliers. This allows the chandeliers to be lowered to a safe working height to be maintained and cleaned.

Three BigTow200 winches are used to car

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14 March 2016

One of the fastest growing lighting and rigging rental companies in the UK, HSL services a host of entertainment sectors including theatre, live events, concert tours, festivals, television productions, corporate presentations and special events of all types. The last 12 months has seen an increase in activity in every market sector for HSL, the company reports.

HSL has large stocks of all the latest lighting technology - including moving lights, LED light so

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14 March 2016

Summit has already taken on Kate Smith as a dedicated administrator for all the O2 business, and will shortly announce the appointment of a new project manager. Summit's Jon Bray comments, "Obviously we're delighted with this result and appreciate all the hard teamwork that's gone into achieving it. We look forward to working with a venue of this calibre."

Summit will be responsible for the provision of all rigging services within the O2.

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14 March 2016

Stage One's technical director Jim Tinsley comments, "We had just three weeks to install 35 axes of aeriel automation, but are very proud of the fact that Q-Motion has advanced to a point whereby we could deliver the show requirements within such a tight timescale and with few problems."

(Jim Evans)

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14 March 2016

Stageco was specifically asked to improve the event's sightlines for both the audience and television cameras. The company came up with a novel solution. They sited the front of house mixing positions in low profile structures to the left and right of the auditorium, with lighting desk stage right and sound desk stage left.

The stage itself was a Stageco Boogdak roof system, which created a 18.6m x 14m performance area as well as height ab

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14 March 2016

Highlighted at PLASA 07 are two newly launched hoist control products - Smart 8 and Sentinel - along with other innovations including Kinesys' K2 control software.

The Smart 8 expands on Kinesys' existing Power 8 product and offers full positioning facilities built into a standard hoist controller. Smart 8 allows fixed speed encoded hoists to be programmed and controlled from a single unit, offering cost savings over the traditional approach of a

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14 March 2016

LV6 and LV12 controllers are configured in multiples of three channels of control and power mixed on two or four Ceep (Socapex19-style) connectors, to match the widely-adopted standard established by Out Board's former CM Series controllers.

LV8 provides two sets of four-channels of control and power on separate male and female Ceep connectors respectively. New LV4 and DV4 units deliver four-channels each of low voltage or direct control via rear panel C-Form connectors.

Also on show will be the Savant fully-automated PAT and Cable Testing systems with database logging, including single-user

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14 March 2016

The event safety specialists were an integral part of the tour planning, working with Genesis's production manager, Wob Roberts, to draw up risk assessments and safety policies. They ensured that tour personnel adhered to the required standards and informed all international promoters of the safety information required by local authorities.

Two TESS safety officers, Jake Piper and Mike Herbert, were attached to the tour. "Although they acted as safety 'police' to a certain extent, they spent most of their time with the crew advising and helping them to work in a safe manner," said TESS director Simon James.

Perhaps the most dramatic off-stage moment of the tour was when lightnin

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14 March 2016

Arena Structures has an impressive track record at UK golfing tournaments and this year alone will have supplied over 500,000sq.m of structures to the major UK golf events, from Wentworth to Loch Lomond to Celtic Manor.

Bespoke structures range from luxurious double decker hospitality suites used by corporate sponsors such as BMW and HSBC and VIP lounges,to more functional spaces such as press centres. Ron Smith, Arena Structure's projects director said: "We are delighted to be able to continue our relationship with The R&A and look forward to offering the highest standard of service at The Ope

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14 March 2016

A Tomcat Representative will discuss the basics of truss theory, use and design. The workshop will emphasise safety and usage. Demonstrations of load scenarios and truss inspection will also be featured.

(Jim Evans)