UK - Following a sold-old run at the Menier Chocolate Factory, Trevor Nunn’s revival of the classic Broadway Musical, Fiddler on the Roof, has taken up residence in the West End at London’s Playhouse Theatre.
Sound designer Gregory Clarke was approached by Nunn to design both productions. Clarke chose to use EM Acoustics equipment throughout, based on a main Halo-C line array system supplemented by EM Acoustics’ EMS Series for the wider vocal and orchestra systems.
Clarke explains that the design brief for this version of Fiddler was to create an immersive experience for the audience. “A great deal of work was done to modify the auditorium in order to transform it from a familiar West End venue into a plausible Russian village. It looks and feels wonderful but inevitably loudspeaker positions were severely limited. Halo-C was instrumental in miti

Spain - The Canary Islands boasts one of the most spectacular and outstanding annual carnivals in the world, where the streets explode with colourful parades, outdoor parties and music events on every island.
This year was no exception with around 600,000 people coming to enjoy the exuberant display of colour and light. One major highlight was Una noche en Río, a show directed by Israel Reyes with set designed by Carlos Santos, and lighting design and technical direction by Jonay Díaz, partner of RGB Canarias S.Coop. Díaz’s lighting for this show, which ran for 21 performances, was bolstered by 40 Ayrton Ghibli LED moving heads, supplied by GAM Eventos.
The carnival has gained a global audience and Díaz is very aware of how the eye-catching event transcends the borders of Spain. “The Drag Queen Gala is seen everywhere in the world with spectacular audien

UK - Beyond the four Glastonbury Festival stages on which RG Jones Engineering fielded Martin Audio systems, there was also a strong Martin Audio PA presence on the John Peel stage, The Park and Left Field, courtesy of SWG Events (SWG), who have been supplying numerous stages with sound and lighting infrastructure since 1995.
For the John Peel stage, SWG sub-contracted elements of the audio supply to Martin Audio MLA partner, Stage Audio Services (SAS). The latter’s MD, Kevin Mobberley confirmed that having fielded MLA Compact previously they upgraded to the full-size MLA this time around for enhanced control, coverage and consistency.
With design assistance from Simon Honywill, the main PA hangs comprised 20 MLA cabinets (10 elements flown each side) with 12 MLX subwoofers providing LF extension. Four of the popular DD12’s, positioned on the stage, focused the so

UK - Arcadia’s Pangea, described as “a primordial world of infinite possibility” promised the latest immersive AV, lighting, sonic and pyro adventure created by Arcadia Spectacular under the artistic direction of Pip Rush and Bert Cole.
Technical production specialist CPL continued its working relationship with Arcadia by supplying six Barco UDX-4K32 projectors with fibre optic signal and control infrastructure for 360° projections that were integral to the show based around the 140t centrepiece of Pangea.
Arcadia celebrated its 10th year at Glastonbury, having previously implanted their 50t spider stage in the hearts and minds of fans for the best part of a decade.
Arcadia’s structures are built entirely in scrapped and repurposed materials. The crane, a graceful artefact of industrial architecture, was transplanted from Avonmouth Docks in Bristol, just

UK - RG Jones Sound Engineering returned to Worthy Farm following its fallow year to deploy Martin Audio systems across four major stages of the Glastonbury Festival.
While Martin Audio’s flagship sound system, MLA, once again graced the Pyramid main stage as well as West Holts and the Genosys stage of Block9, Martin Audio’s Wavefront Precision Longbow (WPL) made its festival debut on the new IICON stage featuring an immersive 6.1 channel surround sound system designed by Simon Honywill.
The Pyramid Stage bustled with electrifying performances throughout the three-day festival, with Stormzy delivering an impassioned headline set on the Friday, followed by The Killers on the Saturday and rounded off with a nostalgic tour de force by The Cure to close out Sunday night. Other performers included Sheryl Crow, Liam Gallagher, Janet Jackson, Bastille and Kylie.
Th

Europe - The Laserworld Group is integrating the ShowNET interface as the mainboard in most of their laser systems. This means a multitude of new features to those devices, says the company. Not only can they be used for direct laser control via Showeditor or Showcontroller (the new professional laser software) through LAN connection, but they also have an integrated SD card that ILDA frames can be loaded to.
These files can then be triggered via Art-Net, DMX, in stand-alone-operation and in some units even in sound-to-light mode. The possibility of putting self made content to the laser systems adds further intelligence to the devices, which usually are only used to work with either basic, premade content or external “intelligence” through ILDA control software.
Every ShowNET interface comes with the full version of Showeditor for free, so every laser system with

Ireland - A New Yorker visiting the Dublin St James’s Gate Guinness brewery with her Irish fiancé helped celebrate a momentous milestone recently when she became the 20 millionth visitor to Guinness Storehouse, Ireland’s most popular tourist attraction. The occasion was highlighted with an event that included an indoor concert for 500 guests along with an outdoor lighting spectacle in which Elation Proteus Hybrid weatherproof moving heads helped draw attention to the brewery.
Dublin-based lighting designer Conor Biddle was brought in by events and branding agency Archetype as creative director for the event, which took place 25 April. “The brief was to have the whole city looking in one direction - toward the brewery - so I knew I needed a powerful beam,” states LD Biddle, who adds he had seen the arc-source Proteus Hybrid used on the New Year’s Eve light show on

UK - From the Pyramid Stage, where Tim Routledge used the COLORado Solo Batten on headliner Stormzy, to the Flying Bus Stage, the Greenpeace Field and the Acoustic Stage, Chauvet Professional proliferated at the 36th edition of the Glastonbury Festival.
On the Pyramid Stage, a large collection of COLORado Solo Batten fixtures helped outline the architecture of the set and provided immersive colour washes from multiple directions.
At the Unfairgrounds, the GLX Productions team led by managing director and lighting designer Glenn Gridley, used an extensive array of Maverick fixtures to create transformative moments. This was most notable on the Flying Bus Stage, where GLX conjured up an engaging effect with help from 12 Maverick MK Pyxis, 12 Maverick MK1 Spot and three Maverick MK1 Hybrid units.
Maverick fixtures also had a transformative effect on the festival’s

USA - With over 100,000 residents, Greeley is part of an urban corridor that populates the front range of the Rocky Mountains in Colorado. The Greeley Ice Haus is a city-owned, indoor, all-season, multi-use skating rink.
Senior AV and theatre technology consultant at K2, a Boulder-based AV consulting firm, Kevin Hodgson led the design and worked with the Denver office of Ford AV on the installation of a new sound reinforcement system at the Greeley Ice Haus. Hodgson specified Danley Sound Labs loudspeakers and subwoofers for the upgrade.
“The Greeley Ice Haus seats about 1,000 people on one side of the rink, and the University of Northern Colorado team’s fans can fill it up,” Hodgson says. “The previous sound system was well over a decade old and had become increasingly unreliable after the building took a lightning strike and after years of aggressive volumes

Belgium - Ruiselede-based event design and production company John & Jane in Ruiselede has added a fleet of Robe lighting fixtures to its inventory.
The company, which is run by Nico Laniere and Katrien Vermeire, specialises in corporate events but is also supplying technical production needs to a select alternative summer festivals. This work prompted the company’s most recent purchases of Robe lights: a total of 58 MegaPointes and 48 LEDBeam 150s.
The operation includes a technical production / scenic company Delta Rent, which works alongside and independent from John & Jane as required. They have been a steady investor in Robe moving lights from the start, in tune with their aspirations of supplying the very best and most innovative technology and services for their clients.
The new MegaPointes and LEDBeam 150s have been in constant use since arrivin

France - Nexo’s Geo M10 Series mid-size line array is making its debut in the sporting world as part of a new fixed-installation sound system for the Stade Pierre Brisson in Beauvais, north of Paris.
Systems integration company Vidélio has worked closely with Nexo’s in-house engineering team to design, specify and install the system, which will greatly enhance the match experience for 10,000 fans.
The Stade Pierre Brisson is a multi-use facility, primarily hosting football matches, and serving as the home ground for AS Beauvais Oise FC. Neighbouring club Chambly FC, which has recently won league promotion, is sharing the stadium as its own ground is not yet registered for Ligue 2 games.
The stadium is able to hold 10,178 spectators, in West and East facing grandstands. The time had to come to replace the aged entertainment PA system, and, from the very first

Russia - This winter, a festive event took place in Moscow that stood out prominently against the background of other similar projects. This was due to its conceptual approach, and stylish and thoroughly thought-out stage design, where each element played its role in bringing the core concept to life.
GLP’s LED fixtures were the main performers in the lightshow. These not only decorated the event with spectacular effects, but gave a clue as to the overall concept.
KNVs were included in the equipment list even before this idea had been discussed; the show itself included introduction and solemn entry of the key figures with elements of a theatrical performance, concluding with a small concert featuring such famous singers as Ivan Dorn and Dima Bilan.
“When in December we learned that KNVs had become available in Russia, we immediately chose to use them in t

South Africa - Saint Thomas Church in Linden sought to upgrade its sound, with a quality solution that would not detract from the church’s looks and not break the bank. They got their solution from DWR Distribution in the form of Quest Audio and Audix microphones.
“We didn’t want it to look out of place and we did need to get better sound,” says Gift Chanza the head of Sound Ministry at Saint Thomas, “The Quest loudspeakers were exactly what we needed”. Three HPI Quest speakers were installed in the main hall. The left and right being handled by two Quest HPI8i two-way passive loudspeakers hidden within the Churches woodwork and the centre speaker, a Quest HPI111 compact loudspeaker, hangs from the middle of the ceiling.
An additional White HPI5 high output loudspeaker sits in the room adjacent main hall. These speakers have the church fully covered for sou

UK - Allen & Heath’s SQ series has stepped into broadcast with TV sound supervisor, Rob Ashard, working on a number of shows such as Comedians With Friends Watching Football, Al Murray’s Great British Pub Quiz and Race To The Numbers, all of which have vastly different requirements.
Ashard, who has previously worked on shows including Ant & Dec’s Saturday Night Takeaway and The Graham Norton Show, chose an SQ-5 - along with a Dante card and DX168 Expander for remote I/O - specifically for his work on smaller-scaled productions, where space can often be at a premium.
“Every now and then a TV show comes along where you can’t park a big TV Outside Broadcast (OB) unit and the technical team build the facilities into a smaller room, or rooms, at the location and assemble a load of flight-cased gear on tables, so I needed

China - It might be called the National Centre for the Performing Arts but the Beijing facility is all about the international exchange of culture. Not surprisingly, this is a showcase for Chinese talent in opera, music, dance and ballet, theatre and Chinese traditional opera, but as important are the international festivals and the visiting performers.
A centre of this importance needs to have superlative facilities in every area and recording and broadcast are no exception. In company with the vast majority of world-renowned concert halls and opera houses, the NCPA has installed a Merging Technologies solution.
Pyramix and its DSD workflow is essential for recording and archiving performances, but the NCPA has determined that having the ability to record and post-produce in 5.1 is also vitally important. This further emphasizes the wisdom of choosing a Merging solut

Brazil - Singer-songwriter Samba Ferrugem - known for his distinctive red hair that inspired the Ferrugem (‘Rust’) nickname - recorded a live concert DVD in the Jeunesse Arena, Rio de Janeiro Brazil. This spectacle was directed by Anselmo Trancoso with lighting designed by director of photography (DOP) Carlinhos ‘Carlos’ Nogueira, utilising 450 Robe moving lights.
This impressive inventory of equipment plus other fixtures and the 500m of LED screens involved, was co-ordinated and delivered by Sao Paulo based rental company Wolf Produções, headed by Gabriel Pincel and João Freitas. Wolf Produções has supplied technical production to the artist on tour and was asked to co-ordinate the substantial kit needed to light this show. Gabriel Pincel was the project’s technical director.
The Robe quote broke down into 36 x Robe BMFL WashBeams, 94 x Pointes, 60 x Me

UK - Gottwood marked its 10th anniversary with a carefully crafted programme of underground electronic music. The festival’s organisers are committed to giving its community the best possible sound and, with that in mind, called in Audio Feed (with a little help from its friends) to deliver Funktion-One systems on all 10 stages, including the first outing for Vero VX.
Each stage was curated by the people behind some of the UK’s best parties and music labels, making for a varied line-up of DJ and live performances.
Vero VX, which received its global launch at Prolight + Sound 2019 in April, was deployed at The Lawn - the festival’s 3,000-capacity main stage. The system featured four ground stacked Vero VX90 cabinets per side and eight V124 bass enclosures. Power came from MC2 Delta 90, Delta 100 and Delta 80 DSP Dante amps.
Funktion-One founder Tony Andre

USA - Nine-time Grammy-winning jazz songstress Norah Jones, first shot to stardom in 2002 with the release of her debut record Come Away With Me, which has sold more than 20m copies. Today, her record sales have surpassed the 50m mark and after recently completing a tour of Australia and New Zealand, she has embarked on a 24-date North American tour, where FOH engineer Jamie Landry is mixing from an SSL L500 console.
The North American tour kicked off on 18 June at Pittsburgh's Heinz Hall. Although the venues can be varied, Landry says for the most part, Jones and her band tend to play in theatres.
“It's a nice situation where she can do a theatre in most markets at this point; she doesn't over-reach, which means she can sell 2,000-plus tickets pretty much anywhere,” Landry explains, adding that all of the shows have been or will be sold-out. “She's real

UK - ChamSys desks were included in the production designs on eight Glastonbury stages this year, in addition to others being brought to the festival by a host of LDs working for a wide range of artists like Simon Horn for Maribou State, Isabel Del Moral for Rosalia, and Gary Wilson for Lewis Capaldi.
At the Park Stage, a MagicQ MQ500 Stadium with a Stadium Playback Wing served as the main desk, where it was used by a variety of LDs, including Tom White for Michael Kiwanuka. South West Group Events, which provided stage production, supplied the MQ500 Stadium, as well as the MagicQ MQ80 backup console. The lighting manager for the stage was Callam Thom, and the console operator was Steven ‘Mac’ McCracken.
Southampton-based GLS Lighting supplied a MagicQ MQ100 plus Playback Wing for the Avalon Stage, which was overseen by console operator Will Thomas. The impressiv

Germany - Barbara Schöneberger released her fourth album, Eine Frau gibt Auskunft in May and has recently presented it with 10 live shows across Germany.
The Event-Net GmbH from Halle (Saale) has been working for the singer since 2008 and has been a technical service provider for all tours and various individual shows. The team headed by managing director Kay Schöttner and technical department manager Mathias ‘Hein’ Schroeter was also responsible for the complete technology, the stage management and part of the tour management on this latest tour.
In 2004 Event-Net was one of the first users in Germany to invest in Alcons Audio. Since then, a stock of Alcons LR14 and LR16 including BF362 subwoofers has been established in Halle and used for past Schöneberger tours.
For the 2019 tour, however, they turned to the larger LR18 pro-ribbon line-array syst

Spain - Martin by Harman Professional Solutions supported the International Music Summit (IMS) Dalt Vila finale on 26 May.
Martin supplied a full lighting rig, including MAC Quantum, Viper and Aura products, and also featured the recently-launched Atomic Strobe Dot.
Lighting designer Nick Jevons created the lighting display for the event, which was hailed by the organisers of IMS as the best lighting supplied in the 11 years it has presented the Dalt Vila finale.
Martin’s Spanish distributor, SeeSound, supplied logistical and technical support onsite to help ensure that things ran smoothly, Michael Walker, senior sales director at Martin by Harman also attended the event.
(Jim Evans)

The Netherlands - Dutch singer Marco Borsato performed his anthemic back catalogue to 240,000 fans over five nights at Rotterdam’s De Kuip stadium in May. His dynamic songs and enthusiastic performance style required full spectrum coverage across the entire roof-less stadium, leading the production team to the d&b audiotechnik SL-Series.
Borsato is a national treasure in The Netherlands, thanks to a hit-making, multi-award-winning 20-year career. He is one of a handful of artists with the fanbase clout to play five nights at one of his country’s biggest venues - the 51,000 capacity De Kuip (which translates into English as ‘The Tub’- the affectionate nickname for the Stadion Feijenoord).
Utrecht-based d&b partner Peak Audio was challenged with providing a system that could deliver full-frequency range in the demanding open-air stadium environment.

UK - Lighting designer James Scott used the VLZ Profile from Vari-Lite on the recent UK tour by hip-hop artist AJ Tracey.
The LED fixtures had the power Scott required to deliver a visual complement to the bright LED screens on the Brixton Academy showcase gig that closed the tour. Scott, of design studio Suluko, worked with production designer and creative director Bronski, and Amber Rimell, of TAWBOX on the tour’s design.
Scott had already been impressed by the output and performance delivered by just four LED-based VLZ Profiles on Tracey’s UK tour dates, where limited truck space had called for a minimal fixture count. “What we achieved with four VLZ Profiles would probably have required six of any other LED spot on the market,” he says.
With this experience, when three large, portrait LED video screens were added to the set for the Brixton show, Sc

USA - Inducted into the Rock & Roll Hall of Fame in 2004, ZZ Top - long comprised of the classic trio of Billy Gibbons, Dusty Hill, and Frank Beard - are celebrating their 50th anniversary by trekking through a world tour that runs into mid-October.
As a thank you to their fans in Texas, where the band got its humble start back in 1969, the tour kicked off with three consecutive shows in the Lone Star state, all of which were reinforced by Houston-based LD Systems with a long throw L-Acoustics K Series loudspeaker rig.
Sharing the bill with Bad Company, and joined by opener Cheap Trick, ZZ Top performed to full crowds at Dallas’ Dos Equis Pavilion, Houston’s Cynthia Woods Mitchell Pavilion, and the Austin360 Amphitheater in May, prior to heading to Europe.
LD Systems audio crew chief and systems engineer Julian Gates, who expresses his appreciation for S

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