USA - So Midwest, Inc. provided turnkey creative and technical services for Self Destructor, the new music video for rock band Chevelle. Executive producer and production designer, Robb Jibson, selected Ayrton Perseo fixtures for the video, which So Midwest concepted, designed, directed, produced and edited.
Focusing on science deniers and written before the coronavirus pandemic, Self Destructor is the lead single from the band’s upcoming, space-themed ninth studio album, Niratis (an acronym for Nothing is Real And This Is a Simulation).
“Coming up with a theme of a visitor from space carrying a glowing energy orb that would ultimately suck the band inside its energy, we back-tracked the story to come up with the script and the shot list,” says Jibson of the concept, which combines performance footage with clips of Chevelle on a night hunt f

Mars - NASA’s Mars Perseverance Rover touched down on the Red Planet last week, with DPA Microphones along for the historic ride. Outfitted with DPA’s 4006 Omnidirectional Microphone, MMA-A Digital Audio Interface and MMP-G Modular Active Cable, the rover provided the first sounds from the surface of Mars (see LSi December 2020 for our in-depth article on the project).
After being put through vigorous testing by NASA scientists, the DPA equipment, affixed to the Mars Perseverance Rover, officially launched into space aboard the Atlas V-541 rocket in July 2020. Over the past seven months, the DPA equipment has faced pressure changes while leaving Earth’s atmosph

Switzerland - Since upgrading his studio to incorporate a pair of PMC IB2S XBD-A monitors, Swiss producer and engineer Patrik Schwitter has undertaken a steady stream of high end projects at his Zurich based facility.
In recent months, he has worked with internationally acclaimed harp player and Grammy Award Winner Andreas Vollenweider on a new album, Quiet Places, which was recorded in Swiss broadcasting company SRF’s Studio A and Vollenweider’s own studio House on the Lake. Schwitteris is also currently mixing music for a documentary film about the influential Swiss writer Adolf Muschg, which is scheduled for release later this year. Entitled Adolf Muschg – The Other, the film is directed by Erich Schmid and features music by 86-year-old computer Jazz legend Bruno Spoerri.
“My PMC monitors just blow me away because they are so incredibly detailed,” P

Italy - Claudio Mazzucchelli created Papa Watch My Fly, a livestreamed multi-media operatic work performed at the historic Teatro Coccia in Novara.
Featuring over 70 socially distanced performers, representing a wide range of musical genres from classical and jazz, to pop and rock, as well as aerial dancers and a “live” painting by Giuseppe Ravizzotti, Papa Watch Me Fly portrays the evolving relationship between Mazzucchelli and his father over a 54-year period, from 1962 to 2016.
Reflecting the passions and nuanced emotions of this story, was a Nicolò Damiani lighting designed that featured 26 Maverick MK2 Wash and 18 Maverick MK2 Spot fixtures. Audiosales Entertainment Solutions, which managed the production, rented the Chauvet Professional fixtures from Fumasoli Audio & Lights.
Led by sales manager Marco Alterini and product specialist G

South Korea - To enhance the elegant atmosphere for weddings at Luvel Gangdong with quality audio for speech and music, TechDataPS Co recently supplied the venue with an end-to-end Harman Professional Solutions audio system.
One of several venues owned by Apelgamo Wedding & Party, Luvel Gangdong is an upscale wedding hall located on the 35th and 36th floors of East Central Tower in Seoul’s Gangdong district. Featuring design elements and decor reminiscent of French formal gardens, the venue’s wedding hall can accommodate 160 guests, while the reception hall can host up to 500.
Luvel Gangdong required a high-quality yet user-friendly audio system capable of providing powerful and clear sound reinforcement for speech and music. To achieve these goals, TechDataPS outfitted the venue with an audio system consisting of JBL, Crown, Soundcraft, Lexicon, dbx, BSS and A

Japan - The theatre production of Inspire Onmyoji, starring famous Japanese actor Takao Osawa, ran at the 1300-capacity Nissei Theatre in Tokyo from 31 December 2020 to 6 January 2021.
A Umeda Arts Theatre production, the show was scripted by Brazily Anne Yamada, Takaya Okamoto, NatsuTeranishi and directed by Junya Yamada. Takao Osawa performed the role of Japanese ancient wizard ‘Onmyoji’ with next generation video, sound and lighting effects, making full use of latest technologies. This included Martin Audio’s Wavefront Precision platform (WPM) and Sound Adventures immersive 3D, with all outputs controlled by the SARA II Premium Rendering Engine.
Show producer, Junya Yamada, had wanted to create unprecedented special effects with the sound system for this, and so he contacted Iwao Tsurusawa, president of MSI JAPAN Tokyo, Martin Audio’s rental partner.

Germany - The Deutsches Theater in Berlin is one of Germany’s foremost producing houses. In the last year, the venue has added 20 x Robe T1 Profiles which are available across its stages, a move specified and overseen by head of lighting Robert Grauel and his team including Linus Zahn who is the lighting systems tech and person in charge of new technologies.
The main stage was originally built in 1850 and the building now consists of two adjoining stages – the 600-capacity main stage and the 280-seat Kammerspiele established by the legendary Max Reinhardt in 1906 for modern drama – sharing a common, classical façade.
The Box is a black box studio space located in the Kammerspiele foyer with seating for 80 people, and there are extensive rehearsal rooms, workshops, and storage facilities in a new building behind.
The Robe T1 Profiles were selected from a s

UK - SES Entertainment Services has been working with JLLighting on their most recent batch of 72ways, HDPE distro and cables.
“We got a call from Jack (managing director) at JLLighting looking to purchase some of our SES 72ways as they wanted to move away from their previous supplier,” says SES group director Gordon Cooper. “The quote started off as three of these units however quickly turned into HDPE distro, moulded rubber K9’s, soca splitters, custom fan outs and Powerlock linking sets as well. Quotes and drawings were supplied quickly as there was a tight deadline to stick to.
“We worked closely with JL on the specs and branding to ensure they received exactly what they were after and only the best quality branded components were used on all the builds.”
The 72ways are 27u 19” racks are made from Zintec steel and have a black powder coat on the

New Zealand – It is re-assuring that somewhere in the world, 2020 ended with a music festival. That’s what happened in the shadow of New Zealand’s Southern Alps, where the Rhythm & Alps Festival saw off the year with a celebratory vibe enhanced by TomTom Productions, whose Hippotizer Media Servers from Green Hippo delivered the visuals for three separate stages.
Rhythm & Alps, which has become South Island’s biggest New Year’s Eve party, was also celebrating its 10th anniversary with this event, which was held over the last three days of December. TomTom, based in nearby Queenstown, is the festival’s regular provider of full production design and supply services. This year, their contributions included the provision of Hippotizer Karst Media Servers to meet the varying playback requirements of all three performance stages: the Alpine Arena main stage, the

The Netherlands - A production company that usually supplies lighting and sound for festivals and theatre concert tours has reinvented itself as a video livestreaming studio. Using more than 30 ADJ lighting fixtures, the owner of MPA Geluidstechniek has transformed his offices into a permanent video studio, which has been used over the past year by a wide variety of bands, singers and other performers to live-stream shows and create other video content.
Based in the city of Gorinchem, Martin van Tricht established MPA Geluidstechniek over 30 years ago. Initially focusing purely on audio and operating the business on a semi-professional, part-time basis, while also running another company, Martin expanded into lighting around a decade later and went full-time 15 years ago. Prior to COVID-19, MPA was a very well-established production company with a packed diary of theatre con

Australia - Named after coloratura soprano, Dame Joan Sutherland, the Joan Sutherland Performing Arts Centre in Penrith, New South Wales, is one of Sydney’s busiest performing arts complexes.
Opened in 1990, the venue has numerous performance spaces, and hosts a busy schedule of theatrical, musical and visual arts.
In mid-2019, production & technical manager Geoff Turner and head of audio Tim Anikin started looking for replacement for the old point source sound system that had served the drama theatre (The Q Theatre) from the beginning, to overcome the sound issues inherent in the space.
The tender was won by Loud And Clear Sales, who in conjunction with Drew Bisset, designed and installed a system from Alcons Audio.
When the system was commissioned the difference was immediately noticeable. In fact, the team at The Joan only had a chance to utili

USA - Gerry Dintelman designed a show for sludge band Fister’s 90-minute Video Death livestream at the Arch City Audio Visual Services studio in St Louis. Working with a rig that featured over 50 Chauvet Professional fixtures, plus 104 PVP S5 LED video panels, he took viewers on a visual journey that wove its way seamlessly through his client’s heavy, often abrasive rhythms.
“We wanted the rig to look as aggressive as Fister’s sound is, so the whole design revolved around the idea of sharp angles, tons of back light, and intense visuals,” said Dintelman. “I definitely needed all the firepower I could get to convey the spirit of the music.”
Central to Dintelman’s design was a V-shaped truss configuration that converged on the drum stand. Made with four sticks of 8ft truss slanted at a 45-degree angle, each holding 11 Rogue R2 Wash fixtures and 10

USA - When the Steven Tanger Center for the Performing Arts in downtown Greensboro, North Carolina opens for regular performances later this year, the $91m, 3,023-seat performing arts facility will give a city with more than its share of arts and culture a new crown jewel. Named for Steven Tanger, CEO of Tanger Factory Outlet Centers, who pledged $7.5m toward the project, the new venue will host performances by the Greensboro Symphony and Guilford College's Bryan Series of lectures, as well as touring Broadway productions and concerts.
It will do so with sound from two DiGiCo SD12 consoles at front of house and monitors, an SD11 desk used for special events and that adds more flexibility to the venue, and a DiGiCo 4REA4 mixing engine that provides the drive for the main system while serving as a matrix mixer for outputs from multiple consoles.
In addition, wall-mounted

USA - The Frost School of Music at the University of Miami in Coral Gables, Florida has a history that dates back nearly a century to the campus’ founding in 1926. Today, it is widely regarded as one of the nation’s most innovative and comprehensive music schools.
Located within the L. Austin Weeks Centre for Recording and Performance, the intimate 147-seat Victor E. Clarke Recital Hall is a familiar venue to all of the nearly 700 students currently enrolled. Used daily for recitals, concerts, and ensemble performance, the room was designed with variable acoustics by noted acoustician Charles Bonner so that a wide range of music could be performed with optimal listening and recording conditions.
To accommodate the growing interest in electronic music studies and performance, the school called on Unreal-Systems, an L-Acoustics certified provider for installation and

Japan - The Finnish Embassy in Japan is located in the cosmopolitan district of Azabu in Tokyo. The area has a distinctly global feel, due in part to the large number of foreign embassies that have chosen to make Azabu their home. The Finnish Embassy has recently renovated part of their buildings. A Genelec Smart IP loudspeaker solution was installed as part of the project.
Mikke Kinnari, Vice Consul and 3rd Secretary of Administrative Affairs at the Embassy was in charge of the renovation project. “We wanted the best possible experience for our guests, ideally using Finnish products,” he explains. “Having studied several options from a variety of suppliers, we decided that the Genelec Smart IP solution with its easy, single-cable installation and high-quality audio offered the best possible solution for our requirements.”
The buildings of the Finnish Embassy

Finland - Harman Professional Solutions recently partnered with Studiotec Oy and Turku Energia to illuminate the recently renovated Piispantorni building’s façade and its new whale mural with Martin Exterior Projection 1000 fixtures.
Originally constructed in 1973, Piispantorni is the tallest building in the Finnish city of Kaarina and offers a dazzling view of the nearby Gulf of Finland from its upper floors. Formerly owned and utilised by Finnish brewing company Hartwall, the building’s new owner recently renovated the building to offer commercial office rentals to professionals in the Turku region of Finland. As part of the renovation, the building received a completely new steel façade featuring a stunning, 82-foot-long mural of a life-size blue whale titled Big Blue by artist Mauri Kosonen.
In order to enhance the effect of the mural, Piispantorni

France - For more than 20 years, Mvision has been providing its service as an audiovisual technical expert to its customer base in France and beyond. The company’s regular investments in new equipment allows it to set up innovative solutions, such as its studio for filming, capturing, and dissemination of eventsat the Palais des Congrès in Paris, which is the third space Mvision has equipped for creative content production in France. The 300sq.m set features a curved LED wall, controlled by two Brompton Technology Tessera S8 LED processors.
“Mvision invested in its first LED screens more than eight years ago, and our first cylindrical screen was awarded a prize at the innovation show, Heavent Paris,” says Meziane Lounis, Mvision’s owner. “Since then, we have been building up our experience and expertise in LED technology, with our latest opening of a studio and in

USA - This January, New Hampshire Governor Chris Sununu passed up a long list of other possible sites, and delivered his inaugural address at Studio Lab, a production facility created by Events United.
The address marked a milestone for Events United, which formed Studio Lab before the pandemic, but began pouring renewed energy into the space once the lockdown brought live events to a halt. “For us it was a matter of trying to stay busy,” recalled Messina. “But Studio Lab tapped into a strong demand for professional livestream studios and surpassed everyone’s expectations.”
Outfitted with a lighting rig anchored by Chauvet Professional Maverick fixtures and featuring a massive 52’ wide by 14’ high curved video wall made with F2 LED panels, the production space has produced a steady flow of livestreams during 2020. Among these events was a Greater Manchest

Australia - Lighting designer Trudy Dalgleish appreciated the quietness and other features of Robe T1 Profiles and T1 Fresnels that are part of the new house rig at Her Majesty’s Theatre in Adelaide, which reopened in June 2020 after a major two-year redevelopment.
The State Opera of South Australia’s production of Australian drama Summer of the 17th Doll was the first show to utilise the new facilities in the 1467-seat main auditorium – which includes the 24 new Robe moving lights, 12 of each type.
The Summer of the 17th Doll action is set in the Melbourne suburb of Carlton in 1953, focussing on the lives of six central characters.
Director Joseph Mitchell already had some very clear ideas for how he wanted the production to look and feel, so Trudy and set designer Simone Romaniuk worked closely to evoke the ambience and period feel of the pi

USA - Marc Janowitz of e26 design chose 30 Mistral-S - Ayrton’s LED spot fixtures as key features of his lighting design for Trey Anastasio’s The Beacon Jams. The eight-week ‘virtual residency’ was live-streamed weekly from New York’s historic Beacon Theatre throughout October and November 2020.
In an unusual twist, since no audience was present, the filming took place on stage in a reverse set-up, with the musicians facing the back wall and the auditorium acting as a backdrop. “The jam sessions were aimed specifically at the home audience, for which we wanted to create an intimate connection that felt like we brought a series of music sessions into the viewers’ own home,” explains Janowitz. “The reverse angle gave us something more like a studio environment into which Mistral fitted beautifully – it was very much in keeping with the look we were trying t

Australia - While Australia’s national day might be a little different this year it is still, however, a day of reflection, respect, unity, gratitude and a celebration of many achievements.
The day is a national holiday and celebratory events take place country-wide. In Sydney, the harbour is a focal point for a day-long of events but thanks to Covid-19, many activities were cancelled. Fortunately, the popular Australia Day concert was still held on the Sydney Opera House forecourt along with a spectacular fireworks display, a flotilla of yachts and jet-skis. The event was produced and managed by The Department of Premier and Cabinet.
This year’s audience was capped at 1,200 with specially invited, social-distanced frontline workers.
Chameleon Touring Systems supplied the lighting for the concert, lit by Stuart Anderson, and the surrounding lighting lit by Pa

Mexico - Mexico City’s Auditorio Nacional’s (AN) was built in 1952 as a site for equestrian events. The building is made of riveted iron - the same technique featured on the Eiffel Tower - and has undergone extensive redesigns throughout the years. The Auditorio Nacional is known equally for its intriguing architectural design and for housing the largest pipe organ in Latin America.
The venue’s main hall consists of nearly 10,000 seats raised above and around its 23m stage, primarily used for national and international music concerts, song, dance and film festivals. Since 2013, the Auditorio Nacional has been ranked top selling venue in the world according to Pollstar Magazine.
Lunario, Auditorio Nacional’s alternative stage, seats 1,200 and is used for small and medium-sized events. Both spaces have hosted notable companies such as the Vienna Philharmonic, LA

Italy - With its light and airy Neo-Renaissance forms, the Nicolò Bruno-designed Politeama Rossetti theatre affords excellent views from each of its 1,531 seats. Regardless of where visitors find themselves in the historic venue, however, they can only see the stage from one angle at a time.
No such limitation exists for livestream viewers, though, and that, believes Crt Birsa, changes the fundamental trajectory of a lighting design. “The live audience has just one point of view,” he explains. “But in a livestream each camera is a new point of view that has to look good. The viewer sees things from all angles, so your design has to present a very consistent image from one end to the other.”
Birsa provided an example of this principle in December when lighting a one-hour livestream at Politeama Rossetti for the Trieste-based guitar quartet 40 Fingers. Covering

USA - Guests at Wisconsin’s Wilderness Resort are getting an aerial view of US National Parks, national landmarks and the Wisconsin Dells, onboard the new FlyRide Take Flight adventure ride. Developed by SimEx-Iwerks, the ride uses four Christie D4K40-RGB pure laser projectors with Christie Mystique, a camera-based multi-projector alignment and blending system.
Wilderness Resort is located on over 600 acres of forest, where guests can stay at three properties, enjoy golf, indoor and outdoor waterparks, dining, and a range of activities for the whole family. Take Flight opened in September 2020, expanding the list of exciting activities for guests to enjoy.
Take Flight begins as guests enter an airport-themed lobby, with ‘windows”’ looking out onto the National Parks. Guests are then queued at an ‘airport’ featuring airplane seats, before entering the ride.

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