Spain - The Auditorium de Palma de Mallorca is a multifunctional building that accommodates theatre, opera, ballet, musicals and concerts, welcoming around 100,000 total visitors annually to its large, 1,700-seater hall. Emulating its inspiration, the Royal Festival Hall in London, the hall is designed in such a way that the stage is optimally visible from all seats. The theatre’s latest investment is Cameo spotlights from the Zenit and Opus series for use in the hall, as well as for the exterior lighting of the building. Four Zenit W600 outdoor LED wash lights are currently lighting the theatre’s main facade. Three further units are to be added in the future for the side facade. In the hall itself, 12 Zenit W600 wash lights (which feature interchangeable lenses) are used on the cyclorama screen at the rear of the stage. In addition, 16 Cameo Opus Spot Moving Heads are u
USA - Last year, David Beebe became one of the first house LDs to add Chauvet Professional’s Maverick Force S Spot to his rig when he took shipment of six of the then-new 350W lightweight movers from JRLX at The Birchmere club, where he’s been looking after the lighting since 2004. At the time, Beebe explained the move by saying he was expecting the new fixtures to add “another dimension” to his lightshows, allowing him to incorporate new looks to reflect the diverse mix of artists that take to The Birchmere’s stage. This April, he provided another example of how the fixtures have exceeded his expectations when he created a deeply evocative show that morphed from psychedelic to old school rock, to jazz looks. This time, the show has an extra-special personal touch for Beebe, as the band he was lighting were the Rock and Roll Hall of Famers, The Zombies. “I
UK - After an unavoidable two-year hiatus, PLASA Focus Leeds made a triumphant return to the Royal Armouries from 10-11 May for the 12th edition of this much-loved industry event. With visitor levels exceeding expectations, the strong sense of industry unity on the show floor could not be ignored. Following the successful return of PLASA Show to London Olympia in September 2021, PLASA Focus Leeds provided the first opportunity for the industry in the north of the UK to reconvene for what remains a key social and business event for the sector. Taking place across two days and with its usual capped stand size format, the enduringly popular show once again provided a relaxed and convivial atmosphere for networking, business, product presentations and demos. Visitors returned in large numbers to get hands-on with the latest tech, and to meet face-to-face with industr
UK - At PLASA Focus Leeds, Prolight Concepts Group unveiled a new distribution partnership with Lucenti. On show from the Belgian lighting manufacturer were the Blackwave pixel bar series and Vinci DMX-addressable festoon lamps. Blackwave is a IP66-rated series of pixel-mappable bars controllable by Art-Net or sACN. The fixtures have a 120° viewing angle and a black front cover, with clear, frosted, rounded or square covers also available. The system is configured by using one controller for up to 64 bars arranged in groups of eight (1m bar) or 16 (0.5m bar). The strips are easy to link via the Blackwave combined power and data cables, and benefit from automatic patching, configuration and a bi-directional feedback and monitoring using the www.klstr.tech technology. The 1m and 0.5m bars are designed to be used in demanding environments like stages, clubs and on
Europe - Ayrton has introduced Cobra, its first phosphor laser source, IP65-rated luminaire, based on the concept of Dreamspot 18K which it first presented at Prolight+Sound 2016. Several years of development have gone into designing and finalising this luminaire, which offers a next generation speckle-free laser source, designed for rendering a D65 white point that allows perfect colour reproduction. Cobra pushes all the limits when it comes to beam definition, with native contrast never before achieved by a digital light source, an incredible beam angle of 0.6°, and an extreme range of focus, XT-Focus, which permits the beam shape to be adjusted according to the operating distance. Cobra is the only luminaire on the market capable of illuminating an object several kilometres away, with an output of 386,000 lux at 20m and an unprecedented 38x zoom ratio and a
Europe - Hans Zimmer hit the road this spring on a much-anticipated tour. Delayed due to the pandemic, his 19-piece band and an orchestra delighted fans all over Europe. The lighting design was delivered by John Featherstone from lighting and visual design studio Lightswitch. John and his team pushed for an all Robe moving light rig for the tour which started production rehearsals in Berlin with 250 Robe fixtures onboard ahead of the first European leg, with lighting equipment supplied by German rental specialist, Satis & Fy. Featherstone explained how the design process originally started back in 2019 / 2020 with Hans curating his creative ‘dream team’ which included renowned Broadway set and scenic designer Derek McLane, video designer Peter Nigrini, choreographer Barry Lather, and of course, himself. “Hans is a master at putting collaborators together,”
USA - Scorpions recently released the19th studio album of their, over 50-year, band career. After several weeks at the Zappos Theatre at Planet Hollywood, Las Vegas, they started the Rock Believer world tour in early May beginning with a special concert at Madison Square Garden, New York. Austrian Manfred Nikitser has been accompanying the internationally successful band as lighting designer since 2016. In addition to the lighting design, Manfred also created the complete show design (stage set and video) for both the Sin City Nights residency in Las Vegas and for the subsequent tour. Manfred selected the remote follow-spot system from Dutch manufacturer Follow-Me: Follow-Me 3D SIX. The centre piece of this redesigned show is a pyramid-shaped drum riser in front of a semi-circular stage set made of custom-made metal grilles, which houses numerous spotlights and blinde
UK - During last week’s PLASA Focus Leeds, Entec UVC SafeClean presented its research on creating COVID-free environments and busted some of the myths surrounding pathogen eradication. Entec UVC SafeClean specialises in environmental germicidal disinfection, effective against COVID-19 variants as well as all other viruses. During the seminar at the Bury Theatre, Entec Group chairman Nick Pendleton presented scientific research on creating COVID-safe environments. He opened up by asking the audience several questions relating to their own personal COVID experience, and some 80% stated they expected COVID disruptions to continue, and almost as many said they had been involved in an event affected by COVID. “I was very surprised to receive such a strong view that the risk and problem had not gone away,” reflects Pendleton. Aided by a portable Goldensea UVAIR 216 ul
USA - Butch Allen and André Petrus lit Nigerian superstar Burna Boy’s two-hour One Night In Space show at Madison Square Garden on 28 April. The massive lighting design for the sold-out concert turned the venue into a giant lightbox that stirred the imagination with outer space images. Yet for all its multi-faceted flourishes, the design process followed a basic formula. “Burna Boy’s music provided the road map, and we followed it,” said Allen, noting that the end result was a design based on “visual harmony” between the image, atmosphere and the artist’s performance. Lighting the way on that road map and contributing to that atmosphere were Madison Square Garden’s house lights and an impressive rig provided by 4Wall Entertainment that featured 68 COLORado PXL Bar 16 fixtures from Chauvet Professional. The motorised RGBW COLORado uni
Germany - In 2018, Cameo celebrated its debut in the NicLen rental park with the Zenit Series. Since then, the dry hire provider has been adding Cameo products to its line-up year after year. Now, in addition to the Zenit W600 and W300 outdoor wash lights and the Opus Series moving heads, the dry hire range also includes the F Series Fresnel fixtures. With investments in OTOS H5 beam spot wash moving heads, NicLen has also recently added Cameo’s new IP65 hybrid highlight to its inventory – the first supplier worldwide to do so. In addition to the OTOS H5, NicLen has completed its portfolio of Cameo F Series products with the F1 Fresnel spotlights and the F2 FC, and it also offers the new Zenit W600 SMD, an even brighter version of the successful Zenit outdoor wash lights. With the OTOS H5, Cameo is directly addressing the needs of professional lighting designers a
USA - ADJ has announced the immediate availability of the new Jolt Panel FX and Jolt Bar FX. Both of these flexible fixtures combine intensely bright while strobe LEDs and zone-controlled vibrant colour mixing LEDs. Designed for concert productions, festival stages and rental houses, as well as for permanent installation in large nightclubs and performance venues, these fixtures can be used to generate a wide variety of effects. The Jolt Bar FX is a professional linear LED lighting fixture featuring a central strip of 112 x 5-Watt cool white SMD LEDs, surrounded on both sides by a total of 672 x 0.3W RGB color mixing SMD LEDs. Both types of LED are grouped into independently controllable zones (16 white and 32 color), which means the unit can also be used to generate strobe chases and colored ‘eye candy’ animated pattern effects. The Jolt Panel FX is a complementa
Europe - Prolights has updated its Jet family with two wash moving lights, the Jet Wash 7 and the Jet Wash 19. These are compact and fast LED fixtures, with 20W Osram RGBW sources - the smaller fixture, the Wash7, has 7 emitters while the Wash19 has 19 LED emitters. Their wide zoom range goes from a narrow 4º beam to a wide to 56º wash. The Jet Wash range has many similarities to the Astra family, with fewer features that make it more affordable whilst keeping reliability and performance to a maximum. Their advanced colour mixing system has precise and advanced control with outstanding white temperatures and saturated tones. The white CCT pre-sets go from 2,800K - 10,000K, and the internal colour system provides +/- green correction, tungsten emulation and a virtual colour wheel with macros. Just like the Astra range, there is also a linear crossfade channel
UK - Spectators who saw this year’s Allam British Open in Hull witnessed some of the world’s greatest squash players compete for the $165,000 (US) prize. With squash enthusiasts all around the globe also able to tune in to the event live via SquashTV, as well as via the official Facebook page of the PSA World Tour, organizers were keen to create a riveting production. Toward this end, Firefly AV was brought on board to award the tournament with a sporty visual flair. Helping them in this endeavour were Chauvet Professional Maverick MK2 Spot and MK2 Wash fixtures, along with Rogue R1 Washes and R2X Beams. The squash facilities at the University of Hull’s Sports Complex provided an appropriate setting for the event in which World No.1 Mohamed ElShorbagy would defend the title he won in 2019. (COVID forced the cancelation of the 2020 competition, which is close to m
APAC - Pixotope has announced partnerships with several key broadcast companies in South Korea, Hong Kong, Taiwan, China, Japan, The Philippines, India, Malaysia, Myanmar, Thailand and Singapore. Following key staff appointments, the deals follow a number of successful virtual production collaborations using Pixotope in the region. Together with Pixotope, new distributors TechTwist Corporation, Elevate Broadcast, DB Productions, Great Wheel, Starlight, Bright Media, DongHwa, Mitomo, Kadinche, Jadason, Getop and StageFor will facilitate the adoption of Pixotope’s virtual technology in new regions and broadcast sectors. Dennis Breckenridge, CEO of Elevate Broadcast, notes, “Pixotope has not only technical superiority but a business model enabling the adoption of virtual technologies into many new markets. We feel that the ease of use, open standard support for plugin
UK - Avolites has announced new appointments to strengthen its operations in North and South America. Returning to Avolites, Francisco Yañez Valdivia has been appointed as territory manager for LATAM. Based in Santiago de Chile, Francisco’s role will focus on driving a new phase for Avolites in the region, following the recent launch of the Diamond 9, along with the company’s continuous development of its software platforms Ai, Titan and Synergy. Francisco has over 10 years’ experience using Avolites products across different positions, including lighting technician and operator, product manager and sales engineer. Avolites’ presence in South America is already very notable, with a substantial userbase of Avolites products. Stephen Baird-Smith will assume the role of special projects and territory manager for North America. Having worked at Avolites for
USA - The Bob Burton Centre for the Performing Arts is a 532-seat live performance venue in Fallbrook, California that serves as a joint community/school facility with Fallbrook Union High School. Used for everything from high school productions to local theatre, dance, and music performances, the venue’s aging stage lighting rig was recently upgraded with Elation Professional fixtures as part of an energy reduction grant project Production and installation company Pyxis Industries of Wildomar, California, worked with the venue on the energy efficient lighting upgrade, which included Netron data distribution, as well as Magmatic brand atmospheric effects. Chad Costanzo, president at Pyxis Industries, has had a long-term relationship with the venue and explains the project. “The school received an energy savings grant – funding for California schools to pay for e
USA - It is all fitting that the image of the waif Cosette sweeping Thénardiers' Inn serves as the basis (in slightly cropped fashion) for the emblematic image of Les Misérables. Here, within the grimy walls of this old chop house in Montfermeil, the conflicted forces that at the heart of the musical are crystalized: from the pitiless justice of Javert who seeks to punish the hero Valjean, to the blackmailing mendacity of the Thénardiers, who conspire against him. From his perspective as a lighting designer, Christopher Robin found Thénardiers' Inn to be one of the most powerful scenes of the play. “I am moved by the look of The Inn,” he said. “It’s a dusty and grungy place that captures the poignancy of this story.” At a recent production of Les Misérables at the Greensburg Salem School outside Pittsburgh, Robin reflected the remorseless p
USA - Full Flood Inc. has chosen Ayrton MagicBlade FX lighting fixtures for NBC’s new, eight-episode American Song Contest, the domestic answer to the popular and long-running Eurovision Song Contest. Volt Lites supplied the MagicBlade FX units, which are exclusively distributed in North America by ACT Entertainment. Hosted by Kelly Clarkson and Snoop Dogg, American Song Contest will feature 56 live original song performances by artists from all 50 states, five US territories and the nation's capital. It debuted on 21 March 21 and wrapped with a finale featuring the winning performance on 9 May 9. Episodes are also aired on NBC.com, Peacock and Hulu. Lighting designer Noah Mitz and lighting director Will Gossett, both from Full Flood, are using 144 Ayrton MagicBlade FX for American Song Contest, which shoots on the Universal Studios lot in Los Angeles.
Europe - Claypaky has launched a new company initiative, CP Green – Spotlight on Sustainability, to approach the topic of environmental sustainability ‘with even greater focus and in a more systematical way’. To coordinate all the corporate initiatives, integrate them across the whole organisation and secure the execution of the changes, a sustainability team, led by Claypaky executive Andreas Huber has been formed. “Sustainability became a high priority in Claypaky as we aim pioneering sustainable entertainment products and operations for a safe and better world – driving sustainability is a crucial part of fulfilling our company ambitions and goals,” says Marcus Graser, Claypaky CEO. “My mission is orchestrating the sustainability and environment activities and foster lasting connections across the company inspiring and engaging colleagues acro
Germany - Robert Juliat brought a number of new product releases to Prolight + Sound, Frankfurt. Leading the field was the introduction of Sully 4C, a new variation - a colourful classic LED zoom profile and Fresnel spots with four-colour mixing - based on the success of the Sully white LED family launched in 2020. The Sully 4C Series is an affordable, versatile product range with no compromise on build quality and overall performance. It places a new, factory-calibrated four-colour LED source (Red, Green, Blue, Lime) at the centre of a full package of lighting tools for an adaptable solution that delivers even coverage in every model type. The range includes a removeable lamp compartment (T650SX 4C) as a quick and easy solution to upgrade RJ 600SX tungsten profiles to coloured LED sources; a Profile series (650SX 4C) that offers the same zoom range as the 600SX Seri
Europe - Genesis’ much-rescheduled The Last Domino? tour had in its lighting inventory 64 Ayrton Karif LT ultra-compact 300W LED beam-spot fixtures. The lighting and production design was co-created by Patrick Woodroffe – also show director - and Roland Greil of Woodroffe Bassett Design, and Jeremy Lloyd from Wonderworks who is responsible for the technical integration. Lighting programmer was Marc Brunkhardt. Woodroffe and Greil had a number factors to consider for what potentially could be Genesis’s last tour. “The band has a rich history of pushing the limits when it comes to lighting and show design, so we needed to come up with something that maintains their reputation for being at the forefront of show design.” The team decided to take a theatrical approach, giving every song its own visual identity with a unique look and feel, and simultaneously
Australia - Working with Western Australia’s Botanic Gardens and Parks Authority (BGPA), Plan E Landscape Architects recently enlisted Engineering Technology Consultants (ETC), Light Application and Show Technology to design an architectural lighting display for Kings Park using Martin Professional Exterior LED fixtures. Kings Park is a 990-acre park in the centre of Perth that features sprawling areas of manicured green space, natural bushland, a botanic garden and multiple memorials. One of the park’s most notable features is Fraser Avenue, a picturesque path lined with lemon-scented gum trees planted in 1938 and equipped with in-ground lighting to highlight the trees. When the existing fixtures came to the end of their serviceable life, the BGPA hired Plan E Landscape Architects to coordinate a replacement capable of producing a wide range of colours and effects
USA - Country music singer and songwriter Luke Bryan wanted to make a spectacular impact for his first Las Vegas residency shows at the Resorts World Theatre, so he hired show designer / director Brian Burke and lighting / set designer Tom Sutherland from DX7 Design to work their visual magic on his much-anticipated performances throughout 2022. As the show design started to evolve, Tom and his team discovered that the house lighting rig at the new 5,500 capacity Resorts World Theatre venue features large quantities of Robe moving lights, all of which were supplied by Solotech, who completed the install and also co-ordinate the venue’s on-going technical services. Tom lost no time in getting 108 x Robe MegaPointes on the lighting plot for his main effects lights, together with 54 x Tarrantulas – Robe’s largest LED wash beam – and 17 x BMFL WashBeams which are
UK - The new production of Life of Pi in London’s West End was the recent winner of five Olivier Awards, including best lighting design. To bring his design to life, lighting designer Tim Lutkin chose to use three core Martin fixtures; the MAC Encore, MAC Aura XB, and JEM Glaciator Dynamic. All fixtures were supplied by Sparks Theatrical, with Tim Lutkin’s team including associate LD and programmer Elliot Smith, and production technician Theo Chadha. “The MAC Encore CLD is the only moving head profile used in the production,” Tim explains. “We’re using two as manual follow-spots, and a further 18 in the rig acting as the workhorses of all the lighting. “We’re using absolutely all their versatility; as follow spots with a soft edge, for traditional theatre shuttered framing, for beautiful water effects, and big deep colour washes. We even po