Lighting

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14 March 2016

An online launch platform was chosen to reach a global audience of busy industry professionals - empowering them to participate in the experience and excitement via computers and smart-devices wherever they are and whatever they are doing.

Robe's worldwide distribution network can be contacted to arrange full physical demonstrations of the BMFL WashBeam, and the fixture will be showcased at the upcoming Prolight+Sound expo in Frankfurt in April and future trade shows and exhibitions.

Delivering 300,000 Lux at 5m - BMFL WashBeam is the brightest BMFL range fixture to date.

The BMFL WashBeam joins the BMFL Spot and BMFL Blade and BMFL Wash, ensuring that Robe offers the most comprehensive range of high powered, fully optimise

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14 March 2016

The 22,000-m2 building, designed by world-renowned Spanish architect Fernando Menis, is the culmination of an intense two-year building project that completed in December 2015. The venue is located in the city's Old Town and boasts a unique aesthetic with cutting-edge technical features.

Hired by Wroclaw-based construction company Intersystem, Philips Entertainment distributor for Poland PS TTeatr supplied and installed 144 Philips Vari-Lite moving heads into the venue's 880-seat concert hall and 300-seat chamber hall. Further Philips Entertainment lighting brands were also installed by PS Teatr, including 32 Philips

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14 March 2016

Cementing itself as the industry's essential meeting place for the region, the show - which opened its doors at the SECC from 20-21 January - offered live product demonstrations, two days of high quality seminar sessions and over 75 brands in an environment ideal for networking and generating business face-to-face. Attracting visitors with a combined spending power of £130m, the development of the show reflects the continued expansion of the industry in the region.

David Steedsy Stevenson from Ward Steedsy Audio, distributor of Funktion-One in Scotland comments: "It's the first time we've had a trade stand at a PLAS

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14 March 2016

TEDxBristol's thought-provoking and fun-filled day of action, motivational speeches and presentations was themed Great Expectations and staged in Colston Hall, pulling a completely sold-out live audience of 1,800 and reaching an impressive estimated 2.7m following online on the day. One of the objectives was to highlight the optimism, energy and can-do approach that are native to the vibrant city of Bristol.

Production manager N

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14 March 2016

"We have a fantastic day planned based around a very competitive 18-hole team game. Bring your best shots for a day of fun, food, networking, competition and fund raising for the industry's charity. Once the golf is done, we roll into evening with a BBQ, raffles, prizes and the chance to catch up with friends and colleagues. Set in the beautiful surroundings of The Drift Golf Club, this is the only BTS golf day for 2016 so make sure you are registered with your tea

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14 March 2016

The Centre wanted to display live events in its sports café, with the aim of enriching the customer experience and extending the dwell time for visitors. The project's challenges included constant bright artificial lighting, long periods of operation every day and, not least, the need to contribute to a profitable business model.

Consultant John Goedegebuure from JG Enterprises was brought in, and the result was a very productive link-up between ISCG, dnp Partner xScreen Interactive and digital advertising company, CS Digital Media. This led to the world's first dnp LaserPanel solution being installed in a public venue.

Initially, four 50

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14 March 2016

Based on a novel by Jon Fosse, the opera tells the story of Johannes, a fisherman who finds himself in conversation with long-dead loved ones, eventually understanding that he is also dead. Co-produced with Deutsche Oper Berlin, the show's design replicated the almost dreamlike images in Johannes' mind. So bringing the harshness of bright sunlight to the opera's monochrome set was key to Giuseppe's lighting design.

As the fixture was representing the sun, it would also have to move over and across the stage during the production. This required the building of a large track

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14 March 2016

STS9, which plays self-described post-rock dance music, are one of the nation's top-grossing tour acts with a heavy presence on the festival circuit. Waller obtained the Clay Paky B-EYES from Brown Note Productions, Inc., in Thornton, Colorado, which has been working with STS9 for the last 10 years.

"This was our first tour with the K20s," says Waller. "I was already using a different downstage wash light, so I figured if I replaced them with K20s I'd get two lights in one. I use six of them on downstage truss primarily as wash fixtures on the band then engage their pixel mode during jams to a

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14 March 2016

VAULT Festival is now in its fourth year and with more than 200 shows in 2016, it is expected that up to 40,000 people will be in attendance. Andy George, festival director and production manager for VAULT Festival, comments, "VAULT was founded by myself, Tim Wilson and Mat Burt with one purpose: to provide a fair and equal platform for emerging artists to showcase interesting and risky work. A lot of what we programme would not normally be sta

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14 March 2016

The Emirate devotes these resources to its economic development, the promotion of its marine resources, the cultural identity of the country, and the education of the new generations, thanks to the organizational efforts of the Qatar Marine Festival Organizing Committee (QMFOC).

Visitors to the festival take part in a series of attractions, which the organizing committee works to transform into educational activities concerning five different focus areas: training, culture, the environment, sports and entertainment.

Lighting designer Massimo Tomasino spoke to us about the most engaging moment of the Festival for him, the Clay Paky lights and the local and international audience: The Sec

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14 March 2016

To enhance both its fixed install and rental services, LIGHTfaktor has also become a dealer for Czech-based lighting manufacturer Robe. Both divisions will operate out of LIGHTfaktor's headquarters and showroom in Austin, Texas.

The rising popularity of its experiential, interactive, engaging environments led to the formation of this new division, said Wes Lane, principal and lead designer. "We specialise in creating environments for permanent and one-off spaces, as well as designing custom lighting fixtures. The demand for both of those services has increased dramatically in corporate branding events, p

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14 March 2016

The Magna Tube is a lightweight but durable acrylic tube which combines with ADJ par cans to form a distinctive glowing-tube effect. Using its four strong magnets, the Magna Tube can be secured firmly to the metallic housing of any Flat Par or WiFLY Par fixtures, slotting easily into the included magnetic gel-frame adapter.

Ideal for mobile lighting users, the Magna Tube weighs just 1.6kg and each tube is 39in tall and 5.9in diameter (1008x208x208mm), making them easy to store in the back of the truck, while the included rubber covers ensure protection during transit.

The Magna Tube is available now from ADJ USA and ADJ Europe.

(LSiOnline)

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14 March 2016

"The Rogue fixtures give the church the flexibility to create a variety of different looks and do different things that engage people in new ways, not just at worship services, but also at youth events and concerts," said Duke DeJong vice-president of systems integration at CCI Solutions, which installed the fixtures. "Dynamic lighting has been a big part of the Sandals worship experience for years, and Chauvet's Rogue spot, wash, and beam fixtures fit the bill perfectly."

CCI installed a total of 28 Rogue moving fixtures at the church: eight R2 Washes, twelve R2 Spots and eight R2 Beams. While the fixtures will move around on a regular basis, at the time of opening a group of four R2 Washes

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14 March 2016

This year he and Temple Media CEO Dan Chiorcioiu created a new lighting design and video set-up for the event, lighting the stage with nearly 100 LED fixtures. These comprised 20 x XR 200 Beam, 10 x XR 230 Spot, 16 x XLed 1061 Wash, 16 x XLed 2007 Beam and 30 x XLed 3007 Wash. They also added some other effects on the side wings, all under Resolume control.

The XR 230 Spots and XLed 1061 were located on the upstage centre and downstage trusses, and the XR 200 Beams were r

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14 March 2016

Inskip - who has served as lighting designer for the Sheffield band for the past five years - employed the strobes to cut through the brightness of the show's significant video element.

"In terms of output the SL Nitro 510C is great," says Inskip. "It is bright enough to still have impact during the video heavy parts of the set. In addition, the strobes' great color mixing meant that they worked well with the content on the video wall to create an overall look instead of fighting to be seen."

Inskip positioned 12 units upstage tucked in between video strips that made up the

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14 March 2016

Belgian design practice Painting with Light has created the set, lighting and video designs for this vibrant show, a contemporary take on Romeo and Juliet. Painting with Light's Luc Peumans imagined the set, working alongside his talented team of Paco Mispelters who created the lighting and Michael Al-Far who designed the video.

"It was a fantastic opportunity to show what Painting with Light can do as a full live show production resource," commented Luc, whose original ideas for the scenic were chosen from a competitive pitch.

Luc and Painting with Light have worked on previous Holiday on Ice productions for Dutch producers Stage Entert

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14 March 2016

KAABOO was held at the Del Mar Racetrack & Fairgrounds over three days, with 100 musical acts filling seven indoor and outdoor stages. Festival lighting designer Chris Lisle was tasked with delivering unique looks to each stage. "We had a lot of fun playing with architecture," he says. "We created ambience and environmental looks across the site."

The main stage, Sunset Cliffs, featured over 50 active Sharpys layered throughout the rig to give big visual punch. The EDM (Encore) stage used 24 B-EYE K20s in the design, primarily shining toward the audience for big effects and visuals. "The B-EYEs were used in shapes mode," notes Lisle. "We took advantage of a lot of the great built-in macros. They performed great, a

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14 March 2016

For an MK show at Olympia Theatre in Dublin, Conor used an all-Elation rig as energy-inducing visual support for a catalogue of house tracks. Having worked on previous MK shows in Ireland, Conor worked with Session Hire Dublin to design and operate the show with Session Hire providing crew and supplying all of the lighting.

"I have worked with Session Hire for many years as a freelance designer and together we have provided lighting to MK's previous Irish tours in several venues in Dublin over the years, as well as Cork and Galway," Conor stated of the relationship. "For MK's Olympia Theatre show, we used Elation's compact Rayzor Q7 LED moving head as

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14 March 2016

Kevin, searching for a new look to the lighting and a change from the moving light brand that had been used in the past, decided Big Week NYC was an ideal chance to give Robe's BMFL Spots and Pointes a centre stage position for all the action.

He credits lighting designer Michael Gionfriddo with the high-energy display featuring Robe BMFL Spots and Pointes that accompanied the truly a

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14 March 2016

"The eyes make the lion come alive and touch everyone in the audience," said Daniel Bouchard, production director of Life in Color, the popular festival, which this year is featuring the lion as part of its Kingdom theme. "We gave the lion a personality and a spirit, if you will, through the eyes. These are eyes that move and blink and change colours, so regardless of where you are, you feel their presence."

Bouchard and lighting designer Collyns Stenzel gave the lion its lively eyes by usi

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14 March 2016

For performances at the Shanghai Grand Theatre (SGT), lighting designer Nick Hung added a new dimension to Graham's classics by using numerous Source Four LED fixtures controlled by a Gio lighting control system. ETC's Chinese dealer, Hangzhou YiDaShi Lighting Equipment Co, also played a significant role in the event, by providing technical support for the show.

The programme at SGT, Three Masters of 20th Century Art, featured several of Graham's most prominent dances, including Chronicle, Deep Song, The Rite of Spring and Lamentation Variation. She created the pieces as a symbol of opposition to fascism and war. They blend three elements - lighting, music and dance - in a nod to artistic masters Pablo Pic

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14 March 2016

Sound Space Vision enhances the rapport between performers and audiences, combining excellent spatial and technical design by AMPC with superb acoustics from SSD. Popular with audiences and operators, their performance environments are held in high esteem by artists. The creative, dynamic team includes specialists in acoustics, lighting, sound, stage engineering and audio-visual design to provide a complete acoustics and theatre consultancy service that touches all the senses.

Anne Minors Performance Consultant

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14 March 2016

PR Lighting's German partner, Focon Showtechnic, was brought in by technical production company, BST Becker Studio Technik, to provide PR Lighting's PR5000 Spots and Beams to add further impact to the show. These met the requirement of the light designers, Claudia Cronauer and Christian Conrad. Focon product manager, Jens Ottenhus says: "They were looking for powerful moving heads, with an accurate and sharp projection that also delivered a good all-round performance.

"The PR 5000 Beam, which formed an important part of this lighting design was extremely bright, and did a great job. It delivered high outp

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14 March 2016

Yorkshire-based roofing company Ploughcroft commissioned Bawn to create a stunning light show at the Halifax tower to celebrate reaching a huge milestone in energy saving for homes, schools and businesses across the county. Named Ploughcroft Eco Northern Lights, the light show saw the 45.7m (150ft) tower illuminated in vibrant hues and stunning textures.

"I added the SuperSharpys, which were sub-rented from Dry Hire Lighting via HSL, to deliver an aerial dynamic to the design," says Bawn. "The fixtures didn't disappoint - everyone was very please