Lighting

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14 March 2016

"The biggest decision I made when looking at the TV show was to go completely in the opposite direction," said Jackson. "This design focuses on crafting a look that celebrates the feel of the show, but has its own identity."

Additional measures were taken to ensure that the differing artists were given varying looks: Musical artists require the feel of a concert, comedians, a television special appearance, and acrobatic sequences were lit like a dance piece.

One challenge to designing the show came from the fact that truck space was

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14 March 2016

This year, Extravaganza was held 27-29 September in the Lanxess Arena, a modern multi-purpose venue site in Cologne, Germany, and was attended by about 50,000 visitors. Madeleine Albright, former U.S. Secretary of State, was the special guest for this edition.

The entertaining aspect of the convention featured a richly decorated stage - on which the Shadow Dancers ensemble performed - and large mirror balls suspended over the audience.

To illuminate this impressive setup, Planet Service - a company specialising in consulting, design, construction and lighting design of major events, as well as technical partner of Herbalife for its international conventions -

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14 March 2016

Shrom was challenged with programming a rig which would have as much impact outside in daylight as it does when the band moves inside arenas.

Shrom worked closely with the band, tour project manager, Chris Diener and show designer, Raj Kapoor in designing something that worked well in all scenarios - choosing a dynamic rig featuring Sharpys, Atomic 3000s with color scrollers, Nocturn UV lights with Eclipse Shutters and MAC Auras.

"I know the Jands Vista T2 well and I can programme it very quickly. I've been using the Vista software now for almost five years. I love the timeline feature: Its simple, easy to look at and work in. The less thinking I hav

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14 March 2016

The New Zealand based band - known for their improvised live performances which embrace multiple styles including dub, reggae, soul, jazz, blues and techno - returned to Entec to supply all their production needs following a hugely successful previous one off at Brixton Academy in 2011.

Once again, choosing a company that could deliver all their production elements from one source proved an efficient and cost-effective solution.

The band's Lighting designer Mark Butler sent in this plot which Entec's lighting division matched. There were three over-stage flown trusses, all raked at jaunty angles, and three upright trusses on the floor, giving the performance space a dynamic, off-beat look an

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14 March 2016

"It all began when we brought Forman & Associates in to speak about LED luminaires for the theatre," began Militello. "They then called me back a few weeks later with a proposition from Philips Entertainment that would allow us to get the PL S

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14 March 2016

"Our services are eye-catching from both the audience and technical side. The worship music portion of our services is similar to what someone would experience at a concert," states Greg Bacus, central team leader of technology, LifeChurch.tv. "With Martin, we're able to deliver what we need for each service in each location, providing a fixture that's superior quality, cutting edge, and at a price point a

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14 March 2016

The report was the culmination of an inquiry which was launched just over a year ago with a call for evidence from the Committee, which is made up of MPs from across all political parties. PLASA made a detailed written submission as to how the creative industries can be better supported, with a particular emphasis on the value and importance of the Entertainment Technology sector. PLASA's evidence focussed on issues around allowing companies to promote their involvement in the Olympics, tax relief for apprenticeships, improving protection for intellectual property and helping SMEs in the sec

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14 March 2016

The Royal Australian Navy International Fleet Review symbolised 100 years since Australia welcomed their first Naval Fleet into Sydney Harbour. It was Imagination's job to celebrate that milestone in a way the entire city and the world would take notice of.

The spectacular was created in seven acts, from introducing the original fleet, through 100 proud years of service to Australia, current capabilities, a moment of reflection for the fallen and a finale to rival Sydney New Year's Eve, the show was a once in a lifetime project.

Imagination conceived, wrote, designed and produced every element of the show. For the first time ever, fireworks were launched from seven warships, combi

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14 March 2016

All four days proved to be busy with inquiries from the UK, Europe and the rest of the world, with clients eager to learn more about the screens, along with all the other LED products in the MilTec range. The Mini-Map has 36 tricolour pixels, controlled via DMX512. Two versions are available- the touring module has PowerCon and 5-pin XLR connectors and an M10 fixing point. The installation module is a low-profile product, and comes with a backplate and IDC connectors for quick and easy fitting.

The busy show has turned into a busy month with orders for Mini-Maps from the UK and Canada now being processed along with continued demand for the Batten2 LED batten. The Mini-Map screens are built by Miltec at their HQ in Kent, England.

"We

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14 March 2016

The Robe student 'PLASA experience' scheme was initiated last year by Ian W Brown, sales manager from Robe UK in conjunction with Stuart Green, course leader from Prifysgol De Cymru (University of South Wales). It is designed to give successful applicants a taste of the high-pressure, rough-and-tumble world of trade shows and first-hand experience of this lighting industry element.

The four lucky 2013 students - Owain Jones, Heather Kirby, Greg Westwood and Beth Mae MacDonald - were selected after submitting a CV and engaging in a phone interview with Ian who comments, "They were all really high calibre." Havin

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14 March 2016

"Originally St Mary's wanted lighting solutions for three venues, namely, the school hall, a studio which is used as the drama practice room and an outdoor auditorium," explained Nick Barnes from DWR who headed the installation. Michael Broderick, a lighting specialist, consulted to ensure the correct equipment was specified. Due to pricing and budget constraints, it was decided to commence the project with the school hall only.

DWR took out the outdated lighting infrastructure and replaced this with two stage lighting bars, one FOH Lighting Bar, four

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14 March 2016

Ten Clay Paky Sharpys were rigged in a circle high in the disused main hall of the Welsh Church on Shaftesbury Avenue for an interactive art performance entitled Nest. The fixtures' beam was used to create an acute criss-cross prism of clean, directed light around the space. The innovative performance was based on Homer's epic poem The Odyssey and featured cutting-edge dance troupe New Movement Collective.

Robin McNicholas, one of the directors of MLF explains why the fixtures were so valuable to the performance: "The production itself was a holistic collaboration where costume would inform choreography, which would in turn influence the

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14 March 2016

New in Luminair 2.5 are improved Timing FX options, including Global Timing, Tap Tempo, and Sound Active modes, which allow users to easily create automated, fully-customizable playlists of their lighting scenes.

The new Sound Active mode can detect sounds from the built-in microphone and other audio-input hardware, to trigger automated light shows. Sound Active mode also supports Inter-App Audio on iOS 7, allowing users to send audio directly from supported 3rd-party iOS apps like Algoriddm's djay 2 and many more.

Also new in 2.5 is the ability to control Philips Hue lights right alongside professional DMX-controlled lighting on stages, in !lm and TV production, architectural lightin

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14 March 2016

The annual Tecnópolis exhibition runs for three months and is focussed on new technologies, techniques and advances to stimulate creativity.

Buenos Aires based lighting design and service company Pampin Luces designed the ornamental, environmental (encompassing the different spaces and rooms) and landscape lighting scheme, which is based on a different concept each year.

Lighting equipment includes 36 x Robe LEDWash 1200s, 30 x LEDWash 600s, 20 x Actor 6s and eight MMX Spots all from Robe's ROBIN series, plus 120 x LEDForce PAR 18s, four CitySkape Xtremes, 40 x CityFlex 48s and 20 x Anolis ArcPad 94

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14 March 2016

LumenRadio's CRMX product line is increasingly becoming a standard feature in professional fixtures. Their patented Cognitive Coexistence continuously monitors and adapts to the wireless environment to deliver a durable wireless link in even the most challenging environments.

SGM were one of the first manufacturers to launch wireless connectivity within their fixtures, originally using another wireless technology. As part of their continuous strive for improvement, head of development Finn Kallestrup evaluated the available wireless products in early 2013 before settling on LumenRadio's CRMX technology for all SGM produc

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14 March 2016

Philips Entertainment supplied a selection of the Selecon PL range of LED luminaires alongside Vari-Lite discharge and LED moving heads. All were delivered in tandem with onsite training and support throughout.

Enabling C venues to take full advantage of the creative benefits of LED in many more of its venues kit included the Selecon PLcyc1, the PLfresnel1 and the PLprofile1 augmented with the Vari-Lite VLX3 LED luminaires and VL440 Spot luminaires. In addition the VL440 Spot bought the energy efficiency of the super-bright 400-watt MSR Gold 400 MiniFastFit lamp plus a host of creative features including: powerful colour mixing, quiet and reliable strob

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14 March 2016

24 delegates attended the Johannesburg event and DWR Distribution's Nick Britz, presenter of the Avolites Titan Training, was delighted with the response.

Topics covered included workspaces, patching, groups, controlling fixtures, palettes, playbacks, basic timings, chases, shapes and running the show.

Interest in the training event was heightened thanks to Avolites' Emma Thompson presenting a similar seminar in South Africa in 2012. As Britz and his assistant Gareth Chambers regularly train Avolites users on a one-on-one basis and provide daily technical support, the workshop was infor

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14 March 2016

Wes Matthews began his industry career aged 14 and now has 20 years' experience and hands-on knowledge at the 'sharp-end' of the industry. EMTO was founded four years ago to facilitate the supply of lighting and visual design projects in which time Matthews has established a reputation for providing well engineered, high quality, imaginative and interesting solutions for all types of venues, spaces and circumstances.

"The time is right to diversify and move the company forward and our intention is to establish the Foreground brand as a good-looking, robu

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14 March 2016

During the initial build of the auditorium, four Jands JLX lighting bars were installed; three in the stage area and one front of house. Jands also supplied winches, curtains, wiring and a Jands WM wall mounted patch panel system.

More recently Top End Sounds supplied an ETC Source Four package including eight Source Four Zoom 15-30Deg Profile, six Source Four Zoom 25-50Deg Profile and six Source Four Fresnel including gel frame and barn doors.

"The ETC fixtures have been excellent, absolutely fantastic!" commented Ian Clarke, property manager at the school. "They've made a huge difference to the professionalism of our performances."

For lighting control an ETC SmartFade compact co

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14 March 2016

//hapo's vision was clear: to create an interactive exhibition space where the story of Southern Africa, dating back 3.6 billion years, unfolds in an engaging narrative and visual form. The museum is split into a number of zones and scenes, each telling a different part of the African story. Lighting is used to evoke the feel and atmosphere of each scene presented.

Designed by a collaborative team of South African architects from Mashabane Rose, MMA and GAPP, Johannesburg based Gavin Olivier of Digital Fabric conceived and managed the technological aspects of the project. In the process he called on some of South Africa's leading integrators including: TDC Africa and DWR Distribution to deliver the lightin

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14 March 2016

The Stravinsky strives to improve and develop its features at every turn and to this end commissioned GDS, through its distributor Swiss Light Consulting, to supply a new lighting system able to specifically adapt to the modularity of the stage area.

During orchestral performances, for example, the depth of the stage and the position of acoustic baffles within the hall changes significantly. The system had to be flexible enough to accommodat

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14 March 2016

Now in its fifth year, the annual Locos in a Different Light sees students from all over the country lighting up the A4s. Entries are judged by industry professionals and will be marked according to a number of categories including; safety and conservation, energy and efficiency, object communication and innovation and aesthetics. The winning team will get the opportunity to drive a locomotive.

The competition has been a huge hit with performing arts students in previous years with many going on to bigger and brighter careers in stage lighting. This year's event will be attended by students from across the UK, includin

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14 March 2016

The DLFs and DLXs went straight on to the current series of So You Think You Can Dance which is being recorded at the Renaissance Centre in downtown Johannesburg and broadcast on national TV by SABC, with lighting designed by GHSA's Robert Grobler.

The LEDWash 600s join GHSA's existing rental fleet - which already contains a large quantity of LEDWash 600s. Stuart Andrews, Head of lighting at Gearhouse SA comments, "You simply can never have enough of these versatile fixtures."

GHSA services many top artists who are now regularly visiting South Africa on their world tours and so it's importan

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14 March 2016

The main advantage of these formats is they can be "imported" into design programmes so that the levels of light in the various areas that need illuminating may be rendered. The designer can therefore calculate the number of lights needed to achieve a certain lighting level, the distance between the lights and the area to be illuminated, and the spacing between the lights themselves.

In the past, this type of data was only requested by architectural firms, but today some lighting control desks (for example the GrandMA) and simulation programmes can import IES files. Lighting designers, directors of photography and installers can therefore now calculate in adva