Sales director David Faulkes explains: "We have been increasing our export business over recent months and the time is now right to separate the business into two definable operations. This will enable us to improve our services to our existing and future customers around the world. We will now have better control of design, quality control, availability, export and service functions.
"Continuity is very importan
The Show's director, Roger Fox, spoke to assure both exhibitors and visitors that the 2012 Show would be going ahead, explaining: "This announcement has come as a surprise to us today and at a time when planning for the 2012 Show was well advanced. Discussions to secure an alternative venue are already in progress, which we see as also an opportunity to offer improved facilities for our exhibitors and visitors."
At present it is unsure if the Show's previously published June 2012 dates will be available at an alternative venue, but all effort is being made to avoid changes to the timing of this important annual ev
Managing director Maxx Kaiser explained, "We used 20 of our Clay Paky Alpha Spot HPE 1500 lights for the project. The city of Augsburg fully supported us in the project, turning off the Town hall's lighting and street lamps. In return, we lit up the Town Hall with the FC Augsburg football team colours since they were playing the last game valid for promotion, which they won."
Kaiser continued, "The installation was created after the Town hall closed. At around midnight we recorded the first videos and snapshots, and the entire production set was fully removed from the Town hall square before the beginning of the next work
This regional theatre organisation develops performances with specific appeal to children and youth and also co-produces many productions with talented independent theatre groups. Part of their mandate is to bring dramatic theatre out to the people and that is done in the form of touring productions that play in local schools and performing arts centres.
The challenge is that most of these venues are not equipped to accommodate the sometimes-elaborate productions. Many of the venues, in particular the schools, also have Wi-Fi networks that need to be functional at all times and interference from visiting wireless systems is not acceptable.
The solution came in the form of a portable LumenRadio CRMX Nova system. Performing in a variety of venues without adequa
The high profile event - produced by J and A Productions for the Recording Industry Association of New Zealand (RIANZ) - was staged in the Vector Arena in Auckland. It is the largest and highest profile Awards show in the country.
This 46th edition of the VNZMAs featured live performances from a host of stars including Brooke Fraser, The Naked and Famous, Ladi6, Six60, Tiki Taane and Avalanche City and legendary Kiwi band Supergroove. It was telecast live on national Channel FOUR.
Cooper was lighting it for the second year, bringing a fresh and innovative style to the visuality, with all the lighting equi
The moving light package was supplied by Christie Lites Vancouver with the LC panels with P3 upgrade coming from Epic Production Technologies. Production and lighting design for the event was by Robert Sondergaard who incorporated a large amount of Martin's compact MAC 101 wash lights into his design.
"Since the 101s have come out they have become integral to the shows we do," he says. "Because they are inexpensive to rent, we
Clay Paky distributor DOKA Center was actively involved in the renovation of the theatre. "We have never performed such a large and varied amount of work in supplying for a theatre before", said DOKA's director Alexander Fokichev. "We were involved in all aspects from designing the scenic technology to supplying, installing and implementing the stage lighting equipment."
DOKA Center supplied 10 Clay Paky Alpha Spot HPE 575s and 14 Alpha Wash 575s for the main stage. The fixtures give the theatre's lighting designers free rein to create limitless graphic lighting effects. The prestigious nature of the project required extremely
HSL tendered and won the contract for lighting contractor, which was project managed for them by Thor-Andre 'Spantax' Saether. "It was a great honour to be involved in a project with such long traditions and we are proud to have picked up the ball on this contemporary version," he says referring to its origins as The Royal Tournament, a spectacle that ran from 1880 to 1999 returning to the live event calendar last year in this new format.
Spantax adds that it was also good to be working with Sinclair again following HSL's recent supply of lights to Top Gear Live
[1]tn.jpg "Ruth Sahanaya celebrates 25 years in show business")
Staging a night to remember in the Plenary Hall of the famous Kuala Lumpur Convention Center, Malasia, right underneath the Petronas Twin Towers, Sahanaya was easily able to convince her audience that there are many more years to come. Best known for her ballads, Sahanaya has won several national awards and is well recognised internationally, frequently touring and playing music festivals as far afield as Finland and the Netherlands, in the process winning many fans across the globe.
Working together with Jeffry Waworuntu, Ruth Sahanaya's husband and manager, Chew came up with a lighting design fitting for the occa
Zenex Wave, a Korean design and production company, used Medialon Manager Show and Media Control Software with an iPad to give a chance for the audience to enjoy and experience a 3D world of virtual reality on stage.
The performance is a musical and dance story about prisoners who lead a routine life, isolated from the outside world, and dream of freedom through a mysterious Bi-guep (a book with supernatural power), which happens to fall from the sky.
In VR BreakOut - selected for the 2010 Virtual Reality Content Support Project of Korea Creative Content Agency (KOCCA), Zenex Wave applies holograms to a commercial stage for the first time in Korea, realizing virtual reality on the stage by combining technologies like 3D projection mapping
In the run up to Christmas a spectacular show, Celebrate The Light, is being projected onto the front of the impressive 250 ft wide by 150 ft high façade of the church building. Drawing crowds of up to 5,000, and running six times a night, a Vista T2 is in control of this popular show.
Tim Georgeff, the Church's Creative Director, had been dreaming about producing a Christmas projection presentation on the building for some time. With the help of Steve Alford of leading technical production company Alford Media - who supplied three Barco 20K FLM projectors and a pair of Green Hippo Grasshopper media servers - as well as local graphic designer David Koss this became a reality.
Among the most anticipated features in this release of the ESTA/PLASA Award-Winning (2009, 2010 & 2011) software are its integration with VectorWorks 2011/12 (PC & Mac), providing the ability to do your design and paperwork in VectorWorks before exporting directly to LightConverse in order to see your work truly come alive; a real-time live object tracking system, which allows performers and objects such as moving set pieces and video screens to be automatically followed by moving fixtures and projectors during their movements on stage, and an increase in fixture capacity to 1,536 devices wit
This plunge in energy usage occurred at Walton High School and PS 86X, an elementary school. The two schools installed the new lighting systems as part of an experiment conducted by the Division of School Facilities, Board of Education, City of New York to gauge the cost-saving potential of LEDs.
The experiment began about four years ago, said Michael A. Fink of Magical Designs (Brooklyn, NY), who works as a design consultant to Prince Electric, which is under contract with the Division of School Facilities. "At that time, one of the division's inspectors approached me and asked if we could put in an LED (stage lighting) system at one of the sc
"It's going to be very tough," he said, revealing advance bookings were "about 10%" of their normal level. Three major musicals, he added, "are not going to play over the Olympics" - but he would not name them. Lord Lloyd Webber's Really Useful Group owns seven London theatres which are currently hosting shows including War Horse, Matilda and The Wizard of Oz.
The impresario said "big, big, big hits" like his own The Phantom of the Opera would continue during The Olympics. But he said some of his
The Robes were specified by the event's lighting video and production designer Thomas Boets of LD Productions, and supplied by rental company L&L Stage Services from Herentals, Belgium.
Boets designed visuals for all areas across the whole event - in which he has been involved for over seven years.
Seventy-six Robe Robin 600 Spots and 26 Robin 600 LEDWashes were used in the Blue Room, rigged onto to a series of trusses over the stage/DJ booth and on two box trusses - one inside the other - with curved edges that were flown above the audience. The
Producing a 10° vertical x 40° beam angle that's suitable for wall washing, the Mega 24PRO features DMX or manual control, RGB colour mixing, 32 built-in colour macros, a colour strobe effect and 0-100% electronic dimming. Its multitude of features, along with six operational modes, give the Mega 24PRO the ability to create whatever ambience or colour effects are needed, says the company, making it "ideal for theatrical productions, nightclubs, special effects installations, party venues, DJs, mobile entertainers and more".
"The Mega 24PRO is a great fixture to use for uplighting, which of course is currently a big trend in e
This comprised one grandMA2 full-size and one grandMA2 light console, four MA NPU (Network Processing Units) and three touchscreen computers, with grandMA2 on PC software running as backup. It all performed faultlessly while controlling 450 LED fixtures and moving lights from Philips Vari*Lite, Color Kinetics, Clay Paky and Martin Professional as well as a whole bunch of conventionals.
Lighting designer's assistant and head electrician Tobias Winerdal commented, "I have worked on Swedish Idol for seven years. We started out with another console and used it for a few years. We moved on to the grandMA full-s
Lund, located in the southern most part of Sweden, is home to Lund's University that was established in 1666 and is now one of Scandinavia's largest institutions for education and research. Lund's City Theatre is the centre of the local performing arts life. Productions range from visiting avant-garde dramatic theatre to locally produced crowd-pleasers like the recently featured musical Sweeny Todd.
When it was time to redo the signal distribution system for their main venue, major considerations were ease and cost of installation, as well as the need to accommodate future expansions and new technologies such as Ethernet and RDM. The theatre is located downtown and co-existence with other neighbouring radio systems was an absolute requirem
The tour required a lighting and set design rig flexible enough to fit a variety of venues, said Preworks' Andreas Reinbacher. Lighting operator Michael Mayler jumped in to help in the design - "to make the messages of the songs visible to the audience," Reinbacher said. Both artists are Austrian. Nik P. and his band perform what's known as Schlager, or easy listening pop music. Andreas Gabalier is a folksinger. Mayler used 10 Technospots, two DL.3 digital lights, two Showpix and two StudioPix LED graphic display fixtures and 10 Studio Beam automated luminaires. All were control
Incorporated in 1987 as a producer of disco lights and fog machines, the Danish-based company has grown over the past 25 years into one of the leading manufacturers of dynamic lighting and video displays. Martin's MAC line of moving heads alone has sold over 350,000 units and the company's growing line of LED products is among the fastest selling on the market.
The anniversary is also being marked on the Martin website, as well as Martin Professional's Facebook page, where industry professionals will find special opportunities to interact and share in Martin's look back at 25 years in the lighting industry.
"2012 marks our 25th anniver
Davie Bell, divisional sales manager at Stage Electrics, says: "We have been extremely pleased with the reception to the new Source Four Fresnel from ETC. Customers like the light output and with a wide choice of 375W, 575W or 750W lamps source it is showing itself to be a very versatile unit for a variety of performance spaces. We are out showing as many customers as we can our demo units and they are invariably impressed and placing orders. It is a strong addition to the ETC fixture range."
Other venues to which Stage Electrics supplied the new Source Four Fresnel include Bridgend Colleg
Ten major European stars from a diversity of musical genres - rock, pop, rap, flamenco, opera, brass band - battled it out to win the final of this popular series for the best re-interpretation of classical songs and music. They were selected from over 300 bands by the public vote via the website.
Hosted by popular TV presenter Nagui and classical musician Jean-Francois Zygel, the artist line up for the final included Italian opera singer Roberto Alagna, Anguun, France's 2012 Eurovision Song Contest hopeful and French jazz singer and guitarist, Thomas Dutronc. The show, recorded in the large Euromedia Studio 217, at the Studios de France in Paris, also inc
Hecker - one of Germany's most innovative designers - worked in close collaboration with Marc Lorenz, who looked after all the LED screen and video elements, to create the show and specify the equipment. It has been acclaimed as one of the best stage presentations of Die Fantastischen Vier's long and eventful career which has put German hip-hop on the map. The 14m wide circular stage was built with a combination of Lite Structures' standard and custom products. It featured four 5m thrusts, each at 90 degree intervals around the stage.
Above, it was crowned by four circular trusses at 8, 10, 12 and 1
"The visual concept was based on several stories which gave the opportunity to create a bond between the music, video and audience," Andrejs Dubkovs says of the setup, which is dominated by a large 36 x 12m background projection screen. "The concept of the lighting design was one of symmetry that was harmonically fulfilled via video art while combining bright and colorful theatre and rock style lighting."
Used as video complement and creating impactful lighting looks onto the stage and catwalk were MAC II
