Goboland
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Macon-based Total Systems Audio, Video, and Consulting have supplied vast amounts of technical equipment to the Church; no coincidence as their managing director is also the Church's technical director.
Recently the Church took delivery of a LSC Lighting Systems maXim LP console and are getting ready to purchase a maXim XXLP through LSC's USA dist
Lighting designer Stevie Marr has worked with the band for two years, and uses Adlib as his lighting supplier because, he says: "The service is excellent, they have the right attitude and the crew are always great - it's crew that really make a tour at the end of the day!"
For this stretch of the tour, he wanted all lighting sources to be at a low level, to give an edgy look that reflected the band's increasingly raw and harsh style of playing and their relentless energy. He also wanted them to be seen at all times, and so opted for an 'almost-floor' based rig, with a front truss used solely to provide key lighting positions.
The visually dom
Lighting designer/director Jason Cain (who also handled video operation duties) specified 20 Alpha Spot HPE 1200 luminaries for his lighting rig. "I chose the Alpha Line because of their light weight and bright output," Cain explains. "It was also nice to have two rotating gobo wheels, and the fixed wheel as well. I was able to achieve multi-layering of the gobos to produce different lighting effects."
The Clay Paky Alpha Spots were put into a moving light pre-rig that was built by Xtreme Structures. Any concerns Cain had about the lights' magnetic wheels holding
HSL's production manager Mike Oates comments: "We've been looking at serious high powered search lights for some time now, and both myself and Howard Dean have watched the A&O Lighting brand develop in Europe with interest. When Nick first mentioned he wanted to use them on the tour I was straight on to Marco Niedermeier [MD of A&O] to see if the units where available, which luckily they were! It was a pleasure to work with Nick, Phil and Neil from Electric Fly on this tour - from a suppliers point of view, they makes things very simple."
The influential Glasgow "post rock" band have been on a world tour since the start of
Lighting designer James Campbell was given the task of lighting the new series: "The brief was to recognise and produce the traditional Mastermind look, with a suggestion of different architecture, like the different locations they used in the original series."
The Lighting rig is made up of 20 MAC 500s and one Stage Zoom 1200.
"The central image to the show is the iconic chair, where I use an intense arrangement of moving lights (the MAC 500s). The background is kept black with the multi-dimensional beams in striking shades of blue."
By Campbell's own admis
Gordon Routledge, managing director at Dialight Lumidrives says: "We areentering a period of rapid growth thanks to an increasing number of customersrecognising our wide ranging LED expertise. Simon's role is to help us managethis demand and continue to widen our customer base."
Aldred adds: "Joining Dialight Lumidrives is a fantastic opportunity for me, asthe company is wel
"Lycian Stage Lighting is demonstrating its commitment to growing its international presence by submitting its products for CE. We will continue to put more product through the process," said Steve Lerman, director of sales.
"We can offer Halogen, HMI and Xenon followspots to the European entertainment industry that are brilliant, reliable, and durable. A broader choice benefits everyone. We're co
Having been a preferred supplier of audio-visual services to the award-winning Brewery for the past seven years, the London event services company PSL was the ideal candidate to handle the design and installation of new production facilities. "PSL is familiar with the building, and we're very comfortable with PSL," says Lawson. "They've led the design process throughout but we've been closely involved, especially when it came to the replacement of the sound system."
The Brewery has worked closely with PSL and the Corporation of London on
Attendees at the LDI tradeshow October 20-22 can get a personal introduction to the Virtuoso console and the new software at booth 1331 in the Las Vegas Convention Center.
New features in the v5.5 software include: new add/solo and go on fader playback modes, submaster priorities, redesigned cue data and live status displays, patch improvements, data conversion between fixture types, and trackball control for pan/tilt.
"Innovation is at the heart of who we are as a company. Our R & D team is skilled at staying ahead of our customers' needs and providing high-qualit
The History Boys, a multi award winning play by English playwright Alan Bennett, originally opened two years ago at the Lyttelton. After touring the UK, and then internationally, it enjoyed a successful run on Broadway earlier this year. Another UK tour kicked off this past August - this time with Martin's tungsten halogen wash as an important element of the rig. The History Boys will play at Wyndham's Theatre in the West End before the TW1s settle into the Lyttelton.
Simon Fraulo, chief lighting technician at the National Theatre, reproduced the lighting for the tour, making adjustments to lightin