Lighting

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14 March 2016

New at PLASA'06 is the Alpha Profile 1200 - a professional beam-shaper which combines the technology of the Alpha projectors with Clay Paky's patented framing system. The Alpha Profile 1200 has a wide-range zoom of 10° - 30°, a "total colour system", 14 gobos, animation effect and a prism. All the effects can be combined with endless varieties of beam shapes and sizes.

Also new at PLASA'06, the Alpha Wash 1200 is the most powerful washlight in the Alpha family. The optical system uses uniform CMY colour mixing which, together with a fixed colour wheel with linear CTO and a C

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14 March 2016

Based on his experience of more than 20 years working with Avolites and some of the largest companies in the lighting industry, Lodge believes that his new GSL Power Distribution company will bring something unique to the event marketplace. "We have developed (and are currently working on) a selection of new products and services that we know the leading rental operations are demanding," he comments. "They want easily customised products that are robust and reliable and GSL Power Distribution will provide practical solutions and developm

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14 March 2016

A Finnish invention, FogScreen generates a thin, dry fog that delivers an ideal on-screen look for live events, film and television productions. It enables people to actually walk through an image projected in mid-air. FogScreen uses ordinary water and does not contain any chemicals. "We chose FogScreen for its quality and its proven advanced technical characteristics," explains N. John Smith, executive producer of Stargate SG-1 and Stargate Atlantis. "

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14 March 2016

Martin offered a solution that provides the whole studio with basic colours used for makeup, which allows shoppers to have the same mood and colour recreated, of candle light, fire light, day light etc...

Fidaa Baddour, the marketing manager of Chanel - UAE says: "The Basic element and the main focus of makeup is lighting. In Chanel we say, 'Chanel Masters the Light'." Baddour continues: "The lighting in the studio is unique, that shows [the] professionalism of makeup depends on light directly. We trust that Martin is able to demonstrate all the colours we need and all [the] applications required."

Th

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14 March 2016

The varied programme included: film screenings, a comedy night, an evening of dance, and classical music recitals. Hawthorns were commissioned to provide entrance, stage and garden lighting.

"This years event was an interesting project," said Matt Oscroft the Hawthorn project manager, "with it being our second year working for this event, we realised we had to keep our designs and specifications fresh. This was achieved by using new configurations of Prolyte truss, which allowed us to use the maximum height of the Orbit structure. In addition, as the Clay Paky Alpha Spots we

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14 March 2016

Common Sense provides a wealth of input and output functions including opto-isolated contacts, keypad readers, analogue sensors, real time clock, DMX512, MIDI, MIDI Timecode, RS232 and RS485. A Windows software package, Sense-Edit, is used to configure the relationship between all of the inputs and outputs. This can include up to 350 discrete events such as 'When DMX channel 3 passes 50% send this serial data string'.

Common-Sense has recently been extended to provide even more functionality. The optical inputs can now be combined using Boolean equations to provide even greater triggerin

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14 March 2016

For the second year in a row, Rosenberg lit Broadway Bares. The revue is one of the many Broadway charity events coordinated by BC/EFA and took place at Roseland Ballroom. This year's theme was New York Strip. Rosenberg explained that the show was "a dance concert of 200 actor/dancers that came together under several different choreographers; each number

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14 March 2016

The family of Intelligent Drive Systems (namely the IDS-4 and IDS-12 offering a variety of built-in functions to run up to 144 LEDs) will be completed by the launch at the show of the IDS Wall Control and IDS Wall Control DMX. The two compact units - which can be either recessed or surface mounted - will remotely run up to 32 IDS Drivers by recalling the same functions also available on the Drivers themselves.

Furthermore the IDS Wall Control will offer a master dimmer for dimming all channels, whilst the IDS Wall Control will also offer the added advantage of individually dimming

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14 March 2016

Each tube houses 144 blue, red and green diodes, weighs under 4lbs and is 40-inch long and 3-inch wide. The system features 16 pre-set patterns, chases, colour flows with variation plus blackout.An optional controller, sold separately, allows users to select specific colours, making this ideal for retail, sports and corporate events where brand identification is vital.

The tubes are sold in packs of four. Using just four tubes and selecting the first four addresses would display the four lower frequencies in the band. If you

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14 March 2016

Mundocolor was looking for a proactive business partner says export manager Dave Simpson: "I was made aware of i-Vision, their work and their products, and soon thought they fitted the bill perfectly." He adds that once they met face-to-face, he was immediately struck with the company's energy and enthusiasm for the industry. I-vision already manufactures its own successful Lumos range of industrial and commercial LED luminaires.

The Mundocolor range - which includes stair nose and step lights, in-grounds, linear LED and neon

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14 March 2016

Lighting designer Jacques Rouveyrollis is affectionately known as 'The King of Vari*Lite' and has worked with Hallyday for 30 years. Director of the tour is Bernard Schmitt and Jacques' assistant is Nicolas Gilli.

The lighting specification includes 40 VL3000 spots, 35 VL2500 spots, 35 VL2500 washes, 15 VL1000 AS and 30 VL500s. The 'Flashback Tour' is an elaborate theatrical production, with Hallyday singing 25 songs both old and new. The set morphs from a destroyed theatre in to a contemporary scene throughout the show adding to the drama of the pe

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14 March 2016

Murray joined Northern Light from his own company, Edinburgh-based Liquid Lighting - and is no stranger to servicing high profile events. Working with venues, event organisers and directly with artists, he has been providing specialist hire services and consultancy for over 15 years.

To date, the Northern Light Events team have provided specialist lighting and sound hire to major events including the After Shock Arena at the Download Festival in Donnington Park, the Duracell Arena at T in the Park, the Braun Arena at t

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14 March 2016

According to Electroland partner Damon Seeley: "Color Kinetics' LED-based fixtures were the only technology that could effectively deliver the full RGB spectrum in a small package, while keeping power consumption to a reasonable level. We required a tried and true product with manufacturer support to do the job on a fast-track basis."

The space comprises a glowing ceiling and walls that are entirely lit by LED systems. Approximately 1,30

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14 March 2016

Whiteplane 2 immerses its audience between two horizontal planes of light, one coming up from below and one coming down from the ceiling above.

The floor and ceiling each contain 30 JTE PixelLine LED fixtures, chosen as one of the few types of lighting that could be made into a smooth and even floor of light and walked over for 12 hours a day whilst emitting virtually no heat.

The audience enter the space and sit, stand or lie between the two planes of light, which change colour and intensity as the piece unfolds. The multilayered physical experience is completed by the 'walls' of sound coming in f

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14 March 2016

The annual three night extravaganza organised by Michael Eavis partly as a thank you to the people of Glastonbury for their acceptance of the main festival and also to raise funds for Glastonbury Abbey, this year hosted Jools Holland, the Royal Philharmonic Orchestra and the Rat Pack, performing to thousands in the beautiful surroundings of the Abbey.

Having been involved with Glastonbury Festival for eight years and Glastonbury Abbey for 11 years, Dick Tee of That's EnTEEtainment was the production manager for the show, overseeing the complete production from build up to break down.

Arriving on site five days prior to the event, Tee and his tea

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14 March 2016

The National Theatre's lighting resources manager Alex Murphy said: "We initially tried the unit as we were extremely tight for space. However, when we turned it on and saw the light output and played with the zoom we knew we were on to a winner. We're just trying to find new places around the building to use them now."

David Morgan of Lighting Partners added: "We are delighted to build on our relationship with the National Theatre and to have been able to bring the Showtec product to their attention with an on site demo."

(Lee Baldock)

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14 March 2016

Mark Broadhead, installation manager at local dealers Matthews Electronics, who service many of the local bars, says that the comprehensive Wharfedale range offers so many options, that each venue can have its own tailored Wharfedale-specific sound to reproduce the wide range of background and DJ sound. This was certainly a feature that appealed to DV8 owner, Wayne Toon.

The 900-capacity venue was in a run-down state when he purchased it some four years ago and added it to his 150-strong community pub portfolio in the West Midlands. Recently he decided to commit in the region of £300,000 to developing a bar that would build up the early evening trade.

DV8 itself, which trades with a 6am license, is something of an institution in the city. Whil

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14 March 2016

This second series was produced by independent TV channel JOJ, and recorded in Koliba Studios - the largest in Slovakia. Like the massively popular first series, it also utilised Robe ColorSpot 1200 ATs.

Vyvoleni quickly became the top rated TV show for its three month run, where 15 housemates including four couples vied for some serious money prize and the chance to become celebrities.

The TV action included twice daily 'house visit' shows, plus a weekly eviction show with an interactive and very enthusiastic live audience.

Kubanka is a big Robe fan and uses the luminaires regularly on most of his work which includes high profile shows like Superstar and large TV

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14 March 2016

After leaving school he spent six years in the family engineering business with four years at college studying engineering and management, and took over the running of the business just as the 1980 recession took hold, and the company closed. Fitch was faced with the choice of unemployment or seeing if the hobby could become a business . . .

Starting with six lights and a dimmer board (laughably described as 'portable', Fitch recalls), and working from the garden shed, Fitch made inroads into the local school and amateur market. Aquiring second-hand lanterns, he build up a stock

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14 March 2016

Recognized as one of the most advanced art lighting systems in Europe, the $900,000 installation, done by Thorn Outdoor Lighting, turns Stoke's Civic Centre into a giant 300ft by 75ft canvas for colourful light shows each night, designed by students, as featured in January's issue of L&SI.To facilitate the demanding requirements of the installation, Thorn chose W-DMX IP65 units for wireless control of the entire system.

The building is illuminated by 57 groups of DMX-controlled, Thorn RGB LED strips (more than 100 fixtures in total) fixed to the building. These c

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14 March 2016

At PLASA 06 Pharos will be introducing additional products to the LPC range, including the Remote Input Output (RIO) Module, and demonstrating the latest designer software, with a host of new features including Mac OS-X support.

Pharos will also preview a brand new controller which will extend the Pharos range in a new direc

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14 March 2016

However, even though the hired rig will be coming back to White Light, the show is not ending. Instead, the producers and original lighting designer Kevin Sleep have decided to update the rig to give the show a fresher look; anticipating a long continuing life for the show, they have decided to purchase rather than hire the new lighting. White Light's hire team will no longer be involved with the show, but the sales team are working to provide an updated version of the rig, based largely around ETC's Source Four profile. The changeover will happen at the end of August.

"This also means that we'll be getting back

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14 March 2016

New to the DecoPAR range of fixtures are PAR 16 and track-mount models. Available in a variety of finishes, DecoPAR is more than a light source; the fixture is a scenic element itself.

The ColourPix range of LED display systems has been expanded to include high- and low-res modules comprised of interlocking panels, custom-configured for pixel pitch and size depending on the project. A touring version of ColourPix high- and low-res modules is offered for repeated transport, rapid setup and teardown.

Alpha One of Germany offers Falcon high-power, compact fixtures for architectural and portable use. Xenon and Metal Halide models are available, in static or automated versions, and IP-rated for outdoor use.

Interactive Technologies' new CueServer playback processor is a self-contained, web enabled solution

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14 March 2016

Ollie Jeffery, technical show manager at the Albert Hall explained the production, "We were originally asked by Neil Sedaka production team to provide a three colour wash and a special for the Piano. We developed from a three colour wash to a comprehensive lighting rig using a mixture of generic and moving lights."

They felt that the best light to give good images on the backdrop would be the new Mac 700 Profiles which were supplied to them by White Light. Its variety of gobos and animation wheel was a big advantage