Lightfactor’s SGM Roadshow
- Details
The show was de
The show was de
Also on show will be The Battery, The Goblin and The Roama.
The Smoke Company can be found on stand D33
Designed by the highly reputed Frank Matcham, the Gaiety Theatre was built in 1899 and opened in 1900. Located at the rear of the auditorium above the balcony, the exhibition houses lighting equipment from the early days of electrical theatre lighting. Most of the old lighting from the theatre has found a new home there, as has the 1960's control system from
It’s a multi-site Son et Lumière show - the audience sees the 90-minute spectacular on foot and stroll about 2km during the show, being guided by a blue line of light. At each of six main buildings or sites, they see and hear a show with dramatic lighting and projected images. The show was designed by Philippe Noir and Christine de Vichet. Lighting design by Pierre Boudeau and Vladimir Lyszczynski, sound by Daniel Deshays and images by Serge Fouillet. The main technical contractor for the event was AEB, with Cyclope providing the large format filmstrip projectors. Electrosonic France was responsible for overall show control and slide projection.
With an overwhelmingly positive responses from this, and a follow-up meeting in Melbourne, organisers Andy Ciddor and Cat Strom (Forcer) have decided to press ahead in establishing an Australasian Lighting Industry Association, provisionally entitled ALIA.
Discussions at the meetings were based around a widely-circulated proposal prepared by Cat Strom, Steve Furzey and Andy Ciddor, the text of which can be found on the preliminary ALIA website - www.lighting-association.com.
It was agreed that a broadly-based and inclusive lighting industry association is a worthwhile goal. Members of Australia’s existing lighting association, the Illuminat
The main focus of the stage was a giant Screenco LED screen. This had been rigged to facilitate a C4 broadcast of the Ashes cricket from Edgebaston on the Thursday through Sunday. However, Channel Four then decided it would create a great local buzz of they threw a party on the Friday night, offering an opportunity to groove the summer evening away with the best in contemporary club vibes with local hero - the Fatboy himself! They then decided to broadcast parts of the party a week later on C4’s ‘Fatboy Slim Night’.
The Fatboy Slim event originally started out just as a just live show, with Rainmaker initial
Taking her audience through a wide range of moving effects, Julie also used the compact DHA
Laser Studio continues to manufacture, sell, install and hire the latest in laser technology. Re
The dimmer offers 32 Amps - continuously rated - in six-channel modules. Each channel has 240µ rise time - optimised for silence on both dimmer and fixture - and forced air-cooling via a speed-controlled fan. C-Type breakers are fitted to deal effectively with high in-rush currents. For full flexibility, the Art2000-TV module is available in two standard frame formats - 2 bay (12 x 32 channels) or 4 bay (24 x 32A channels). Art2000-TV’s top-mounting control mod
The venue chosen was the Messe Congress Halls in Dusseldorf where six halls were booked to cover the main events, the Gala dinner and an exhibition centre. Hall 9 was the main convention site and covered 11,000sq.m. The set was 65m wide and contained two 20ft x 15ft screens. The principal feature of the conference was to reward delegates for sales throughout the
Guide to Australian EMC Framework: contains advice on the EMC and C-Tick labelling requirements for equipment destined for the Australian market.
Basic Guide to the FCC Rules: contains advice on application of the USA Federal Communications Commission (FCC) rules on EMC for entertainment equipment.
Standards for Dimmers: contains advice on the applicable safety
Models in the unpowered Lightforce 2 range run from the two-way LF32 1x10" plus 1" compression driver, whic
ADDA can be found on Stand G37.
BSR E1.18, Recommended practice for the selection, installation, use, and maintenance of single-conductor portable power feeder cable in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain single-conductor portable power feeder cables. The project will promote safety and compatibility in the equipment and practices used in live performance and in film and video production in North America.
BSR E1.19, Recommendations for the use of ground fault devices in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain ground fault protection devices in the entertainment industry. The project is intended to promote the use of these devi
JHS can be found on Stand E46.
L&SI will be based on the Lower Deck (stand K19), where we will be offering free readerships to qualifying UK industry personnel, plus special offers on international subscriptions only available at PLASA 2001 - plus PLASA Media freebies to all new subscribers!
L&SI can be found on stand K19.
Constella can be found on stand L5.
Lister has teamed up with Clive Davies, the technical mind behind Laser Electronics, to form Vivid, which is based in brand new 12,000sq.ft high-tech headquarters in Wakefield. Vivid manufactures a rotor moulded, stylish lightweight case which can be colour-matched to any interior. Each unit weighs less than 15 kilos and can be daisy-chained like any intelligent lighting rig. Vivid claims it's the