The entire future of automated lighting and, the application of high powered video projection, moved a big step forward at Showtech in Berlin this week, with the European soft-launch of High End System’s new product, Catalyst. Developed for HES by English design company, Wynne Wilson Gottelier (WWG), the alpha version of Catalyst created a considerable stir at the show. Mounted on the front of a Barco ELM R12, a 12,000 ANSI lumens output, triple-DMD video projector, Catalyst allows an image to be moved smoothly and positioned accurately, time after time, within a global envelope. As it is video-based, Catalyst allows truly unlimited colour mixing, with a selection of masks that act as framing shutters or overlays on video clips.

The system is delivered with hundreds of gobo patterns, that can again be overlaid, including the entire DHA and High End libraries. All of these facilit

London's Southwark Cathedral has been described as Shakespeare's church, where clerics and commoners alike congregated amongst the infamous bear baiting pits, brothels and theatres in the surrounding area. However, having been immersed, and to a degree obscured, by a network of roads, railways and warehouses for the past 100 years, the glory of Southwark Cathedral has now been reinstated. On Saturday 28 April hundreds of people turned out to see former South African president Neslon Mandela re-open the cathedral, as the culmination of a restoration and building programme. Southwark Church, previously a monastery, became Southwark Cathedral in 1905 and now, nearly a century on, an interior exhibition linking the building's past with its present takes visitors on a remarkable journey through time. Myriad Productions Ltd was commissioned to research, curate, design and install the exhibitio

AC Lighting will use the PLASA Show to underscore its recent appointment as a distributor of Canadian manufacturer MDG’s range of non-stop haze, fog and low fog systems. Visitors to AC’s stand will be able to see the range of MDG machines which employ CO2 gas for their propellant and have an in-built Automatic Purging System (APS) which purges the heating module after the first heating cycle and after every emission of fog, preventing residual build up and clogging. The complete range includes the Atmosphere and Touring Atmosphere Haze Makers, the MAX 3000 and MAX 5000 Fog Makers, the ICE Fog low fog generator and ICE Fog Touring low fog generator.

A unique hazing system is encompassed in the Atmosphere models that utilizes a safe mineral oil that is heated to a precise temperature and infused with inert CO2 gas to exponentially reduce particle size (0.5 - 0.7 microns). Th

Following a reorganisation of its business, Playlight is hosting a massive auction next Tuesday, where literally hundreds of items will come under the hammer. On the lighting side these include a collection of lighting desks and dimmers, and just about every type of lantern and moving light under the sun. For special effects, there are smoke machines, mirror balls, projectors and ultra-violet systems, whilst on the audio side, a large stockholding of speakers, amplifiers, mixing desks and microphones will be auctioned. Rigging and trussing will also feature, as will a range of office furniture and general equipment.

The auction takes place on Tuesday 22 May in London at 860 Coronation Road, Park Royal, London and begins at 11am. All items in the auction can be viewed on Monday 21 May from 9.30am to 4.30pm and on the day of sale.

For a catalogue call +44 0117 930 4020.

iLight Ltd, a specialist in lighting control systems, continues to expand its team with the appointment of Crispin Rock as project engineer. Rock joins iLight from an entertainment lighting background, latterly working as a freelance lighting engineer with the television industry and on the London Eye attraction. Prior to this he spent 10 years in Australia developing his technical skills on a varied range of projects. As project engineer, Rock will be responsible for ensuring the smooth management of installations on site, liaising with electrical contractors and lighting designers. He will also use his electrical engineering skills and 'keep his hand in' by undertaking the role of commissioning engineer on certain projects. And he has already 'hit the ground running' working on two iLight projects in London - commissioning the O² Centre, a cinema and shopping complex and Atlantic Hous

The LeMark Group has announced that Neil Baldock has been promoted to process manager within the Group's custom gobo making facility, Hot Metal. To maintain and reinforce the growth of the venture, Mark Gibbons returns on a full-time basis and joins Hot metal as sales co-ordinator after completing his final year studying Marketing & Business Studies. Both Mark and Neil's faces may well be familiar, both having "served time" with LeMark at Trade Shows within the UK and the USA. Hot Metal produces custom gobos here in the UK and allows LeMark''s clients the ability to ensure fast turn around on custom designs, or select from the extensive ex-stock choice of GAM Gobo's. At the same time, the company has announced that general manager Jeremy Bramley is moving on to further his career within the lighting industry, having accepted a senior management position at CCT Lighting.

Artistic Licence has developed a custom colour-changing LED module called ‘Street LED’ specifically for a new installation that has just opened in Plymouth, Devon. The Plymouth Pannier market project was designed and installed by Pyramid Productions using an all-Artistic Licence system. Individual control of the Street LED modules was provided by an LVD-12 in the base of each tower. Each LVD-12 was controlled by a Show-Control 60-channel DMX512 controller.

MDG’s Non-Stop haze, fog and low fog generators, which come with a 10-year warranty, are now available in the UK from AC Lighting Ltd. MDG machines employ CO2 gas for their propellant and have an in-built Automatic Purging System (APS) which purges the heating module after the first heating cycle and after every emission of fog, preventing residual build up and clogging. The complete range includes the Atmosphere and Touring Atmosphere Haze Makers, the MAX 3000 and MAX 5000 Fog Makers, the ICE Fog low fog generator and ICE Fog Touring low fog generator. The ICE FOG models can produce an overwhelming effect of pure white fog capable of filling an area up to 1000 cubic metres.

A unique hazing system is encompassed in the Atmosphere models that utilises a safe mineral oil that is heated to a precise temperature and infused with inert CO2 gas to exponentially reduce particle size (0

Production Resource Group company Fourth Phase has announced the opening of a London facility to service the theatrical and corporate theatre market, with Alan Thomson at the helm as managing director. Fourth Phase West London (formerly Production Arts Europe), providing large-format projection systems, has been relocated to this location. Rental operations are based in Croydon, while a sales office is located in Central London.Thomson told PLASA Media: "Fourth Phase London is a small compact facility incorporating the consolidated inventory of The Spot Company, Midnight Design and projection equipment from Production Arts. Our approach is very targeted, assisting designers who are looking for a personalised, friendly and professional service. The rental team is comprised of James Hall and Jedd Hamilton. In the coming months, we will incorporate a state-of-the-art CAD WYSIWYG facili

The long awaited release of the NJD Mirage Colour Mixing System has arrived. Shown in its prototype 12V format at the PLASA Show 2000 the Mirage has received eight more months’ development and now boasts many additional features including a 30V version that now allows up to 64 heads to be connected to one power pack. The Mirage works on the RGB colour-mixing principle. By using microprocessors to mix minute amounts of colour from the three 50W dichroic filtered lamps, a choice of 65,000 colours can be projected onto any convenient surface. Accessories include, a downlighter kit for flush fitting (with a choice of black, white, silver and gold cover plates); a swivel bracket fitting for surface-mounting or 'G' clamping, that can be pointed in any direction and at any angle; an uplighter bracket to enable subtle wall illumination (particularly useful for low ceilings); and an uplight

Theatre Electronics, based in India, have now released the first version of their new software product ‘Theatre Visual’. The software is a PC-based virtual lighting console that outputs DMX512 via the Artistic Licence DMX-Dongle II. The system was recently used to provide lighting effects for a sound and light show presented by the Tata Group: the system comprised over 250 channels for intelligent luminaires, 240 for dimmers and 12 relay channels. Show synchronisation between light, sound and video was controlled by the Theatre Visual software package. Designer Naresh Bajaj commented: "I would like to thank Artistic Licence for their support in helping us to complete this project successfully and on time." Theatre Electronics can be contacted on the e-mail address below:

The Royal Albert Hall has recently purchased eight Clay Paky Stage Zoom 1200s for use in the famous auditorium. Supplied by Clay Paky and Pulsar reseller AC Lighting Ltd, the Stage Zoom units will be used to complement all visiting showcase events. Technical manager Mark Jones explained why he chose the Stage Zoom: "Due to the diverse nature of the shows in the hall and the varying distance that the units are from the stage, we were looking for a zoom profile with high light output. After a product comparison of all the 1200 moving head projectors on the market, we chose the Zoom because it is exceptionally bright with good colour mixing, the gobos can be changed easily, it is quiet and most importantly, reliable."

Vari-Lite Inc partnered this month with Clearwing Productions Inc. of Milwaukee, Wisconsin, to increase the availability of Vari*Lite automated lighting equipment for a variety of entertainment, corporate and special events throughout the United States. Clearwing Productions evaluated the future of the automated lighting market for several months before adding VL2402 wash luminaires and VL2202 spot luminaires to its wide variety of production services. "The partnership with Clearwing Productions is another step in our ongoing effort to increase the availablity and use of Vari*Lite products," said Ken Matthews, vice-president of sales and marketing at Vari-Lite. "Clearwing is a proven leader in production services, and we are proud to associate Vari-Lite with a company that has secured a solid reputation for delivering only the highest quality products and services."

From a situation where an almost unknown client would purchase the occasional lamp, Lighting Technology has found itself supplying equipment for space equipment testing, with lighting units from Arri key to the project. With help from Mike Perry of Arri, Lighting Technology’s Jonathan Price and Andy Dodd demonstrated the Arrisun 60 6kW HMI fixtures to TS Space Systems of Marlow, who have since ordered the units for one of their test programmes. The company designs and builds test equipment for acceptance of materials and sub-assemblies for spacecraft, with space simulation chambers, ion thruster chambers and testing of solar cells and panels.

TS Space Systems’ Bill Williams said: "As part of the tests for UV ageing of materials, most tests have up to now used DC xenon or mercury arc lamps. However, HMI lamps have come on in leaps and bounds, are lower in cost, involve

Glen Beckley has joined Stage Electrics heading up the Audio Design Services department. Beckley recently returned from two months touring the arenas of the USA with southern gospel group the Gaither Vocal Band, following this with designs for pantomimes in Bath, Blackpool, Stoke and Sheffield last Christmas. 2001 will also see him designing systems for national tours of Anything Goes and Seven Brides for Seven Brothers, as well as contributing to various installation projects in the UK and Europe. Last year also saw him design a groundbreaking digital audio system for the national tour of ‘Carousel’ starring Darren Day and Sam Kane, the first of its kind seen in the UK, which impressed audiences and critics alike all over the country, as well as a system for the national tour of 42nd Street starring Ruth Madoc.

Stage Electrics has also announced that P

ETC has announced the appointment of Jeremy Roberts to the new role of field project manager. Jeremy will be working from Nottingham, concentrating on promoting ETC's range of products to end users, consultants and dealers in the north of England. A familiar industry figure, Jeremy has been with ETC for the past two years. Throughout this period he has been responsible for a wide variety of installations including the Millenium Dome, Barbican and the Royal Danish Theatre. Prior to joining ETC, Jeremy spent 15 years in professional theatre, working first as a lighting and sound designer and later as head of lighting and sound at the Nottingham Playhouse.

Co-lighting designers Fenton Williams and Heath Marrinan specified 12 of High End Systems' newest luminaire, the xSpot, for their ‘Everyday 2001’ shed/stadium tour, which is currently touring North America. Lighting contractor Theatrical Media Services (TMS) of Omaha is supplying an all High End Systems rig which also features 30 Studio Beam, 34 Studio Spot 575, 12 Studio Color 575 and 10 Cyberlight automated luminaires, along with 47 Dataflash AF1000 xenon strobes for the shed tour. The stadium rig is pumped up with an extra 20 Studio Beams and an extra 20 Studio Spot 575s. Two Wholehog II consoles control all the lights along with more than 400 PARs.

Marrinan comments. "The x.Spots work really well on our set. The zoom feature allows us to really do a nice job covering the set from top to bottom without losing a lot of intensity. The color mixing is very nice and all

Lighting Technology Group announced today that due to a serious family illness Managing Director Alan Hewitt has chosen to take early retirement. Lighting Technology's Founder David Morgan will resume the role of MD, supported by the well-established Executive Team of Garry Nelsson, Bruce Kirk, and Steve Pembury as Sales, Operations and Finance Directors respectively. David Morgan commented: "Alan came on board to bring in new systems and facilities for LTG including Group-Wide Management Information Systems and the new 22,000 square foot National Distribution Centre in Corby. It is regrettable he has had to depart without being able to manage these exciting projects through to completion. Nevertheless, the structure and management he has put in place leaves the company in a very strong position to capitalise on the opportunities our market has to offer in the future."

The Board of Standards Review of the American National Standards Institute has approved ESTA's "Entertainment Technology - Recommendations for Inclusions in Fog Equipment Manuals." This standard now becomes ANSI E1.14-2001, and is the third ESTA standard approved by ANSI this year. The ANSI E1.14 project was started by a group of fog equipment dealers who were unhappy with the amount and quality of the information found in the manuals of some of the equipment they handle. The equipment manual is the primary document for telling the end-user how to use the equipment safely and effectively, but some of the fog machine manuals said very little beyond ‘Fill with fluid. Plug in. Make fog.’ The proposed standard lists the information that should be included in fog equipment manuals to ensure that the user has enough information to use the equipment properly. ANSI E1.14-20

It is rare that a state-of-the-art digital lighting desk should find itself on a school's shopping list, but when Design Technology teacher, Kevin Dutton, from Ninestiles School (a leading technology college in Birmingham), attended last year's PLASA Show there was only one thing on his mind.

By the time he left Earls Court he had placed an order for a 48-channel Strand Lighting 300 Series desk through AC Lighting. With a background in theatre, Dutton has been a regular visitor to PLASA over the past five years. He operates as part of a team that includes Jo Falk and Eddie Halliday from the English faculty, that seeks to promote and educate students about lighting and sound. Ninestiles, which offers its 1400+ students a broad spectrum of GCSE, GNVQ and A Level subjects, has already earned a top accolade from Ofsted, as the school with the highest teaching standards in the country. Dutt

Royal Caribbean International has recently introduced the first of its Radiance class of ships - Radiance of the Seas. This stunning vessel is the largest ship ever to have been built at the Meyer Werft shipyard in Papenburg, Germany, and the first joint venture between a German shipyard and an American cruise line.

RCI has a tradition of delivering high quality onboard entertainment and Radiance is no exception. The Viking Crown is the trademark destination on-board Royal Caribbean ships, a spectacular space surrounded by a sweep of glazing, that wraps itself around the funnel at the highest point, providing panoramic views for the passengers. In the evening, the Viking Crown takes on a completely new persona and turns into a major entertainment complex and, in the case of the Radiance of the Seas, this includes a disco, a black-box theatre and bars of various hues.

The disco is cal

Color Kinetics Incorporated (CKI), the manufacturer of full spectrum digital lighting, has achieved a major breakthrough with an LED-based white light technology that uses a non-RGB method of producing high quality white light which can be intelligently controlled over a range of colour temperatures from warm to cool shades of light. This patent-pending technology couples a unique optical design with Color Kinetics' patented Chromacore technology, achieving an LED-based high-quality white light solution for the general illumination market. Chromacore uses microprocessor-controlled multi-coloured LEDs to generate millions of colors and a variety of dynamic lighting effects. In addition to its Chromacore patents, Color Kinetics holds several intellectual property filings covering the use of multiple coloured LEDs to generate fully controllable white light. Color Kinetics' is referring to t

At the recent Showlight 2001 conference in Edinburgh, the new logo for the Light Relief benevolent fund was launched by Tony Gottelier and Rick Fisher. Light Relief is the industry-sponsored benevolent fund, supported by PLASA and the ALD, to assist people in the industry when they are affected by catastrophic personal events. "The lot of the freelancer is not always a happy one, just look at the state of Rick!" joked Gottelier, pointing at ALD chairman and lighting designer, Rick Fisher. The duo were attending the Showlight reception, sponsored by Fourth Phase, on the serious matter of launching the newly-designed Light Relief logo and its attendant leaflet, and to raise the profile of the industry’s benevolent fund. "Actually, it’s no laughing matter," Gottelier went on: "We all know that not all lighting designers are as successful as a Rick Fisher

Color Kinetics, a pioneer of full spectrum digital lighting, has achieved a breakthrough with an LED-based white light technology that uses a non-RGB method of producing high quality white light which can be intelligently controlled over a range of colour temperatures from warm to cool shades of light. This patent-pending technology couples a unique optical design with Color Kinetics’ patented Chromacore technology, achieving an LED-based high-quality white light solution for the general illumination market. Chromacore uses microprocessor-controlled multi-coloured LEDs to generate millions of colours and a variety of dynamic lighting effects.

President and CEO of Color Kinetics, George Mueller, envisions Color Kinetics' intelligent white light technology leveraging the advanced control capabilities of Chromacore to give users an entirely new level of flexibility with white light

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