PLASA’s ‘Association Day’, held at Down Hall Country House Hotel on 14 June and incorporating the Association’s AGM, was a great success, attended by a record number of PLASA members. In an effort to gain maximum value from the opportunity offered by the AGM, PLASA again organized a number of Break-out Meetings following the AGM, which gave members the chance to discuss important issues concerning Membership Services, Standards/Health & Safety and Training. These lively sessions raised valuable feedback for the PLASA Executive Committee and staff, and were well-received by all who took part.

Following the ‘business’ of the day, around 100 people sat down to an enjoyable dinner with entertainment provided by two guest speakers - ex-footballer Paul Fletcher and impressionist Kevin Connelly - before retiring to the bar for some serious networking. Wayne

ESTA’s new theatrical fog testing programme invites theatres to take a proactive role in the ongoing fog conversation and also to demonstrate that they are using theatrical fog responsibly. Because there are clear standards and guidelines that detail the responsible use of fog - including guidelines endorsed by Actors’ Equity - theatres that demonstrate that they are using fog according to these accepted standards should alleviate performers’ and crew members’ concerns.

The programme, ‘’A Test Is Worth A Thousand Words,’ gives theatres in the US the information and support they need to monitor and test all types of fog, including glycol/glycerin, mineral oil, dry ice/liquid CO2 and liquid nitrogen fogs. Venues can then compare results to accepted standards and guidelines and advise performers and crew members that the theatre monitors and tests

The PSA newsletter recently carried a story to make grown technicians weep. Apparently, staff at Cardiff Theatre were furious to discover that a duck appearing in a play was being paid more than they were. Ming, a two-year old Aylesbury duck, appeared at the Chapter Arts Centre in ‘The mute who was dreamed’. "Ming is getting paid more than our technician," marketing manager Carol Jones told the South Wales Echo, "and he is not happy about it". The duck’s high wages have also led to allegations that it is not pulling its weight in the performance and that its acting is not vigorous enough. "When the show was put on in Scotland another duck was used," said Jones, "It was much more macho."

Some of the following key announcements or changes will have an important impact on all employers. The Information Commission’s ‘Employment Practices Data Protection Code’ is being published in stages over the next few months. The code will include ground rules on access by employees to any company record that mentions them including confidential e-mails, handwritten notes and personal files.

The Code is being issued in four sections, namely: general record management, recruitment and selection, monitoring in the workplace and genetic and drug testing of workers. Not all the Code will be binding, but it will outline what the Information Commissioner believes is best practice for employers wishing to comply with the Data Protection Act and/or avoid criminal liability. The part of the DPA concerning manual records including e-mail monitoring and the interception of pho

The controversial proposed reforms to the Employment Bill aim to substantially enhance areas such as maternity, paternity and parental leave, continue the reform of the employment tribunal system and make important changes to the law of unfair dismissal. All of these are expected to come into effect by, or during, April 2003.

Some of the key points in the proposed legislation and the new duties employers will face if enacted are:

Maternity, Paternity and Parental Leave and Pay.

Six months’ paid and a further six months’ unpaid maternity leave for working mothers.

Six months’ paid and a further six months’ unpaid leave for working adoptive parents.

Two weeks’ paid paternity leave for working fathers.

A 60% increase in the rate of statutory maternity pay (SMP) to £100 per week.

Reimbursement of maternity, paternity and adoption payments made by

Following its recent relocation to new UK offices in Langley, Berkshire, Osram invited L&SI to visit its new premises and, in particular, view the new interactive showroom that is set to become the focal point of the UK headquarters.

This is not a ‘showroom’ in the traditional sense - though its intention is very much to showcase the latest lamp innovations from the company - but more of an interactive experience, hence the name ‘Osram Light Experience’. Stretching across over 200sq.m and incorporating a café, light studio and auditorium, the venue can work as a single space or be split into two areas by a ‘light wall’, allowing different groups to visit the studio simultaneously.

It is clear that the design team from Furneaux Stewart, led by Jane Huggins and Keith Feeney, understood Osram’s brief for something out of the ordinary all too

The Queen's Award for Enterprise 2002 was presented to Theatre Projects Consultants in the Vanbrugh Theatre at the Royal Academy for Performing Arts (RADA) on 12th June 2002. The presentation was made by Major Charles Winstanley on behalf of HM the Queen to Richard Pilbrow, chairman and David Staples, managing director of Theatre Projects Consultants.

The Queen's Award is conferred each year upon a limited number of companies for international trade, innovation or sustainable development. Over 150 guests attended the presentation including Lord Attenborough, the President of the Royal Academy of Performing Arts, and many people from the theatrical and architectural professions.

(Ruth Rossington)

Employees of PLASA member companies can benefit from reduced fees at PA/VA 2002, a two-day programme, co-sponsored by the Chartered Institute of Building Services Engineers (CIBSE), aimed at anyone in the industry who would like to learn more about what is involved in specifying, designing, installing or certifying Public Address and Voice Alarm systems for safe public evacuation. The programme will run on 9 & 10 July 2002 at Regent's Park, London.

Visit www.isce.org.uk for full programme and discount details, or telephone Cathy Mackenzie on

From its now established base at the Royal Horticultural Halls in London, the ABTT Show continues to underline its role as a key event for the theatre industry. The trade show, which took place last week, attracted well over 100 exhibitors from across the wide spectrum of supplies and services, as a result pulling in over 2,500 visitors.

ABTT’s emphasis on training and education was demonstrated by the wide-ranging seminar programme which accompanied the event, but the highlight was the ABTT Dinner staged on the first evening where Major Sir Michael Parker, famed for his work on such events as the Royal Tournament and more recently All the Queens Horses, was the guest speaker. The Awards announced during the Dinner recognized the work of sound designer Andrew Bruce of Autograph Sound who collected a Lifetime Achievement Award, whilst the Technician of the Year award went to Nick

Britannia Row really pushed the boat out for the PSA, transforming its London warehouse into a mini venue for a PSA Get Together on the evening of June 12th. Mike Lowe and Bryan Grant demonstrated their corporate hospitality expertise, laying on food and drink and providing audio and visual entertainment for the near 100 attendees. Brit Row’s warehouse, usually home to flightcases and equipment was completely cleared and 'dressed' so that it resembled a well appointed night club. No mean feat!

Guests ranged from well-known industry figures to those at the beginning of their careers: whatever their background or experience, the evening gave an opportunity for everyone to mix and talk over the recent Jubilee celebrations. £400 was raised for the Welfare & Benevolent Fund in a raffle organised by Brit Row with prizes donated by Telex Shuttlesound, Yamaha and Brit Row.

(Lee Baldoc

News has come in this week that Nexus Media (part of the Highbury House Communications Group) has decided to put on hold the publication of two of its titles serving this industry - Live! and Disco International (DI) - part of the portfolio which also includes DJ magazine and Making Music. Both titles are well known in the industry - DI has been one of the main magazines addressing the late night venue market, whilst Live! has concentrated on the live performance industry.

Although we’ve contacted Nexus for comment, there has been no official announcement from the company as to why the decision has been taken. We’ll feature more on this story in our July issue.

(Ruth Rossington)

The Ambassador Theatre Group (ATG) and Glasgow City Council have signed the deal awarding the management contract and a 21-year lease of the King’s Theatre to ATG. As a result, the company takes over the operation of the theatre on 28 September 2002, the date of contract completion.

Rosemary Squire, executive director at ATG said: "We are delighted that all the negotiations have been concluded successfully, and we are very much looking forward to taking this historic theatre forward under the guidance of the new chief executive David Williams and his team." ATG’s central aim for the King’s is to present high quality and accessible entertainment. This means programming well-known musicals, popular drama, variety, comedy, amateur productions, work for children and a traditional Scottish pantomime. The autumn season therefore includes visits from West Side

ECA2 were honoured on 13 June this year at the annual awarding of FICHE prizes, organised to recognise French companies in the field of special events. ECA2 obtained the competition's two most prestigious prizes. Firstly, the ‘Grand Prix’ for an Institutional Event, won by the ECA2 evening spectacle ‘Luces y Voces del Tajin’ (Lights and Voices of El Tajin). This ECA2 production, commissioned by the government of Veracruz state, Mexico, took place in March.

Secondly, the ‘Grand Prix’ for a General Public Event - designated by a unanimous jury - for the evening show at Expo 01 in Yamaguchi, Japan, entitled ‘Kirara Starlight Fantasy’. On the same day in Berlin, at the TILE (Trends in Leisure and Entertainment) International Conference, Yves Pepin, ECA2's president and creative director, was honoured with the Award for Product of the Year for

Action Energy, a Government-backed initiative has been introduced by the Carbon Trust to help businesses and organisations cut their energy costs through the provision of free, professional advice and assistance. As part of the launch, a new £10 million Energy Loans initiative is also being introduced across England and Wales, with the support of Margaret Beckett, Secretary of State for Environment, Food and Rural Affairs.

With the introduction of the Climate Change Levy in April 2001 (a new tax on energy use in industry, commerce, agriculture and the public sector) and the recent UK government PIU report suggesting that up to 30% of energy - the equivalent of £12 billion per annum - is being wasted, there has never been a more important time for businesses to address energy efficiency. Through Action Energy, organisations from multinationals to small businesses (including not-for-pr

The PSL music division team are midway through a hot summer of music. They have provided two of their High End Catalyst systems with Barco ELM R12 projectors, along with on-stage dome-cameras and front-of-house cameras, for Gabrielle’s UK tour. Lighting designer Patrick Murray also used these Catalyst systems for Gabrielle’s appearance at Picnic in the Park, Hyde Park on June 29.

The weekend of 22 and 23 June saw PSL out in force at Gatecrasher Tour Western providing crew and a total of 11 Barco projectors and folding screens across the four arenas. Orbital also continues its long-standing relationship with PSL for the Somerset House and Glastonbury gigs using two Barco G5 projectors, a motorized screen and magic DAVE for Orbital. Meanwhile, Mardi Gras 2002 at Hackney Marshes will see two of PSL’s new Barco DLite 7 screens in action along with a four-camera digital PP

After 16 years of frenetic activity, Phil Pike, head of technical presentation at Tussaud’s, has left the waxworks and theme park company for a well-earned rest. "I feel that I have achieved a great deal during my time with Tussauds," Phil commented, "and that it was time to reconsider my future before embarking on another venture."

During his tenure, Pike, who started out as a theatre electrician, has been responsible for the systems design and implementation of presentation technology at numerous venues, including Tussaud’s in New York, Las Vegas, Hong Kong and Australia, as well as at Scenerama in Amsterdam and both Alton Towers and Chessington World of Adventures and numerous other destinations. A party was held to mark Phil’s departure at the newly opened Embassy Club, at the old Legends site in Old Burlington Street, towards the end of June.

US company The Screen Works has opened an office in The Netherlands. A joint effort with The Screen Works, Europe (an already established UK operation), the Hoofddorp facility, located just outside Amsterdam, will provide convenient, centralized access to presentation equipment and staging resources. It will have an extensive inventory of projection screens, pipe and drape systems, trim kits and skirting, modular scenic systems, a projection screen cleaning and repair service and presentation accessories.

Overseeing the new venture will be Gabriel West, a long-standing member of The Screen Works management team, who has relocated from Chicago to take up his new role of European operations manager - Netherlands. Company president, Lee Facklis explains: "An overseas operation allows us to manage equipment resources, accelerate turnaround times and contain freight costs. Customers wi

David Langton and Bob Bailey of PricewaterhouseCoopers have been appointed joint administrators for the Lighting Technology Group and its associated companies - Lighting Technology Projects Ltd and Cerebrum Ltd. The three are very high profile within the industry and the news, though not entirely unexpected, will still shock those who felt that the Group was beginning to put its recent financial problems behind it.

Operating from bases in London, New Malden, Corby, Manchester, Newcastle and Paris, the three companies had made their names specializing in the supply of lighting and sound equipment to the entertainment and leisure industries. Whilst Lighting Technology and Cerebrum concentrated on the distribution of a large portfolio of brand names, Lighting Technology Projects focused on installation, specializing in high profile architectural projects. It should be emphasized that the

In anticipation of its phased move to the 75,000sq.m Highbridge development in Uxbridge, ARRI GB was on royal duty last month when Her Majesty The Queen unveiled a sculpture in the town centre, of which ARRI was one of the major sponsors.

Commissioned by Hillingdon Arts Association, ‘Anticipation’ was the work of Welsh-based sculptress Anita Lafford. Crowds lined the streets outside The Chimes Shopping Centre in the town centre as Her Majesty The Queen and HRH Prince Philip, Duke of Edinburgh, performed their royal duty and the sculpture was revealed. ARRI GB were represented by managing director, Renos Louka, and finance director, Sean Leone.

The company will begin its three-phase move into its new three-storey home at the end of August. It has already forged links with the local Brunel University - which recently installed a media suite of television and video studios -

Edwin Shirley Staging (ESS), the international staging and structures specialist, is one of four organisations sponsoring the current 'Private' contemporary art installation, taking place at the Aldgate Pump House in the City of London. The other sponsors are City North PLC, Cobra Beer and westside design and print.

The exhibition is curated by Swapna Tamhane and introduces the work of the artists Zeyad Dajani, Anthony Gross, David Gyscek and Seema Rao. The artists have come together to produce a series of site-specific works that explore the dialogue between the individual and the public. The venue offers visitors an intrusive view into a piece of London’s Victorian history.

ESS’s Stephen Court told us: "We were approached to provide support for the exhibition by Seema, one of the artists, and Swapna, the curator. We were able to assist the event by providing practi

Dimes & Sillitoe, the Surrey-based PR management company, has appointed Taya Kajanus and Leander Browning to its PR team.

Taya Kajanus joins Dimes & Sillitoe from a background in TV and photography to take the role of PR support manager. She replaces Nicky Quentel who is moving to France with her family. Taya’s role will be to lend support to the PR team, dealing with enquiries, updating the company website and assisting with the general maintenance of the office. Leander Browning has joined the team as PR account manager. Leander previously worked as a music journalist for three music titles and as PR coordinator for a local authority housing association. She will be liaising with clients and the media to ensure positive publicity for all accounts held.

(Ruth Rossington)

Three North Wales companies are the latest to join the Welsh Development Agency’s prestigious Commitment to Innovation (CTI) programme. Apple Dynamics Ltd of Mold (the training division of PLASA member company Apple Sound, specialising in audio and acoustics), Clogau Gold of Bodelwyddan, and NWP Electrical Ltd of Kinmel Bay, have each joined the programme, which is designed to build a core group of the most go-ahead organizations in Wales as exemplars of what can be achieved by innovative business practices.

Members of CTI commit themselves to innovation in their corporate strategies and business plans and to implement innovation in their daily businesses practices. As a result they have been able to prove that innovation has helped strengthen their business, secure new orders, create new employment and provide new investment opportunities. To date, 113 companies from throughout

Amek and Soundcraft have merged their operations to form a much stronger console group with a wide-ranging portfolio. Soundcraft sales director Adrian Curtis takes overall responsibility for sales of Amek and DAR, in addition to Soundcraft, with his existing team of Jon Ridel (Middle East and Asia), Karl Chapman (Europe) and Trevor Coley (UK and Ireland) heading up regional sales for the three brands. Inder Biant joins the team as product specialist and there are plans to strengthen the team further with new market and product specialists. All marketing activities for the group come under David Neal.

The combined portfolio means that the group has a much wider range of products and solutions for their existing markets. Manufacturing and production of the current portfolio of Amek and DAR products is being integrated into the Potters Bar facilities that already house Soundcraft and BSS

Evenser Group, the UK's largest event services Group, has created a new division - Evenser Broadcast and Presentation Services. The creation of the new division will enhance the service offering available to clients through greater access to technical expertise, equipment and project management, say the company.

The division will incorporate the Group's international broadcast and audio-visual activities, including Charter Broadcast, Cinevideo, ABS and Blitz Communications, all of whom will continue to trade under their own names. David Carr continues as managing director of the broadcast businesses, whilst Paul Hutton, a director of Blitz Vision since 1993, will become the managing director of Blitz. The new division will be headed up by Evenser main board director Michael Breen.

Michael Breen comments: "This is a great opportunity for both the audio-visual and broadcast busine

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