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UK - Sir Steve Redgrave is to flick the switch at 6pm on Sunday, November 20 - triggering a spectacular pyrotechnic display and more than four miles of lights across the city of Liverpool.

The five-time Olympic Gold Medallist will be joined at St George's Plateau with Everton FC's Australian ace Tim Cahill and Liverpool FC's Norwegian star John Arne Risse. Ex-Atomic Kitten singer Liz McLarnon, who tops a live music bill including X-Factor finalist Tabby, will also join them at the hour long show.

Professor Drummond Bone, Chairman of the Liverpool Culture Company, said: ''This year's switch-on will be a stunning show and is a celebration of the many successes for the city this year - not least by our two football clubs. It's fantastic that we are also ending our culture themed year Sea Liverpool, with one of the greatest watersports legends - Sir Steve Redgrave.''

The Liverpo

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USA - Midas consoles are playing a lead role on Sir Paul McCartney's US tour. McCartney's long-time FOH engineer Pab Boothroyd has one of his XL4s at FOH, having been using the desk almost exclusively since its launch ten years ago; monitor engineer John Roden is using two Midas Heritage 3000s on stage.

"I've always favoured the XL4 for many reasons - sound, touring reliability and familiarity when mixing a multitude of tasks in a hectic live environment instantly," says Boothroyd.

Roden is also a long-time champion of Midas consoles and has been using the Heritage since its launch. "It sounds great and is reliable too," he says. "Money and space requirements are not an issue with McCartney, I can have whatever I need to do my job and the temptation to change to a digital format was strong, but we have done several tours very successfully using the two

PLASA Show 2025 - Banner - June-Aug 2025

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USA - During LDI in Orlando, Capture Sweden will be showing the latest developments of Capture 2005. On show will not only be the latest changes to the Basic Edition, but also some of the new features in the upcoming Extended Edition which is to be released shortly after the trade show.

The new Capture 2005 product family features a large number of major changes from the previous Capture 3.0 version. Says Capture, "Most of the software has been reconstructed in order to make it faster and easier to work with and the large number of console connectivity options which are now plug-and-play makes Capture 2005 the most efficient visualisation and design tool on the market."

(Jim Evans)

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UK - Stage Electrics is now supplying ice rinks as well as more traditional lighting and sound kit they are known for providing. The company has become the sole UK distributor for the Dutch company Ice World, providing rinks and boots throughout the UK.

Stage Electrics is providing the ice and infrastructure, including lighting and PA equipment for venues ranging from shopping malls to parks across the UK. A more unusual location for one of the rinks is on the first floor of a shopping centre in London's Victoria.

Stage Electrics' production manager Andy Loveday last week led the team which tested the first rink to be delivered from Holland. Working in partnership with Aggreko who provide the chilling equipment, a 30m x 10m rink was constructed in an empty warehouse close to the company's branch in Avonmouth, Bristol. "It's been a new experience for us," he said, &qu

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In case anyone had forgotten what happens to the audio at the end of all these systems, Renkus-Heinz exhibited some good old-fashioned loudspeakers. The Iconyx column speakers are very discreet, but have sonic performance specifications that will attract reverberant applications such as houses of worship. "We tackle the acoustics by having a tall array of very compact drivers, so we're able to achieve tight pattern control in the vertical plane," explained VP Ralph Heinz. "Plus, by applying DSP, we're able to do some beam steerage as well."Beam steerage in a church . . . now there's a revelation.

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UK- Trafalgar Square 200 'The Spirit of Nelson' show was authored and created by production company Innovision and staged in London's most famous Square in front of 10,000 people. The hour-long live show celebrated the Royal Navy's role at the Battle of Trafalgar in 1805 and at other crucial points in the history of Britain.

Innovision called in the services of leading production industry companies, including large format projection specialist E/T/C UK and rigging specialist Summit Steel. Durham Marenghi came on board as lighting designer.Projection was beamed onto a special retractable 'sail' made from Sunbaba's Austronet 204FR fabric, and rigged onto the centre of three masts depicting a symbolic version of Nelson's flagship, HMS Victory.

The PIGI 6kW projector (complete with 'hot' backup) was located in a specially built hide, with a 17m throw distance, and fitted with a Ba

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In truth, it isn't often that the AES Convention - or any pro audio trade exhibition, for that matter - throws up a genuine surprise. Revelations are normally confined to the Gideon's Bible in everyone's hotel room, and not even New York itself can always liven up the routine of stage-managed marketeering.

However, EAW drew genuine intakes of breath with the - for once - justified expedient of white drapes over a mysterious bulging chassis, which turned out to be the UMX.96 digital mixing console. The model ID may not be as exciting in itself, but the arrival of a totally unexpected new player on the digital live console pitch certainly stirs things up plenty.

The formation of Loud Technologies in September 2003 has clearly influenced the kind of technical cross-fertilization behind the UMX. Teams involved in the product have included the DSP team at Acuma Labs in Victoria, BC; the a

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L-Acoustics announced the new, self-powered P Series - currently comprised of the 108P and 112P. These are 2-way loudspeaker enclosures combining proprietary coaxial point source technology with self-powered performance and DSP.

The 108P is a bi-amplified, digitally processed, full-range loudspeaker containing a 1" exit HF compression driver coaxially loaded into an 8" LF transducer. The coaxial approach is designed to provide coherent point source radiation and 100° axisymmetrical directivity - i.e. identical horizontal, vertical and axial coverage. The coaxial design is also said to offer superimposed LF/HF dispersion characteristics, free of the polar lobing effects typical of traditional horn and woofer combinations.

Intended for touring or fixed installation, the 112P features rigging accessories, digital system EQ and network control and monitoring. Four application-

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The whole EAW event came to somewhat overshadow the launch of the other digital live console du jour, Yamaha's M7CL - which, having first been unveiled to the world in the UK at PLASA, was receiving a slightly lower-gear US debut. Yamaha Corporation Of America's Larry Italia and Dan Craik did the honours, however, and the booth was busy for the whole show with visitors weighing up the potential impact of this desk on the US market. With or without the presence of the UMX.96, that impact is likely to be substantial much further down the verticalities of end user territory - where budget means what it always implies.

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UK - The Stage Electrics Plymouth production team rose to the challenge of lighting the historic Royal Albert Bridge which runs across the River Tamar near Saltash for a high profile photo shoot.

The structure was built by Isambard Kingdom Brunel (1806-1859) and designed to carry the Cornwall Railway at a height of 100 feet across the water. It was opened in May 1859 and measures 2,187ft in length.

The bridge was lit using 24 Arena Visions and 16 Opti Visions, the resulting picture will be used as a background shot in the new ITV1 West Country Regional Newsroom during the early evening broadcast.

Stage Electrics also supplied equipment to light the studio set including Pulsar Chromaflood Pars and Strand Bambinos. During the studio refurbishment works the company helped to keep the show on the road by building a temporary set and providing studio lighting.

(Jim Evans)

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Furman Sound announced a new 20-amp regulator that delivers a stable 120V of AC power to protect equipment from problems caused by AC line voltage irregularities. The AR-20 II is said to be the only 20A voltage regulator that also filters and purifies AC power, optimizing electronic equipment performance while also providing protection from spikes and surges - using Furman's proprietary SMP+ technology.

"Voltage irregularities like sags, brownouts and overvoltages are commonplace in AC lines, and can cause sensitive electronic equipment to malfunction or sustain damage," said Dave Keller, executive VP of Furman Sound. "In addition, electrical noise on the line prevents equipment from achieving optimal performance. Our newAR-20 II is unique in that it not only protects electronics from damaging power, but also filters out the noise using the very best technology available

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Whirlwind's E Snake products now support EtherSound using Lab X Technologies' new ESX network I/O module. "Whirlwind's E Snake products are recognized as some of the most comprehensive and versatile designs in digital audio transport," said Lab X president Lee Minich. The move extends both Whirlwind's digital connectivity and EtherSound's base of digital audio protocol subscribers.

"Partnering with Lab X to leverage their ESX module was a natural choice," added Joe Barnes, Whirlwind's director of digital operations. "The module's form factor and functionality, coupled with Lab X's connectivity expertise with CobraNet and EtherSound, has quickly enabled our E Snake products to support EtherSound."As well as being experienced in both CobraNet and EtherSound systems, Lab X Technologies makes a range of hardware, firmware and GUI control applications.

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Adamson showed its T-21 Sub, a flyable and arrayable bass cabinet designed to provide sub-bass extension for Y-Axis line source systems. It is configurable into an arc that will not shadow the main line array. The T-21 Sub also incorporates the newly developed Adamson Symmetrical Drive SD-21 Kevlar driver, with its double spider design. This employs a balanced spider suspension with spiders at both ends of the 6" dual voice coil assembly, and a neodymium magnet for maximum stability under high excursions.

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UK - PRG Europe was contracted by Michael Hurll TV (MHTV), part of the Unique Communications Group, to provide lighting and projection solutions for ITV's 50th birthday celebrations.

With four London sites to service over a three day period, which included an outside broadcast location on HMS President, ITV's South Bank Studio 1 and Covent Garden's Avenue of the Stars, MHTV felt it needed a one stop shop to successfully coordinate the large format projection, lighting and power distribution, plus rigging and staging the entire event. Croydon-based project manager Loz Wilcox took responsibility for the projection needs, while John McEvoy from PRG Europe's Greenford branch looked after lighting for each of the locations.

As part of the celebrations, ITV unveiled its spectacular Avenue of the Stars in London's Covent Garden. A host of press and celebrity guests looked on as 100 s

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UK - Automation specialists Kinesys has designed and built a motion control system to truck the Rolling Stones' B Stage out into the middle of the auditorium for their current A Bigger Bang stadium shows. The tour plays North America this autumn and Kinesys is renewing its association with their production, having worked with the Stones on the Licks world tour, where they provided a complete, tourable 32 axis variable speed control system for all the tracking and flown elements of the show.

Kinesys was approached for this project by the tour's set constructors Brilliant Stages. The B Stage truck, a major element of the show, detaches itself from the main stage at the relevant point, and trundles 80 metres (260 feet) down a walkway out into the middle of the stadium with the band onboard. It then rises up in the middle of the arena, allowing the band to play a coupl

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UK - Hosted by Wigwam Acoustics, the next d&b audiotechnik Sound system design & set-up seminar will be held on Wednesday November 23 at the Huddersfield Christian Fellowship's Harvest House - a former Comet store Comet Store that has been converted into a state of the art high tech venue.

d&b's John Taylor will be presenting the day, with the focus on achieving intelligibility - if you're passionate about sound, then you want to get good quality, intelligible sound to every seat in the house.

"This seminar addresses the acoustic signal path between the loudspeaker and the listener's ears, just comprehensive electroacoustics with all the physics you'll need thrown in." said Emma Adamou of d&b. "The seminar content is conveyed in a format that encourages the participants to play an active role, for example exchanging experiences or using practical examples. The s

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UK - History was made on an unseasonably warm and sunny day at the end of October when, for the first time ever in the UK, all the heads of the enlarged EU met together in Hampton Court's Great Hall. Having responded to an invitation to tender, Brähler ICS was selected by the UK Government to provide the 21 language channel simultaneous interpretation system. Brahler supplied their flagship CDS-VAN digital system which has a maximum capacity of 32 uncompressed digital audio channels and runs on industry standard Cat 5 computer cable.

For the first time at such a high level EU summit, the Interpreter booths were located outside the main meeting room. Discreet broadcast quality cameras were placed strategically in the Great Hall and the images relayed to an adjacent Interpreter Marquee. Brahler provided a total of 22 interpretation booths in the marquee fitted with 67 CDS-VAN dig

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UK - This summer the Chemical Brothers toured the European Festival Circuit and for the second year running LM Productions supplied laser effects to enhance their performance. LM supplied three 5 watt DPSS green lasers which were all controlled via DMX through a lighting desk. One laser was fixed under the bands set and the remaining two lasers positioned either side of the stage all creating atmospheric beam effects co-ordinated with the music. The band will be performing at a host of UK venues this December before they take a year out in 2006 to record the next album.

Wild Fruit took its legendary club night to Preston Park in Brighton for the annual Pride celebrations. LM provided two DPSS green laser systems producing high impact beams effects became the focal point for 5,000 clubbers inside the Wild Fruit Big Top tent.

For the Top Shop & Dorothy Perkins Fashion Show, Lond

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UK - Large format projection specialists E//T//C UK covered the 323 ft high Shell Centre on London's South Bank with giant projected poppies for Remembrance Day 2005.

E//T//C was working for media and production company The Bank, who produced the event for Shell UK. It's the fourth year running that E//T//C UK has illuminated this prime site with high impact projections for the event.

The 26 storey building - once the tallest in the UK - was covered by eight 6 kW PIGI projectors that were sited 100 metres away on the edge of Queen's Walkway (the corresponding riverside path), housed in a curtain-sider truck. Six of the projectors, complete with double scrollers running vertically, produced the poppies, three targeted at the top half of the tower and three at the bottom.

The stunning red on turquoise background images were overlaid to maximise brightness, and were scrolled to

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UK - In spite of a blustery series of drenching thunderstorms, nearly 45,000 music lovers descended on Hyde Park for the tenth anniversary of London's end-of-summer celebration, Proms in the Park. The steadfast audience warmed to performances by the BBC Concert Orchestra, along with tenor Andrea Bocelli, violinist Nicola Benedetti, pop vocal quartet G4, and special guests Simply Red. This year's event also marked the debut of a 96-cabinet, self-powered Meyer Sound system built around MILO and MICA high-power curvilinear arrays.

The audience spread out in casual picnic fashion, making the coverage area immense: 300 meters deep and nearly 250 meters wide. In addition, because of the eclectic combination of pop/rock and classical fare, the system must project delicate transients as well as handling a wide dynamic range. Beyond all that, everything is broadcast live on the B

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USA - American DJ is offering a spread of new possibilities to the world of stage lighting by applying LED technology to par cans. The company's new DMX-compatible P36 LED and P64 LED Par Cans are equipped with light emitting diodes, allowing users to create virtually any colour via RGB colour mixing, says the manufacturer.

Unlike conventional par cans, which produce a limited number of colours using gel filters, the P36 LED and P64 LED's RGB colour mixing process combines red, green and blue LEDs to create any desired shade. The P64 LED is equipped with 151 LEDs (51 red, 49 green, 51 blue), and the P36 LED with 61 LEDs (21 red, 19 green, 21 blue).

With RGB mixing, the P36 LED and P64 LED give users complete control over the colour scheme of their lighting presentation, right from their DMX controller. "This is great for stage productions, concerts, churches, presentation

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Europe - Bandit Lites UK supplied LD Bruce Spillman with full lighting production, rigging and crew for the European leg of Michael Bolton's Til The End of Forever tour.

Bandit Inc has serviced Bolton for the last three years, since he resumed active gigging in the US. However this is the first European tour for some time and also Spillman's first experience working with Bandit UK. The tour was project managed for Bandit by Lester Cobrin.

Spillman, based in Anaheim, California, had to create a big show with an expedient amount of lighting fixtures. There were a few set pieces extracted from previous tours and carried forward to this one, notably three fast fold projection screens, upstage of the risers, used for gobo projections and other lighting effects, and to give the stage a shape and a sense of form.

The rig consisted of 142 PARs spread across three 40ft pre-rig

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USA - Altman Lighting was awarded the Lighting/Architecture Product of the Year award at the recent LDI in Orlando for its Smart Track lighting system.

Altman Architectural's Smart Track enables digital control signals to be brought to addressable architectural luminaires without the need for dimmer packs and bulky cable runs. Smart Track consists of a three-circuit track with DMX control built right in. This allows the user to control Altman's Smart IQseries luminaires without the need for cabling and remote dimmers.

"We are pleased and honoured that the LDI judges recognised our Smart Track system with the Product of the Year Award," says Robert Altman, CEO/president of Altman Lighting. "At the show, we met with many designers, consultants, and specifiers who were really intrigued with the Smart Track and discussed the many exciting applications that they have

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UK - PRG Europe has supplied the lighting for what is believed to be the biggest moving light rig for a British television series, Stars in their Eyes on ITV, which is filming now for transmission next year. PRG Europe supplied some 90 VariLite luminaires and 80 PixelLine battens, along with mains distribution, cabling and distribution racks, all controlled by a Virtuoso VX desk and an EX1 media server.

"Stars in their Eyes has been going for about fourteen years," explained lighting director Neil Yates, "and we've used PRG Europe for about ten of those. We like the fact that we get a total package from PRG - they have a great deal of expertise, and all problems and changes are quickly sorted out. They're always very amenable with changes and redesigns."

The brief included the stipulation that the lighting rig should not be seen, difficult when you'r

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