Europe - Robert Juliat’s Lancelot followspots are joining Ed Sheeran for his 187-date world tour.
Supplied by UK-based lighting hire company Lights Control Rigging (LCR), the two Lancelot followspots were specified for the tour by production designer, Mark Cunniffe, who has worked with Sheeran as lighting and production designer since the star first broke onto the music scene in 2011.
Robert Juliat’s Lancelot is a 4000W HTI followspot designed for very long throw applications, with a 2°- 5° zoom and an innovative optical train that delivers an extremely flat beam and improves on the power of its smaller counterparts. It was clear Cunniffe needed a quality fixture to pick out the singer to his best advantage against the massive, video-heavy set that surrounds him.
“I chose the Lancelots for a number of reasons,” says Cunniffe. “Firstly, I love the opti

UK - Audio-visual integrator Design AV Europe cooperated with AMS Acoustics and sound reinforcement manufacturer Nexo on the new sound system for the recently-renovated Winter Gardens Pavilion in Weston-super-Mare, Somerset.
Design AV Europe was contracted to provide audio and video technology in four areas of the Pavilion: the ballroom, the adjacent bar and restaurant, the reception, and the College reception. Damien Orritt of Design AV approached Nexo to supply the audio system for the ballroom/concert hall, designed to work in any one of five audio scenarios: speech, dinners and table-seated events; live band and concert-type events; a ballroom mode with sound only on the dancefloor; and a full DJ mode with sound on the dancefloor and the promenade.
The central space of the Pavilion is the unusual oval-shaped ballroom, with a raised promenade encircling the sunken f

Thailand - Mahajak Development recently installed a multi-zone distributed audio system by Harman Professional Solutions at Vana Nava Jungle Water Park.
Located on eight acres outside of Hua Hin, Thailand, Vana Nava is Asia’s first ‘water jungle’ and is one of the most popular tourist destinations in the region.
In order to provide excellent sound quality for background music and announcements across a wide range of facilities and attractions, developer Proud Real Estate hired Mahajak Development to design and install a complete Harman networked multi-zone audio solution throughout the entire park.
“The project required a great number of loudspeakers, and the Harman constant-voltage speakers enabled us to extend the number of outputs and minimize power loss over long speaker cable runs,” said Roengrith Jantarima, project manager, Mahajak Development.

USA - Canadian superstar Celine Dion’s lighting designer Yves Aucoin has added Robe’s new MegaPointe multi-purpose moving light fixtures to the rig for her popular Celine show at the Colosseum, Caesar’s Palace, Las Vegas. This is the first live concert show for MegaPointe in North America.
The Grammy Award-winning artist plays around 70 shows a year in Las Vegas in a series of three-week stints, and tours other territories in between.
Yves has worked with her since 1989, and Montreal based lighting supplier Solotech, represented by Richard Lachance and François Desjardins, has also been involved since Celine’s shows first started carrying a production.
Yves jumped at the chance to add MegaPointes to the Vegas spectacle! He likes to keep the long running residency looking fresh by introducing new elements.
The 4,296 capacity Colosseum was in

USA - KDKB 93.3 radio celebrated alternative music with a star-studded Dia De Los ALT show at the Mesa Amphitheatre.
Featuring Top Ten alternative recording artists from around the world, like New York’s Bleachers, London’s Bishop Briggs, and Denmark’s New Politics, the event served up a nightlong smorgasbord of music done in a seemingly endless array of quirky and highly individualistic styles.
John Garberson of Creative BackStage reflected this quixotic music in light as it wove its way through a free-flowing stream of creative interpretations. Aiding him in this undertaking were his assistant LDs Rita Assi and Chris Brodman, as well as a very flexible rig that featured Chauvet Professional fixtures.
Key to creating this immersive visual flow were the rig’s eight Maverick MK2 Spot moving fixtures. Flown four apiece on midstage and upstage truss,

UK - A 48-channel Audient ASP8024 Heritage Edition console has recently been installed at the University of Huddersfield, where students of Music Technology & Audio Systems BSc(Hons), Popular Music BSc(Hons) and Popular Music Production BA(Hons) courses are already putting it to work.
Music Technology technical team leader Ben Evans was part of the team that specified the supersized desk, which comes complete with patchbay and producers desk, and appreciated it from the start. “The integrated patchbay took a lot of the hassle out of installation and is really well laid out. This meant we had the desk up and running very quickly after delivery,” - an important factor when the beginning of term looms. “Staff and students have all been impressed when they see the console,” he adds. “It really has the wow factor.
“Students love the work flow of the desk, an

Belgium - Manufacturer of flame retardant fabrics, drapery and stage engineering solutions, J&C Joel has appointed of Luxillag as its new bronze dealer in Belgium.
Luxillag was established in 1986 and supplies lighting equipment and tailor-made installation solutions to stage, cinema, television, photography and architainment professionals.
Over the last 20 years, the company’s primary focus has been in theatre and broadcast with an expansion into architainment and entertainment. The business has been involved in major projects including lighting design and full installations for the theatre and photographical and broadcast Industry as well as stage and studio scenery.
Luxillag’s owner and managing director, Gianfranco Galli, said: “We are very pleased with this new partnership. J&C Joel’s extensive range of products and impressive achievements

UK - The Association of Lighting Designers (ALD) has announced its 2018 sponsored student scheme is open for applications. The scheme offers students, who have not previously been members of the ALD, the opportunity to enjoy free ALD membership until the end of March 2019.
Student members benefit from the increased opportunity to network with lighting and video production professionals at insightful events organised by the ALD, such as their monthly members’ socials and visits to shows and theatres. Membership provides vital interaction and connection between established figures in professional lighting and video design, and the next generation of talented designers, programmers and technicians.
Member benefits for students also include complimentary copies of the ALD magazine, Focus, as well as full access to the ALD web site and the members’ own micro-site. Memb

UK - PLASA continues its business training programme with an intensive one-day course covering all aspects of Key Customer Management. The aim of the day is to help delegates develop a range of business analysis and planning skills using proven techniques. Content includes an examination of where the company is currently, techniques for increasing effectiveness, analysing your top 20 customers, the eight-step negotiation framework and much more. As with all PLASA courses, numbers are limited to enable a highly interactive and personal approach.
The next course takes place on Thursday 26 October 2017 at Leisuretec in Leighton Buzzard.
Find out more and book at www.eventbrite.co.uk.

France - L-Acoustics and French theme park Puy du Fou have signed a privileged partnership agreement, joining the Puy du Fou Club of Partners.
The partnership between L-Acoustics and the Puy du Fou represents the culmination of more than 10 years of collaboration between the two organisations. The first L-Acoustics system at the Puy du Fou was installed in 2000 for the Gallo-roman Stadium. Today, the manufacturer’s sound systems are in use throughout the park, most notably in Le Dernier Panache, which featured the first permanent installation of the new L-ISA hyperrealistic immersive sound technology by L-Acoustics.
“Being a member of Puy du Fou Circle of Partners gives us a unique terrain to expand our creativity,” says Christian Heil, president at L-Acoustics. “It will allow us exclusive development opportunities to continue to apply our most cutting-

The Netherlands - Elation Europe gathered lighting professionals for a PRO Theme Day, a day of seminars and discussions on relevant industry topics and technological developments.
Held on 10 October at the company's European HQ in Kerkrade, the event featured various presentations including a talk by Ola Melzig, head of production for the 2017 Eurovision Song Contest.
Elation Europe sales & marketing manager Marc Librecht said: “Thank you to everyone who shared a sensational PRO Theme Day with us. It was really a big success and perhaps the best PRO Theme Day we’ve ever had. Ola was as informative and entertaining as ever and our guests came away with a lot of valuable knowledge. It was a full house and a fantastic day!”
Participants could engage with Melzig and network with other industry colleagues. Melzig shared the ins and outs of the biggest live

UK - Liverpool-based rental and production company Adlib specified and supplied an L-Acoustics Kara sound system for the recent tour of Damien Chazelle’s multiple Academy Award-winning box office blockbusting movie La La Land - accompanied by a 51 piece orchestra who played the foot-tapping musical score live.
Adlib was working for Senbla’s Harvey Leslie as production manager & Kitty Stafford-Clark as producer, with a crew of four chiefed by Alan Harrison who was also the system tech, joined by Laurie Binns and Steph Fleming looking after the patch and monitor engineer Max Taylor. Also on the audio team was FOH engineer Arne Bock (working directly for the production.)
Kara was selected to deliver precision and detail, with the compact size and low weight of the speakers also key. The predictable frequency response of the Kara meant the system design for

South Africa - Robe was the moving light of choice for the second season of The Voice South Africa.
Multi-Media were again appointed as technical production company by TV producers AMPN, with Joshua Cutts of Visual Frontier once again appointed as lighting designer.
The show, aired on M-Net, moved from a 500-capacity studio to the 3000-seater Mosaiek Teatro in Fairland, Johannesburg, prompting series director Darren Hayward to “go for it” with more drama and excitement.
Josh specified over 200 Robe fixtures across the series, a package co-ordinated by Multi-Media’s Chris Delancey. As well as lighting the artists, stage and set, Josh paid a lot of attention to the audience lighting, for which he adopted a subtle EDM-style approach.
Lights were rigged on a set of ‘finger’ trusses running upstage / downstage, fanning out from the centre, faci

USA - Lighting designer Victor Fable turned to new generation LED fixtures from Elation Professional for the season finale of Survivor: Game Changers.
“We wanted to move to more LED and try something different without taking away the success of past live shows,” said Fable, who has traditionally used a profusion of discharge lamp fixtures on Survivor finales. “We wanted to see how much could be rolled over to LED and see how much more bang we could get with the extra fixtures it allowed us to use.”
“It’s the most LED we’ve had on a Survivor show,” Fable added. “The show looked as good as ever and the client was very happy.”
The rig consisted of over 250 lighting fixtures, including 80 Fuze Wash Z120, 26 Fuze Wash Z350, 40 Colour Chorus 12, 10 Colour Chorus 48 and 16 Satura Spot LED Pro, all Elation LED fixtures, along wit

Vietnam - Ba Sao Investment recently installed a complete audio system by Harman Professional Solutions at the Central Circus Theatre, the oldest circus in Vietnam.
In order to enhance the facility’s sound quality and provide a more immersive performances experience for audiences, the theatre hired Ba Sao Investment to update the facility’s aging audio system with a cutting-edge integrated audio solution. Ba Sao Investment selected a Harman audio solution made up of JBL speakers, Crown amps, dbx signal processors and Soundcraft digital mixing consoles.
“One key requirement of the audio system was that it needed to be powerful enough to cover our theatre’s needs, and portable enough to suit our touring needs,” said Mr.Lê Quang Tuyến, vice president of Central Circus Theatre. “Ba Sao Investment worked closely with Harman to provide us with a customised so

UK - Paul Hatt’s sound hire and production company CS Audio has been supporting the Icelandic singer Björk, using KLANG:technologies’ 3D personal monitor mixing system for the string section at the headline festival shows in Mexico City, Los Angeles and Japan.
The KLANG:technologies system was specified by Hatt after he’d used it with Massive Attack in Hyde Park for the same purpose, but it also caught the eye of the production manager who also worked on both shows. He asked Hatt about the system’s availability, having been suitably impressed the first time it was used.
Hatt explained the set-up, “This time the KLANG was connected via the MADI on the DiGiCo SD8 console, quick and easy to set up, we were up and running in no time without any issues. I sent groups of each string section, playback mixes, click, vocal and of course themselves to allow each music

UK - Autograph Sound designer Nick Lidster specified Martin Audio MLA Mini for the 2017 summer season of Jesus Christ Superstar at Regent’s Park Open Air Theatre.
Having used a Martin Audio MLA Compact PA rig for the 2016 production, Lidster decided to change the system while auditioning the MLA Mini at a Leo Sayer concert.
“After last season finished, I looked at what I needed to do by way of streamlining, and after hearing MLA Mini I knew it would be perfect for the centre cluster,” he said.
Supported by Martin Audio’s Nigel Meddemmen, six elements of the MLA Mini were centrally deployed and at the same time Nick Lidster chose to fly the main line array higher than previously. “I wanted to focus the sound down - to ensure we got all the energy into the bowl-shaped auditorium, and at the same time minimise the spill over the back and into the Pa

UK - DJ Willrich (DJW) and its client The British Music Experience chose Bose Professional to take audiences on an immersive musical experience at the Cunard Building in Liverpool.
Specified for the exhibition that celebrates over 70 years of British music, the system had to 'transport' audiences on a seamless musical journey through eight eras housed within the Grade II listed building.
The eras stand adjacent to each other in zones in an area featuring hard surfaces, which required the best possible solution for sound bleed. It was agreed that carpets and sound absorbing ceiling rafts would be fitted to allow installation of 32 FreeSpace DS 16F loud speakers, which deliver an uncompromised coverage of targeted sounds across each of the eight zones.
The Bose system is driven by PowerMatch amplifiers which offer concert quality, scalable sound. Configured with Po

UK - A Yamaha audio system has been specified for St George’s Cathedral in London.
Built in 1848, the cathedral’s architecture features high, vaulted ceilings, pillars, large leaded windows and expanses of smooth stonework, which all present challenges to effective sound reinforcement.
Cunnings Recording Associates were appointed to carry out a two-stage upgrade to the sound quality in the cathedral.
Daniel Cunnings of Cunnings Recording Associates says: “The cathedral had an ageing sound reinforcement system, but it had never been properly commissioned. No delays or EQ had been set up for any of the loudspeakers and there weren’t enough outputs available for the number of speakers.
“As well as services, the cathedral also hosts a range of other events, so there are microphone points throughout the building. The existing system was not easy to ope

UK - The Prolight Concepts Group has been enjoying “a super exciting and busy year” following the release of its new 2017/18 catalogue and showcasing its full product portfolio at its busiest PLASA Show to date.
“Not only has our 21st year seen the publication of our first comprehensive printed catalogue in several years, but we have also released an astonishing amount of exciting new products for the entertainment, professional installation, architectural and leisure markets,” reports the company. “This long-standing show has been in the limelight for 40 years now, giving us a great platform to showcase our innovative products. Speaking of innovate products, our eLumen8 LED Tour Batten TW was featured in the Innovation Gallery during the PLASA Show, and was entered into the PLASA Awards for Innovation
“The footfall on our stand for all three days was pheno

USA - More than 82,000 individuals and corporate donors gave to the University of Tennessee’s 1.1 billion dollar Join the Journey campaign, which focuses on making the overall cost of earning a degree more affordable, with funds going towards undergraduate scholarships, graduate fellowships, faculty support, athletics and other university initiatives.
Bandit Lites was honoured to donate the lighting for the sophisticated soiree, which culminated with a private event at the Knoxville Convention Centre. On campus, LED Light cubes gave each individual college programme a modern and fresh look to highlight aspects of the school along the concourse, from nursing students with lifelike babies to law students holding court with judges and juries selected from the audience.
Additional lighting was provided for a small reception honouring Peyton Manning, with an elegan

The Netherlands - Although Alcons Audio’s pro-ribbon systems have steadily established themselves as solutions for cinema, home theatre and medium-sized live events, there have been doubts in the pro audio industry that the technology would be suitable for larger events and festivals. But the company’s latest LR28 and LR18 systems have won many fans, including major event production company Jurlights.
"The promoters were so impressed with the LR28/LR18 system at the early soundchecks, they booked it for 2018 on the spot," says Jurlights founder Jurjen ‘Jur’ Hesseling. This is some compliment for a system that was making one of its first live outings - on the Main Stage of Dance Valley (aka the ‘Woodstock of Dance’) at Spaarnwoude in the Netherlands.
A major presence in the European event market, the passion that Jurlights puts into its productions is matche

USA - Over 200 Robe lighting fixtures supplied by Solotech are on the rig of Lady Gaga’s Joanne world tour.
With Gaga promising that lighting was going to be a “big thing” in her show, creative director LeRoy Bennett’s brief included set, lighting and visual design, with custom video playback material produced by Madison Vine. A staple of the show are three flying bridges that descend from the three 45ft long pods in the roof above the audience, creating a pathway below, flopping sideways and transforming into projection screens.
This is designed to allow Gaga to embark on a physical journey across the venue, stopping at two satellite stages and the B stage adjacent to FOH, and engage close-up with different sections of audience throughout the set.
The journey ends on the B-Stage where she plays a heart-shaped Plexiglass covered piano with dichroi

Europe - Cate Carter needs little introduction as one of busiest and most successful LDs over the last decade, with a long and illustrious portfolio featuring the likes of Editors and Ellie Goulding currently out on tour. Carter’s company, Bryte Design is a design production house run in conjunction with her business partner, lighting designer Mike Smith and visual producer Pablo Beckett. Even before the company’s inception, Carter had been employing the talents of Specialz to realise her design concepts.
“The ethos at the heart of Specialz is the company’s completely open nature to a designer’s ideas and concepts. Backed up by a breadth of experience, skill and, what could be best described as industry savvy, Dave and his team offer a unique service to us as a client.”
“I think it was back in 2011 when we needed to adapt a piece that we rented

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