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14 March 2016

The 22 models in the R-Series range provide a comprehensive choice of throw distances and coverage patterns and are used outdoors, from theme parks like Disneyland to the flood warning system of the city of Venice, and indoors at large convention centres and airports.

The five models deployed at the London 2012 Olympic venues were the R2, R1, R.5, R.5COAX and R.25, configured with a variety of dispersion patterns to provide the coverage each location required. The long-throw R2 is a powerful three-way system, comprising dual 12-inch LF drivers, 2-inch M200 midrange

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14 March 2016

The system purchased by JSS consists of 48 K1 WST line source loudspeakers, 24 K1-SB and 24 SB28 subwoofers, 36 Kudo and 12 Kara cabinets and 18 LA-RAKs. Members of JSS' audio team underwent a training session for the systems in August 2012 with certified trainer, Alvin Koh.

"We are very pleased to have this new system," says JSS director Bob Samithisawad. "Our team is very excited and can't wait to get it out on the road once the training is over. We are confident that this new system will be very much appreciated by our clients, not only in Thailand, but also around South East Asia, since we a

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14 March 2016

Initiated in 2008, the Awards recognise the most remarkable achievements in lighting design across a range of UK productions, encompassing the general categories of Television, Rock and Theatre. Emphasis is placed on the individuality of the lighting designer, a 'Knight' demonstrating the shining qualities of integrity and professionalism. Selection of the Awards recipients falls to a panel of experts from the British associations of lighting designers, STLD and ALD.

Artistic Licence owner, Wayne Howell, explains the company's decision to sponsor the event. "As both manufacturer and projects integrator, our involvement with lighting design is unusually broad. From custom-building state-of-the

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14 March 2016

The Threesixty° production, playing until 9 September, takes the audience on the fantastical and complex journey of siblings Peter, Susan, Edmund, and Lucy.

Directors Rupert Goold & Michael Fentiman worked with scenic, costume, and puppetry designer Tom Scutt and lighting designer Tim Mitchell to create the magical and encompassing world of Narnia. The production, staged in the round, required versatile and powerful equipment to solve challenges u

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14 March 2016

Designed by Valencia-born architect Santiago Calatrava, this visually stunning exhibition and convention centre has left its own indelible footprint on the local landscape.

Set on three floors, and elliptical in shape, the 15,530sq.m Congress Palace consists of several different function room and exhibition spaces - but without doubt the most spectacular is the main auditorium. This unusually shaped 2500m2 hall has a seating capacity of 2,144 seats, with a height of 45.16m up to the dome.

With the complex geometry (and high reverberation time) of the room, the choice of sound system was critical - and after an extensive study of electro-acoustic systems the decision was taken to specify an OmniLine® m

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14 March 2016

"We've had a great festival. It's been bigger, better and busier than ever," says Black Light's hire and events manager, Calder Sibbald, who explains that, as always, the company's planning for the festival began early in the year to make sure that it could access the tonnes of equipment and the miles of cabling required.

"This year we thought that a major challenge would be posed by the Olympics which would swallow up a lot of gear," says Sibbald. "However, careful forward planning meant that this wasn't a real problem."

Highlights of Black Ligh

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14 March 2016

The purchase includes a total of 66 new projectors - 44 x HDF-W26s and 22 x HDQ-2K40s - the latest models from Belgium-based Barco.

This is part of a continuing commitment to supply the latest video technology to its customers, and reinforces XL Video's ongoing plan for growth and expansion across all its markets.

(Jim Evans)

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14 March 2016

Previously, the TNP operated with just 56 ways of ETC IES SineWave dimming power in the multipurpose black box theatre. Following completion of refurbishment, its Grand Theatre has become the best equipped SineWave theatre in France - with 632 channels across the two halls.

The equipment was supplied by ETC's French distributor, Avab Transtechnik France. Avab's sales manager Jean Louis Pernette explains, "The theatre's technical director, Jean-Michel Dubois, wanted to use the latest and most advanced technology while keeping maintenance as straightforward as possible. He started by testing a single rack of ETC IES SineWave dimming to see how it performed, before t

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14 March 2016

"The MA onPC command wing allows us to train the students on the MA platform at an affordable entry point into the market," commented Joseph Mercurio, VCA's performance technology coordinator. "It is vital that the students here learn on current technology in order to improve their skills and make sure they are employable upon graduation. MA has such market share and penetration that it was always on our list. Since we have purchased it we have had a steady stream of students using it and getting to know the console."

One such student is Steve Hendy who is in his first year at the college and had previously only had lighting control experience with a Hog 3PC. However, he found the MA onPC command wing to

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14 March 2016

The show action featuring a cast of nearly 1000 performers took place on the Esplanade down below the Castle walls in the centre of the Tattoo's new, purpose-built state-of-the-art amphitheatre, which includes a special climate controlled projection room.

The Tattoo's chief executive and producer for the second year running was Brigadier David Allfrey, a big fan of large format projections, and this year's event theme was HM Queen Elizabeth's Diamond Jubilee and the year of Creative Scotland.

Creative Scotland included specific sections of the show and dances celebrating iconic items of Scottish culture like tweed and whiskey, plus the industrial revolution. All these and more gave As

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14 March 2016

Somerset-based APR Audio used several of its iLive systems for the opening night at the Weymouth & Portland Beach Live Site, which hosted live entertainment, welcomed the Team GB Sailing Squad, and broadcast a live screening of the London opening ceremony.

APR employed the largest Control Surface in the series - the iLive-176 - at FOH with an iLive-T112 at monitor position, both fed from an iDR-64 MixRack. An iDR-48 with iLive-144 was also set up to manage monitors for Eliza Carty, who headlined the opening night.

Meanwhile, SXS Events managed the Bayside Festival, a major festival running alongside the Weymouth Olympic Sailing Events. Located at the end of Weymouth beach,

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14 March 2016

The company released the first wireless DMX/RDM product based on its wireless CRMX technology in 2009. It has since then completed hundreds of successful installations all over the world and added wired RDM connectivity in the form of the Unity extension. Integral to the success is also SuperNova; a powerful and ever evolving software application that offers a feature rich RDM controller and an easy to use graphical user interface; putting the power of this technology into the hands of the everyday user.

Lighting industry heavyweight Robe, a pioneer in the

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14 March 2016

This year, Nick Britz from DWR has taken Training under his wing and is running with sessions that will benefit technicians and interested parties in the industry.

The Protocol Training covers everything from the basic DMX 512, RMD, Artnet, Ethernet and Wireless Networking. It includes fault-finding techniques, addressing fixtures, monitoring units in the rig, configuring networks and the ins and outs of some of the most commonly used protocols.

September will be a busy time at DWR Distribution, and other courses include the Avolites Titan 6 Training on the 10 and 11 September and Robe Training on the 17 & 18 September.

(Jim Evans)

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14 March 2016

As PLASA announce a new home for the PLASA Show, the final event at Earls Court promises to be a glorious celebration of the industry's involvement in the Diamond Jubilee and London 2012 Olympics. The Olympics Uncovered sector of the Professional Development Programme is close to a sell-out and joining Backstage at the London 2012 Ceremonies will be Making it all Possible! presented by Riedel Communications; Landscape Video, a seminar from Tait dedicated to those transforming LED panels that turn stadiums into vast video screens and Scott Burges from Creative Technology delivering From a Wobbly House to the

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14 March 2016

The torch, 800mm high with stylish conical design and featuring an attractive shiny gold finish, will be on display on the Robe Stand Hall 1 F47 on Sunday and Monday of the exhibition for all to admire.

The auction will take place during the PLASA Innovation Awards, presented at the end of the day on Monday in the Central bar area. A professional auctioneer will be on hand to conduct the proceedings and help find the lucky winner!

All funds raised will be distributed to leading industry charity, Light Relief.

(Jim Evans)

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14 March 2016

Linda Gibbons, Le Mark, sales director, explains, "We had been working on this major project for over four months but, along with all other ceremony suppliers, we were asked to 'save the secret' by Danny Boyle - but now we want to tell the world.

"We have also been collaborating with UK Trade & Investment to try and find overseas markets for our products and services and we were hoping that as the opening ceremony was the biggest shop window we could possibly ask for it would br

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14 March 2016

The event, which served as a prologue to the 58th Certamen Internacional de Habaneras y Polifonía, featured powerful sound projected along the beach by an RCF TT+ line array, provided by rental house Orecam.

Orecam, who provide sound reinforcement each year, fielded five TTL33-A elements each side of the stage, with four TTS28-A subwoofers to achieve the required SPL and reproduce the sound of choral singing, along with Spanish and Cuban habaneras, with absolute clarity.

With around 300m of beach to cover, the production company took no chances and provided four delay masts, with four TTL33-A enclosures on each. They also provided a further six tiny RCF TT08 precision monitors as st

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14 March 2016

To ensure the best possible audio quality for its patrons, stadium management wanted a world-class sound system. They found it with a collection of loudspeakers drawn from the Aero Series 2 catalogue of Valencia, Spain-based D.A.S. Audio.

Dynamic Productions, a full event production, sound, lighting and staging company headquartered in Orangeburg, NY, was contracted to provide staging, lighting, sound, vide

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14 March 2016

Martin Kempton designs the lighting show which includes MAC 500s, MAC 600s, MAC TW1s and Pixel Par 90s, supplied by Richard Martin Lighting (RML).

Meet The Parents is filmed for Objective Productions. The first episode is currently scheduled to go out on Wednesday 12 September at 10pm on E4.

(Jim Evans)

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14 March 2016

For at least 20 of those concerts the sound has been mixed by DM Audio's Lars Wern. Fielding their new Martin Audio MLA Compact system, the leading production company ensured that not only the orchestra but also famous Swedish soprano Malin Byström were heard as never before by the 25,000-30,000 people who attended.

Presented by actor Samuel Fröler, the comprehensive programme, including popular works by Bizet, Gershwin, Schubert, Wagner and more, was played out through 12 MLA Compacts, rigged on each side of the stage, with three DSX subs set up in a cardioid pattern on each side (with the centre sub turned ar

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14 March 2016

Curated by producers Nile Rodgers and Mark Ronson, the show's theme traced the evolution of disco music into today's electronic dance music.

The line-up included both Rodgers and Ronson, who were joined by a host of stars including Grace Jones, Anita Baker, Alison Moyet, Johnny Marr, Elly Jackson from La Roux, Chic, and Dimitri from Paris.

For the show, XL Video specified their versatile Pixled F-11 LED which formed the flown screens above the stage and a front piece for the DJ booth. In total over 70 square metres of F-11 were used.

For the screen content, XL Video was granted access to the extensive Montreux Jazz Festival and Chic archives.

The crew employed two Catalyst media servers a

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14 March 2016

With the programme commencing before sunset the projection challenge was to ensure that the screen images were sufficiently bright to be seen in almost full daylight conditions, and also that this glorious BFI restoration could be fully appreciated by the sell-out audience of over 1,000. Thus four of QED's new Christie WU20K-J projectors were quadruple stacked in order to produce astonishing high brightness images of exceptional quality.

This three-chip WUXGA DLP 18,000 lumen digital projector delivers superior performance and qua

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14 March 2016

The very first Oppikoppi was held in 1994 and has become a tradition ever since. Thousands camp out in the bush and enjoy an enormous line-up which now features well over 120 different bands, DJs and artists. International acts included Bullet for my Valentine, Enter Shikari and Babylon Circus.

Theo Papenfus and his crew from Stage Effects are no strangers to the dust and tough terrain at Oppikoppi, but each year as clock-work, they

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14 March 2016

LDR's Besio Fabiano and Macostar's Mr. Derek Chow feel that they have successfully answered the question of whether LED and TH lamp sources can co-exist, by combining conventional TH lamps and state-of-the-art LED technology co-developed to produce a lighting solution for two auditoriums in Hong Kong - Lei Tung and Stanley Community Hall.

"We came across this challenging project," commented Macostar's Francis Fung "when the Hong Kong community center decided to revamp its two auditoriums because the venue's