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14 March 2016

Lighting for this - and the six week tour preceding the two 85,000 capacity sold out shows at Croke Park - was supplied by UK lighting and visuals rental company HSL. It included nearly 200 moving lights.

The lighting design was created by Dave 'Biccie' Lee and operated on the tour at Croke Park by Simon Horn. Mike Oates project managed for HSL, who were working for the tour's technical production co-ordinators Production North, under the auspices of production manager Karen Ringland.

Says Mike Oates, "We were immensely proud to work on this tour and the two landmark Croke Park shows. The show was absolutely stunning and a real tribute to all involved i

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14 March 2016

Touring in support of their latest album, "Hurry Up, We're Dreaming," Landau's design recalls 'a vision of the future as imagined in the past' with elements like laser tag arenas, late 80s school supply graphic design (Trapper Keepers, Lisa Frank...), and old sci-fi flicks as her inspiration.

"The first tours included a simpler LED mover," she explains, "but as the shows grew, I was able to upgrade to the Aura. I love the look of its bubbly face and felt it would fit really well with the retro-futuristic look of the show. When zooming, it resembles a little alien with compound eyes.

"The A

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14 March 2016

The recipe is the work of Restamax management group; the largest independent restaurant chain in Finland they have over 50 locations nationally. The Ilona chain is a relatively new development, the first two opened in 2011, the Tampere venue being the first, three more are scheduled this year. "Part of that success is the great sound, "said Pesonen. "I f you provide the quality in everything you do, food, d

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14 March 2016

Each of the ELAR Quad Series units' Quad-Color 10W CREE MC-E multi-chip LEDs contains four different colour sources (red, green, blue, white), allowing mixing to be done inside each lens optic. This 4-in-1 configuration produces more smoothly blended colours and eliminates the distractive RGB shadows often associated with single-color LEDs. For even more precise colour-mixing accuracy, the ELAR Quad Series features a Single Pixel Control Mode, giving designers pinpoint control over color production down to the level of individual

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14 March 2016

Leader's LL Stage6-06DW 'Beam' fixtures saw in the New Year at one of the planet's biggest New Year Parties - Edinburgh's Hogmanay Street Party, which welcomed over 80,000 revellers. Black Light of Edinburgh lit both the East End and West End stages at the event, with the Leader fixtures used on the West End Princes Street stage and used to light acts including Wild Beasts and Friendly Fires.

Black Light's Phil Haldane explains, "We used the Leader Beams in place of Par38 ACLs. They are a very nice, compact unit effectively producing a nice tight white beam with minimal power consumption. They are also highly flexible, allowing individual control of each cell. This allowed us to pixel map the u

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14 March 2016

The two performance spaces - Muriel Kauffman Theatre and Helzberg Hall - were designed by renowned architect Moshe Safdie. Both were created using ultra-modern, sound-isolating building-within-a-building construction; a foundation, walls, and roof surrounded by fully independent foundation, walls, and roof.

The 1600-seat Helzberg Hall, home to the Kansas City Symphony, offers seating in a semi-circular 'vineyard-style' configuration that surrounds more than 270 degrees of the massive 2700sq.ft stage, placing no seat more than 100ft away.

Con

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14 March 2016

"The show format requires a 32-channel mixer, which ordinarily would take close to 4 hours to set up venue to venue. However, with this Allen & Heath iLive system, we are essentially bringing our own console everywhere we go and it fits into two 3 rack space bags. We can even take them as carry-on luggage when we fly," comments tour manager, Ryhna Thompson.

iLive enables Kid Koala to store all o

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14 March 2016

The Event Deck at L.A. Live is a 106,000 sq. ft. space that includes a 42,000sq.ft tent. Kinetic's Project Manager/LD Rachel Miller and Programmer Eric Barth worked together as the lighting team for the night.

Their choice of console began with the design brief, Miller says. "The Idol finale party called for dark, moody effects. The ability to physically see every color on the screen in front of us on the Road Hog was helpful in creating my palette."

Miller chose the Road Hog co

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14 March 2016

Fast-forward 20 years and Huelin is still at the helm for Hootie frontman Darius Rucker, working with monitor engineer Joel Stickrod. Both are mixing on the Midas PRO6 digital console. "I was one of the last to go digital," says Huelin. "I was always happy with my MIdas XL4, and never heard a compelling argument to change, because none of the digital consoles sounded as good. But all that changed when I heard the Midas digital."

With sound quality as his primary focus, the PRO6 passed Huelin's ear test. &

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14 March 2016

On a stage designed by Mark Fisher with a backdrop of the palace itself, lighting designer, Durham Marenghi, worked his magic to create a spectacular lighting show worthy of the occasion, balancing the light from 240 moving lights, 36 20K projectors, and a wrap-around LED backdrop.

Marenghi specified five Robert Juliat Lancelot 4000W HTI followspots as the main stage key lights to pick out the performers and presenters on stage. These included a variety of artists from the past 60 years, from relative newcomers, Ed Sheeran and Jesse J, to veterans such as Cliff Richa

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14 March 2016

For the Gran Finale show, XL Video was tasked with providing a spectacular projection on to the Cathedral above Dalt Vila.

Unlike the usual preparation for a projection mapping project, the mapping had to be done based on photographs and on-site measurements, and then line-up and programming were done on location in Ibiza by XL Events' technical director, David Mulcahy.

Special permissions were required to turn off the architectural lighting on the buildings and a set of custom masks were applied to ensure the projections didn't spread t

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14 March 2016

AVnu promotes the adoption of the IEEE 802.1 Audio/Video Bridging (AVB), and the related IEEE 1722 and IEEE 1733, standards over various networking link-layers. The organization works to create compliance test procedures and processes that ensure AVB interoperability of networked A/V devices, helping to provide the highest quality streaming A/V experience.

Specifically, Waves is planning to collabor

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14 March 2016

"While Waters still has a few Walls left to build on his itinerary, Springsteen also has a long way to go before the end of the Wrecking Ball tour, and still could finish with the year's top outing," wrote the magazine.

In the US so far this year ticket sales for the 100 largest concerts are up 1.2% thanks to big stars like Lady Gaga, Madonna and Paul McCartney all touring there. However Pollstar said "today's economic realities"

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14 March 2016

Genting's Arena of Stars, a 5300-seat venue, has staged over 1300 concerts since its conception 12 years ago. The venue has welcomed top international performers such as Sir Elton John, Sir Cliff Richard, Kenny G, Black Eye Peas, Vienna Boys Choir from Austria, Kitaro, Jacky Cheung, Andy Lau, Aaron Kwok, Sam Hui and Sammi Cheng.

When it was first opened in 2000, one of the first venues of its kind in the region, the amphitheatre was equipped with a state-of-the-art audio system from Nexo - the

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14 March 2016

Supplied by Johannesburg-based ETC dealer Prosound, the Source Four luminaires provide the workhorses in the main auditorium and almost entirely account for the overhead rigs in the two studio spaces.

"ETC Source Four Fresnels were a late entry into the competition," says Denis Hutchinson, theatre consultant on the project. "ETC flew a unit out to South Africa for me to test and I was very pleasantly surprised. To the eye at least the output is comparable to a 1200W Fresnel and of course you are only running 750W, so from the green perspective it's a better unit. They are very nicely and solidly built and the way in which the lamp is housed is very solid.

"I think they will work very well for this venue; an

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14 March 2016

QVC UK is the largest TV shopping channel in Britain, and broadcasts 24 hours a day, 365 days a year with 17 hours of live programming each day from two studios.

UK company Light Emissions were chosen by LED design consultancy LED Poison to supply a dynamic video visual product for this unique install, while LED Poison also provided and installed all LED lighting and visual elements for both studios.

Managing director of LED Poison, Simon Deary, comments: "The area in w

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14 March 2016

The fixtures will be used in the Theatre's three performance spaces - a 420 seat main pros arch auditorium and two studio venues of 180 and 90 capacities respectively. Says Hutchinson: "Robe is a very solid and reliable brand in my experience, and units certainly need to be robust in this environment, where they will be in almost daily use for many different scenarios."

Day-to-day, the new lighting system is being looked after by house Lighting Technician Nkululeko Mazibuko, who trained at Johannesburg's landmark Market Theatre, and has had considerable experience a

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14 March 2016

The showcase, which took place at One Marylebone, London, was one of the first times that the Clay Paky GlowUp has been specified for a UK event. Since then, these fixtures, supplied by Ambersphere Solutions to Entec, have been chosen for use on several other product launches.

Entec's customer Seen Presents, a London based creative events and experiential agency, who produced the jewellery showcase, were quite clear about what kind of lighting fixture they required. "The team at Seen Presents was very specific' states Ryan Brown from Entec. "They wanted battery-powered, easily controllable uplighters." Armed with this knowledge, Entec quickly came to the conclusion that the new lightweight portable Clay Paky

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14 March 2016

Farnborough International Air Show took place on the 9-15 July, welcoming both trade and consumer visitors. Digital production company Mediastation worked alongside BAE Systems' event partner Rapiergroup and trade AV rental specialist PSCo Rental to design the content and manage the logistics for this iconic screen.

Mediastation ensured that the 152" plasma was used to its full capabilities, designing 3D and interactive 4k resolution content using the Hummingbird platform to transform the screen from a static display to a gesture recognition hub.

Doug Fidler, creative director of Mediastation explained, "Nothing like this has ever been seen before in the defence

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14 March 2016

New products making their regional debut at Focus Nashville included: Martin Professional's new MAC III AirFX; MAC Viper Profile; M2GO, M2PC VC; d&b audiotechnik's E4 and E5 loudspeakers; Elation Professional's IP65-rated RGBW wash; Clay Paky's A.LEDA LED moving head range; Chauvet's new PVP S7 high-res video panel, new moving yokes Q-Spot 360-LED and Q-Spot 460-LED, Legend 412 pixel-mapping moving yoke lights and MVP 12 modular video panel - and many more.

The free to attend Professional Development Programme attracted over 1000 registrations for sessions that ranged from The Green Scene: Recycling Sets

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14 March 2016

The highlight of the evening comes when the audience - in white dress code - are splattered with UV-active paint via a series of compressed air canons placed around the room to provide the colour as the scene changes from monochrome to glorious Technicolor.

Event producers for the German leg of the tour included Whateversclever from Hamburg and technical solutions provider Rec-Tec SFX & Technic Solutions from Sinzig who joined forces to present Nonsplash at the 10,000-capacity Essener Grugahalle.

Taking the party out of clubs and into large arenas called for a completely different concept

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14 March 2016

PRG and VARI Internacional collaborated as technical advisors to the Pepsi Centre, which will host national and international productions including concerts with Mexican singer Alejandro Fernandez Bob Dylan, Megadeth, Yes, Meat Loaf and others. The 14,000sq.m, 7,500-capacity venue was constructed with flexibility in mind, with the option of functioning in auditorium or arena mode. As well as hosting musical concerts and performing arts, the venue is also suitable for conventions and sporting events.

This flexibility extends to the soun

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14 March 2016

Award winning Lighting Designer, Jeff Ravitz, of Intensity Advisors in Los Angeles and Morpheus Lights, the Las Vegas based lighting production company, selected the Wildsun 500C from Ayrton after extensive testing and comparisons to other automated LED fixtures.

"It's a strikingly different look for our show - the warm white baseline, vivid colours, smooth movement, and remarkable intensity of the Wildsun 500C are truly unique" says Ravitz.

The Wrecking Ball tour began in Atlanta, Georgia in mid-March and continues in European cities from mid-May through July 2012. It then returns to the US for additional Stadium shows in August and September.

(Jim Evans)

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14 March 2016

Sapsis Rigging provided design consultation and rigging equipment for all performer harnesses. Sapsis also provided onsite supervision at all venues.

"It was, to say the least, a very exciting day," noted Bill Sapsis, president of Sapsis Rigging. "Each of the locations provided a unique set of challenges, but it was the London Eye that demanded the most attention."

The performance on the Eye, which began at 10:15 pm, involved performers completing a serious of acrobatic manoeuvres while han