Business

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14 March 2016

Texas lighting guru Richard Cadena comments, "I have been overwhelmed by the wide range of reasons to visit PLASA Focus: Austin 2012. In addition to the world-class line-up of manufacturers and new products, the side-shows will undoubtedly make this a memorable first event for Texas."

While new audio, staging, lighting and AV products will top the show floor agenda, The Professional Development Programme will see educational sessions from PLASA's partners in the event: The Stagecraft Institute of Las Vegas, The Broadway Green Alliance, Austin City Limits Live, The Production Equipment Rental Group, and the Long Centre for the Performing Arts, among others.

Joining an already packed floor pla

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14 March 2016

"Univision's old set had an outdated conservative office look with dark wood veneers everywhere. For their new look, they really wanted to push the envelope and be completely different by having a lot of brightness and color," said Frank Burton of Event Ignition (San Antonio), which designed and installed the lighting in Univision 41's news sets, using LED products from American DJ and its sister company Elation Professional.

The station's management wanted lighting

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14 March 2016

The PA set up by Wanzo Producciones consisted of 16 DVA T12 and 16 DVA T4 and a further eight DVA T4 as out-fill. Rental company owner Sebastian Wanzo says. "The result was excellent. Everyone was impressed with the clarity as well as the dispersion of the sound."

The firm's audio team had tested the newest dBTechnologies line array at smaller venues, but this was the first large event using DVA T12, and Wanzo wasn't disappointed. "

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14 March 2016

At the Future Trends Summit in Amsterdam on Monday 30 January, Joe Bocchiaro III, vice president of InfoComm's Standards and Industry Innovations Programme, will present a session titled Is the Future More Standardized? In it, he will emphasise how embracing standards can boost business and offer a competitive edge for AV industry practitioners, as well as outlining the standards emerging from InfoComm and from other associations that will impact the future of audiovisual systems.

Bocchiaro will follow this at 11:30 on Tuesday 31 January by leading an ISE Education Zone class titled Audiovisual

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14 March 2016

Already hitting the ground running, Cosmovision recently supplied HQView320 to the Macau Science Museum for a large video wall exhibition display.

"For this application, we were searching through the Calibre UK product line and found HQView 320 to be a perfect fit. It processes signals up to 1080p to create a high-resolution image. The geometry correction, warping function and edge blending is utilised to create a soft edge blend and seamless projection display wall," says Philip Yeung, director Cosmovision.

"The addition of Calibre UK HQView to our product portfolio complements our exis

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14 March 2016

As part of their ongoing relief programmes in Tunisia and Niger and most recently South Sudan, Le Mark's printed products team have worked with Save The Children to supply a range of custom printed tapes and labels, helping their relief workers to identify their equipment and supplies in the field.

Le Mark's print manager Jenny Darnell says, "The work that Save the Children does is truly remarkable, they're a work force that not only want to help the situation now, but also put structures together to make things better in the future. I urge everyone to take just 5 minutes out of your day and look at the work they do and, if you can, donate to support them.

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14 March 2016

The revamp has addressed some of the most common items that users look for when visiting their site including an easy to navigate product page with all their latest products in the G4 line including transceivers, receivers, repeaters, antennas, tools and accessories. The site also lists W-DMX OEM partners, a worldwide map of distributors and a current list of upcoming trade shows. Case studies and current news are also available.

Most importantly, the new site has updated and simplified an area to download software, manuals and catalogues, which the company considers important to access on a 24-hour basis. The company also worked with search engines to make this information easy to find

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14 March 2016

Solotech, which is providing all the tour's lighting, rigging and specialty lighting fixtures, supplied 130 Clay Paky Sharpys from its inventory to lighting designer Nick Whitehouse. "The design of the tour is very modern and eclectic," says Richard Lachance, at Solotech, which is headquartered in Montreal. "The lighting, lasers and staging are very different - there's a centre module that's a B stage which is very prominent, and the show is laden with LED products."

Karl Gaudreau at Solotech, adds, "The first time

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14 March 2016

The current line-up of Dweezil Zappa, Scheila Gonzalez, Pete Griffin, Billy Hulting, Jamie Kine, Ben Thomas, Joe Travers, and Chris Norton has toured the ZPZ show - a tribute to Frank's amazingly prolific output of over 60 albums performed in exacting detail - around the world for several years now and continue to do so on a fairly regular basis.

Mansfield-based ESS were contracted to supply audio for the UK dates, in the shape of a Turbosound Aspect system. The band and crew were relaxed and on top form for this last show of the tour at the Brighton Dome, with the iconic venue pr

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14 March 2016

As part of the Festival of Britain anniversary celebrations, GDS were approached by Roger Hennigan technical Manager at The Southbank Centre, to assist with the redevelopment of disused outside area of the Queen Elizabeth Hall roof. The space was to be part of the centre's redevelopment project, with plans to build a garden and green event space for the festival celebrations.

From April - September 2011, the Southbank Centre site was transformed for the Festival of Britain 60th Anniversary celebrations, celebrating British talent and creativity with the biggest cross-arts festival South Bank had seen since the original festival in 1951.

After completing a site survey and taking into consideration the long and difficult cable routs on site, coupled with the inc

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14 March 2016

The exhibition explored the impact of the 1750km stock route on Aboriginal people, through an innovative blend of contemporary art, oral history, photography, film and interactive multimedia.

Clifton's Perth was engaged to supply the overhead rigging and lighting for the exhibition which prompted them to purchase 72 ETC Source Four Juniors which allow maximum field-angle flexibility.

"We chose the ETC Source Four Juniors mainly for their zoom capability," commented Ed Matthews, managing director of Clifton's Perth. "Plus they are a good compact size and sell at a reasonable price. They certainly are the benchmark light in that category.

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14 March 2016

Pennsylvania-based Atomic Lighting provided three grandMA2 light consoles with three grandMA2 fader wings to control the show's lighting and another two grandMA2 full-size consoles to run 16 universes of Art-Net for the video content. Fifty Clay Paky Sharpy formed part of the lighting inventory. Carlos Colina was the lighting designer of the show.

Since its debut on Univision entirely in Spanish in 2005, the Latin Grammy Awards show has consistently increased its ratings worldwide; it is also one of Univision's highest rated shows as well as the most watched and highly regarded awards event by Hispanics.

Atomic's vice president of operations Brett Puwalski, who has served as the show's gaffer for the last five years, re

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14 March 2016

This is to help increase capacity, turnaround and service and is in line with continued on-going expansion plans.

5 Star themselves undertook the main build of the new booth area, in the process removing the existing sanding and spray booths to make way for the much extended facility containing three dust extraction systems.

The new booth enclosure occupies a total area of 35sq.m and has been designed to ensure that there is plenty of room to manoeuvre - as well as for future expansion.

Air Bench Ltd. from Colchester, Essex was commissioned by 5 Star to specify the three new downdraught tables that form the basis of the sanding booths. They supplied two of their FN126784s and one of their FN189784 products, which extract the

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14 March 2016

Held in the modern demo facilities at AC-ET's High Wycombe HQ, the workshop was the initiative of the UK sales team's Paul Biggerstaff and Jez Johnstone of leading UK rental company, Siyan.

Seven in-demand lighting designers attended the workshop: Jamie Thompson (The Script), Johnny Barker (Scouting For Girls), Dave Cohen (Wretch 32, Simian Mobile Disco), Greg Hill (Biffy Clyro, Nero), Andres Atkinson (Eliza Doolittle, Framing Hanley, Little Boots), Louis Oliver (Jessie J, Katy B) and Chris Swain - AKA 'Squib' - (Two Door Cinema Club, Bombay Bicycle Club).

The LDs were

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14 March 2016

Technical event specialists Stage Electrics who have successfully been supplying all the lighting for this landmark event for 10 years proposed the use of Zero Wire CRMX product from Cooper Controls to lighting designer Durham Marenghi as the solution to enable wireless control of each of the 32 pods fitted to the London Eye. Zero Wire CRMX was first launched at PLASA in 2011 and features the CRMX wireless DMX technology designed by LumenRadio.

Stage Electrics approached Cooper Controls together with LumenRadio at PLASA to

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14 March 2016

Contracted to provide the production lighting design, Paul Hoffman of Pulse Lighting LLC deployed 18 of GLP's Volkslicht Zooms to help build the atmosphere.

Hoffman first became involved in the project around two years ago to consult on the lighting and other aspects of the technology for owners, Clyde's Restaurant Group.

Having worked with the operators on previous events (and impressed them with their production work for bands such as Widespread Panic and Furthur), the LD knew what was expected.

With a 500-seat upscale restaurant at street level and 400-seat live music venue below - with its own food and b

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14 March 2016

The Robes were an integral element of the automated lighting on Guetta's worldwide touring spec, originated by lighting designer Jonathan 'Leggy' Armstrong, and were operated on the night by touring lighting director, Alex 'Junior, Cero who is based in the UK.

Colossal Rental's client was Deadcode Productions, who delivered the show's technical package, working for show promoters Burn. They all collaborated with Guetta's own production team led by production manager Al Green.

The lighting rig featured 29 Robe LEDWash 600s, 18 ColorSpot 1200E ATs and 12 ColorWash 250E ATs

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14 March 2016

Established in 1994, The Jungle Group has built up a client base of some of the world's biggest brands, advertising agencies and broadcasters. In order to maintain its position as a leading post production facility and present some of the finest facilities Soho has to offer, The Jungle Group enlisted the help of Azule Finance to allow it to quickly enhance its offering.

Graham Ebbs,

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14 March 2016

After his father's death in 1972, the Birmingham native put his racing career on the back burner to take over the family dairy business. But by the late 1980s Barber's obsession with collecting and restoring vintage cars and motorcycles eventually resulted in one of the most impressive collections in the world, and in 1995 he opened the Barber Vintage Motorsports Museum.

In 2003 Barber sold his dairy business and invested more than $50m to build the Barber Motorsports Park. The sprawling 740 acre park, just east of Birmingham, is home to the museum as well as a 16-turn, 2.38-mile racetrack that has hosted both motorcycle and car racing events ranging from Grand-Am and NASCAR to AMA Superbike and Mustang Club of America.

"The state of

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14 March 2016

Lighting director Oli Richards designed the lighting for the show with support from London-based suppliers Richard Martin Lighting (RML).

Richards' spectacular lighting rig comprised of well over 100 moving lights, with Clay Paky Alpha Beam 700s and Sharpys chosen to help transform the studio into a live concert environment.

(Jim Evans)

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14 March 2016

An appeal committee raised £50,000 and five years later it reopened as The Trinity Theatre arts centre complete with a raked-seating auditorium. Growing popularity soon saw an art gallery, licensed bar and computerised box office added.

Its latest upgrade sees the venerable space take on the very modern mantle of digital cinema, although a cursory gaze at the vaulted balconies, plush stage tabs and comfy seats reveals little. Only on closer inspection does it turn out to be the UK's first digital cinema to employ the K-Array system, its mid/high hangs barely visible against the tabs

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14 March 2016

As of September 2011, following a successful PLASA 2011 tradeshow, Green Hippo embarked on its internship programme by welcoming Suzy Casserley into the technical support team. Studying a BA Hons Degree in Lighting Programming at Rose Bruford College of Theatre and Performance, Casserley is involved in demo kit testing, technical support and the HippoSchool training sessions.

"My time at Green Hippo has been an amazing opportunity for me. I feel that I have gained a lot of practical knowledge and experience that I couldn't acquire solely in an educational environment." she reports. "I have also had the chance to network extensively and I have made some valuable industry contacts which

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14 March 2016

As an Authorised Service Centre, White Light now offers service and support of all Vari*Lite automated lighting fixtures, from the long-established yet still popular VL500 andVL3000 families to the VLX range of LED fixtures. The company's technicians can now carry out routine maintenance and servicing or repair work, including warranty repairs, for other Vari*Lite owners across the UK and Europe. White Light's staff has already completed extensive training, and the company has $100,000 of spare parts on-hand allowing most repairs to be carried out immediately.

"We are delighted by this appointment," comments Dave Isherwood, White Light's technical director. &qu

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14 March 2016

The 2012 AV Networking Congress, brings together some leading industry AV design consultants, and pro-audio manufacturers sharing their expertise in the rapid convergence from analogue to digital media networks.

Technologies for digital audio networking first appeared nearly two decades ago, but only recently have we began to witness a seismic shift away from traditional analogue networking and towards digital networking. A key driver for this is the rapid convergence of AV and IT, underpinned by the adoption of high performance AV networking technologies, such as Dante, based on th