Adamson's long-time rental partner Nordic Rentals has finished building a massive new storage and office building in Velje, Denmark, which will now house the separate entity of Adamson Scandinavia, beside the Nordic Rentals divisions of Nordic Rentals, Nordic Sales and Nordic Staging.
Adamson Scandinavia staff includes manager Lars Aunsberg, director of sales Lars Bo Baadsgaard and sales staff Lars J°rgensen, an
The Company was awarded the Business of the Year award at the 2008 Performance Textiles Awards held this month. In presenting the award to Arena Structures managing director Grahame Muir, Colin Bryer, managing editor of Performance Textiles magazine, commended Arena "for showing significant growth and innovative development throughout the year following the management buyout of January '07."
Arena Structures also collected a silver award in the Project of the Year category for its input into the BCIC exhibition at the Sage Centre, Gateshead.
Grahame Muir commented: "These awards reflect the efforts of everyone at Arena Structures, who are continuously looking to improve the service we can deli
For the past year Dyckhoff and Fletcher have been trading under the name of Mobile One, handling a variety of high profile events including the Vodafone TBA series, T4 On The Beach and Keane's concert from the O2 Arena, which was the first live DVD from the venue. However, the Shockwaves NME Awards 2008 - the largest in the history of this particular awards ceremony - wa
Manson toured with 16 self-powered, high-performance MJF-212A stage monitors from Meyer Sound. Monitor engineer was Bruce Danz, a long-time associate of Taylor, Mich.-based Thunder Audio, which supplied the monitors.
"The MJF-212A is really the only stage monitor that can deliver clean, intelligible sound at the levels we require," reports Danz.
Since its release in 2007, MJF-212A has provided monitoring for the many artists including Metallica, Steely Dan, Dave Matthews and Kanye West.
Before his show dates in North America, Manson toured Europe with
On Cue Systems deployed a Vertec line array system consisting of a left/right arrangement of 12 VT4889 full-size line array elements per side, with 10 VT4880 full-size arrayable subwoofers per side. Additionally, On Cue Systems set up six VT4889 line array elements each for two out-fill side hangs.
According to Dan Myers, system technician for On Cue Systems, the event drew larger crowds than expected. "The campaign staff was only expecting five or six thousand people to show up, so it was amazing to see
ETC's technical director Adam Bennette, who happens to live just a couple of streets from the theatre, assisted with the installation, which includes nine 375W ETC Source Fours and a SmartFade ML control desk - which is also able to control the LED and fluorescent lighting on the show. "I have a pet hate of West End shows which are over lit and can even end up dazzling the audience," explains Bennette. "So it was nice to be able to work o
Stage Electrics provided crew together with 36 Source 4 lanterns, four MAC 250 Entours, 12 MAC 300s, 10 MAC 500s, six MAC 700s and 14 MAC 600s for the awards held on Sunday 8 March. Lighting design was by Matt Evered, the awards were project managed by Stage Electrics' Andrew Loveday.
Production Manager Andrew Loveday said, "This is Stage Electrics' third night in a row in the Great Room. We provided equipment for Revolution Awards, Variety Club Awards and the Oliviers."
(Jim Evans)
Bridge, who worked with assistant Mike Odam, is using Vari-Lite luminaires, as well as some 200 ETC Source Fours with Wybron colour scrollers, on the show. The moving light programming was by John Harris on a PRG Europe-supplied Wholehog II, while static lighting is by Dan Last on a Strand 520.
"Nine years ago," continues Andy, "we still preferred not to rely on moving lighting, but now we can be more confident about
"Many young people are pushed into 'live audio' and 'technical' courses by career advisors at schools. Whist sounding superficially exciting, these courses are obviously bringing in funds to educational establishments, but "live" production cannot be taught in a classroom or a one space environment.
"You need to be able to anticipate venue-to-venue problems and nuances and experience true working days - including load-ins and outs before you leave college."
Dockerty adds that apart from highlighting technical issues, the Adlib Schools Events are realistic about the fact it's not an especially glamorous career at the outset, a
Sales distribution for Germany will be handled by Hagen-based CAST, headed by managing director Heinz Siller.
A new company, CyberHoist Germany GmbH, will become the country's CyberHoist Service Point, responsible for all service and rental support in Germany. The company has been set up by the team from current CyberHoist rental dealer Lightcompany of Neuss, Germany, and is headed by managing director Peter Nellen.
CAST and CyberHoist Germany GmbH will together form the complete team that will support all CyberHoist clients in the fast-growing German market, says the company. Meanwhile, Lightcompany will continue in its existing role as CyberHoist rental dealer, supplying full productions using CyberH
The main auditorium at Wooshin High School in Seoul is used for a variety of functions and its long rectangular shape would generally have dictated that a large number of subwoofers would be required to complement the main full-range main speakers.
QSC's Installation Line Array (ILA) offers 140° horizontal coverage, and 12 enclosures have been specified (in two hangs) with four WL118-sw subs. This necessitated adding only a pair of QSC's AcousticDesign AD-S82's in each of the corners of the auditorium's second floor to ensure that an evenly-dispersed sound can be experienced from any location
The Soundweb system, comprising a BLU-80 signal processor and BLU-32 I/O expander, forms part of a Harman Pro integrated system, designed and specified by James Greet from Greet Consulting of Auckland, in consultation with Paul Edlin of JANDS NZ Technical Resource Group (TRG). The system was supplied and installed by Security Specialists of Auckland - and all network design programming and commissioning was handled by Robson Birch, of JANDS NZ TRG.
The 600-capacity Vue Bar has been designed specifically to provide world-class entertainment in the city centre, and marks the end of a multi-phase development which also saw the opening of the Rebo Restaurant and Bar in May of last year. General manager Geoff Hogg confirms t
The concept of Guerrilla Lighting was created by Martin Lupton, director of BDP's lighting group, to promote lighting design and create a platform to discuss key issues such as professional design, waste and sustainability. The power behind the exercise was the participation and collaboration, which was what particularly impressed the judges.
Under the guidance of a team leader, the teams created transient lighting designs by using high powered torches, battery powered LED projectors, luminous dot ligh
Meyer Sound has announced that professional audio veteran Dave 'Wiggy' Wiggins has joined the company as its director of marketing for Europe. In this newly created position, Wiggins will be responsible for planning and executing strategic marketing efforts and will work closely with Meyer Sound's marketing department in Berkeley and with the sales force throughout Europe.
Meanwhile, another major North American loudspeaker specialist is ramping up its European activities - Toronto-based Adamson has launched Adamson Scandinavia, so expect some serious marketing activity there.
In Italy, The organisers of Show-Way 2008, the new trade show whi
With the introduction of grandMA2 series, MA Lighting has made a significant development of its successful grandMA system. grandMA2 comes with completely newly designed hardware supporting the grandMA software as well as all current and proposed lighting control standards.
Listening closely to the market, MA Lighting has kept the intuitive grandMA control philosophy, including the same command line and syntax. However, the company has cleaned up, improved and extended the software, and optimized the colours and views. The advanced networking architecture is even more powerful and allows full upward compatibility from the "old" grandMAs, while a 'Series 1' mode also allows for full downward compatibi
CTI's president, Gary Fails commented, "Our testing has allowed us to confirm for the first time what the data fidelity levels are in a very saturated radio environment. In a range of tests at a distance of over 700'/213m at optimum power output settings, the maximum packet loss was in the low 20% range with many universes showing packet loss in the 10% range.
"Packet loss in the low 20% range has a minimal effect on performance of moving lights, although it may be occasionally noticeable. You may not ever operate 16 full universes of SHoW
Director of operations Mohnie Mangat explains: "We looked at a lot of fixtures before choosing PixelArc. It was the perfect choice for our needs: simple, easy to use, low energy and very powerful."
When the existing fixtures specified by the construction architect were found to be insufficient and the intended water feature did not work - the Lynnwood PFD who own the building, asked the Center's management company SMG to look at ways to make the sculpture more dynamic.
SMG's Mohnie Mangat has a lighting design and theatrical backgroun
Upstage were five 'fingers' of MiTrix, each 1.5m wide with a 4.5m drop, rigged with six 250Kg CM Prostar motors (two for the centre panel and one each for the others) suspended inside an upstage truss. These fingers were each constructed from 54 panels of MiTrix and spread out into a 1960's style fan, as Ronson was particularly keen on a retro look for the stage.
There were several risers spread across the stage, including a downstage section for people and dancers, accessed via two sets of stairs. All the riser fronts were bordered by MiTrix panels,
Running the full length of the showroom are eight metre high windows which allow the passers-by, or in this case the audience, to look into the floor and view the array of new, cars. But around dusk, this all changed when a large section of the windows came to life. They were lined with 72 Martin LC2140 LED panels covering a total of 144 sq.m.As the LC panels moved through colourful stages of intensity, beginning with images gently floating on glass, the cars inside the showroom slowly disappeared and the focus became the staged area outside.
"I had been looking at several other LED products, but when I saw the LC2140
"The continuing development of Meyer Sound's business in Europe has made it essential for the company to form a strategic presence in the UK, which is one of the most influential professional audio markets in the world," says Helen Meyer, executive vice president of Meyer Sound. "The move to establish Meyer Sound in the UK is a key ingredient in our medium to long-term plans for growing our customer base, developing new markets, and g
Back in 2002 Andreas Gallé, Congress Casino Baden's senior technician, decided to install a CobraNet digital backbone. "When we started to evaluate new amplifiers two years later it was logical to look for network-based audio devices," he explained.
The technician specified quantities of QSC PowerLight PL6, PL236, PL230 and PL218 amplification, networked via seven QSC BASIS 922 units. To this the Casino subsequently added a further three BASIS 922 DSP's, linked by the DataPorts of two QSC CX 168's and and
"We have been looking to expand our product range over the last 18 months, to offer our customer a complete 'system house' solution," stated Joerg Rader, branch manager for Audio-Technica Germany.
"We have found a perfect partner in AD-Systems and secured very close cooperation with a highly motivated and flexible manufacturer, which offers a complete win win situation for both our customers and ourselves."
AD-Systems and its team of 14 employees, is located on the outskirts of the Ruhr area in Wesel. After their relocation from Spain to Germany in 2006, the organization's national and international operations underwent a fundamental restructuring programme. "We are loo
The Tiger's first gig in the country was Gospel Times, a show broadcast from the South African Broadcasting Association (SABC) Studios, Johannesburg. From there it went directly on to Tempo's, a Johannesburg venue where Stage Effects runs moving and generic lighting. "It's smaller than the Pearl but just as powerful," enthuses Stage Effects' Theo Papenfus. "On many of these shows where you are just adding moving lights to a studio generic rig, you don't need a large console."
The Tiger joined the two Pearls already owned by Stage Effects, which works across all industry sectors, but specialising in lighting for live concerts and broadcast applications.
(Jim Evans)
Created by Peter Swann, the entrepreneur behind the successful Sands Jazz Club in the same town, the spacious State Club resides in the totally renovated shell of a former cinema. In its new guise it makes abundant use of the space to offer four venues in one - nightclub, live music venue, café/lounge and digital cinema.
The main stage hosts live acts and, using its retractable 20m screen and dedicated DLP digital cinema projector, daytime movie screenings. It is flanked by a pair of ground stacks of Dynacord FX12 mid-high tops from the XA range that focuses sound on the dancefloor, with a row of eight matching FX20 Planar waveg
