Russia - The 2006 installation of over 150 Selecon luminaires on to the lighting rigs of the prestigious and historically significant Maly Theatre in Moscow made it a most apt venue choice for Sistema to host a recent Selecon seminar attended by over one hundred Russian lighting designers and theatre technicians.

The event was co-presented by Vladimir Lukasevich, resident lighting designer for the Mariinsky Theatre in St Petersburg and Rainer Weggen, Selecon's market manager for Germany, Austria & Switzerland using a mix of presentational techniques and hands-on experiences with Selecon luminaires.

Alexey Kapustin from Selecon dealer, Sistema, was responsible for the organisation of the event and he was delighted with the interest shown by the attendees and the professional and capable manner in which the presentations were handled.

Rainer Weggen commented, "The respons

UK - The latest revival of the Puccini opera Madam Butterfly staged in the round at the Royal Albert Hall sees the introduction of ground breaking new audio technology. As in previous years, sound designer Bobby Aitken specified a TiMax Audio Imaging delay matrix to dynamically control time delays from each performer's radio microphone to the vocal reinforcement loudspeaker system, to make all audience members localise to the actors on-stage and not the PA.

Out Board director Robin Whittaker comments, "We only have four or five rehearsals in the RAH and it can be very difficult to know what you are listening to, for example, if an actor is not where they were blocked, or Sharry misses a couple of movement cues because he is focused on getting the orchestra mix right or EQing a mic, then the delay scenario from that actor's mic could be way off."

This year sees

USA - The Midas XL8 digital live performance system is attracting rave reviews for its first live production run on the stage debut of Sister Act, a new musical by Alan Menken that, critics concur, is a Broadway-bound hit. Having completed a sold-out run at the Pasadena Playhouse, the show has transferred to the Alliance Theatre in Atlanta accompanied by FOH Engineer Pierre Dupree and an XL8 deployed by Sound Associates, Inc, whose Carl Casella and Domonic Sack completed sound design for the show.

Casella comments, "From a hands-on perspective, the XL8 is really well thought out. It's a highly sophisticated piece of equipment, with a vast range of practical features missing on other digital offerings. "All digital desks 'work' in a controlled environment, but we, as engineers, do not. The XL8 was designed with that in mind. Around 175 cues are written into the X

Portugal - An Avolites Diamond 4 Elite was specified to control over 100 moving fixtures and a host of digital lighting and effects for the Portuguese 4th channel, TVI's 14th anniversary gala event. The special live broadcast was staged in the Black & Silver saloon at Estoril Casino just outside Lisbon, with full lighting and video production supplied by locally based rental company Backlight - run by the charismatic Luis Pedro.

Lighting designer was Mario Bastos and the moving and digital lights were programmed and operated by Mario Rui. The show featured performances by Portugal's top entertainers, musicians, singers and comedians. Rui and Bastos and executive producer Rita Carrelo all worked closely with the team from Backlight to realise the event's technical production in the very tight timeframe.

Avolites Diamond 4 Vision and Elites are the consoles of choice for Rui, wh

USA - Clive Davis pre-Grammy gala at the Beverly Hilton, was the traditional glittering affair this year, where nominees, presenters, record industry executives and celebrities rubbed shoulders as a string of A-list music performers took to the stage. Delicate Productions of Camarillo, California once again provided the sound equipment for the annual event, outfitting the stage with Sennheiser wired and wireless microphones for performances by Smokey Robinson, Black Eyed Peas, Akon, and the night's highlight, Jennifer Hudson.

"We used 16 channels of the Sennheiser EM550G2 wireless microphone receivers, with SKM935G2 handhelds," says monitor engineer Scott Scherban. "There were eight channels of EW300IEMG2 in-ear systems." The setup also included two Sennheiser NET1 wireless management systems, providing control, monitoring and management of the microphone and

UK - Among the many companies honoured at this year's Total Production Awards ceremony was the Birmingham based Total Solutions Group. "We were absolutely delighted and proud to receive the award for 'Favourite Stage Set Company'," said managing director Chris Cronin. "It's a tremendous 'thank you' to our dedicated and hard working team who are always prepared to take on the next unusual challenge that this industry constantly issues."

Hosted by Suggs, of Madness fame, a record 1,200 people from the live entertainment industry attended the ceremony. "It's a great honour to be recognised as an industry leader by your own peers," said a clearly delighted Cronin.

Over the year, Total Solutions provided staging for Kylie, Il Divo and George Michael along with a host of other top artists. The Company specialise in blank paper design challenges such as

Finland - The Himos Arena, a new multi purpose hall situated in the ski resort of Jämsä, has installed a TT+ - based sound system from RCF.

Timo Kunnas of Noretron, RCF's distributor in Finland explains, "We had carried out several demonstrations of the new line array system here in Finland, so when this project came up we put the TT+ forward for it".

The design and installation of the system was carried out by Jämsän Discofix, where Ville Rantanen takes up the story, "The arena is very large and is used for a variety of different events including live bands and discos. We needed a system that would cover the entire area. By side flying the TT 33's together with the TTS 28A subs under the stage it gave us the coverage we wanted"

Also specified were Acustica C3110's compact units for the front fill delay speakers, and a pair for the DJ monitors. For th

USA - Super Bowl XLI may have suffered through a downpour, but it was Prince who reigned, with an electrifying performance that was hailed by some as one of the most thrilling halftime shows in the history of the game. Conditions were far from ideal for any electronic equipment, but the most critical item, Prince's chrome-plated Sennheiser wireless vocal microphone with a Neumann capsule, took the rough weather and the singer's rough handling in stride.

"My big worry was that Prince's mic was going to get soaked and quit working," admits James Stoffo, who has been in charge of wireless systems for the musical entertainment segments of the Super Bowl for many years. "But it never did die. It was soaking wet when we got it back, but it never quit on me.

"Although there was a spare standing by, the vocal microphone, which pairs a chrome-plated handheld Sennhei

South Africa - Lighting designer Tim Dunn used two grandMA full-size, one grandMA light, two NSPs and two grandMA mediaPC with grandMA video to illuminate the Miss South Africa spectacular in Sun City, while Kabelo, Unathi, The Bala Brothers, Hi 5 and Brandon October added some musical extravaganza to the event.

"After working on the Whole Hog platform for ten years, discovering the grandMA control system was a revelation for us," related Dunn, "The features of the desk not only make lighting programming faster and more productive but the cues are restructured and look totally different. Being able to personalise the desk to create a completely comfortable control system to work with is also a great feature"

Together with the NSPs one grandMA full-size controlled the conventionals and moving lights. The other one was used to operate the two mediaPC which de

UK - Element Labs, the award-winning manufacturer of LED video technology, has opened a London office to better serve its growing customer base in the UK.

Located at Perseverance Works in London's Shoreditch design district, Element Labs' neighbours include architectural, design, and other creative firms. The new office is conveniently located to provide demonstration, project management, and technical support services to London and the broader UK market, as well as continental Europe.

"Expanding our presence in Europe beyond our Germany office is essential as our international business continues to grow," says Nils Thorjussen, president and CEO of Element Labs. "The opening of our London office demonstrates our ongoing commitment to our extremely important UK customers."

The new office includes an extensive demo facility loaded with the full-range of Ele

USA - Branson, Missouri-based Theatreworks recently supplied 10 Robe ColorSpot 575AT moving lights for the Palm Springs Pavilion Theatre in Palm Springs, California.

"Robe was selected for its price and quality," stated Bob Finical, senior manager of Theatreworks, which has over 30 years' experience in production design, covering all areas of the professional entertainment industry.

The fixtures were supplied to Theatreworks by Robe America's West Coast office who, Finical explains "really excelled themselves in organising a demo at our shop in Branson, showing us first hand all the great features and functionality of the CS 575."

The Palm Springs Pavilion Theatre is a concept of Dick Taylor Productions, designed to provide live, family entertainment on a year-round basis. It is located in the heart of downtown Palm Springs on Tahquitz Canyon Way directly

USA - XL Touring Video recently completed its project as video contractor for Rock Star Supernova's You Can't Stop The Party 2007 World Tour, which kicked off in January in Hollywood, FL, and finished up the American leg at the end of February.

XL worked with production designer Brian Hartley to provide an 8ft XLTV custom-designed MiPix Globe populated with 2,500 MiPix LED, which was suspended over the crowd, stage left; four Mainlight Soft LED High Res panels, hung upstage, three portrait-style Barco D7 panels configured two wide x three high were positioned in front of the soft LED panels and two High End Systems Catalysts.

XLTV's president, John Wiseman, said: "Rarely do we get a chance to work so closely on the front end as we do with Tommy Lee on all his projects. For RSSN, we were given the chance to bring in our favourite creative team including Nick Militel

UK - Entertainment lighting supplier White Light was reunited with long-time collaborators The Admirable Crichton and Private Drama for Party Under Construction, a showcase for the best in the events industry that took place at Number One Piccadilly, London.

Overlooking Piccadilly Circus, with spectacular views down onto Eros, the Under Construction theme of the party came from the venue itself still being a building site! Nonetheless, it was transformed to host a spectacular party for over 600 guests, who enjoyed performances from the casts of Chicago and Tap Dogs and by Private Drama, food and party design by The Admirable Crichton, sound by Delta and event lighting courtesy of White Light.

White Light's lighting designer Jason Larcombe used a comprehensive range of equipment from White Light's diverse hire stock to create lighting that highlighte

Russia - Arena Club In the town of Severomorsk near Murmansk in northern Russia recently emerged from the site of an old cinema, outfitted in the latest lighting technology from Martin Professional, and has quickly become the region's most popular entertainment venue.

Martin distributor A&T Trade was commissioned to create a club atmosphere for the multifunctional space, one that included dynamic as well as static lighting. "Use of the installation depends on the type of event," says Denis Bessonov, director of the company MasterMedia. "The fixtures support the work of the professional artists as well as creating different lighting effects on the dance floor. They are used to reflect the mood of the various musical styles."

Arena is housed in a two-story building with a ceiling height of 12m. The original plan called for lighting fixtures to be fixed on the

UK - Adlib Lighting supplied equipment and crew to Mika's recent tour. Adlib designer Ian Tomlinson was brought onboard by tour manager Jamie Butterworth - the two have previously worked together on Mylo.

Adlib's head of lighting Pete Abraham says: "It's exciting to be working with such an amazing breakthrough artist as Mika. There's a massive buzz about him and he's a great live performer. Ian came up with a highly adaptable and dynamic rig that fitted a variety of venue sizes." These ranged from the Birmingham Barfly to Koko in London.

Tomlinson started with floor-based trussing to build a structural outline for the stage. To give it a quirky flavour - matching Mika's interesting performance style - he chose a semi circle of truss that rested on the floor at the back creating an arched effect, flanked by two quarter circles, which also appeared as arches.

Onstage

UK - HSL supplied a 12-way Kinesys automation system, 220 ChromaQ ColorBlock DB4s and 4 Robe DigitalSpot DT5000s to LD Rob Sinclair for the latest leg of Keane's Under The Iron Sea world tour, which featured a series of sold-out UK arena shows.

The lighting supply was a joint production between HSL and its Blackburn neighbours Lite Alternative. This combination worked well on the recent Human League tour which Sinclair also directed.

HSL's Mike Oates says: "It's great to be working with Rob again. He has a unique vision and creative direction, and is always coming up with new and innovative ideas and presenting us with new challenges."

Sinclair wanted his lighting design to be flexible enough to give the band plenty of space when they needed it, whilst also to being able to close the show right in at more intimate moments. He chose to do this using pantograp

Croatia - Prism Sound's recently appointed distributor Intercom is putting the finishing touches to its new audio facility in Zagreb, which will be officially opened at the end of April 2007. Housed in the centre of the Croatian capital, Intercom's Piece Of Cake Studios will incorporate two control rooms, a critical listening room and studio offices.

Intercom managing director Damir Begovic says: "The primary purpose of Piece Of Cake Studios is to serve as a regional demonstration facility for the pro audio equipment brands that we distribute in South-East Europe. We believe that hearing is believing and with fantastic pro audio brands on our roster it made sense to have a properly equipped facility where prospective clients could literally get their hands on this equipment and try it for themselves."

Piece Of Cake Studios will also be available for commercial projec

UK - Keane's audio crew chief, Ant Carr, has selected a 24-channel Allen & Heath GL2400 multipurpose console for the band's new studio, a converted barn in the South of England.

As well as a rehearsal space, Keane will be using the premises to write new material. The band is currently rehearsing for its forthcoming UK arena tour, which will be closely followed by a tour of South America in April.

Freelance engineer, Ant Carr, started working with Keane when he was part of the Skan PA Hire team in Reading, where he covered system tech duties for several band engineers. "I had a look at what consoles were available before deciding on the GL2400," he says. "I had a set budget and in all honesty, there wasn't another desk available for the price that could provide the professional features that the band needs."

(Jim Evans)

USA - Daft Punk's conceptual show, featuring a fusion of lights, LED and video required the addition of a separate stage at the Bang! Music Festival in Florida.

Andre Serafini, technical production manager for the event, explained: "This was very much eleventh hour. As soon as we saw the renderings of their huge triangular set, a mass of Pixel Line, Versa Tubes and video wall we knew there was no way we could put other acts on in front of them without revealing the magic."

Promoters, Haddad Productions, also saw the dilemma and without hesitation ordered in another 60 x 40 outdoor stage. "We also had to pull in another PA system," continued Serafini. "My company, Beach Sound Incorporated, already had the other four stages covered, but we were max'ed out equipment wise with some simultaneous corporate events elsewhere in the States taking the last of ou

UK - Soon after taking over the former Wardour Street nightclub, The Trap, and converting it into Stringfellows Soho, the impresario after whom it is named had a change of mind. Peter Stringfellow decided that while his table dancing concept would work in Soho on the midweek nights, the weekends would be better suited to a full-on luxurious nightclub, capable of taking on the West End's elite. And by changing the venue's name to The Wardour he knew he would also avoid confusion with his Covent Garden club of 26 years.

By this time London-based Viba Sound had already filled the Wardour Street venue with distributed 12" ceiling speakers. "While these would have been fine for the girly nights, with the new direction something with much more punch was now required for the dance weekends," said the company's Peter Kellet. So he opted for a complete Nexo solution.

The

Germany / USA - During the same financial quarter in which Bosch completed their acquisition of pro audio industry leader Telex Communications (resulting in the formation of Bosch Communications Systems, a business group of the Bosch Security Systems division, on 1 January 2007), substantial cash investments were put into effect at the Straubing, Germany and Morrilton, Arkansas facilities manufacturing the Dynacord and Electro-Voice product lines.

Bosch's immediate commitment to the improvement and expansion of these factories literally adds concrete to the common goals that brought Bosch and Telex together - high quality without compromise, brand stability and long-term growth. By keeping production rooted in each brand's country of origin, Bosch reinforces a dedication to brand quality and, of course, the associates who live near and work at these plants.

Following millions

UK - Cable specialist VDC Trading has supplied the cable and connectors needed to install three new studios at EMAP Radio's Mappin House in London. The new studios, which are now up and running, are being used to provide on-air facilities for the Kiss services across London and nationally on DTT, Sky and DAB. The Kiss network shows, which originate in London, also come from these studios.

EMAP Radio's National Director of Engineering, Alex Lakey, says the studios were installed as a replacement for facilities that were built seven years ago when Kiss moved to Mappin House from its old base on Holloway Road. "After seven years of abuse by Kiss DJs, the mixers were well past their sell-by-date and the original installation had been modified too many times," he explains. "We also needed to add extra facilities when the Kiss brand was extended into the former Vibe FM

Belgium - Following successful line-array installations in Belgian concert halls such as Roma in Borgerhout(W8L/W8LD) and the AMT complex in Antwerp (W8LM), cultural centres are becoming more and more intrigued by what Martin Audio line arrays have to offer, says the company.

Martin Audio territorial distributors, Ampco Belgium, report that after careful market investigation, followed by a W8LM demo, it became clear that this would provide the best solution for De Schakel's main hall in Waregem. Measuring 19m wide and 20m deep, the 536 seats stretch right down to the front of the stage - thus to give every seat almost identical sound quality and coverage was no easy task. But the W8LM Line Array concept proved it could cope with this demand and deliver from a small footprint precisely what the customer wanted.

Local supplier, installer and rental company Big Dynamic was appoin

UK - Kinesys automation and control systems have been specified for several recent high profile concert tours including The Killers, The Feeling, Muse, Nelly Furtado and Keane. The Kinesys system is being increasingly chosen by lighting designers to add a new visual dimension to their creative canvas, says the company.

A 14-way Kinesys system - along with all rigging and crew - was supplied by Summit Steel for the UK section of The Killers tour. This was a sub-hire to lighting rental contractors Siyan. Lighting designer Steve Douglas' upstage truss featured four contemporary chandeliers - consisting of steel wire rope drops of lights - rigged onto a truss flown on two Kinesys motors. This was brought in and out at the appropriate moments.

Downstage were three box shaped lighting pods, each suspended on four Kinesys motors - all half tonne CM Lodestar JJs running at up to 21-me

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