According to Electroland partner Damon Seeley: "Color Kinetics' LED-based fixtures were the only technology that could effectively deliver the full RGB spectrum in a small package, while keeping power consumption to a reasonable level. We required a tried and true product with manufacturer support to do the job on a fast-track basis."
The space comprises a glowing ceiling and walls that are entirely lit by LED systems. Approximately 1,30
Whiteplane 2 immerses its audience between two horizontal planes of light, one coming up from below and one coming down from the ceiling above.
The floor and ceiling each contain 30 JTE PixelLine LED fixtures, chosen as one of the few types of lighting that could be made into a smooth and even floor of light and walked over for 12 hours a day whilst emitting virtually no heat.
The audience enter the space and sit, stand or lie between the two planes of light, which change colour and intensity as the piece unfolds. The multilayered physical experience is completed by the 'walls' of sound coming in f
It's been project managed and engineered for Kinesys by Andy Cave who's been working closely with Andy Edwards from Brilliant, designer of the hardware, in conjunction with the show's set designer Mark Fisher.
This also follows on from work Kinesys completed earlier in the tour involving the design and build of a motion control system to move the B Stage into the middle of the auditorium.
The compressed air cannons are rigged to a header truss running the width of the stage, each containing a very long piece of folded silk, which is ejected - parachute style - at the designated moment, forced out by compressed air.
Kinesys was asked to design a syste
The new in-house studio, offering Apple Macintosh G5 with Final Cut Pro HDV, is designed to be extremely user-friendly, and fully compatible with other edit suites. It has already been used successfully by PSL clients, editing video content for the Pet Shop Boys and the European premiere of the blockbuster Poseidon.
The suite can be rented on a daily basis, with or without an operator.
(Lee Baldock)
The annual three night extravaganza organised by Michael Eavis partly as a thank you to the people of Glastonbury for their acceptance of the main festival and also to raise funds for Glastonbury Abbey, this year hosted Jools Holland, the Royal Philharmonic Orchestra and the Rat Pack, performing to thousands in the beautiful surroundings of the Abbey.
Having been involved with Glastonbury Festival for eight years and Glastonbury Abbey for 11 years, Dick Tee of That's EnTEEtainment was the production manager for the show, overseeing the complete production from build up to break down.
Arriving on site five days prior to the event, Tee and his tea
Alvarez chose Venue after using the console on a brief run with Lisa Marie Presley in 2005, after which he was sold. "With the onboard features, versatility of the plug-ins, and the quick access to all parameters on the surface, I knew Venue was the solution for the complete package with the Dixie Chicks." Alvarez was imme
The whole project was completed in 30 days, and the new multi-function complex is one of the most modern and technologically-advanced halls in Slovakia, providing technology to enable the running of parliament voting, as well as AV for conferences, including audio recording, and multi-lingual translation into five languages.
The Centre has been used for several main events, including Parliament meetings, voting sessions, multi-lingual conferences, and video conferences. The hall is also rented out for commercial purposes and has hosted companies including Siemens, IBM, and KIA moto
The 75,000-seat open-air venue shows no sign of slowing down. Part of the continued success of this pr
The National Theatre's lighting resources manager Alex Murphy said: "We initially tried the unit as we were extremely tight for space. However, when we turned it on and saw the light output and played with the zoom we knew we were on to a winner. We're just trying to find new places around the building to use them now."
David Morgan of Lighting Partners added: "We are delighted to build on our relationship with the National Theatre and to have been able to bring the Showtec product to their attention with an on site demo."
(Lee Baldock)
Mark Broadhead, installation manager at local dealers Matthews Electronics, who service many of the local bars, says that the comprehensive Wharfedale range offers so many options, that each venue can have its own tailored Wharfedale-specific sound to reproduce the wide range of background and DJ sound. This was certainly a feature that appealed to DV8 owner, Wayne Toon.
The 900-capacity venue was in a run-down state when he purchased it some four years ago and added it to his 150-strong community pub portfolio in the West Midlands. Recently he decided to commit in the region of £300,000 to developing a bar that would build up the early evening trade.
DV8 itself, which trades with a 6am license, is something of an institution in the city. Whil
This second series was produced by independent TV channel JOJ, and recorded in Koliba Studios - the largest in Slovakia. Like the massively popular first series, it also utilised Robe ColorSpot 1200 ATs.
Vyvoleni quickly became the top rated TV show for its three month run, where 15 housemates including four couples vied for some serious money prize and the chance to become celebrities.
The TV action included twice daily 'house visit' shows, plus a weekly eviction show with an interactive and very enthusiastic live audience.
Kubanka is a big Robe fan and uses the luminaires regularly on most of his work which includes high profile shows like Superstar and large TV
Meyer Sound's Design Services Department played a key role in the show's sound design, working with NYC-based sound designer Brian Ronan to create a system custom-tailored for the show. Ronan added an array of 15 M1D ultracompact curvilinear array loudspeakers to the American Airlines Theatre's existing sound system, which included four UPA-1P compact wide coverage loudspeakers around the proscenium, 10 UPM-1P ultracompact wide coverage loudspe
The Crystal Bar is a compact, opulent venue finished to a high degree of craftsmanship. The installation had to fit with the design brief, be invisible and yet provide a dynamic audio range and usage flexibility for many different occasions. Interfacing with the hotel fire alarm and procedures was also essential.
Consultation with the Dorchester identified an extremely varied scope for events and entertainment. Routine opening required bac
After leaving school he spent six years in the family engineering business with four years at college studying engineering and management, and took over the running of the business just as the 1980 recession took hold, and the company closed. Fitch was faced with the choice of unemployment or seeing if the hobby could become a business . . .
Starting with six lights and a dimmer board (laughably described as 'portable', Fitch recalls), and working from the garden shed, Fitch made inroads into the local school and amateur market. Aquiring second-hand lanterns, he build up a stock
Recognized as one of the most advanced art lighting systems in Europe, the $900,000 installation, done by Thorn Outdoor Lighting, turns Stoke's Civic Centre into a giant 300ft by 75ft canvas for colourful light shows each night, designed by students, as featured in January's issue of L&SI.To facilitate the demanding requirements of the installation, Thorn chose W-DMX IP65 units for wireless control of the entire system.
The building is illuminated by 57 groups of DMX-controlled, Thorn RGB LED strips (more than 100 fixtures in total) fixed to the building. These c
"We chose the Allen & Heath GL2800 because of the great sounding, very quiet mic-preamps, simple mute groups, and easy mixing of live performances. Most importantly, the mixer is user-friendly for church volunteers," says Eagle's technical specialist, Rob Wisnieski. "It is a big improvement over the previous mixer's performance and reliability."
A 56-channel GL2800 is used for the main sound, and a 40-channel GL2800 is used for monitor mixing. Input sources include a live band with keyboards, drums, bass, 10 vocal soloists, eight choir mics, a lapel mic, podium mi
However, even though the hired rig will be coming back to White Light, the show is not ending. Instead, the producers and original lighting designer Kevin Sleep have decided to update the rig to give the show a fresher look; anticipating a long continuing life for the show, they have decided to purchase rather than hire the new lighting. White Light's hire team will no longer be involved with the show, but the sales team are working to provide an updated version of the rig, based largely around ETC's Source Four profile. The changeover will happen at the end of August.
"This also means that we'll be getting back
Within a 15,000sq.ft space, JET is outfitted with high-end entertainment technology in each of its three distinct rooms, which are discretely fed hip-hop, rock and house music. As he's done with numerous cutting-edge club sound designs, John Lyons, president of design/build firm John Lyons Systems, chose to head the JET system with EAW Avalon Series loudspeakers, which he originally co-designed with the EAW engineering team.
In light of unique sonic challenges presented at JET, the two entities again teamed up on a hybrid custom loudspeaker design called the Avalon DCX. Specifically, the DCX marries elements of standard Avalon DC1 and DC2 models with EAW
Fontana's recent work Speeds of Time involved positioning microphones and accelerometers (vibration sensors) in the clockworks of London's Big Ben, and playing the sound back from loudspeakers in a corridor of the Palace of Westminster below. Sound Island used hydrophones (underwater microphones) to gather sounds at the beach in Normandy, France, which were reproduced from speakers hung on the Arc de Triomphe in Paris.
As well as clocks and beach
Ollie Jeffery, technical show manager at the Albert Hall explained the production, "We were originally asked by Neil Sedaka production team to provide a three colour wash and a special for the Piano. We developed from a three colour wash to a comprehensive lighting rig using a mixture of generic and moving lights."
They felt that the best light to give good images on the backdrop would be the new Mac 700 Profiles which were supplied to them by White Light. Its variety of gobos and animation wheel was a big advantage
The system produced quotes may be saved and sent to the Hire team experts at Hawthorn's for confirmation of specification, formalisation of pricing and confirmation of equipment availability. "We are already receiving excellent feedba
CP Sound has delivered sound solutions for a variety of top class restaurants up over the last five years, including several flagship venues for the Conran Group and a number of leading independents.
CP's Colin Pattenden previously worked with Filpi on several high profile projects whilst he was a project manager at the Ignite Group (Eclipse Bars, Bouji's, etc). "We stated with a challenging situation" says Pattenden "The restaurant was already built when they decided a proper sound system was vital to the ambience". The CP team therefore undertook the task of installing the system and leaving the venue pristine behind them.
Mooli's is a small main room with a
BSR E1.33-200x, Extensions to E1.31 (DMX512 Streaming Protocol) for Transport of ANSI E1.20 (RDM) is a project to develop a set of extensions to E1.31 to support ANSI E1.20 functionality. The basic E1.31 protocol can be described as 'DMX512 over Ethernet'. It is intended to be suitable for implementation in hardware with very limited resources. The E1.33
