Adamson grows in Greece
- Details
(Lee Baldock)
(Lee Baldock)
The University of Glamorgan has also become the only university in the UK with an Authorised WYSIWYG Trainer (AWT). "These exciting developments put the University at the forefront of the industry and will ensure that students get the highest quality of WYSIWYG tuition possible," comments senior lecturer and lighting designer Stuart Green.
In addition to benefiting students on the BSc (Hons) Ligh
"This tour is my first opportunity in a while to use an analogue console," says FOH engineer Martin Hildred. "There is only one analogue desk to use when you have the choice and that's the XL4. The band leans towards a retro rock and roll sound, and I have a complete wish list of valve gear which is perfect to use together with the XL4; it just sounds great."
Hildred is recording every show for future live release, taking a direct output from the XL4 to his PC-based multitrack recorder which has accompanied him throughout the tour. "Once again the XL4 is great for this application as I can take the live output from the desk using the pre insert, pre eq and pre fade functi
The three year contract sees Blitz supplying ExCeL with the latest in AV equipment. Blitz also has an on site technical team to provide any additional support for the venue's clients. The alliance will ensure that ExCel's clients continue to benefit from the option of in-house expertise and technical staging services of the highest and most creative professional calibre. The service will be available to organisers usin
"Anyone who has had the chance to experience Schiller live knows that the audience can always expect a very special sound and light experience", says Roger Rinke, CEO of Screen Visions. Two years ago, the specialists from Screen Visions provided the screens for Schiller's Live Erleben Tour 2004. This year again, Bodo Schulte's team at Triple A Productions will r
ColorExpress assembles an average of 4,000 gelstrings per month, but that average is growing: the team produced a record 4,600 gelstrings in January alone - and broke that record again in March with 4,800 gelstrings, including a large order of 442 custom-made large format CXIs for The Villagio mall in Doha, Qatar. Because the CXI allows colour mixing via dual scrolling gelstrings, the order required 884 gelstrings in a 36" width. Denise Clark, Colo
Incorporating the existing EDIROL group and the newly formed Roland System Solutions (RSS) division, Roland System Group's (RSG's) main focus is on providing video and audio solutions for all aspects of the professional market. New products such as the S-4000, 40-channel Digital Snake, and V-440HD high-definition video mixer are just the start of a continuing development programme aimed squarely at the professional audiovisual market.
With many years of industry experience, RSS UK technical sales will be handled by Martin Thomas. Martin has a proven background in both professional audio and video and is well known throughout the industry.
Neal Tomlinson, who has a long history at Roland UK Ltd., will handle RSS product develop
The draft standard is a suite of protocols offering needed services in network management, device management, device description, and device control with reliable multi-cast transport on data networks that use the common Internet Protocols. There are 21 documents that describe various aspects of the suite of protocols, and they are all contained in the approximately 2.5 megabyte compressed file ACN.zip. Reviewers should also read the Readme.pdf file. It is not part of the draft standard, but it explains the structure of ACN and the changes that were made since the last public review.
La Guacima racetrack, just outside San Jose, was host to the two-day concert held on 1-2 April and saw more than 30,000 attendees over the weekend. Sound contractor RSTV Sonido supplied main arrays of 12 Adamson Y18s and four Y10s per side, which provided enough sound pressure to fill La Guacima. The setup was designed by RSTV 's owner Virgilio Azofeifa and techs Elias Arias and ManriI Vargas, using
The Royal Court Theatre in London's Sloane Square is Britain's leading theatre company dedicated to new work by innovative writers. The Court's 50th anniversary celebrations are centred around 8 May 2006, fifty years to the day from the 1956 opening of John Osborne's Look Back In Anger, widely judged to be the play that marked the beginning of modern British drama. Since that time, the Court has premiered plays by many writers, who include: Edward Bond, Peter Gill, Christopher Hampton, Athol Fugard, Howard Brenton, Sam Shepard, and Hanif Kureishi.
The Court's influence on theatre design has been equally important, with the theatre leading the way in the
Earth Treks recently opened their newest training facility in Rockville, a state-of-the-art indoor facility with 44 foot walls and over 15,000 square feet of varied climbing surfaces, including overhangs and s
"The LSC dimmers and consoles are suited to India's unpredictable power conditions and extreme temperatures," said Sanjay Mudartha, director of Acoustic Control. "The dimmers have saved our lamps on many occasions when voltages exceeded safe limits, by shutting down. And despite very hot and humid conditions have never shut down due to thermal issues."
Situated on the third floor of the new block at Christ College, the auditorium se
Lighting designers Seth Jackson and B.K. Waggoner put their heads together at the outset to devise a very flexible rig that could be toured extensively, and broken down into different component parts and versions for the various sections of the tour - depending on the type of venues being played.
Their lighting company of choice on both sides of the Atlantic is Bandit Lites. Waggoner, who is also out operating the tour says, "Bandit's gear is always in excellent condition, their crew are fantastic and the service is second to none." He adds that it's also great to have continuity of supplier across the two continents.
For Bandit Lites, Lester Cobrin handles all UK and European requi
Hawthorn's project manager, Matt Oscroft specified Clay Paky Alpha Spots and Alpha Wash lights, supplemented with Pulsar's LED Par 36s and Thomas LED battens. For control, he chose an Avolites Sapphire and Irad Pixel drive. In order for Hawthorns to get across their design concepts, Oscroft used their new WYSIWYG suite, providing visuals and complex designs for both DB Systems and the final client, Palmer and Harvey. This software proved to be invaluable as time was limited onsite and there were no space or time for errors.
Oscroft's sound spec included Martin Audio li
Give it a Name was a new indoor festival concept launched in 2005 at London's Alexandra Palace This year the festival developed to run over two days, in two cities (London 's Earls Court and Manchester 's MEN Arena ), with two stages in the two venues.
Lost Prophets and My Chemical Romance headlined 26 bands that gave tens of thousands of fans ten hours of non stop music, with two stages allowing quick change-overs, creating a great atmosphere at both venues.
Showsec manager Paul Joy ran a team of 120 trained crowd management professionals at the MEN Arena, looking after the fans front-of-house, the pit area and the backstage. Steve Reynolds ran the FOH Showsec team of 200 staff at Earls Court, and the two managers liaised through-out the weekend
Situated in the suburb of Fourways, it is South Africa's first truly comprehensive décor and design retail centre - a vibrant hub for lovers of cutting-edge décor products and design services, industry trend setters, socialites and restaurant patrons.
Kitchen Bar is a key feature of the development, presenting new standards of culinary excellence influenced by international trends. A crucial element in the new venue is having AV facilities to equal these standards. Harman Pro products distributor, Wild and Marr were called to the challenge.
Since Kitchen Bar was designed to be a restaurant, cocktail bar, lounge and night spot
Circuit Lighting services many major TV shows and events, and their team of four was led by Mirash Lekaj for this event. This award-winning and popular cable talk show, which analyzes football teams and games, was staged in the middle of the Museum's exhibition displays.The fixtures were dotted around across the floor, on the set and on a ground supported trussing system. Being in a museum environment was very challenging - all the work had to be undertaken with great care and skill, and with the safety of the exhibits in mind at all times.
The Robe's - 12 Spot and 12 Wash fixtures, the latter with electronic ballast - were chosen because of familiar
Anderlecht chose the Barco SP-10 and Sports Box management controller for its stadium as it wanted to differentiate itself from other stadiums by providing an enhanced match day experience for fans, viewers and advertisers alike. As one of the most successful Belgium football teams on the European level, Anderlecht fully recognizes the real value the SP-10 will add to the sponsorship packages that it is able to offer advertisers. With the SP-10, advertising opportunities are greatly improved and provide a better experience for viewers and greater revenue oppo
The venue's owners wanted to appeal to wide mix of students, young professionals and sports fans, and approached Metropolis on the strength of their other work in this field which includes the current Sports Café brand roll out.
For the first floor Common Room - in a converted Post Office warehouse building - they wanted to create a stimulating and lively environment throughout the bars and large pool playing area with the imaginative use of sound, lighting and AV. They also wanted colour changing LED lighting in the street side windows and below the pool tables.
The project was managed for Metropolis by Stuart Clowes. The client's sp
The tour, run by Steve Nolan's Chromatic Productions Ltd, featured a front projected 80ft wide by 15ft high screen using eight Barco ELM R18 projectors, relaying two hours of high resolution CGI narrative visuals, created by Media Station.
The tour was project man
The benefit of the operation was also dramatically demonstrated on Live 8 weekend in 2005, when the UK industry completely ran out of stage roofs. But Star Events Group was able to come to the rescue provide a 20m Orbit system by shipping it over from Italy to the organisers of B-Live on Clapham Common at very short notice.
The church's dual dilemmas stemmed from the spectral characteristics of the sanctuary's architectural acoustics. Any sound system that fully excited the room would produce high-frequency reverberation certain to impair voice intelligibility. At the same time, low-mid reverberation needed for depth and fullness in organ music and congregational singing would be seriously deficient. Further architectural changes to remedy the situation would have been prohibitively expensive, and likely detrimental to the visual aesthetics of the room, as well. Fortunately, consultant and a
In 1997, Cheung launched his own lavish production of an updated traditional musical, Snow Wolf Lake, which quickly sold out an unprecedented 43 consecutive shows at Hong Kong's mammoth stadium. In late 2005, when Cheung's new touring version of the show arrived in Malaysia, local rental company SES Sound and Light welcomed him with a world-class production package that included a brand new system of Meyer Sound MILO high-power curvilinear array loudspeakers.
The two sold-
Designed and installed by Larry Bounds and Barry Henry of the EBS group, from Odenville, Alabama, in conjunction with Amerex's in house system technicians, the iDR-4 system also includes the optional PL-8, a four input/output logic contact closure unit.
"We chose the iDR because the programming of the box is very simple and the processor is very solid. We were able to install the system very quickly without any of the employees knowing," says Bounds. "We have also used the iDR in many other installations and we have found it to be a flexible and reliable solution."
The Amerex Corporation is the leadin