Zero's Fat Frog Presentation
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In 2004, Presentation Services invested $176,000 in new lighting equipment and purchased a Zero 88 Fat
In 2004, Presentation Services invested $176,000 in new lighting equipment and purchased a Zero 88 Fat
Production North came onboard to supply the entire technical infrastructure, with the unflappable Steve Levitt at the helm, production and site managing. With some fast back-to-back changes needed, he wanted to ensure that all bands received their own required standards of lighting, a
The event, held on Saturday 23 July, is the successor to London's Pride festival, and hosted 20,000 people at the Big Mutha main stage and 11 other stages and tents in Finsbury Park.
"For the main stage, we created a big automated lighting rig, to cater for all requirements, and offer greater flexibility live," said lighting designer Mike Sobotnicki, contracted by PRG Europe from Imagination. "Until we saw the rehearsals, we had no idea what would be needed. We had three overhead lighting positions, to create symmetrical patterns of beams through h
The main focus of the week was on Sunday 10 July with an event staged on Horse Guards Parade for 11,000 veterans. Edwin Shirley Staging built a 40m x 25m stage with sound supplied by Wigwam, lighting provided by PRG Europe and a 160m scenic wall from Centrestage. Other key suppliers included Search, Power Logistics, Arena Seating, Unusual Rigging, Screenco, Show & Event, Dobson Sound, Delta Sound, Thorns and National Radio Bank.
During the week leading up to the celebrations, images of previously unseen World War II photographs were projected onto the façade of Buckingham Palace. In addition an 85m x 30m tented Veterans Centre was installed in St. James's Park along with a Living Museum, Press Centre, a BB
Hosted by O, The Oprah Magazine, the Live Your Best Life tour was billed as "A day with friends, an afternoon with Oprah." The all-day workshop consisted of a morning of motivational entertainment and esteem-building exercises, followed by a presentation featuring Oprah Winfrey herself in the afternoon. UVLD's Greg Norgeot designed the lighting for the event; Paul Sharwell, assisted by Angus Sinex, was charged with recreating the design on each stop of the tour.
"This was quite different from most of the shows that we light," remarked Norgeot of the Live Your best Life tour. "Whereas most events we design
The band's overall video production was coordinated by video director Dick Carruthers' company, Cheese Film & Video Productions, with touring video production manager Dave Wright overseeing the 35 video crew.
The show is a dynamic, pacey mix of live camera and specially created playback sources onto six LED screens - four onstage which moved up and down on a Kinesys vari-speed automation system, and stage left and right side screens.
Carruthers and programmer Richard Turner maximized XL's pre-programming facilities for prepping the show at its Hertfordshire HQ, worki
These went straight into rehearsals with some of the best known rock 'n' roll stars on the planet - including Pink Floyd, The Who, Madonna, Elton John and Robbie Williams in the run up to Live 8. "So as you can deduce from that, we were pretty confident we had a superlative product" states Brit Row's Roly Oliver. The company provided discreet monitor systems for all these maverick performers in the run up to their appearances at Live 8 London.
The amplifiers were then used to power the monitor system for the historic Live 8 gig in Hyde Park. It's the first time Britannia Row has ever bought Crown explains Oliver, "We did a listening test against several other amplifiers and nothing even came near the Xs in terms of build quality and value for money." He
"Our design objective was to create an immersive environment resulting in a sensory overload that would work in tandem with automated lighting," says veteran LD Bill Strother of Carrollton, TX, who was called in to set the scene.
To carry out his design, Strother selected six High End Systems DL1 digital light fixtures and a Catalyst Pro Media Server, supplied by Zenith Lighting of Orlando.
"The set - provided by the client - was a vast array of different Spandex shapes," Strother explains. "With that many differing surfaces for projection, we had to be able to hit as many as we could with only six projectors - knowing that it would be very difficult to gauge t
The courses are for members of the ABTT wishing to develop their career in the industry by learning new skills or refreshing their knowledge of individual subjects. This year sees three firsts; the launch of the Silver Award courses, alongside the established Bronze Award, full accreditation of all courses by the Royal Scottish Academy of Music & Drama and ABTT's active involvement in Skillscene, the organization developing industry standards for the live arts.
Open to members of the ABTT only, a few places remain for the Sound Technicians course for this year.
Also during the same week, the ABTT Road Show will be held on Wednesday 3 August 2005, at the same venue at
Hilary Duff kicked off her Still Most Wanted tour in LA in July and will be touring the US through September. Teaming up on the tour are the Martin Maxxyz lighting console and Maxedia media server along with MAC 2000 Wash, MAC 300 wash lights, VL3000s and conventionals, all in the hands of lighting designer Seth Jackson. Tour lighting supplier is Bandit Lites.
"The plot was changing up until a day before the truck loaded," Jackson commented. "If it weren't for the flexibility of the crew (Sam Harden, BK Waggoner and Billy Willingham) and the endless amounts of drawings and input from Dizzy Gosnell, I doubt
One of the main stipulations from the client was the need to effectively seat and protect from the elements a 60-piece orchestra without obscuring the onstage artists and disrupting audience sightlines. Mike Goodwin (Star Orbit) and the Star Design team collaborated with Planit to devise an under-stage Orchestra pit that provided the shelter the orchestra members required whilst maintaining the sound quality. This was achieved by extending the front of the stage floor out and over the heads of the musicians. Onstage the stunning c
"We are fully committed to developing our people's skills in order to achieve our wider business aims and objectives. We have used the Investors in People planning process to address our needs and have now implemented a training and development programme. We will consistently evaluate this to ensure our workforce has the most up to date skills so that we can continue to build upon our success," commented Suzannah Hawkins, business development manager for Leisuretec Distribution.
Ruth Spellman, chief executive of Investors in People UK comments: " Putting people development at the heart of every function is the most cost effective decision a business can make. Employees are central to business success so it is vital for staff to be
Junction 2, a 220-seat timber clad theatre - nicknamed The Shed - which opened in March 2005, is the first purpose-built public theatre to open in Cambridge since the 1930s and will house the company's growing programme of contemporary drama, dance, poetry, comedy and world music.
Anne Minors, chairman Society of Theatre Consultants, said of the visit: "The ABTT visit to the Junction demonstrated how a persistent client, a design team who detailed the building early on, and an interested contractor and subcontractors, achieved good value for money, and an attractive building fit for purpose".
The full project team for the Capital Development Project undertake
Established in 1998, the three-day festival takes place in Borneo's Sarawak Cultural Village, attracting over 5,000 visitors with "world music" groups from across the globe. This year, the festival included performances from Colombian singer, Petrona Martinez; Faiz Al Faiz from Pakistan; Italian gypsy quartet, Acquaragia Drom; the Namgar from Mongolia; Djamel Laroussi and his band from Algeria; Polish bagpiper, Marcin Ruminski; and a debut from the American group, the Foghorn String Band. The festival also features daytime workshops, ranging from story telling sessions, to interactive dance and percussion jamming.
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"We've recently upgraded all of our drive equipment and we're now running everything on BSS digital processing," Clarkson stated. "We've also got a large inventory of Shure microphones and we're constantly upgrading all the equipment to the point that the majority of our hire stock is new."
Revolver Audio recently purchased the first Soundcraft GB8 console in Australia. The new release Soundcraft GB8 32 channel
Along with the impressive stage, Star Events Group provided the two large PA towers that were rigged at 10m, an 11m high follow-spot platform and a large front of house structure.
Star Orbit were called in at the last minute to provide all of the staging structures after the organizers were let down and were left without a stage just three and a half weeks before the event was due to take place. Despite it being one of the busiest weekends in the outdoor event calen
From now on, Tarm laser and showtechnik OHG will not depend on its old-fashioned Tarm technology, but can configure a product line together with Lobo which unites the high-tech solutions of Lobo with parts of the former concepts of Tarm. The new range of special device configurations will, say the companies, withstand the globalization of the laser show industry in regards to performance and pr
Hemijaya was set up five years ago to provide staging, truss and lighting systems, and more recently it launched a sister company, Clef Sound and Light Sdn Bhd, to handle PA and lighting rentals. The company already owns three Midas Venice consoles as well as a large inventory of Electro-Voice speaker systems. "We chose Siena in particular because it has the flexibility to be used as a front of house or a monitor desk," says David Tham from the Hemijaya Group. "We've already been using it across a range of concerts and shows which we¹ve worked on for Malay
"Robert Juliat has strong relationshi
With headliners like The Doves, Super Furry Animals, Sigur Ros and Bloc Party, Nick Read designed a generic lighting rig for the venue's first series of summer concerts promoted by Somerset House themselves, and staged in the charismatic courtyard in central London. These will be followed by another series run by top UK promoters, Metropolis. Most band LDs used the D4, reports Read: "Because it's a great festival desk and this is essentially a festival-style set-up. It's highly 'buskable' and perfect for the job."
The main D4 programmer on Read's team was Dom Smith, himself a keen D4
Allan Burgess, manager of Musco's mobile services division, says Nationwide Access regularly supplies the company's access hire requirement. The four boom lifts used at Trent Bridge supplemented four lighting towers which are owned and operated by Musco. "We have four cranes but eight sets of lamps and we used all eight se
Mike Blackman, ISE 2006 managing director explains: "The success of InfoComm 2005 demonstrates that the market is growing stronger by the year as more professionals and installers look to exhibitions as the key medium to source new products and see the latest innovations in technology."
Blackman also had this to say about the latest progress on ISE 2006: