"All our courses have a strong theoretical foundation combined with hands-on experience in our studio and live facilities, as well as through the events managed by the leading AV rental companies here in Dubai," explains In the Mix's founder and sound engineer/producer, Nash.
The ML4000 is installed in the main recording studio, which is equipped with a 48-channel ADAT HD, and 32-track software-based recording tools. There is a spa
"With a 75-year heritage of success, we¹re looking to the future. We have been lighting NASA's Space Shuttle launch pad for more than five years and now we have the opportunity to light a new way to the stars," said Paul Rabinovitz, Strong vice president. "Because space elevators were once considered science fiction, Elevator:2010 is truly a revolutionary effort and we are excited to be the
Reproduced Sound conferences represent the cutting edge of modern audio and acoustics, presented in an informal and convivial environment that allows consultants, manufacturers, contractors and end-users to mingle and share insights and information. It's an opportunity for business networking in an atmosphere that proves you can have 'high brow' and 'informal' in one place at one time, say the IoA.
This year, as you would expect from such an im
Yamaha has over 30 years of mixing console development and manufacturing experience, with over 15 years of experience in digital mixing console technology, including the development of industry-standard products, such as PM1D and PM5D. Yamaha is also well known for its range of digital signal processors, power amplifiers and speakers such as the DME24N/64N and PC-1N power amplifiers.
NEXO is a leading manuf
Spread across two stands at ABTT this year, White Light showed items from its extensive hire and sales stocks, including theatre lanterns from Arri and trussing from Prolyte for which White Light has recently been made a distributor; these join products from Robert Juliat, Rainbow, Look Solutions and ELC which White Light already distributes in the UK. The company's award-winning Digital Festoon System was also on show.
The day after ABTT, White Light held a Moving Light Shootout at the Royal Opera House's Linbury Studio, where lighting designers had the opportunity to com
Stagecraft produces conferences and exhibitions, as well as providing equipment and technical support for corporate events, festivals, parties and meetings in the UK and abroad. Stagecraft Theatre Services supplies and installs equipment from all leading lighting and sound manufacturers to the educational, amateur and professional entertainment sectors.Managing director, David Goodrich commented: "It is incredible to think that 25 years has passed and I am proud to be part of an exciting and innovative industry . . . the trend has
Powervar Inc is a privately held corporation based in Waukegan, Illinois, manufacturng high-end power quality solutions for mission critical applications in healthcare, manufacturing, and other industries. Its customers are manufacturers and resellers of high technology systems used in healthcare, digital printing, semiconductor manufacturing, retail POS, and other commercial applications. The company received a 2004 Fr
For the first time the CommunicAsia Summit conference featured a three-day CEO Perspective panel session, where senior executives of telcos and vendors exchanged industry views and insights with the audience. "I find this conference very good for sharing and bouncing ideas," says Tom Goodwin, regional CTO of Lucent Technologies, and one of the panel speakers.
Another attendee at the CEO dialogue session was Siemens Communicatio
Gary Churchill said: "The D4 is great. I have used it before a couple of times but here I've really had a chance to put the desk through its paces. I like the wide choice of faders and the fact that you can put any playback anywhere you like and have direct access to all the fixtures onstage." He added that the Elite was also a handy size, and could easily be moved by one person and lifted by two.
In
Having successfully toured New Zealand, they moved on to Australia and South Africa with a sound system that has encompassed just about every loudspeaker brand there is. But the consistent element throughout is XTA loudspeaker processing.
Front of house engineer Andy Craig explains the ethos behind the Experience's sound: "On a show like this I work on two levels and XTA products help me throughout the day. My first task is to ensure that t
In mid-May, the Audio Plus team, EVI Audio's Polish partners, demonstrated the system at an open air cinema in the historic centre of Warsaw (the square dedicated to the Warsaw Uprising). This time, the system was flown, and the results were just as convincing. "The X-Line Very Compact filled the representatives of the rental companies with enthusiasm," Sebastian Pawlak, Audio Plus's MD, told us. "The sound was tr
Commenting on the purchase, ML's managing director, Gary Marks, says, "We're already one of the UK's larger rental-users of Lab.gruppen, which powers our EAW KF760 rig that's currently out on Iron Maiden's 2005 world tour. When we purchased 24 boxes of V-DOSC and six of dV-DOSC, choosing Lab to power it was a natural. Not only was it our first choice but it's also the amp L'Acoustics recommend for V-DOSC, so it keeps our system consistent with all of the others in the market."
Marks continues, "Our first priority has always been sound quality but another big advantage with the Lab.gruppen switch mode power amps is their class AB performance with superb control and power
These various lateral applications of Pixel fixtures illustrated their energy-saving properties, adaptability and low heat emissions. The latter specifically enabled them to be encased in plastic and other impromptu weatherproofing materials to protect them from the swamp like conditions, in abundance at this year's Festival!
Pixel's Chris Ewington and Pyramid Stage LD Andy Porter (AKA Fraggle) had been speaking about architecturally lighting the Pyramid for the last couple of years. In 2004, Fraggle used PixelPAR 90s to illuminate the internal structural detail of the lighting rig. This year, with the new 110ec PixelLine wash fixture co
Barnes also used PixelDrive for controlling the content running through the Pixel fixtures. The ability to drag, drop, rotate and resize video sources via PixelDrive proved invaluable for his design, as none of the battens were rigged straight. The batten's own onboard effects made it possible to have fast strobe sequences, as seen with The Who and Paul McCartney.Show lighting director for the BBC was Bernie Davies with all lightin
With the launch of PVSL, Filmbank say it has made screening films in public easier and more cost effective for all businesses within this industry. For one annual fee, the PVS Licence will enable users to purchase VHS tapes and DVDs from retail outlets to screen within their outlet all year around. A separate PVSL is required for each location where movies are to be played. All VHS tapes and DVDs will need to be purchased or rented from legitimate UK retailers. This licence precludes any charging or promotion. Full Terms and
In Scandinavia, Sweden's annual Hultsfred Festival has attracted increasing hordes of hard-rock fans with each successive event. In recent years, audio provider Starlight AB has responded with larger complements of Meyer Sound loudspeakers to provide both crowd-pleasing power and the precise directional control needed to comply with Sweden's tough noise ordinances. This year Meyer Sound is powering four main stages: M3D line arrays anchor the systems for the Hawaii and Pampas stages, while MILO high-power curvilinear arrays cover at the Atlantis stage and M2D compact curvilinear arrays pump up a crowd of 2,000 in the indoor theatre.
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Ideal for work on location, the S6002 was recently deployed by Plus 4's MD, Stewart Chaney on ITV 1's - Hells Kitchen. Sixteen transmitter channels were combined with the S6002 dual receiver to provide a robust and reliable solution. As the dual receiver version of the S6000 rack based receiver, the S6002, which is housed i
The set was designed to look like the fall out from an alien attack, with piles of rubble, overturned cars, a demolished archway, broken lampposts, park benches and a phone box. Le Maitre used CO2 Jets in the craters on the ground, which fired throughout the show. The craters also held the Dragon gas flame effects, which spewed flames in random bursts. The Pyrotek Dragons were also used on the balconies
The 17.5mm pixel pitch media displays were provided by rental company Laser Grafix, whose project manager Arran Hopkins confirmed that the displays had been specifically chosen by the band's video director, Alan Yates, following their performance at the Brit Awards. The screens took their feeds from a camera/hothead PPU, with further live video and visual effects generated later during the show from a pair of RADlites.
But while the Unitek display had to operate 80% of the show in high brightness conditions (reinforcing the images of two support bands during daylight hours), its other attribute, suggests Hopkins, is its lightwei
Continuing its association with the Festival, Adlib supplied sound systems for the Theatre, Circus and Cabaret tents, the Outside Circus and Outside Theatre areas, plus a transit van mobile system that was on call for various outdoor areas as required. Engineer Carl Billington battled bravely with the elements to ensure that he didn't become the 'immobile' system!
The Cabaret tent featured a Nexo Alpha system with a Soundcraft Series 4 console at FOH and an SM20 onstage, complete with a full ADLIB active/passive wedge monitor compliment. This tent was run by Dave Jones on monitors and Ben Booker at FOH plus te
In seeking to develop a fully featured system with complete redundancy, the company approached Beyerdynamic, whose technical director, Jon Stanley came up with a design concept. This was duly adapted so that it could be delivered as a compliant system that would both integrate with the club's existing infrastructure and extend the scope into the corporate areas and ground control.
Working in conjunction with Stanley, Marquee Audio's Scott Wakelin project managed the installation of an IP-addressable, fully-monitored, A + B redundant system - both inside the grandstand of the 30,000-seat bowl as well as the general concourse, season ticket hold
In addition to the trade fair the organizers entertained visitors with 96 different artists at the 'EEMC Music Festival' next to the exhibition centre and at several parties in the leading clubs of St. Petersburg. The conference on Digital Distribution and Copyright in Eastern Europe was one of the highlights of the event, say the organizers. Representatives of leading collecting societies and distribution companies as well as specialized lawyers lectured about digital distribution and copyright within the EEMC.
Events kick off with 'DJ Sunday', on 11 September. Sponsored by iDJ Magazine, the day showcases all the major manufacturers' new kit and includes various events, product launches, on-stand demos, giveaways and workshops. Central to it all is the Gemini 'Extreme V' DJ Competition - a major showcase of current and new talent that attracts entries from all over Europe.
Spurred on by the evolution of digital technology, the latest major DJ technology developments can be seen - many of t
The company's co-founder Helen Meyer, says: "We've been a festival sponsor for three-quarters of Meyer Sound's existence and, in addition to the challenge of providing high-quality sound for such a wide variety of artists and venues, it is very satisfying to feel that we can contribute to an outstanding experience for music fans at these festivals."
The largest sound system will be in the 3,500-seat Auditorium Stravinski and will feature 20 MILO high-power curvilinear array loudspeakers, supported by four MICA cabinets, eight 700-HP ultrahigh-power subwoof
