Things went equally well from an audio point of view. Rick Bailey of RMPA, who was responsible for sound on the acoustic stage, had a particularly successful festival. Headline acts included veteran rocker Robert Plant, the Waterboys and talented young Irish accordion player, Sharon Shannon. Bailey opted for his conventional Electro-Voice X-Array PA configuration wi
"JBL products are always developing, and this was the perfect opportunity to put the latest technology into practice," states Over Audio's Mike Boylan, who has been dealing with both Arbiter and Luminar Plc for many years, and has used JBL products in six other Liquid venues. All the Liquids
According to Stardraw marketing director Rob Robinson: "We're very excited about the Affiliate program because it is such a simp
If the 'driving' is not your thing, you can always test your nerves by riding pillion behind Ron Haslam himself around Donington Park - highly recommended, but hold on tight. Le Mark is offering the chance for one lucky person to win a free place on the Track Day. To enter the competition, simply drop leave business card at the Le Mark stand at PLAS
Alistage was also involved in some of the street visits which the Queen undertook in London, one in particular involving the construction of a ‘gold’ circular podium in the East-end. The stage came from standard equipment, but the police only allowed a 30-minute build time, whi
Terry Tew Lighting is a sound, lighting and AV rental house, specializing in all areas of corporate events, product launches, industrial shows and exhibitions. They also offer technical management for all types of projects. The Rave was chosen by lighting designer Kevin Cramner, who went to Stagetec for a demo and bought it on the spot for TTL. The desk went straight out on its first show where
For more information regarding either workshop
The move fulfils Avesco’s intention to focus on providing its core services to the events market. David Nicholson, Avesco’s chief executive, told us: "Fountain has been a good solid business for us, but there are limited synergy benefits, with virtually no relationship with any other group company. The cash we have generated from this sale allows us to cut our debt still further. We have taken actions this past year to reduce our debt rapidly. Following completion of this transaction, the Group’s net debt figure will stand at less than £11 million, having been more than hal
The outlet is located in an area popular among back-packers from other countries. Here they are welcomed by the sound of two pairs of Wharfedale Pro LA-15P which are used to playback both live performance, which the venue has now introduced, as well as piped-in music. Meanwhile, Sakura Cafe & Cuisine has been a popular restaurant since the 1970s, serving a mix of local and continental food. As part of the recent renovation works, the owners opted to include nine pairs of Wharfedale Pro Force 1, distributed around the two floors of the restaurant, to provide easy listening for the diners.
Across in Bukit Bintang - in t
At Wynmoor Theater, MAVCO is providing engineering, supply and installation of the lighting, sound and cinema systems for the refurbishment of the 900-seat theatre located at Coconut Creek, Florida. Working to a design by TSG Design Solutions, MAVCO’s enormous experience in all three disciplines was a crucial element in gaining the project, offering the main contractor, Dooley & Mack, the advantage of having one supplier handling all the technical systems.
The Wynmoor Theater serves a private gated community just off the Florida Turnpike and, as well as offering both drama and music productions, is also used for lectures and courses, as well as current events. The comprehensive refurbishment, under the project management of MAVCO’s Nick Gibson, is due for completion at the end of
Apart from its aesthetic appeal, the company also wanted to introduce an element of 'entertainment' into the garden area, so Geoff Jones, the veteran of numerous architectural lighting schemes, from the illumination of Merseyside Police Station to the Tyne Bridge, set to work. As always, there was a budget, but Jone
EFX had placed its order months before, solely on the basis of a description of Helix. According to EFX managing director John Ramsay: "From previous experience we knew that KT would produce a benchmark product which would be a much sought-after unit and a step forward for us, so we had no hesitation in being the very first customer."
Klark Teknik international sales manager David Wiggins was on hand to thank EFX personally for their early adoption of the new device. "EFX have beaten everyone out of the blocks this time in demonstrating their ongoing commitment to KT, which is a great affirmation for us
The CobraNET system, developed by Peak Audio, runs full bandwidth audio through computer cables, removing the need for lots of heavy cabling. Rane has developed this system further by creating a device so the mics can be input at one end, the cables fed through, and then picked up again at the other end. Before the move to the new site, Trinity College’s recording technician Kit Venables knew that the facility would need a multi-track audio system, but was concerned about the restrictions of the listed building - the old Greenwich military hospital. Ian Downs of Hayden Labs and Martin O'Donnell of HHB (who had previously supplied the college with equipment) were approached by Venables, and coll
For the maximum punch from a small package, Ball opted to use the Martin MAC 300 washlight and MAC 250 spotlight, rounding the rig out with ETC Source Four profiles, which were fitted with Morpheus ColorFader colour changers and used to provide a precisely-focussed, colour-c
The events, production managed by ClearChannel, featured Blue, Darius and the talented Sugar Babes amongst the artists, with Gareth Gates closing the show, much to the delight of the 25,000 strong crowd. The central stage was 15m wide, 12m deep and 10m high with a stage height of 1.8m. Each stage was constructed in its ‘Vista’ layout with screamers or 'ego-platforms' extending in front of the screens which were set back to improve audien
Siyan specializes in designing for up-coming bands, and developing LDs and design concepts with the band as they gain profile. Leitch - who has vast experience of all the major moving light fixtures on the market - chose the SGMs after careful consideration, and following a demo by Lightfactor. He was looking for a small, bright fixture for the start of the Coldplay tour - which plays in a vast assortment of venues. "Giottos are great value for money," says Leitch. "I looked at everything available - and chose the fixture most suitable for my design b
Tim Roffey of Unusual was given the task of finding a way of getting the bridge up to the 4th floor gallery. Although it couldn’t fit into the goods lift on the level, there was a possibility that it might fit in if loaded into diametrically opposed corners. A ground support was built inside the lift using mini-beam truss. Using manual lever hoists attached to the temporary grid, the exhibit was gently coaxed into po
ATT’s Frank Hinton added: "I spoke to Paul at last year’s PLASA show, and was impressed with his enthusiasm, knowledge and attitude. The amps’ spec and build are superb, and the digital audio control system he is currently developing sounds very promising. I am looking forward to putting Chameleon on the map Down Under."
(Lee Baldock)
Kirk Kelsey, Creed's front-of-house engineer and co-producer of Weathered, chose a wide array of Audio-Technica microphones to help capture the band's signature sound. "I've been using Audio-Technica mics for years, both live and in the studio. When we were recording Weathered, we used AT4047s on clean guitars, AT4050s for the dirty guitar, ATM25s for the toms, AT4060s for overheads, and an AT3035 on kick. When it came time to hit the road, rather than mix and match a bunch of microphones, I wanted one company with the products and support that would cut it, and A-T is the one."
Currently, for Scott Phillips' drum kit, Kelsey is
Based around the new Fox Kids Saturday morning television show, Galidor: Defenders of the Outer Dimension, this indoor presentation revolves around four video monitors and a large wall-mounted plasma screen, with a dedicated in-house soundtrack production which interweaves the spoken word with techno music. Program material is fed to the monitors along with the soundtrack. A broadcast quality video camera and switcher generate real-time video of the visiting children in front of a
For the audio system, Podd Sound’s Matthew Podd put his specialist knowledge to the test once again, having been responsible for the sound and lighting installation in London’s hugely popular Bar Elvissa. For Elysium’s all-important DJ station, Podd Sound included HK Audio L.U.C.A.S. 1000 system in the role of the club’s DJ monitoring. "The L.U.C.A.S. is compact and unobtrus
Dobson specializes in the design and supply of sound systems for special events, music performances and conferences. The scale and complexity of the events in which Dobson is involved has increased considerably in recent years. Within the last four months the company has provided sound systems for the Queen Mother’s Funeral and the Golden Jubilee celebrations in Central London. Recent and long-standing clients come both from the world of classical music - with open-air concerts in Somerset House, and live relays for the Royal Opera House
Drawing on the theme of fifty, the Baton was carried by 5000 runners passing through 500 places in 50 days. The relay traversed the whole of the UK, stopping overnight in venues so that the Baton could change hands and to allow for evening entertainment. The Baton’s journey culminated in Manchester at the opening of the Commonwealth Games on 25 July 2002.
Star Hire provided one of its SS11-09 Mobile StarStages for the tour and managed the technical production elements of sound, lighting, power and video screens for the evening entertainment events. They were also responsible for the design, manufa
Since its inception in 1995, MMF-Training (the training division of the Music Managers Forum) has delivered a range of Master Classes that focus on legal and business issues in key areas of the Music Business. Although originally designed with the artist manager in mind, the seminars cover a range of topics that are equally relevant to others working in the music industry. Other MMF-Training accreditations include the Institute of Legal Executives and members of the Institute of Chartered Accountants in England and Wales (ICAEW), The Association of International Accountants (A
