OpTex Appointed UK Distributor for Angenieux Lenses
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The Boardwalk has witnessed the UK debuts of Primal Scream, Sonic Youth and Courtney Love’s band Hole. Big names such as Oasis, M People, Pulp, The Verve, Suede, Blur and the Stranglers have also appeared, along with DJs such as Paul Oakenfold, Todd Terry and Pete Tong and comics Steve Coogan and Peter Kay.
The basement rehearsal studios were as famous as the club. Acts who rehearsed at The Boardwalk included Terry Hall & Colourfield, Nico from the Velvet Underground, Simply Red, The Fall, James, The Railway Children, Manic Street Preachers, ACR and Happy Mondays. The Happy Mondays’ residence is immortalized in the new film about Factory and The Hacienda -
Full details of the rest of the award winners will follow and a full report from LDI, inclu
Marquee Audio was responsible for supplying and fitting all the audio, working to a specification from audio consultant Peter Mapp, who had been introduced to the project by former technical manager, Paul Kennedy. By completion, the whole project will have cost around £5 million. Given the constraints of the protected architecture the installation had been no easy feat, as the venue’s chief electrician Tim Liddle emphasized. "We got a grant from English Heritage who wanted the hall restored to its original 120-year-old grandeur. The Borough Council have been restoring the building over a 15-year period and when I came here 10 years ago, there were pigeon
The Grant is valued at $50,000 and consists of a variety of Martin fixtures and control products including the Martin ShowDesigner virtual software design system and Martin Lighting Director tracking system. The Grant does not stop wit
The 50 metre wide, seven metre high screen was used to show a specially commissioned film directed by Robert Butcher and Liam Lyons with a score by Jonathan Goldstein and produced by HP:ICM, in front of this screen was a huge water ‘lake’ which concealed submerged water and pyrotechnic effects which accompanied dynamic moments in the film; the roof supported a comprehensive lighting system and was covered by a 35 metre diameter fibre
Lightfactor also ran courses for the LDR range of theatrical lanterns and SGM moving lights from Italy. On the sound front, courses on Zeck Audio products from Germany and Apogee Sound Inc products from the USA aroused considerable interest. Lightfactor's MD Paul de Ville tol
At the LDI Awards Ceremony Martin won ‘Product of the Year Lighting/Entertainment, Most Promising Prototype’ honours for the TracMAC mini, an easy to operate followspot luminaire that drew a lot of attention from visitors. Mach speakers was awarded the ‘Product of the Year, Sound, Most Promising Prototype’ for the Mach ViroStation
A section of one of the halls was separated via drapes to create the main theatre. PSL provided the main staging and 900 feet of mini beam truss suspended from 38 half tonne electric motors to create the various lighting effects the show required. This involved using over 36 moving and 180 generic lights, including Studio Beam PCs, the latest in wash lights and Cyberlight Turbos
Hersey and his assistant Jenny Kagan worked closely with production designer John Napier to create the setting for the story. Originally developed for the show's New York opening, the six and eight lamp DHA DLCs provide an intense sheet of light, controlled by a dedicated computer providing the facility to adjust the tilt, angle and colour of each individual 6' section on cue during the show. An
West Design commissioned Visual Elements and Spirit Design to illuminate the exterior facade of the cinema and, in turn, Mike Townsend approached Fourth Phase to supply the lighting equipment. As the cinema's fascia decorations had been painted with UV paint, Fourth Phase provided 30 Mac 600s, together with eight each of Studio Due’s City Colors and City Beams, used alongside a substantial quantity of conventional lighting to create a striking backdrop for the film's premiere. The long-awaited fi
The move, a major investment for Blitz, is aimed at giving the company access to the £7million Midlands market. Blitz MD Michael Breen told L&SI: "We have invested £500,000 to ensure that we are offering our customers the high quality, professional service that is expected . . . namely, specialist skills in AV, video imaging, interactive media and graphics for business presentations."
The office will be run by branch manager Martin Green and operations manager Martin Clowes, with Ian Riley overseeing the operation.
E//T//C were approached by project director Mick Worwood from Ace Consultants, who had been commissioned to produce the event by Rear Admiral Burns, head of the Kensington & Chelsea branch of the British Legion. Burns initially had the concept of projecting onto a suitable building to make a stirring impact, and also to boost the two days of street collections that are an integral part
PSA member Nick Cooke told us: "There are a number of people in our industry across the UK and Europe who are suffering serious financial hardship as a result of the WTC/Pentagon attack. The cancellations were rolling in practically before the first tower collapsed. I've met several freelancers in the conference industry who have lost some major work as a result of this and then there's the question of what happens next year as the war continues."
Link's managing director Assunta Fratocchi adds: "Link has built its reputation by observing and driving the technological evolution of equipment used for system interconnection. We are now implementi
Birmingham-based Laser Hire, who were again appointed main audio-visual contractors, this year hired in a Christie Digital Systems' X4 Roadster from a local partner trading partner, AT Communications, to present a spectacular water screen projection over the lake. Laser Hire first delivered laser and lighting back in 1989, but according to Mike Kinsella it has only been the last four or five years that the event has developed into its c
Newbury's three-storey Grandstand - designed by Foster & Partners and built at a
"As Atlanta's draw continues to grow, LSD/Fourth Phase wil
The two sets of bins sit either side of the flybar which supports the central three trapezoidals bo